Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 8 Nov 2025
Press play
Who was billed11 artists
In the order the promoter listed them.
- Ben Klock
- next: public records in NYC, Mon 9 NovDasha Rush
- Rødhåd
- next: BASEMENT in NYC, Fri 20 NovAmotik
- next: Berghain, Sat 31 OctAurora Halal
- Eli Verveine
- next: Berghain, Sat 31 OctLea Occhi
- next: Berghain, Sat 7 NovMarcel Dettmann
- Marie Montexier
- Victor (DE)
- Sonntag ab 16:00
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
34 of the 55 pairings on this bill were first meetings.
- Rødhåd and Victor (DE) — 2 shared bills before that night, first on Sat 8 Nov 2025.
- Dasha Rush and Rødhåd — 2 shared bills before that night, first on Sat 8 Nov 2025.
- Marie Montexier and Victor (DE) — 2 shared bills before that night, first on Sat 8 Nov 2025.
- Lea Occhi and Victor (DE) — 2 shared bills before that night, first on Sat 8 Nov 2025.
- Rødhåd and Marcel Dettmann — 2 shared bills before that night, first on Sat 24 May 2025.
- Amotik and Lea Occhi — 2 shared bills before that night, first on Fri 25 Jul 2025.
- Aurora Halal and Lea Occhi — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Ben Klock and Marie Montexier — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Rødhåd and Amotik — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Rødhåd and Marie Montexier — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Dasha Rush and Amotik — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Dasha Rush and Victor (DE) — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Dasha Rush and Marie Montexier — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Amotik and Victor (DE) — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Amotik and Marie Montexier — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Lea Occhi and Marie Montexier — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Ben Klock and Rødhåd — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Ben Klock and Marcel Dettmann — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Ben Klock and Dasha Rush — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Aurora Halal and Eli Verveine — 1 shared bill before that night, first on Sat 8 Nov 2025.
- Amotik and Aurora Halal — 1 shared bill before that night, first on Fri 31 Jan 2025.
Who they are
“His long-standing relationship with the notorious Techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ-producers of the current generation.”
their own biography
the whole biography
His long-standing relationship with the notorious Techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ-producers of the current generation. Those who have witnessed him perform will note not only the diversity in his track selection, but also his ability to create a room rather than just play to it. Though intense and powerful, his DJ output reflects a certain kind of fervour, capturing an artistry and emotion that can often appear absent from the Techno genre. He also possesses a wonderful understanding of how to adapt his music to the circumstances, a competence that means he can be found at both large-scale festivals and small intimate club settings around the world. Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015. Over recent years his focus has been on touring – but his early works, most of which were released via Ostgut Ton, have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann, kickstarted the label itself and remains a stand-out track in its discography. Other releases of particular note include “Subzero”, taken from his Before One EP, and the Compression Session EP (2010). For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. Still today, this seminal record forms a reference point for all Techno long-players. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin. Additionally, Klock also runs Klockworks, a label he founded in 2006 as a home for his more raw and minimal productions. The focus, however, has shifted over recent years, with the label becoming a medium for him to present his more diverse personal tastes and support developing talents. Trevino, DVS1 and Etapp Kyle have all released on the imprint during the earlier stages of their careers. The growth of the label has been aided by a series of showcases at various international locations, including London’s Village Underground, New York, Barcelona, Detroit and Berlin, with more on the horizon.Their RA profile lists BPitch, Ostgut Ton, Rekids, Memo and 6 more.Last at Berghain in Aug · often with Fadi Mohem, Budino, JakoJako, none of them here that night
“Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects.”
