BLANK WASHING (NYE)
://about blank, Berlin
This night happened — Wed 31 Dec 2025
://about blank
Press play
Who was billed31 artists
In the order the promoter listed them.
- Joel Mull
- next: Lokschuppen Berlin, Fri 20 NovThe Muffin Man
- next: Kater, Fri 30 Octkarete bu
- André Dancekowski
- next: ://about blank, Sat 7 NovAlex.Do
- next: [119], Fri 23 OctRill
- s-ray
- :MUMM
- CIKO
- next: [119], Fri 23 OctCHOREOPHILA
- Hang Aoki
- next: OXI, Tue 27 OctBconscious
- Jessamine
- Sohrab
- Lena Brumby
- Rodmin
- RYBA
- Mankind
- THNTS
- next: ÆDEN, Fri 23 OctG4F4RØU
- DJ-Ween
- Marcel Koar
- next: AMT, Sat 24 OctMultifun
- K1KO
- Lucie Leh
- Brikett Royal
- Eva
- next: ://about blank, Sat 24 Octepidemi.c
- pony
- Lemmy Winks
- Jule Bambule
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
385 of the 465 pairings on this bill were first meetings.
- CHOREOPHILA and Multifun — 5 shared bills before that night, first on Sun 3 Aug 2025.
- Jessamine and Lena Brumby — 5 shared bills before that night, first on Sat 2 Aug 2025.
- karete bu and André Dancekowski — 4 shared bills before that night, first on Sat 18 Oct 2025.
- Alex.Do and Hang Aoki — 3 shared bills before that night, first on Sat 27 Sep 2025.
- Alex.Do and Jessamine — 3 shared bills before that night, first on Sat 2 Aug 2025.
- Alex.Do and Lena Brumby — 3 shared bills before that night, first on Sat 2 Aug 2025.
- Jessamine and Rodmin — 2 shared bills before that night, first on Wed 31 Dec 2025.
- Lena Brumby and Rodmin — 2 shared bills before that night, first on Wed 31 Dec 2025.
- Marcel Koar and Multifun — 2 shared bills before that night, first on Wed 31 Dec 2025.
- DJ-Ween and Multifun — 3 shared bills before that night, first on Thu 21 Aug 2025.
- Rodmin and THNTS — 2 shared bills before that night, first on Wed 31 Dec 2025.
- André Dancekowski and Multifun — 2 shared bills before that night, first on Sat 18 Oct 2025.
- Multifun and pony — 2 shared bills before that night, first on Sat 16 Aug 2025.
- Mankind and THNTS — 2 shared bills before that night, first on Sat 16 Aug 2025.
- Jessamine and Marcel Koar — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Lena Brumby and Marcel Koar — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Alex.Do and Marcel Koar — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Hang Aoki and Jessamine — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Hang Aoki and Lena Brumby — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Hang Aoki and Marcel Koar — 2 shared bills before that night, first on Sat 27 Sep 2025.
- Rill and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Rill and CHOREOPHILA — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Rill and Marcel Koar — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CIKO and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Joel Mull and André Dancekowski — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Joel Mull and karete bu — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Bconscious and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Bconscious and Rodmin — 1 shared bill before that night, first on Wed 31 Dec 2025.
- karete bu and RYBA — 1 shared bill before that night, first on Wed 31 Dec 2025.
- karete bu and Hang Aoki — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Hang Aoki and RYBA — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Multifun and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and Jessamine — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and Lena Brumby — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and Marcel Koar — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and Hang Aoki — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CHOREOPHILA and Rodmin — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Jessamine and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Jessamine and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Jessamine and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Lena Brumby and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Lena Brumby and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Lena Brumby and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Alex.Do and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Alex.Do and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Alex.Do and CHOREOPHILA — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Alex.Do and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Alex.Do and Rodmin — 1 shared bill before that night, first on Wed 31 Dec 2025.
- THNTS and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- THNTS and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- THNTS and Marcel Koar — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Marcel Koar and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Hang Aoki and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Hang Aoki and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Hang Aoki and THNTS — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Hang Aoki and Rodmin — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Rodmin and K1KO — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Rodmin and Multifun — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Rodmin and Marcel Koar — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CIKO and G4F4RØU — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Multifun and Eva — 1 shared bill before that night, first on Wed 31 Dec 2025.
