Klubnacht

Berghain | Panorama Bar | Säule, Berlin · Map

This night happened — Sat 6 Sep 2025

OstGut GmbH

Press play

Who was billed14 artists

In the order the promoter listed them.

Set times were not published.

Most of these pairings were meeting for the first time that night.

the pairs that have met

78 of the 91 pairings on this bill were first meetings.

Claudio PRC and Marcel Dettmann — 1 shared bill before that night, first on Sat 6 Sep 2025.
Barker and DVS1 — 1 shared bill before that night, first on Sat 6 Sep 2025.
Truncate and DVS1 — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and Truncate — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and DVS1 — 1 shared bill before that night, first on Sat 6 Sep 2025.
Claudio PRC and André Galluzzi — 1 shared bill before that night, first on Sat 6 Sep 2025.
Marcel Dettmann and Radio Slave — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and Marcel Dettmann — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and Radio Slave — 1 shared bill before that night, first on Sat 6 Sep 2025.
Vera Logdanidi and André Galluzzi — 1 shared bill before that night, first on Sat 6 Sep 2025.
André Galluzzi and Bennet (DE) — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and Bennet (DE) — 1 shared bill before that night, first on Sat 6 Sep 2025.
LOLSNAKE and André Galluzzi — 1 shared bill before that night, first on Sat 6 Sep 2025.

