Katernacht with Kenny Larkin, Jesse G, Noy Ära, Danielle Arielli + more

Who they are

• 

  Kenny Larkin

  Detroit, United States of America · 3 bookings since Aug 2025

  “To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction.”

  their own biography

  the whole biography

  To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, 2012 serves as the year to re-establish his position as one of the most valuable forces in dance music today. On his popularity, Larkin states: “I’m more like the artist’s artist. I’ve had very successful electronic artists tell me constantly how much I’ve influenced them, but, to the newer generations of club-goers, my name might not be as well known. I like to say, I’m famous for not being famous!” -KL Since the beginning of his career, Larkin’s profile was never considered massive, nor did he ever serve as the “face of techno.” Yet, the respect and admiration he garners from his fans, electronic musicians, and journalists globally leave little doubt as to his relevance, and influence in a genre that sometimes can be described as lacking in feeling, warmth and musicality. It is that musicality that allowed him to give us an unforgettable collection of original material and remixes, such as the amazingly groovy Inner City “Share My Life.” Many consider this rework one of the best Inner City remixes ever done. Or the equally stunning remix done for Ben Klock’s “OK,” which was voted by website LITTLE WHITE EARBUDS as the 20th top track of 2009. The reviewer comments: ... Larkin defrosts Klockʼs “OK” with swelling warmth and a bass line that wound itself all the way to the horizon. High wire strings gave the remix a sense of drama, while faultless percussive turns saw halting snares, clipped shakers and languid hi-hats entwine themselves through the fabric of the track. Coaxing an animalistic cry from his hardware, Larkin had already succeeded in creating a stunning take on “OK” by the three minute mark, but then topped it all off with a gorgeous piano solo that continued for the remainder of the track, adding a graceful fragility to the feverish pace set by the other elements. Not just one of Larkinʼs finest moments but one of 2009ʼs as well. Stunning! -LWE But by far, one of the most memorable recent remixes, was Larkin’s version of Radioslave’s “Don’t Need A Cure For This.” Released in late 2010, Larkin effortlessly displays his penchant for melody, and his signature jazzy keyboard riffs. The keyboard line, alongside the driving rhythm, resulted in the remix becoming one of the most charted remixes of 2010-11 on popular electronic music websites Resident Advisor, and Beatport. Never to rest on his laurels, in Dec. 2011, Larkin delivered one of the first biggest remixes of 2012. Less jazzy, but no less impressive than his Radioslave remix, Larkin’s expertly crafted version of Inner City’s, “Future,” which he coincidentally co-produced, and co-wrote, quickly climbed to the number one spot on Beatport’s Top 100 Techno Chart, and reached number 16 on their Top 100 overall chart, which combines all genres. Top dj’s from around the globe are currently supportive this massive floor filler. This was one of only a few Detroit titles to ever reach number one on the techno chart, since the creation of Beatport. “Quality, not quantity...” -KL The building blocks of his signature sound are rooted in his early exposure to jazz, funk, and soul, in addition to other more electronic influences. These styles all serve as the backbone of his unique style. This was a key component in the formation of the second wave of Detroit Techno, alongside artists such as Carl Craig. Larkin’s small, but impressive catalog of work of over the years, all displays his ability to chisel out of the often cold hard machines, his own sound that is all heart and soul. Quite simply, this is electronic soul music. After listening to his debut album, released on Warp Records, Azimuth (released 1994), the press commented: “”Azimuth is one of the most imaginative and original techno albums yet.” MUSIC WEEK “A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.” STREETSOUNDS His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: “This is electronic soul music, full of human feeling and warmth" MixMag “Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno, almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music’s future.” SELECT Street Sound magazine later voted Azimuth as one of the top 50 Techno CD’s of all time. His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: "A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation. At times very minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just the right places at just the right time.” I-D -Metaphor was Nominated for “Best Electronic Album of the Year by Keyboard Magazine. -In 1995, Larkin was voted “Best Techno Artist of the Year by local Detroit newspaper, Metro Times. Larkin returned from a break, and re-established himself with his, “Keys, Strings,Tambourines.” The album was released on the legendary Planet e, and was voted by Pop Matters magazine as the ninth best electronic albums of 2008. For their selection of top 20 albums of 2008, well respected website, Resident Advisor, listed Larkin’s album at 18. "Throughout Keys, Strings, Tambourines, Larkin peppers his elegant tech house rhythms with jazzy keyboard fills, strings, tambourines and oddball synth blurts, making for an especially tuneful listen that doesn't skimp on the ass-shaking. Fans of Larkin's classic works will not be disappointed here, nor will those discovering his music for the first time." –Resident Advisor Kenny has an undeniable passion for making music. In addition to his busy global dj schedule, Larkin is currently working on no less than 7 remixes, for a number of noteworthy artists craving the Larkin touch. In addition, he is putting the final touches on his first original release since his KST release on Planet e. Due out in the spring on Cadenza Records.. Larkin’s sound continues to stand the test of time. His unique, musical approach to dance music transcends expectations in balance with meeting his own ambitions and meanwhile pleasing “Detroit-Days” devoted followers all the world over. As his popularity grows, he will no doubt convert new fans to believers and show them that music...REAL music, and Techno can in fact coexist in the same fuzzy place in the heart. Famous for not being famous? Not for long.
  SoundCloud ↗Discography ↗
  Their RA profile lists Peacefrog, Warp Records, Planet E, KMS and 3 more.