- karete bu and Rill — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Sohrab and Lena Brumby — 1 shared bill before that night, first on Wed 31 Dec 2025.
- karete bu and Jessamine — 1 shared bill before that night, first on Wed 31 Dec 2025.
- karete bu and Lena Brumby — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Lemmy Winks and Jule Bambule — 1 shared bill before that night, first on Wed 31 Dec 2025.
- K1KO and Jule Bambule — 1 shared bill before that night, first on Wed 31 Dec 2025.
- K1KO and Lemmy Winks — 1 shared bill before that night, first on Wed 31 Dec 2025.
- CIKO and Multifun — 1 shared bill before that night, first on Sat 27 Dec 2025.
- CIKO and DJ-Ween — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Alex.Do and Bconscious — 1 shared bill before that night, first on Tue 11 Nov 2025.
- karete bu and Multifun — 1 shared bill before that night, first on Sat 18 Oct 2025.
- CIKO and Hang Aoki — 1 shared bill before that night, first on Fri 22 Aug 2025.
- Rill and Hang Aoki — 1 shared bill before that night, first on Sat 9 Aug 2025.
- Hang Aoki and Mankind — 1 shared bill before that night, first on Wed 6 Aug 2025.
- Joel Mull and Jessamine — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Joel Mull and Lena Brumby — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Joel Mull and Alex.Do — 1 shared bill before that night, first on Sat 2 Aug 2025.
Who they are
“Before there was EDM and its multiplying sub-genres, there was techno.”
their own biography
the whole biography
Before there was EDM and its multiplying sub-genres, there was techno. And at its forefront, is Joel Mull. Fueled by a passion that has become increasingly more defned and tangible over two decades, the Swedish DJ/producer has been an avid pursuer of the sound from when he was a teenager. In the process, he has become established in techno’s vanguard. Mull’s introduction to techno came when, as a 16-year-old, he made the pilgrimage to Manchester, UK’s storied Hacienda nightclub, propelled by his interested in that city’s early ‘90s indie dance scene. He was refused entry to the club for being underage and ended up in a basement with garbage bag-covered walls, lit by a stroboscope, fled with smoke, and techno blasting. This was Mull’s frst encounter with the sound. “I had heard acid house, Balearic stuf, but I had a mental thing with techno,” he says. “The disharmony, the weird sounds, it was so intense. I got really hooked.” Upon his return to his hometown of Stockholm, Mull’s pursuit of techno led him to dance record shops, techno parties, and the rave scene, where he immersed himself in the sound. At the same time, he started at an arts high school as a continuation of his musical upbringing: singing in a boy’s choir from when he was seven years of age where he practiced eight hours a day and performed every weekend. This was another factor that drew Mull to techno. “I was very tired of the square way of seeing music and it´s rules,” he says. “What techno did was break rules. You didn’t have to be a musician in order to create techno. It was another way of making music: sampling, ftering, efects, generating diferent colors. It made me explore music more, gave me courage to search for diferent methods to combine music. It was, in a certain way, chaos, and that was attractive to me.” Befriending likeminded peers, Mull’s brotherly association with another techno stalwart, Adam Beyer, began in high school. Spending days listening to Beyer’s record collection, it was from him that Mull learned how to DJ. His first public performance as a DJ was during the afternoon break at school using the school’s sound system and his own turntables to entertain his classmates. From here, Mull moved to the second rooms at parties, DJing ambient and chill-out sounds, a good training ground for him when he was still learning how to beat-match. Mull’s real education as a DJ came when he moved to Germany in 1994. For the first six month he was resident at club called Labor, in the north then becoming the resident at Unit in Hamburg from 1995 to 1998. Here, he played marathon sets lasting 10 hours. He was also the opening and closing DJ for marquee international guest DJs at the club. Playing the gamut from hard techno to acid, trance, and ambient styles, Mull learned the art of being a DJ. His crafted sets were, and are, mesmerizing; taking their time to grow, reaching a delayed crescendo that is much more powerful than the instant builds and drops of today’s predictable EDM. “The way I see DJing is telling a story,” says Mull—who despite the multitude of stamps in his passport makes a point of playing in his hometown at least six times a year to stay connected to the scene from which he came. “Your