their own biography
the whole biography
Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects. She has released music on labels such as Sonic Groove and Raster Noton, and has also collaborated with others. Additionally, some of her work has been released on her own labels, Fullpanda Records (2005) and the experimental sub-label Hunger to Create (2004) She began her musical career at a young age in Moscow, where she was one of the first female DJs/producers in Eastern Europe. After moving to France in 1996, she gained international recognition in the early 2000s and developed as an electronic music composer, producer, and DJ, experimenting with various forms of art by collaborating with dancers and painters. Rush views genres as starting points rather than destinations and explores rare electronic experimentation that draws from the roots of underground music from the early 20th century. Her album on Raster-Noton (2015), could be a metaphor for her musical work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in- between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. She pushes the boundaries of contemporary music to the limit and encourages experimentation with various musical and non-musical forms, creating thoughtful compositions in multidisciplinary projects. Her audiovisual work, inspired by scientific subjects, includes projects like "Antarctic Takt" (2014), "Aurora Cerebralis" (2019), and "Dark Hearts of Space" (2015). In her multidisciplinary show "Les Territoires Ephemeres" (2018), she combines different artistic disciplines such as Japanese butoh, theatre, poetry, and digital music and visuals. In conclusion, Dasha Rush is a live performer, electronic music composer, sound artist, and techno DJ whose work extends beyond the dance floor and sometimes beyond music itself. In her strange and twisted world, the machines are the protagonists of a neo-romanticism, weaved with human dreams. www.dashrush.org www.fullpanda.com Selected performance: -Antarctic Takt ( Audio Visual) 2014 -Dark Hearts Of Space ( Audio Visual) 2015 -Les Territoires Ephemers 2018/ Multidisciplinary) - Aurora Cerebralis 2019 ( Audio Visual) -Dasha Rush and Schloss Mirabel( Cello) (New classic experimental electronica Live show - Hypothetically Personal ( Audio Visual) 2024 Dasha Rush & UY studio collaboration -Zone ( Contemporary Dance / Ballet) -CODESS - choreographed by Candela CaptainTheir RA profile lists Raster-Noton, Fullpanda, Sonic Groove, Hunger to create and 6 more.often with Innersha, Megan Leber, Afrikan Sciences, none of them here that night
“Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene.”
their own biography
the whole biography
Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene. Starting with his first residency at the long-defunct Zementgarten in 2006, he went on playing venues and festivals of all sizes and magnitudes. Known for relentless DJ sets that meld uncompromising techno with highly emotional atmospheres and soundscapes, he’s managed to have a major impact on the world’s most cherished floors while remaining passionately independent. Rødhåd continues to abstain from excessive hype, staying very much connected to the community that formed him. In the last years he deepened his interest in the communal aspect of electronic music even further, curating excessive multipersonal live jams at places like Berghain or Dekmantel Festival. By launching Dystopian in 2009, first as a party series and later as a label, he made a distinct mark on Berlin’s techno landscape through a raw and honest vision, that felt true amid the city’s more dark and industrial edge. With releases from the likes of Alex.Do, Recondite, Distant Echoes or Rødhåd himself, Dystopian cemented itself as one of Berlins major techno trademarks throughout the decade of its existence. In 2017 Rødhåd released his debut LP Anxious, demonstrating his versatility as producer, spanning straightforward techno to dim and dusky ambient tunes. With his latest imprint, WSNWG, he created a platform for collaborative explorations in sound and texture with long-time companions and newfound friends alike. While the label’s core output remains a steady stream of dancefloor oriented 12”s it also released full-length albums that venture deeper into experimental and exploratory territories. The concept album series Out Of Place Artefacts (with Vril) takes the listener on a journey through deep introspection and otherworldly land- and soundscapes, while always always alluding to the rich tradition of electronic music in an abstract and mediated rather than direct way. Released in 2022, the LP In Vere (with JakoJako) departs from the characteristically dark and melancholic undertone of Rødhåd’s work, delving into lush, organic textures and ethereal, arpeggiated themes, also implementing elements of electronica. The sublabel WSNWG Back To Zero is devoted to solo releases and compilations, launched in 2020 through the highly acclaimed LP Mood, comprising archive material from 2017/2018, marking Rødhåd’s first purely ambient and experimental release, free of any dancefloor ambition. Over the years, Rødhåd has proved himself as a proponent of true craftsmanship, applying the same rigour to his work in the studio as to selecting and mixing records. Remaining hands-on, and keeping a down-to-earth mentality - steering clear of spectacle - has made him a long-established staple in the electronic music community.Their RA profile lists Cocoon Recordings, CLR, Token, Wolfskuil Records and 6 more.Last at Berghain in Sep · often with Richard Akingbehin, Xiaolin, Binh, none of them here that night
“Known for his versatile, layered closing sets that emphasise atmospheric storytelling through tension and release, he has built a reputation as a dynamic figure both in the DJ booth and the studio.”