  often with LOURDES LOURDES, EXTRA by BeYond, Zahara, none of them here that night

• 

  Jesse G

  Frankfurt · 16 bookings since Aug 2025

  “There’s an ineffable feeling that one has after a Jesse G set, often evidenced by an upward turning of a lip corner, a child-like sense of discovering something new, or a renewed understanding of the word “fun.””

  their own biography

  the whole biography

  There’s an ineffable feeling that one has after a Jesse G set, often evidenced by an upward turning of a lip corner, a child-like sense of discovering something new, or a renewed understanding of the word “fun.” Proficient at working a crowd, Jesse G wants you to feel whatever you want to feel during her sets, as long as it’s something. Known for her energetic, genre-spanning sets that surprise and delight crowds, the Berlin-based Techno DJ’s big sound is a playful wide range medley of deep, metallic and trippy to groovy, jacking, percussive sounding Techno with diverse rhythms and UK bass influence. Growing up in Wiesbaden, Germany as a child of Filipino and Sicilian immigrants, Jesse found music to be a lingua franca that connected her with her surroundings. Her early introduction to music was through R&B, Italo Pop, and Rap and her deep curiosity and engagement with music in all its forms still guides her today. Describing DJing in her words as „a way to express how she hears the world“, her exhilarating sets borrow from a diverse range of sonic spaces and one can often detect influences from different genres such as bass music, breakbeat, house, reggaeton and dancehall alongside her meticulous and expansive feel for varied techno grooves and rhythms. Her distinctive sound is also informed by an encyclopedic understanding of electronic music and her craft honed over her nearly six years as an integral member of the staff at the hallowed Berlin record store, Hard Wax. In addition to holding down residencies at RSO Berlin and Tresor, she has brought her sound to venues such as De School, Berghain, Open Ground, and Blitz Club; and graced festivals including ADE Het Weekend and Nachtiville.
  SoundCloud ↗

  often with Berghain, Dangermami, Xiorro, none of them here that night

• 

  Nicole.

  Tbilisi, Georgia · 9 bookings since Aug 2025

  “Born in Batumi and based in Berlin, Nicole has been immersed in music from a young age.”

  their own biography

  the whole biography

  Born in Batumi and based in Berlin, Nicole has been immersed in music from a young age. The Georgian artist and producer attended music school as a child and was a drummer in a band. Guided by music as a creative medium, she started her career at the age of 17 as part of a duo named Body Thrills. After going solo, Nicole soon discovered her personal approach to DJing. Since then, she has played her energetic and emotive sets in most of the clubs in her own country and made strong appearances on the European scene. Nicole’s style is impossible to be framed as her sets are shaped by the energy she receives from the dancefloor. She equally enjoys both old-school acid techno and intelligent minimal sounds. Since her performance on Boiler Room in famed nightclub Bassiani to celebrate its reopening following the rave protests against the raids and shutdowns of Tbilisi’s clubs that gained worldwide media attention in 2018, Nicole has been referred to as one of Georgia’s leading DJs and producers. Not content with just DJing, Nicole was also working as a promoter at Tbilisi’s legendary art space and nightclub, Cafe Gallery. 2020 was a year of accomplishments for Nicole as her talents didn’t go unnoticed by prominent DJs and producers beyond Georgia’s shores. She released her debut solo EP Inside on Marco Shuttle’s techno label, Eerie Records. Her track ‘Luna’ was also featured on Nina Kraviz’s first compilation album Hot Steel - a project that was started during the pandemic to support up-and-coming artists - released via Kraviz’s label трип (pronounced 'trip').
  SoundCloud ↗Discography ↗
  Their RA profile lists Eerie Records, Trip, Partisan and Vacuity Records.

  often with GLOBUS, TRESOR, Kerrie, none of them here that night

• Danielle Arielli

  3 bookings since Aug 2025

  often with VOXAL, Schlecksi, Banani, none of them here that night

• Dario (DE)

  4 bookings since Aug 2025

  often with SASKiA SASSE, ZuendHoelzl, lisa tba, none of them here that night

• HOPPER

  106 bookings since Aug 2025

  often with EXTRA, EXTRAEXTRA, EXTRAEXTRAEXTRA, none of them here that night

• ACID BOGEN

  106 bookings since Aug 2025

  often with EXTRA, EXTRAEXTRA, EXTRAEXTRAEXTRA, none of them here that night

• Noy Ära

  2 bookings since Aug 2025

  often with Stereo Visions, Needs (2), PAK-E, none of them here that night