Who they are

Barker
South + East, United Kingdom · 10 bookings since Aug 2025
“Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics.”
their own biography
the whole biography
Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics. These popular releases and live performances have earned Barker widespread acclaim from the underground to the mainstream and everything in-between, both off and on the dancefloor. After an intense, fruitful period of experimentation and conceptual development, Barker released his solo debut EP Debiasing on Ostgut Ton in 2018, containing four hypnotic and kick-less dancefloor experiments based on research into behaviorism and cognitive bias. This was followed by his solo debut album Utility, a playful but intentional musical approach to translating a spectrum of transhumanist ideas, packed into a deeper exploration of the emotive potential of rhythmic ambient electronics and – once again – almost entirely without kick drums. Both releases were received by many as instant classics, helping to define a discrete category of ambient dance music. Utility made numerous Best of 2019 year’s end lists, including Pitchfork, The Quietus, DJ Mag, Resident Advisor and others. It also earned the title of Mixmag’s Album of The Year 2019. As Philip Sherburne wrote in his Pitchfork review: “For anyone who has ever fantasized about dissolving into the dancefloor, Utility is about as close as it gets.” These releases were followed by two limited-edition white label EPs for Ostgut, BARKER001 and BARKER002. In 2023, he released the Unfixed EP on Smalltown Supersound, followed by another limited-edition white label 12" on the label in 2025, Cosmic Microwave / Stochastic Dynamics In Non-Linear Systems. In April 2025, Barker released his second full-length Stochastic Drift. Inspired in part by Euclidean and probabilistic patterns as well as the chaos and uncertainty of the preceding years, it emerged from a place of vulnerability that announced itself in the music's emotional impact. Boomkat celebrated the album as unfolding "like a galaxy-brained afters playlist…Barker's relentless research and development makes his music as fluid and mutable as his palette." In their Best New Music review, Pitchfork's Harry Tafoya described it as "his most dazzling and definitive statement to date." Stochastic Drift was also named Mojo Magazine's #1 Electronic Album of 2025. Whether performing live solo or as part of a group, DJing on his own or B2B, Barker combines bass music, techno, electro, breakbeat, dub and ambient elements that coalesce into a distinctive, future-facing vision. He is one-half of Barker & Baumecker with longtime Panorama Bar resident nd_baumecker, with whom he has released multiple EPs, two albums and dozens of remixes. And his expansive approach to unorthodox musical exploration has led to ongoing live collaborations with the likes of Norwegian saxophonist Bendik Giske, alongside Speedy J, Rødhåd and Sebastian Mullaert in the shapeshifting live improv outfits Stoor, WSNWG and Circle of Live, installations developed with creative computer programmer Kay Sievers / Versio Duo, and remixes for the likes of Martin Gore, Tangerine Dream, JakoJako, and Planetary Assault Systems. It's a perspective also reflected in his curation of the Leisure System label and Berghain club night of the same name, which held the longest residency in Berghain's history. Launched in 2008, with the label following in 2009, Leisure System has since released seminal works by the likes of Dopplereffekt, Objekt, JakoJako, and Visionist, among many others. In addition to his recorded music, live sets, and DJing, Barker is an active instrument designer who combines coding skills with analogue, electric and acoustic instrument construction for his experimental archive and platform Voltek Labs. In the summer of 2020, he contributed a large-scale sound installation, Piano-1, to Berghain’s Studio Berlin art exhibition, featuring a self-playing piano performing generative serial compositions named Attune, which emphasize democratic harmonic relationships between tones. He has also delved deep into constructing his own MIDI-triggered acoustic instruments, including a prepared plate reverb and various percussion instruments, notably used to explore the resonant architecture of Detroit’s empty, abandoned factories with Underground Resistance’s Ray7. In August 2024, Barker collaborated with Kay Sievers / Versio Duo on the Discrete Ensemble installation, at the Neuenationalgalerie in Berlin, built around a set of eight MIDI-controlled mechanical string instruments called Viola-1. In September 2025, he performed alongside Norwegian saxophonist Bendik Giske for Atonal Festival in Berlin, with further live and studio collaborations for the pair on the horizon. Barker’s musical focus continues to be on the peak-time dancefloor potential of ambient music as he works on another album and label. Operating on the periphery of club music, he continues to shift its centre.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Ostgut Ton, Smalltown Supersound, Leisure System, Air Texture and 2 more.
Last at Dark Matter Berlin in Aug · often with Ryan Elliott, Steffi, DJ Nobu, none of them here that night
Claudio PRC
South, Italy · 8 bookings since Sep 2025
“Creating sonic bridges from the literal, perceivable world into mythical, imaginal realms is what Sardinian-born and Berlin-based DJ and Producer Claudio PRC might be best known for.”
their own biography
the whole biography