their own biography
the whole biography
Known for his versatile, layered closing sets that emphasise atmospheric storytelling through tension and release, he has built a reputation as a dynamic figure both in the DJ booth and the studio. In recent years, Amotik has expanded his artistic scope. He launched AMTK+, a sub-label providing a platform for like-minded artists with a shared musical vision. He also collaborated with Answer Code Request on a bass-heavy record for Delsin, giving both artists space to explore their UK and breaks roots. Most recently, he showcased a lighter side with select house sets at Panorama Bar in Berlin, Merge in New York, and Radion in Amsterdam. His touring schedule has taken him to iconic venues such as Berghain, Fold, De School, and Khidi, while he maintains residencies at the revered Goethebunker in Essen and Pax-Romana in Amsterdam. Alongside notable releases on labels like 47, BPitch, and Figure, Amotik's critically acclaimed albums Vistār and Patanjali have further cemented his reputation as a visionary producer, earning praise from Mixmag and Groove Magazine. 2025 marks the 10th anniversary of his self-titled imprint - not just a milestone, but a testament to perseverance, proving that consistency, dedication, and staying true to one’s sound can shape a lasting career in an ever-evolving scene. Bookings > taina@outlined-am.com N+S America > nicole@muisca.la AU/NZ > stix@undrctrl.com Promos > amotikpromo@gmail.comTheir RA profile lists BPitch, Reclaim Your City, Amotik, 47 and 2 more.Recently at Kraftwerk Berlin, RSO.BERLIN · often with Marcal, Ne/Re/A, Disguised, none of them here that night
“Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable.”
their own biography
the whole biography
Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable. In all her projects, she treats dance music as an arena for transformation and since 2010, her events have been rooted in an underground, DIY approach that pushes forward-thinking sounds, production, and ideas. She’s spent the last 10 years touring like-minded clubs, raves, and festivals worldwide and gained a reputation for powerful, unique performances that work both the body and mind. She’s 4 years into a residency at NYC’s Nowadays, is a regular at Berghain and previously De School.Techno on 28, House on 14, Electro on 11 and Experimental on 9. styles on their catalogued releasesReleased on BAKK (2), Dekmantel (1) and Mister Saturday Night Records (1); their RA profile also lists Mutual Dreaming Recordings. labels on their catalogued releases and on their RA profileLast at Berghain in Aug · often with deep creep, Gerd Janson, MARRØN, none of them here that night
“As a DJ, Eli Verveine is widely respected for her ability to build her own dancefloor wherever she is in the world.”
their own biography
the whole biography
As a DJ, Eli Verveine is widely respected for her ability to build her own dancefloor wherever she is in the world. Always engaged with the crowd, Eli sees communication as integral to the art of DJing: whether it’s warm-up, peak-time or after-hours, she captures the collective energy and applies just the right doses of drama and restraint until every dancer is locked into a unified groove. Eli’s versatile blend of genres and moods has brought her to some of the most iconic stages around, from the clubs Bassiani, Panoramabar, Fabric and Closer to the festivals Garbicz, Rainbow Disco Club, Waking Life, and delivering the prestigious closing set at Organik Festival in Taiwan. She has a B2B project, Among Trees, with Andrey Pushkarev. As a live performer, Eli Verveine collaborates with Berlin-based DJ/musician Gwenan on the experimental live project Gin & Tonic. With a setup combining modular synthesis, drum machines, effects pedals and more, the duo tease variegated musical textures out of extended improvisations. This open-ended approach, grounded in close listening and a strong mutual understanding between the two, leads to intriguing musical dialogues in which the machines do the talking. As a producer, Eli Verveine’s discography stretches back to the Ness EP (2012) on Tardis Records, the label she runs with Oscar Schubaq. In 2023, she released the track ‘Morning Dub’, on a VA from Chateau Chépère, and ‘Reverie’, a track resulting from a project with school children in Basel. Eli has been having a lot of fun in the studio, so we can expect more solo material on the way.Their RA profile lists Tardis.Recently at DSTRKT Club Berlin, Club der Visionaere · often with Sarah Wreath, Volkan Akin, Gwenan, none of them here that night
“Where words fail, music speaks.”
