Ostgut Ton Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 9 Aug 2025
Press play
Who was billed19 artists
In the order the promoter listed them.
- next: Berghain, Sat 31 OctAltinbas
- next: Konzerthaus Berlin, Sat 21 NovAzu Tiwaline
- next: Berghain, Sat 14 NovEfdemin
- next: NYC, Fri 30 OctFadi Mohem
- Isabel Soto
- next: ZENNER, Sat 31 OctJakoJako
- next: Berghain, Sat 7 NovQuelza
- next: Berghain, Sat 7 NovSteffi
- next: Berghain, Sat 31 OctVerraco
- next: Kater, Fri 27 NovGallegos
- Jinjé
- LADYMONIX
- Lydia Eisenblätter
- next: Berghain, Sat 24 Octnd_baumecker
- next: Red Eye NY in NYC, Sat 21 NovSnax
- next: Berghain, Sat 7 NovVirginia
- Wallace
- Hard Ton
- Snecker
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
119 of the 171 pairings on this bill were first meetings.
- Steffi and Virginia — 5 shared bills before that night, first on Sat 9 Aug 2025.
- Quelza and Virginia — 5 shared bills before that night, first on Sat 9 Aug 2025.
- Steffi and nd_baumecker — 4 shared bills before that night, first on Sat 9 Aug 2025.
- JakoJako and nd_baumecker — 4 shared bills before that night, first on Sat 9 Aug 2025.
- Altinbas and Efdemin — 3 shared bills before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and JakoJako — 3 shared bills before that night, first on Sat 9 Aug 2025.
- Efdemin and Steffi — 3 shared bills before that night, first on Sat 9 Aug 2025.
- Efdemin and nd_baumecker — 3 shared bills before that night, first on Sat 9 Aug 2025.
- Quelza and Steffi — 2 shared bills before that night, first on Sat 9 Aug 2025.
- nd_baumecker and Virginia — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Quelza and Gallegos — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and Quelza — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and Isabel Soto — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and nd_baumecker — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and Gallegos — 2 shared bills before that night, first on Sat 9 Aug 2025.
- JakoJako and Gallegos — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Gallegos and nd_baumecker — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Isabel Soto and Steffi — 2 shared bills before that night, first on Sat 9 Aug 2025.
- JakoJako and Quelza — 2 shared bills before that night, first on Sat 9 Aug 2025.
- JakoJako and Virginia — 2 shared bills before that night, first on Sat 9 Aug 2025.
- Quelza and nd_baumecker — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Isabel Soto and Quelza — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Isabel Soto and nd_baumecker — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Isabel Soto and JakoJako — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Isabel Soto and Virginia — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Isabel Soto and Gallegos — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Steffi and Gallegos — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Quelza — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Isabel Soto — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Steffi — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and nd_baumecker — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Fadi Mohem — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Verraco — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and JakoJako — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Virginia — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Gallegos — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and Steffi — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Fadi Mohem and Virginia — 1 shared bill before that night, first on Sat 9 Aug 2025.
- JakoJako and Steffi — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Gallegos and Virginia — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and Quelza — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and Isabel Soto — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and Fadi Mohem — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and JakoJako — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and Virginia — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Efdemin and Gallegos — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Quelza and LADYMONIX — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Gallegos and LADYMONIX — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Altinbas and Wallace — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Steffi and Verraco — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Azu Tiwaline and Fadi Mohem — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Azu Tiwaline and Verraco — 1 shared bill before that night, first on Sat 9 Aug 2025.