Creating sonic bridges from the literal, perceivable world into mythical, imaginal realms is what Sardinian-born and Berlin-based DJ and Producer Claudio PRC might be best known for. Since appearing in the Italian deep techno scene in 2006, he has developed an immersive sound world inspired by a fascination with Detroit techno and electroacoustics. By studying Music and New Technologies, he gained sonic and tonal combination skills - this, paired with a conscious, philosophical approach, has led him to create a distinct sound. A sound that understands electronic music through a cyclical, cosmic lens. Instead of using extravertive elements, he enhances the overall experience through a wide-screen appeal, playing with spatial awareness through details and taking the audience on a journey into the all-or-nothing of sound. Following the first album “Inner State” on Prologue Music in 2012, Claudio released long players on Semantica Records and his co-founded label, TGP (The Gods Planet). An undeniably profound connection to the island of Sardinia is palpable in all of his works. It surfaces through the relationship with his home base collective Basstation in Cagliari or the appearance of oceanic references in his music like in his most recent, well-received EP “Challenger Deep” on the dutch label Delsin Records (2022). In 2020, Claudio founded 012, a platform for art and sound research. 012 is a canvas to live the unconstrained and interconnected nature of artistic vision. Next to being a label showcasing collaborative work, it is also a curated night held at several clubs across Europe. Collaborations include closely connected artists such as Luigi Tozzi or, more recently, Blazej Malinowski. Over the years, he created a flourishing ecosystem of artists and producers and invites them to join 012 or to his ambient-explorative radio show Deepartment. The combination of audio and visual experiences is as important as the connection between the real and the imaginal in Claudio’s work. One apparent example was his performance “From the nebular stars to the mosses on the granite rocks” during Berlin Art Week in 2015. Like in everything he does, a Claudio PRC DJ set is a meticulously sewn journey. This makes him a key protagonist in the emerging world of hypnotic techno, playing regularly at an international level at the most reputable festivals and clubs. From 2023 on Claudio PRC is holding a residency at Berlin’s long-standing Techno institution Tresor.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Delsin, Semantica Records, Affin, Prosthetic Pressings and 6 more.
often with Decoder, Isabel Soto, Afrikan Sciences, none of them here that night
LOLSNAKE
California, United States of America · 15 bookings since Aug 2025
“Leaning into the hypnotic, the tension-building, and the euphoric release—Lolsnake (she/they) does not simply play to a room, she creates it.”
their own biography
the whole biography
Leaning into the hypnotic, the tension-building, and the euphoric release—Lolsnake (she/they) does not simply play to a room, she creates it. With a fluid, genre-defiant approach, her sets move between the reduced and the raw, the dramatic and the unpredictable, stirring up heady atmospheres and hypnotic moods on the dancefloor. Driving rhythms and intricate sound design sit alongside moments of startling emotional depth — a sonic signature that is at once intense and deeply feeling, cerebral and magnetically unpredictable. A regular at Berghain, Lolsnake is also the founder of Weeeirdos, a queer platform that champions subversive joy, curiosity, and community. As a DJ and visual artist, her multifaceted background fuels a perspective that is both boundary-pushing and deeply rooted in connection — her sets a constant balance between classic dancefloor accessibility and a desire to push at the edges of genre convention. In 2025, Lolsnake took her sound global, performing at Bassiani (Tbilisi), Basement NYC, WHOLE Festival, and returned to Berghain for several celebrated sets that reflected her evolving sonic palette. Her genre-crossing energy has also been showcased in guest mixes for Mixmag, DJ Mag, The Lot Radio, and Crack Magazine. Weeeirdos, which began in 2017 as a hybrid event combining live music, performance and visual art, has since become one of Berlin's most vital queer dance platforms. In 2023, it moved from OHM to a residency at Säule (Berghain). That same year, Boiler Room invited Lolsnake to curate a Weeeirdos live stream from Berlin's dungeon-like Nåpoleon Komplex. Lolsnake has since been asked to curate key events on the Berghain Mainfloor, The Ground (Space) Miami, Radion Amsterdam, and more. Born in California to Iraqi parents and raised in Oakland, Lolsnake's musical roots trace back to classical training in clarinet, saxophone, and bass clarinet. Her teenage years were shaped by a love of Depeche Mode, Underworld, The Knife, and the Arabic tapes of Oum Kalthoum and Fairouz. A move to Manchester in 2010 to study neuroscience immersed her in the UK's DIY rave scene. Berlin followed in 2014, where she found a deep sense of belonging in the city's queer nightlife. After a decade in Berlin, Lolsnake's sets have matured into shimmering constellations of rhythm — reduced and raw one moment, warm and euphoric the next, with mischievous curveballs at just the right moment. With plans to launch the Weeeirdos label and take the project on a global tour, she remains a powerful force in contemporary club culture: driven by feeling, rooted in community, and guided by no rules but her own.
SoundCloud ↗
Last at Berghain in Aug · often with Soundstream, VINVAR, Curses, none of them here that night
Marcel Dettmann
Berlin · 7 bookings since Sep 2025
“Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno.”
their own biography