identity as a DJ is your way of telling the story. You have so much power behind the mixer, controlling these frequencies, you can make people forget everything and just be there in the moment. It’s not about bringing the noise and hands in the air, that instant reaction. For me, it’s about taking your time to build something, taking the crowd—and yourself—to a different place. Techno is about that hypnotizing, long-spanning journey. It’s where I come from; it’s what I strive toward.” Mull’s production know-how started and moves at the same pace as his DJing. His initial forays into making techno happened in Beyer’s fateful bedroom where the two of them and their friends pooled their resources to obtain classic pieces of outboard gear: a synthesizer and a sampler, which they plugged into Beyer’s mixer and started experimenting. Their trial-and-error eforts gained them enough recognition to start releasing music on a multitude of labels. Mull released his frst full-length artist album, Imagination in 2000 on his own label, the defunct Inside. A representation of himself at the time, Imagination is a personal piece of work whose creation played double duty for Mull by serving as therapy of sorts. He followed Imagination with The Observer in 2007. The Observer was released on the re-launched Harthouse label, which once belonged to techno godfather Sven Vath, a major infuence on Mull. The Observer was developed as a live project and put together like a DJ set with gradual builds and movements similar to what Mull would perform at a club. His next album, Sensory in 2011, was released on Beyer’s Truesoul label. This musical home gave Mull the comfort and confidence to really be himself, designing an album geared toward the dancefoor. More lately he released on labels like Parabel, which he is also part of the label team, Nicole Moudaber’s respected MOOD imprint, the Dutch Mary go Wild, Leipzig based Distillery records and Sasha’s standard-bearing Last Night On Earth—a particular badge of honor for Mull who considers Sasha a major inspiration. Not to forget under the alias Gotzkowsky, Mull released the track Shoulder of Orion, on the Berlin-based label, Dystopian. “Techno is not as rebellious as when it started,” observes Mull. “People used to not understand music being made with computers and synthesizers and not ‘real’ instruments. They didn’t consider it music. The kids that went to techno clubs only drank water and danced their asses of. The clubs couldn’t make money of of them. He continues, “But techno was always the music of tomorrow. I knew that way back then. The formula of techno is so basic everyone catches it. At a time when you’re getting bombarded with media and diferent frequencies, techno streamlines everything, gathering people into one frequency that feels harmonic and united, a feeling of being together.”Their RA profile lists Underwater Records, Tortured Records, Cocoon Recordings, Liebe*Detail and 6 more.Last at ://about blank in Aug · often with Julio Paradise, a:tok, CCL, none of them here that night
“Muffin has become known for her clean-cut, genre-bending sound she describes as “sewer grooves” – an infectious, sped-up beat that blends rolling drumcode basslines with elements from tech-house to psy tech and hard grooves to create a deep, slicing sound that is irresistible, fresh, and danceable.”
their own biography
the whole biography
Muffin has become known for her clean-cut, genre-bending sound she describes as “sewer grooves” – an infectious, sped-up beat that blends rolling drumcode basslines with elements from tech-house to psy tech and hard grooves to create a deep, slicing sound that is irresistible, fresh, and danceable. The Muffin Man’s strength lies in skillfully appealing to various facets of the hard techno movement while incorporating influences from completely different backgrounds of electronic music. Her sets are always packed with high energy and seductive beats, leaving her audiences begging for more. Born in Italy, where she first learned to play the piano, and later raised in the heart of East London, Muffin grew up surrounded by a diverse array of musical genres that have significantly influenced her distinctive sound. Attending various underground events post-COVID provided her with the opportunity to channel that inspiration, shaping the musical direction she passionately pursues today. With her recent releases and an original genre already under her belt, she is changing the expectations and the face of what it means to be a techno artist in the current era.Their RA profile lists Speedmaster Records.Recently at ://about blank, OST · often with Elotrance, SATYS FYRE, XIMA, none of them here that night
“Character unlocked: karete bu.”