Who they are
“As a DJ, Altinbas is known for simultaneously honing in on minute details and zooming out to the bigger picture, crafting captivating journeys that explore the common threads and connective tissue between his carefully-selected cuts.”
their own biography
the whole biography
As a DJ, Altinbas is known for simultaneously honing in on minute details and zooming out to the bigger picture, crafting captivating journeys that explore the common threads and connective tissue between his carefully-selected cuts. Through his online mixes, his own curated parties at Fuse, and his dense touring schedule through many of Europe's club capitals, he's become known for a sound built on layered beats and rapidly shifting dynamics, where even familiar tracks feel fresh in the fabric of his sonic narratives. Honing his skills as a producer for years, he's developed a densely-layered style built on sculpted sound design and impactful grooves that's been captivating and reverberating across the international dance scene. Renowned for the level of craftsmanship in his productions, Altinbas' works have found a home on labels like Ostgut Ton, Token Records, SK11 and Non Series. On his own imprint Observer Station, he pushes his output even further, using the label to explore both the emotional content of his music and the methods he uses to release it without constraints. While home to some of further-reaching tracks, Observer Station keeps its focus firmly on dancefloor functionality, making its releases primed for unique, overwhelming moments in the club.Their RA profile lists Token, Non Series, Float Records, SK_eleven and 1 more.often with GiGi FM, Gerd Janson, Alex Kassian, none of them here that night
“Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara.”
their own biography
the whole biography
Azu Tiwaline is a producer inspired by the need to explore her origins, rooted in the Sahara. Her sound is a mix of the organic and the raw, vibrations from the spaces of the desert where entrancing music resonates and ecstatic rituals are commonplace.Their RA profile lists Livity Sound and IOT Records.often with DJ Marfox, Moritz von Oswald, Tikiman, none of them here that night
“Calm, cool and collected, Efdemin’s music is infused by elegant darkness, discreet beauty and the complete lack of jittery.”
their own biography
the whole biography
Calm, cool and collected, Efdemin’s music is infused by elegant darkness, discreet beauty and the complete lack of jittery. With LPs and 12-inches for Dial, Curle and Ostgut Ton, his remixes (e.g. Depeche Mode), his Pigon project together with RNDM or his drone and ambient pieces under his original name Phillip Sollmann for instance, Efdemin is equally at home in very different circles. In the world of art as much as in the techno realm, and while moving from intelligent pop quotes into the universe of Sun Ra, he does the splits effortlessly and without overstretching it. A sonic thesaurus like his second album Chicago finds his place in Efdemin’s body of work as well as the stripped down funk of “Just A Track”, the urgency of “Acid Bells” or the straightforwardness of “Bergwein”. Going well along with all those gestures and desires is his own Label naïf. Accordingly named and vinyl only, it’s his outlet to release music from friends and allies that is close to his heart.Their RA profile lists Sushitech, Perlon, Ostgut Ton, Dial Records and 6 more.often with Cinthie, Alinka, GiGi FM, none of them here that night
- Their RA profile lists Klockworks, WERK Records, Seilscheibenpfeiler, WSNWG and 2 more.
often with Ben Klock, Cinthie, BASHKKA, none of them here that night
“Her story began in Canada, where she started developing her style while exploring Montreal’s underground scene — a space that shaped her raw, hypnotic, percussive sound and gave her the freedom to experiment.”
their own biography
the whole biography
Her story began in Canada, where she started developing her style while exploring Montreal’s underground scene — a space that shaped her raw, hypnotic, percussive sound and gave her the freedom to experiment. Her music is about creating a space, a feeling. Abstract textures and deep rhythms come together in her mixes and productions, guiding listeners on an atmospheric journey that feels both personal and infinite. Isabel’s sets are driven by a powerful energy that stays with you long after the last track fades. With her own label, NYXII Records, and releases on respected imprints, including her debut EP on Ostgut Ton, Isabel is doing things her way — organically, steadily, and with real heart. Her rise isn’t about hype; it’s about the connections she creates, one track, one set, one night at a time.Their RA profile lists Soma Records, Concepto Hipnotico, Occultech Recordings, Diffuse Reality and 6 more.often with Claudio PRC, Gerd Janson, Fiedel, none of them here that night
“Primarily a live performer, JakoJako makes extensive use of modular synthesis in her productions and on stage. ”Depending on how you configure your system, you can design a completely different instrument every time.”