the whole biography
Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno. Raised in the former GDR, Dettmann developed his passion for electronic music early, counting new wave, post-punk and industrial music as his strongest influences – long before discovering techno and eventually immersing himself in it. Since the early 90s he has been a fixture in Berlin as both an artist and DJ, becoming a resident at OstGut in 1999. He has also held a residency at OstGut's successor Berghain since its opening in 2004 until today. Dettmann’s productions for his own MDR imprint and Ostgut Ton, as well as his compilations and mixes for fabric, Music Man, !K7 and Dekmantel sit between contemporary techno and pre-techno, providing a unique aesthetic at once reduced and rough, emotional and unpredictable.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Music Man Records, BPitch, Ostgut Ton, Rekids and 6 more.
often with Virginia, Steffi, Quelza, none of them here that night
Sol Ortega
Buenos Aires, Argentina · 3 bookings since Sep 2025
“Emergent Dj/Producer From Buenos Aires, Argentina.”
their own biography
Their RA profile lists Concepto Hipnotico and Rhythm Nation.
often with ROBUS, Lauren Flax, BASHKKA, none of them here that night
Truncate
Los Angeles, United States of America · 4 bookings since Sep 2025
“After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked.”
their own biography
the whole biography
After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouses, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the moniker Audio Injection, which landed on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 and continues today as resident at the infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. In early 2011, he started the project 'Truncate' to focus on the deeper, raw side of techno. His Truncate releases have been gain critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, East Everything, Jooris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink! for Pets Recordings, Slam for Soma, and Trus’me for Prime Numbers. He has also released original tracks on 50 Weapons and on Ultramajic as a collaboration with Jimmy Edgar. A rigorous international tour schedule has followed, including included stops at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam and Output in New York.     With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Hidden Recordings, Droid Recordings, Apotek, Kanzleramt and 6 more.
often with Chris Liebing, Henry Chow, Kilopatrah Jones, none of them here that night
Vera Logdanidi
Ukraine · 7 bookings since Sep 2025
“Vera Logdanidi’s journey in the music industry began as a DJ in Kyiv, Ukraine during the mid-2000s.”
their own biography
the whole biography
Vera Logdanidi’s journey in the music industry began as a DJ in Kyiv, Ukraine during the mid-2000s. Since then, she has developed into a versatile producer, with her music released on respected labels such as Rhythm Büro, Semantica Records, On Board Music, Dial Records, Konstrukt and others. Her solo and collaborative tracks have been remixed by artists including Eric Cloutier, Artefakt, and Svreca. In addition to her DJ sets, Vera made her live debut at Draaimolen Festival, presenting another dimension of her artistic voice through live performance. She has also collaborated with Ukrainian producer Na Nich on joint live projects. Beyond her own productions, Vera frequently tours both domestically and internationally. Her dynamic range allows her to adapt to both intimate settings and large festival stages. She has performed at renowned venues such as Berghain, Panorama Bar, Bassiani, Tresor, Closer, ∄, among others. Her festival appearances include Draaimolen, Monument City Festival, Ickra, Strichka, Brave Factory Festival, and more. In her sets, Vera moves seamlessly between powerful, groovy, and mental techno, deep house experiments, ambient explorations, and occasional dives into broken beat and jungle, which hold a special place in her musical path. Vera’s artistic practice extends beyond the dance floor. Her audio-visual project VOICES (2022) was showcased at MU Hybrid Art House in Eindhoven, pushing her expression into multimedia art. In 2024, her collaboration with artist Bambi Benko was awarded the prestigious Brutus Prize. Their joint work combined Benko’s installation Earthseed with Vera’s sound design, creating an otherworldly atmosphere inspired by Octavia E. Butler’s Parable of the Sower. Aside from producing and touring, Vera is also the co-founder of Rhythm Büro, a collective known for bringing top international artists to Kyiv. Rhythm Büro’s most unique project, the Natura festival, used to gather over 4,000 guests annually in a remote outdoor location. However, the festival has been on hold during the ongoing war. Vera was also a co-owner of 22:22 Studio, which began as a record label and expanded into a mixing and mastering studio (currently inactive). As an active member of the Ukrainian music community, she supports emerging and established artists alike. Her Kashtan project, which started as a radio show, has grown into both a label and a community hub, curating Ukrainian electronic music across genres. Alongside her artistic work, Vera shares her knowledge as a sound production lecturer at Skvot School, nurturing the next generation of producers.
SoundCloud ↗Discography ↗
Their RA profile lists Semantica Records, Konstrukt, Rhythm Buro, On Board Music and 2 more.
often with GLOBUS, TRESOR, Clarisa Kimskii, none of them here that night
André Galluzzi
Berlin · 15 bookings since Aug 2025
“André Galluzzi has been a vinyl DJ for 25 years.”
their own biography