their own biography
the whole biography
Character unlocked: karete bu. Rooted in House groovers, UK-leaning rhythms, and a weakness for records with a bit of dusty history. Her sets are guided by hipswings that occasionally take a left turn when the room is ready for it, sharp timing, and a tendency to let things simmer until they don’t. As a former resident at Leipzig’s Institut fuer Zukunft, she fostered young talent in the DJ rehearsal room and developed a sound that isn’t afraid of spectacle when the moment calls for it. Today, based in Berlin, she works for the beloved festival Nachti by Nachtdigital, helping to shape it from the inside out and keeping the backstage just as lively as the dancefloor.Recently at Coco Boule, Golden Gate, Monarch · often with Franca, Immy, Sven Dohse, none of them here that night
“André Dancekowski is a DJ, regulator, and true nightlife connoisseur.”
their own biography
the whole biography
André Dancekowski is a DJ, regulator, and true nightlife connoisseur. Known for his effortless style behind the decks and sometimes at the bar, his sound reflects years of dedication to club culture. Over time, he’s witnessed countless electronic music trends come and go — yet his heart has always belonged to house music. One of his DJ sets on HÖR Berlin went viral, racking up more than 1.7 million views and counting — making it one of the platform’s most-played sets. Check it out — or better yet, catch him live and experience how he regulates the dance floor.Recently at OXI, Kater · often with Immy, Greta Spark, Dj Norma, none of them here that night
“It can also be seen metaphorically that the fall of the Wall just happened in the year of birth of the 23-year-old.”
their own biography
the whole biography
It can also be seen metaphorically that the fall of the Wall just happened in the year of birth of the 23-year-old. It symbolizes, too, the meeting of two forces, two trends which are reflected in the life of the young artist. From House, Dub and Techno of all decades and seasons he creates something that can be called the essence of electronic music. In his DJ-sets, which are deep, last several hours and give you the feeling of being on another planet, he can live his melancholic, introverted side. At the same time, his pulsating mood sweeps are electrifying, which characterize his personality as well as his productions. With the team DYSTOPIAN has he not only found comrades-in-spirit. He has also found a platform of his music style and the possibility of performing on the own shows in Berlin and all over Europe since the last year.Their RA profile lists Plangent Records, Dystopian, Fuse Music and WSNWG.Recently at ://about blank, OXI · often with DJ Flink, Hybrid, DJ Zugzwang, none of them here that night
“Rill is a young DJ producer from Berlin, Germany.”
their own biography
the whole biography
Rill is a young DJ producer from Berlin, Germany. He is the co-head of the Berlin based techno label Syntop Undoubtedly, Rill get his inspriation from early 2010s techno. His tracks are minimalistic yet hard-hitting and groovy. Through the moderate but precise use of synth sounds he manages to add depth to his productions and thus creates an overall hypnotic experience.Their RA profile lists Kluster Records, RAUM Records and Pengan Records.Recently at OXI, MaHalla, ://about blank · often with BBetriebswirt, Hanna Baertig, abs8lute, none of them here that night
Recently at Festsaal Kreuzberg, Lokschuppen Berlin, ://about blank · often with Hybrid, alemiko, Limoncello, none of them here that night
Recently at Mena Berlin, ://about blank · often with Schorli, BBetriebswirt, Hanna Baertig, none of them here that night
Recently at ://about blank, KitKatClub, Kater · often with Irakli, alemiko, fr. JPLA, none of them here that night
“Bconscious gravitates towards groove, hypnotic, industrial, dark, and fast-paced techno.”