their own biography
the whole biography
Primarily a live performer, JakoJako makes extensive use of modular synthesis in her productions and on stage. ”Depending on how you configure your system, you can design a completely different instrument every time. I love when it’s surprising me.” When not in the studio, her expertise is put to use advising well-established artists on their own systems at Berlin’s synth-mecca SchneidersLaden.Their RA profile lists Mute Records, BPitch, Tresor, Figure and 6 more.often with Ben Klock, Nicolas Bougaïeff, Pole, none of them here that night
“THE GOAL IS NOTHING.”
their own biography
the whole biography
THE GOAL IS NOTHING. THE MOVEMENT IS EVERYTHING. Born in the suburbs of Paris and now based in Berlin, Quelza has developed a body of work defined by precision and intent, free from categorisation. His path hasn’t followed scene momentum or passing waves. It unfolds according to its own internal logic — a steady refinement of sound, structure and space. Releases on Dekmantel and Ostgut Ton trace that evolution clearly. Each record carefully engineered: futuristic, grounded, detailed without excess. Tension builds patiently. Rhythms shift and reconfigure. Atmospheres stretch and contract. There is clarity in his music, but never repetition — the framework is solid, the direction always moving forward. Behind the decks, Quelza’s sets don’t rely on genre markers or obvious peaks. He works with pacing, contrast and control — moving between pressure and restraint, density and openness. Rather than chasing reaction, he shapes progression. A regular at institutions such as Berghain, Basement, Fabric and beyond - which reflects something earned over time: trust in his vision and in his ability to hold a room without shortcuts. Quelza’s approach resists short term payoff. The emphasis is on continuity, developing a trajectory that grows with intention over time.Their RA profile lists Ostgut Ton, Mord, 47, Dekmantel UFO and 1 more.often with Rene Wise, cotton, Massimiliano Pagliara, none of them here that night
“Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s.”
their own biography
the whole biography
Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s. In search of broader horizons for her creative expression (a common thread in her artistic journey), Steffi moved to Amsterdam and established herself in the city with DJ residencies and her own underground parties. The diverse approach to sound that she cultivated during this period remains fundamental to all aspects of her creative work today. Resistant to conventional notions of career moves or self-promotion, it was her original vision and pursuit of new challenges that brought her to Berlin in the early 00s and to the city’s emblematic Berghain. As one of the club’s more adaptable residents, Steffi can be found in control of any one of the building’s celebrated dancefloors, transmitting her deep knowledge and appreciation for all forms of dance music. From broken beat, IDM, electro, classic house and Detroit techno to genre-breaking sounds from all eras – Steffi will play it as long as it’s funky and it grooves. Her experience and lasting enthusiasm for her craft have translated effortlessly to the international clubs and festivals – big and small – at which she has long been a staple, as well as to milestone mixes and compilations for Berghain/Panoramabar, fabric and Air Texture. As a producer, Steffi has an extensive discography that reflects her constant development as a musician. A long and fertile relationship with Ostgut Ton began with the release of her hit single Yours (2010) and debut album Yours & Mine (2011) (both reissued in 2022 on DESTEFSTER, her new sub-label dedicated to her own club-oriented output past and present). Two further solo albums followed – Power Of Anonymity (2014) and World Of The Waking State (2017) – and a co-production on Virginia’s debut album, Fierce For The Night (2016). With Martyn, Steffi released the Doms & Deykers album Evidence From A Good Source (2016) on 3024, and under the solo alias Crushed Soul she released the Family Of Waves EP (2020) on Dark Entries. As a remixer, Steffi has worked with both established artists and emerging producers whose music resonates with her, most recently Christine