the whole biography
André Galluzzi has been a vinyl DJ for 25 years. With residencies at TRESOR, OSTGUT and BERGHAIN and releases on labels like CADENZA; COCOON, OSTGUT TON and HIGHGADE, the co-founder of TAKSI Rec. and label head of ARAS can look back at quite a history. Born in 1973 in Frankfurt, Germany, André becomes dedicated to the fascinating world of rhythm early on. Working as a bartender in a club he gets the chance to fill in for the DJ at sweet 14 - an experience that changes the course of his life. Excelling behind the decks, he is a regular in a variety of clubs by the beginning of the 90`s. In 1994 he starts working for the renowned record distributor Neuton, where he meets PAUL BRTSCHITSCH. One year later André and Paul found the label TAKSI. Becoming a resident at Berlin’s famous TRESOR in 1996, André moves to the German capital. With the opening of OSTGUT, the parent club of well-known BERGHAIN, he lands his second residency. After the OSTGUT closing in 2001 André releases the legendary Mix Compilation ANDRÉ GALLUZZI: IM GARTEN and creates a new event series called SUBMERGE, running for two years. Famed for his intoxicating 10-hour sets and playing regularly at AMNESIA, IBIZA, André finds his place at the newly opened BERGHAIN. In 2005 he takes up a studio cooperation with GUIDO SCHNEIDER resulting in various releases on CADENZA, COCOON or HIGHGRADE, including their favored track ALBERTINO in 2007. Looking for a new playground, André establishes the label ARAS in 2011; a platform for him and up-coming talents to broadcast innovative and unconventional sounds. The same year André releases his third mix compilation STADT STRAND FLUSS, followed by joint productions with DANA RUH on OSTGUT-TON and COCOON. One year later André launches the party event WE PLAY VINYL, a statement of dedication and support for vinyl records. Taking inspiration from his second home base London, he creates several productions for CADENZA, COCOON and BAR 25 in 2013. In January 2015 he released his debut solo album ALCTRAZ on ARAS. Regardless of busy schedules, André always keeps space for creativity and continues to push boundaries to surprise yet another dance floor.
SoundCloud ↗Discography ↗
Their RA profile lists Cocoon Recordings, Music Man Records, Cadenza Records, Ostgut Ton and 5 more.
Last at ://about blank in Aug · often with DJ MARIA., Zombies In Miami, Gerd Janson, none of them here that night
Bennet (DE)
Hannover · 5 bookings since Sep 2025
“Bennet’s craft lies in the ability to weave together the endless spectrum of house.”
their own biography
the whole biography
Bennet’s craft lies in the ability to weave together the endless spectrum of house. From soulful introspective depths to euphoric, groove-driven peaks, he is able to create a seamless momentum, celebrating the body in movement and the dancefloor as a collective space for unity, joy, and liberation. Approaching his sets with a deep sensitivity, he hones in on the energy of the room, letting intuition and flow shape the collective, enriching his performances with emotional depth and warmth. With performances at parties such as London’s Adonis, Multisex in Berlin, Gay Haze and Horst Club in Brussels, Bennet has shaped a sound that is sharp, dynamic, and deeply attuned to a pulsating dancefloor. Off the dancefloor, Bennet co-curates the mix and party series Buttercup, while he is also a core member of the Hannover-rooted collective soft spot and holds a residency at Hamburg’s Queerpool party since 2025.
SoundCloud ↗
often with Gene On Earth, OPH, Phara, none of them here that night
DITA (ID)
2 bookings since Sep 2025
often with livwutang, Coffintexts, Avalon Emerson, none of them here that night
DVS1
Minnesota, United States of America · 6 bookings since Sep 2025
“Whether delivering pure techno, soulful house, or futurist electro, DVS1’s sets are high-energy transmissions—anchored by flawless technique and a deep, instinctive feel for the dancefloor.”
their own biography
the whole biography
Whether delivering pure techno, soulful house, or futurist electro, DVS1’s sets are high-energy transmissions—anchored by flawless technique and a deep, instinctive feel for the dancefloor. More than just performances, DVS1’s sets are moments of connection, honoring the past while pushing sonic boundaries forward. DVS1 has released on electronic music’s most prestigious imprints, including Axis Records, Transmat, Klockworks, PoleGroup, and his own labels, HUSH and Mistress Recordings. As a DJ, he has held residencies at world-renowned clubbing institutions, including Fuse, Bassiani, Smartbar, and Berghain / Panorama Bar, where he is one of the few artists trusted to play both floors. As a beat and rhythm addict, DVS1 is an architect of immersive dancefloor experiences, most notably through his large-scale sonic project, The Wall of Sound. Through his multidimensional platform HUSH, his passion and respect for music runs through every aspect of his work—whether behind the decks, in the studio, or designing sound systems. Beyond the booth, he’s challenging outdated industry structures, proven by creating the revenue-sharing platform Aslice as well as his widely embraced Enjoy Right Now campaign. DVS1’s legacy reflects a commitment to evolution through authenticity—always grounded in the values that shaped him and always in service to the music and the dancefloor. In a time increasingly defined by distraction and digital spectacle, his work stands as a reminder of the lasting power of shared experience and the present moment. DVS1’s voice as an innovator and advocate has been earned and his presence, on and off the dancefloor, stays true to his past without losing sight of the future.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists fabric Records, Axis Records, Ostgut Ton, Transmat and 6 more.