their own biography
the whole biography
Bconscious gravitates towards groove, hypnotic, industrial, dark, and fast-paced techno. Her exploration of techno sounds is guided by an intuitive connection to groove and robust kicks. With vocals that embrace, and beats that propel, her sets inspire rhythmic movement, with limbs waving in the air. Her guiding mantra remains, "Music shall unite". The feedback coming from the ravers is that her music is sexy and it is definitely hard to leave the dance floor. As a founder of the Paradis Artificiel music collective, she hosts events sharing the booth with other notable talents in the city of Berlin. While her artistic journey is a work in progress, she has already had the privilege of sharing the DJ booth with legendary names in the industry.Recently at Renate, OXI, Tresor / Globus · often with Gforty, Guido Iacovitti, Inverse Element, none of them here that night
“For over a decade, the Berlin-based DJ Jessamine has been passionately engaged in the electronic music scene with a keen dedication to the music.”
their own biography
the whole biography
For over a decade, the Berlin-based DJ Jessamine has been passionately engaged in the electronic music scene with a keen dedication to the music. As a member of the ://about blank collective from the very beginning, he helped establish and build the club into what it is today. There, he co-organises the much appreciated monthly club night Blank Generation, where you will also find him playing deep and timeless house music, rooted in the tradition of the genre but with a contemporary twist. Subtle, chord-driven tracks seamlessly combine with dry Chicago-style tools, producing tension and dynamics underpinned by an ever-present emotional nuance. It is a profound experience to see a crowd be brought together in an almost transcendental way by house music. He himself is a firm believer in the idea summarised by jazz musician Albert Ayler: “Music is the healing force of the universe”.Their RA profile lists ://about blank.Last at ://about blank in Sep · often with a:tok, Sven Weisemann, fr. JPLA, none of them here that night
Last at ://about blank in Sep · often with Omar Akrif, Alexandra, Alex Neri, none of them here that night
Recently at Paloma, Golden Gate, ://about blank · often with a:tok, Sven Weisemann, fr. JPLA, none of them here that night
- Their RA profile lists connwax.
Last at ://about blank in Sep · often with BANDS, a:tok, STASIC, none of them here that night
Recently at Golden Gate, ://about blank · often with Pilar Jordan, DJ Hannah, OHNMACHT, none of them here that night
Recently at Kater, Anima, Privatclub · often with Achilles, Mango, Z.O.mbie, none of them here that night
“ESCH Berlin “In Greek mythology, Thanatos was the daemon personification of death.”
their own biography
the whole biography
ESCH Berlin “In Greek mythology, Thanatos was the daemon personification of death. In classical Freudian psychoanalytic theory, Thanatos represents the death drive (German: Todestrieb); the drive towards death, self-destruction and the return to the inorganic: “the hypothesis of a death instinct, the task of which is to lead organic life back into the inanimate state”. The death drive opposes Eros, the tendency toward survival, propagation, sex, and other creative, life-producing drives.”Last at ://about blank in Oct · often with Electric Visionary, Vy Tran, nie tak, none of them here that night
Last at ://about blank in Dec · often with Zelyna je Belle, San Regret, KLING&KLANG, none of them here that night
“Hey Leute, ich bin DJ-Ween und ich freue mich, euch auf eine musikalische Reise mitzunehmen!”
their own biography
the whole biography
Hey Leute, ich bin DJ-Ween und ich freue mich, euch auf eine musikalische Reise mitzunehmen! Meine Leidenschaft ist Trance, und mein Ziel ist es, euch die Beats nicht nur hören, sondern tief in euch spüren zu lassen. Bei meinen Sets dreht sich alles um gute Laune und positive Vibes. Für mich gibt es nichts Wichtigeres als eine Atmosphäre voller Liebe und Freude. Hass und Diskriminierung haben bei mir keinen Platz – auf der Tanzfläche zählt nur das Miteinander und die pure Begeisterung am tanzen und ggf. mitsingen. Melodische Klänge mit einem Mix aus trashy/witzigen Tracks macht einfach spaß. Danke an alle tollen Menschen die mitgetanzt und die Freude zurückgestrahlt haben <3 Ganz viel Liebe DJ-WeenRecently at Festsaal Kreuzberg, OXI · often with Zetson, Dorn.One, Giorgio Inkasso, none of them here that night
“Since Marcel Koar first watched the Loveparade on a tube TV, he has been deeply in love with club music.”