And The Queens, St Vincent, SebastiAn, Josh Caffé, Max Cooper, Azo and FJAAK. Through all of this output, Steffi has developed a varied sound that balances classic dancefloor accessibility with a desire to push at the boundaries of genre convention and production techniques. In parallel with her production work, Steffi has nurtured two long-running labels – Klakson, founded in 2000, and Dolly, founded in 2010 – which continue to release a distinct blend of electro, breaks, Chicago and Detroit house and techno by a range of respected producers to this day. Both imprints have also been home to Steffi’s own joint projects with likeminded artists, such as Dexter, Stingray, Shed, John Daly and, more recently, Sepehr and Privacy (as Negroni Nails). Her reputation for collaboration and expertise in the studio has also seen her perform the role of mentor for several music education programmes, including Red Bull Music Academy in 2018. In recent years, Steffi’s tireless search for new ground has been made tangible in a permanent move to Portugal, where, with Virginia, she founded the label, studio space and artist-driven creative hub Candy Mountain, a platform through which she continues to push herself and the community around her forwards. This new home base in the hills outside Lisbon – framed by an abundant garden that she tends with the same care as her ever growing studio – gives a simple, even romantic impression, but its relevance and impact, like Steffi’s, are truly global. The first project that captures the spirit of Candy Mountain is her latest solo LP, The Red Hunter. With her new studio setup, she plunges even deeper into the details of sound processing, bringing complex, modulating grooves and textures into the foreground while intentionally preserving the song-like arrangements that have always made her work so relatable. For Steffi, the process itself is as rewarding, if not more so, than the final output, and she applies this same attitude to the careful planning and curation of her unique live performances. All of these new initiatives are the latest proof of the hard work, determination and total immersion in music that have led Steffi to where she is today, while also being the perfect indication of where she wants to go in the future.Their RA profile lists Ostgut Ton, Underground Quality, Tsuba Records, Klakson and 6 more.often with Marcel Dettmann, Lakuti, Nick Höppner, none of them here that night
“"In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets techno, latin-influenced tribal, hyper-electronica, carefully crafted IDM and cutting-edge dembow-bass technology with both intensity and precision.”
their own biography
the whole biography
"In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets techno, latin-influenced tribal, hyper-electronica, carefully crafted IDM and cutting-edge dembow-bass technology with both intensity and precision. Verraco is also one of the heads behind the groundbreaking TraTraTrax, label that has become a key platform for Latinx sound explorers in recent years. With the future classic Escándaloo EP on VOAM out in Summer 2023, RA and Crack Magazine lauded the record as one of the best of the year. In 2024, the Colombian artist's debut on Bristol's stalwart Timedance with 'Breathe... Godspeed' was unanimously acclaimed by the press, with the EP being awarded Pitchfork Best New Music, described by renowned journalist Philip Sherburne as "an essential record for the vanguard of dance music". In 2025, he signed with the legendary UK label XL Recordings for a three-tracker EP. In addition to having important recurring appearances at clubs and festivals such as Dekmantel, Berghain or Berlin Atonal, Verraco also launched his own party in Bogotá also called Escándaloo, which has been sold out on all occasions and has brought to his country for the first time the likes of Skee Mask, Batu, Pariah, Livwutang among others." ~ Outer Agency.Their RA profile lists XL Recordings, Timedance, Voam and TraTraTrax.often with Pariah, Gabrielle Kwarteng, Bitter Babe, none of them here that night
“Based in Bristol, with a growing international presence, he has released music on respected labels such as Rhythm Section, Holding Hands, Banoffee Pies, Semi Delicious, and Permanent Vacation.”