often with Juana, BLANKA, Ryan Elliott, none of them here that night
Eluize
Radio Slave
London, United Kingdom · 6 bookings since Aug 2025
“As Matthew E he fashions club-based, dancefloor slayers.”
their own biography
the whole biography
As Matthew E he fashions club-based, dancefloor slayers. Under that aegis he’s updated the classic Chi-town, jackin’ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul. If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance. Quiet Village is something else all together. A collaboration with long-time musical sparring partner Joel Martin (a vinyl freak, like Mr Edwards, who works in esteemed auction house Christie’s pop department), it’s sample-based music which veers from drawn out disco-not-disco delirium to evocative, under-stated soundscapes. Sea Devils - you keeping up at the back? – is undeniable electronic pop brilliance. Working with Tom from Cagedbaby, it’s the least niche of Matt’s projects and thanks to Sea Devils alluring pop dance grooves they’ll no doubt be shagging the upper reaches of the hit parade sometime soon. Last, but by no means least etc, etc, etc, is Radio Slave. Perhaps Matt’s most instantly recognisable nom de guerre, thanks in part to his inspirational melding of Kylie’s Can’t Get You Out Of My Head to New Order’s Blue Monday, this is Matt’s DJ moniker and the guise under which he completes his incendiary remixes and re-edits. However, before such sonic schizophrenia gets you calling for the men in white coats, just feel the quality and consider Matt’s legacy. Fired by the first wave of acid house, Matt gained his musical spurs by partying to dance music that was just that: music you danced to, irrespective of tribal factions. This was the raison d’être he acknowledged when he took to the decks, first at London’s legendary Milk Bar in 1992, then onto the, then, recently opened Ministry Of Sound and then to parties across the country, most notably in Wales – where he was a regular at free parties – and in Brighton, his home since 1998. His love of re-edits, dance music’s oft-forgotten backbone, led Matt into the studio himself. His own re-edits and remixes, such as the aforementioned epoch-defining re-imagining for Ms Minogue, soon gave way to his own productions and since the floodgates opened there’s been no stopping the man known as, erm, Matthew E, Quiet Village, Sea Devils, Rekid and Radio Slave. He’s released records for Skint, Soul Jazz, Classic, Whatever We Want, and he’s worked with fellow travellers, Belgium’s The Glimmers. If Matt comes up with another two projects he’ll have enough alter egos for every day of the week. Psychologists would probably have a field day with him; mercifully, we don’t have to worry about any crisis of identity, we just get to keep on dancing.
Discography ↗
Their RA profile lists International DeeJay Gigolo Records, Buzzin Fly, Green, Ostgut Ton and 6 more.
Last at Berghain in Aug · often with Tal Fussman, Kameliia, DJ Minx, none of them here that night
Sven von Thülen
Berlin · 8 bookings since Sep 2025
“In the Spring of 1999, he started working as an editor at De:Bug magazine, while also writing for other magazines and newspapers.”
their own biography
the whole biography
In the Spring of 1999, he started working as an editor at De:Bug magazine, while also writing for other magazines and newspapers. As a DJ, he has been a club fixture since the early 2000s, holding residencies at various locations throughout the city and playing regularly at Berghain/Panorama Bar since its inception. He is and has been touring extensively as a DJ, playing hot spots like Concrete in Paris, Robert Johnson in Offenbach, fabric in London or Golden Pudel in Hamburg, as well as festivals like Glastonbury, Nation of Gondwana, Fusion, Garbicz or Melt!. Currently he can be regularly found behind the decks at Heideglühen and STAUB. He has released various house and techno records both solo and in groups on labels like Spencer Parker's Work Them Records, Ellen Allien's Bpitch Control, John Osborn's Dred Records and his own labels Expansion Unit and Constant Variables. Sven von Thülen has remixed (solo and in groups) A-list DJs/producers like DJ Hell, Ellen Allien or Radio Slave. He continues to work as a DJ, producer and writer. He co-wrote (alongside Felix Denk) the oral history Der Klang der Familie - Berlin, Techno und die Wende, an in-depth look at the beginnings of Berlin's techno scene in the late eighties and early nineties, which was published in March 2012 by renowned German publisher Suhrkamp. In 2013 a French translation was published, and in October 2014 Sven von Thülen and Felix Denk self-published an English translation called Der Klang der Familie - Berlin, Techno and the Fall of the Wall, followed by a translation into Spanish in November 2015. A Russian translation will be published in late 2019. The book was turned into a TV documentary called "Wendeklang"/"In This Place Called Techno", for which Sven von Thülen co-wrote the script. He also curated the soundtrack, which featured two of his own original compositions. The documentary was aired on French-German TV station ARTE in July 2014. In August 2020 he released his debut album Emanating on Dred Records. New music and a new music related film projects are on the way for late 2020 and 2021.
SoundCloud ↗Discography ↗
Their RA profile lists Work Them Records, Myth Music and DRED Records.
often with GLOBUS, TRESOR, Stephanie Sykes, none of them here that night