their own biography
the whole biography
Since Marcel Koar first watched the Loveparade on a tube TV, he has been deeply in love with club music. Perhaps it was this initiation ritual that has kept him loyal to vinyl records to this day, making him one of the rare vinyl-only DJs. His heart also beats for analog mixers, and he can endlessly rave about the advantages of rotary mixers. He does so in the same way he DJs: with elegant understatement and moments of ecstatic energy. The many crew members who are captivated by his sets appreciate this about him. As part of Children Of The Drum, the Chimaera Festival, MiDi, and as a regular organizer of his own parties, he's had plenty of opportunities to prove it. By now, he hasn’t only played everywhere with a sound system in his adopted home of Dresden; his understanding of house music is also well-received across the rest of the country—and even more so, heard. But don’t ask him about tracks or artists, because for him, music manifests through album covers in his mind. Beyond Dresden his musical journey has taken him to the Netherlands, Czech Republic, Poland and Ukraine - most recently even to Berlin’s notorious Sisyphos, about Blank & Golden Gate. Chapeau! No matter where he goes, no dancer’s heart can save itself from his fine house, acid and wave right up to disco beats.Last at ://about blank in Sep · often with Hanna Baertig, Menzel, Francis FF, none of them here that night
“Coming from the Ruhr area, Multifun discovered early on how important music and rave culture are to escape the grey industrial landscapes.”
their own biography
the whole biography
Coming from the Ruhr area, Multifun discovered early on how important music and rave culture are to escape the grey industrial landscapes. With a deep love for raw old-school sounds, combined with contemporary productions, she explores the lines between genres. Her library is filled with deep, percussive grooves and playful, spaced-out twists. She invites you on an energetic ride that’s both immersive and slightly unsettling in the best way. Driven by curiosity, she stays hungry for new sounds, artists, and ways to support and connect within the underground music scene. Having lived and actively participated in Berlin’s club scene for nearly a decade has given her a nuanced perspective on how club culture has evolved over the years. Beyond her work as a DJ, Multifun also works as a booker and visual artist for various events, contributing to the vibrant habitats of Berlin’s nightlife.Recently at Festsaal Kreuzberg, OXI, Beate Uwe · often with Hanna Baertig, Schorli, BBetriebswirt, none of them here that night
Last at ://about blank in Aug · often with ÆNZØ, Maarten, none of them here that night
Last at ://about blank in Nov · often with AMIK, Naraić, LIVE ACTS, none of them here that night
often with Glamour&Tristesze, Karl8, Lys Duster, none of them here that night
Last at ://about blank in Aug · often with ronni65, Bobi Bouletti, Tess, none of them here that night
often with KAADEN, GABBERSTEIN, BLK SLK, none of them here that night
often with ZOMBIESPACEWIZARD, SUB-T, ZYNTAX, none of them here that night
names these artists often play with — not that night
- Hanna Baertig6 with Multifun, 3 with CHOREOPHILA, 3 with Rill, 2 with G4F4RØU and 2 with Marcel Koar
- a:tok4 with Lena Brumby, 3 with Jessamine, 2 with Joel Mull, 2 with Rodmin and 2 with THNTS
- alemiko6 with CIKO, 3 with Hang Aoki, 2 with G4F4RØU and 2 with THNTS
- Irakli3 with Hang Aoki, 3 with karete bu, 2 with Jessamine and 2 with Lena Brumby
- Hybrid6 with CIKO, 3 with Alex.Do and 2 with THNTS
- BBetriebswirt4 with Multifun, 3 with CHOREOPHILA and 3 with Rill
- fr. JPLA3 with Hang Aoki, 3 with Jessamine and 3 with Lena Brumby
- BANDS2 with Jessamine, 2 with Lena Brumby and 2 with Rodmin
583 said they were going — much busier than a usual Wednesday at ://about blank.
how this compares
- Median final count, Wednesdays at ://about blank25
- Middle half finished between21 and 31
- Past Wednesdays at this venue counted23
The room
://about blank — 313 events and 1,722 distinct artists since Aug 2025.
Most-tagged here: Techno (52), Trance (16), Electro (14), House (13) and Disco (4). genre tags on this room’s listings