their own biography
the whole biography
Based in Bristol, with a growing international presence, he has released music on respected labels such as Rhythm Section, Holding Hands, Banoffee Pies, Semi Delicious, and Permanent Vacation. His work has earned him regular appearances at prestigious venues like Panorama Bar. Originally from London, Gallegos’ musical journey began at an early age. Starting with the trumpet and drums, he later developed a passion for turntablism, which led him into Bristol’s vibrant Drum and Bass scene. He co-founded the influential club night SHAPES, a cornerstone of Bristol's nightlife, where he performed alongside leading figures in electronic music, including Jeff Mills, Leftfield, and Floating Points. His debut EP Memories You’ve Memorised on Rhythm Section blends 90s rave influences with modern electronic textures. The intricate rhythms and ambient soundscapes evoke nostalgia while embracing forward-thinking innovation, all of which are reflected in his unique sound. Gallegos' work has gained support from key figures in the industry, including nd_baumecker, Bradley Zero, Moxie, Eris Drew, Job Jobse, TSHA, Avalon Emerson, Kornel Kovacs, and Peggy Gou. In addition to his original releases, Gallegos has produced remixes for artists such as Robert Owens, Ian Pooley, and Eris Drew, receiving acclaim from BBC Radio 1, 6 Music, and SWU.FM. He also hosts a monthly show on SWU.FM for his label, Room Service, offering deeper insights into his broad musical influences and evolving sound.Their RA profile lists Ostgut Ton, Permanent Vacation, Rhythm Section International, Banoffee Pies and 6 more.often with Gerd Janson, Âme, none of them here that night
“LADYMONIX Baltimore | Detroit”
their own biography
Their RA profile lists Freerange Records, Ostgut Ton, Planet E, NDATL Muzik and 5 more.often with Lovie, Waajeed, Soul Clap, none of them here that night
“The basic harmony of the heart is energy.”
their own biography
the whole biography
The basic harmony of the heart is energy. If you look around for creative minds in the German techno scene, you will quickly come across the name Lydia Eisenblätter. With her energetic, analogue, straight sound, she had a striking reflection of her personality pressed on vinyl, founded her own label and released exciting records.With her label OAM she showed courage and the right feeling for good sound, which is reflected in her worldwide collaborations. During her gigs, Lydia exudes an authentic mixture of honest, heartfelt basic harmony and dynamic, uneven, rough edges of her personality, which make their way onto the dance floor in the form of driving tracks. In her own releases you will find very personal elements of her soul, which, like the fragments of a disco ball, she knows how to combine into a beaming something. Her unique style has been able to develop over many years and numerous well-known personalities from the techno scene have been her companions and sponsors. After her studio in Leipzig has become her second home, it is not surprising that she will release new records in 2022. Look forward to pure energy and joy made in Germany.Their RA profile lists Freeride Millenium.often with KENZA, HOPPER, Ana Molina, none of them here that night
“A Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station.”
their own biography
the whole biography
A Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station. The venue was run by legendary nightlife impresario Hans Romanov, who also operated Intimbar, where Baumecker would eventually move on to a short time later. It’s there that Ata and Heiko M/S/O from Playhouse took notice, inviting Baumecker to work as a buyer for their record store Delirium and offering him a residency at their seminal WildPitchClub night at the Club Nachtleben. Soon, Baumecker was regularly playing Frankfurt’s numerous electronic music venues (Box, XS, Music Hall, Dorian Grey), before moving on to Heidelberg, where he promoted the club night HD800 together with Dirk Mantei aka D-Man. After a short stop in Mannheim, regular guest DJ sets at Berghain / Panorama Bar predecessor club OstGut in Berlin, and establishing his own label Freundinnen Audio, nd_baumecker moved to the German capital in 2004. There he not only picked up a residency at Panorama Bar inside the newly opened Berghain but also started a job as the club’s in-house booker. Stylistically, Baumecker covers a truly broad spectrum of dance music, refusing to be limited by genre: "A well known choreographer once said: 'Surprise is important.’ I think this approach describes my DJ style best. I’m constantly oscillating between disco, house, techno, electro, broken beats and pop. Ultimately, I’m open to anything – from brute force to tender. I see the dance floor an experimental field: If you manage to really capture the crowd, you can do almost anything with them." Of course, the flow of tracks and resolving musical differences plays a key role in achieving just that, and few DJs are as adept at uniting fundamentally disparate sounds, different keys, different rhythms and different atmospheres. „If something sounds truly new to me they give me a jolt. Also, dance music should have a good portion of funk and, in a way, it needs to sound like disco, whatever the style. I like vocals a lot. In my opinion they are the most important and significant bits you’re taking home after a good night out; they’re the most memorable." Since 2010 nd also produces with Sam Barker as Barker & Baumecker. The duo have released four 12”s and two albums on Ostgut Ton, operating musically between dancefloor and spiraling left field electronics. Finally, November 2018 sees release of nd_baumecker’s Panorama Bar 07 DJ mix.Their RA profile lists Ostgut Ton, Live At Robert Johnson, Groovement, Claqueur Records and 1 more.often with Stacey Hotwaxx Hale, Roi Perez, Polygonia, none of them here that night
- Their RA profile lists Mental Groove, Exploited, Luv Shack Records, Her Majesty's Ship and 2 more.
often with Bond, Smithespis, BEAR, none of them here that night
“Growing up in Munich, the talented, energetic and dedicated artist quickly found her feet in music.”
their own biography
the whole biography
Growing up in Munich, the talented, energetic and dedicated artist quickly found her feet in music. Her career kick-started in the late 90s thanks to a wave of early hit singles, and she soon began to tour as a DJ, discovering a real passion for life in front of the crowd. Inspired by the warm and analog tracks of the 80s and 90s, her DJ sets combine this sound with modern a in an exciting fusion, layered with spontaneous live vocals adding a unique third dimension. With a careful mixture of peaks and also moments of reduction, she commands attention in her hybrid DJ / Live performances. Her song-writing and production projects continued to grace the charts and hold her in great respect in the scene. Her full length album, 'Twisted Mind', was released in 2008 on Rough Trade, co-produced with Eye- Q Records' Steve B-Zet; a wonderfully musical cross-over album that found its way into Film and TV airplay. The album was a positive blend of electro-pop, a project which saw Virginia touring live on stage with a 5-piece band. Viriginia co-wrote a wealth of productions and guest appearances, alongside the likes of Steve Bug, Butch, Abe Duque and most recently with Panorama Bar resident Steffi, on her album 'Yours & Mine'. Beginning with a vocal-led collaboration, 'Reasons', on Jus Ed's acclaimed label Underground Quality in Oct 2010, they have since gone on to produce some very exciting results. Steffi's album focuses two tracks around Virginia's vocals which she feels really reflect her true musical direction - the tracks 'Yours', a rousing hit in the making, and the touching 'You Own My Mind' (both released on Berlin's Ostgut Ton in Feb 2011). Virginia's rich, colourful and vibrant voice has brought a golden touch to her widespread and highly respected release catalogue, and she continues to collaborate with some of electronic music's key players. Always developing her own production skills, she released her first solo production "Loch& Hill" on Ostgut Ton, 8th of april 2013. Another Ep for Ostgut Ton was released september 2014. And her first studio album "Fierce For The Night" was just released in may 2016.Their RA profile lists Poker Flat Recordings, Ostgut Ton, Underground Quality, Abe Duque Records and 6 more.often with Tama Sumo, Marcel Dettmann, Kikelomo, none of them here that night
often with LYZA, Chami, Eva Be, none of them here that night
Last at M-BIA in Aug · often with HARDTEKK, HARDER STYLES, Tekk, none of them here that night
names these artists often play with — not that night
- Gerd Janson3 with Fadi Mohem, 3 with Isabel Soto, 3 with nd_baumecker, 2 with Altinbas and 2 with Gallegos
- Marcel Dettmann3 with Steffi, 3 with Virginia and 2 with Efdemin
- Nick Höppner3 with Steffi, 2 with Isabel Soto and 2 with Verraco
- Gabrielle Kwarteng2 with Efdemin, 2 with Steffi and 2 with Verraco
- Rene Wise6 with Quelza and 3 with Virginia
- Ben Klock4 with Fadi Mohem and 3 with JakoJako
- Cinthie4 with Fadi Mohem and 3 with Efdemin
- Massimiliano Pagliara5 with Quelza and 2 with Steffi
405 said they were going — busier than a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.