their own biography
the whole biography
Where words fail, music speaks. Reserved and solitary, Léa found refuge in music since her childhood. Jazz, soul music or French chansons, family moments usually came and still come hand in hand with music and sharing the joint, somewhat meditative listening experience. An ardent curiosity for Electronic Music started rising in her highschool days, pushing her towards broadening the musical horizon and consequently DJing in parallel to her fashion and design studies. After a few years of exploring parties in Germany and Paris, she co-founded Spectrum Waves in 2017 - a parisian LGBTQ+ collective with tolerance, diversity, freedom, parity and respect at its core. The collective hosts events at Station Gare des Mines, a rehabilitated industrial wasteland and former railway station, to provide a safer space for minority communities, where freedom of expression is lived in all thinkable forms. Through its lineups and podcasts channel, Spectrum highlights emerging French and international DJs and producers. Léa is also at the forefront of promoting women in the Parisian electronic scene. Further commitments go as far as donating parts of the Spectrum earnings to different associations close to her heart such as aid to migrants and refugees, LGBTQIA+ associations or the fight against HIV. Through her collective, she has managed to create a perfect balance between her own desires, ambitions and her fundamental values. Name the unnameable, communicate the unknowable. Spectrum Waves also vastly helped shaping Léa’s musical comprehension and appreciation of Techno as an outlet, which is able to create the same meditative listening experience and togetherness she feels when listening to music with her family. Her sets stand out for their sharp selection and absolute coherence. A mental, groovy Techno fueled by organic, tribal elements – widely reverberating in its uniqueness and class. The creation of an intimate atmosphere and cohesion in each of her sets makes them stand out, equally so does the implementation of feelings and emotions while at the same time following a rather minimalistic approach in the music itself. A real digger at heart, she has a very wide range of styles and tempos, from techno to micro house, minimal, deep, or ambient - she knows how to adapt and read energies, giving what's needed at the right moment. Pornceptual, Eerste Cie, Power Dance Club or Meat free… Playing for collectives that match her values and commitments is crucial. She performs in renowned clubs and festivals such as Berghain, Tresor, Club Raum, De School, Bassiani, Basement NYC, Fold, Le Sucre, ∄ Kyiv, Awakenings, Dekmantel, Fusion, Whole Festival to name a few. Bookings: tim@outlined-am.comLast at RSO.BERLIN in Aug · often with Rachel Noon, Gerd Janson, Jelena, none of them here that night
“Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno.”
their own biography
the whole biography
Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno. Raised in the former GDR, Dettmann developed his passion for electronic music early, counting new wave, post-punk and industrial music as his strongest influences – long before discovering techno and eventually immersing himself in it. Since the early 90s he has been a fixture in Berlin as both an artist and DJ, becoming a resident at OstGut in 1999. He has also held a residency at OstGut's successor Berghain since its opening in 2004 until today. Dettmann’s productions for his own MDR imprint and Ostgut Ton, as well as his compilations and mixes for fabric, Music Man, !K7 and Dekmantel sit between contemporary techno and pre-techno, providing a unique aesthetic at once reduced and rough, emotional and unpredictable.Their RA profile lists Music Man Records, BPitch, Ostgut Ton, Rekids and 6 more.Last at Berghain in Sep · often with Virginia, Steffi, Quelza, none of them here that night
“Her DJ sets are a seamless blend of thoughtful selection and skilled execution, effortlessly bridging the past and present.”
their own biography
the whole biography
Her DJ sets are a seamless blend of thoughtful selection and skilled execution, effortlessly bridging the past and present. With vinyl as her medium, she blends hypnotic rave classics, modern club rhythms, and intricate experimental beats into cohesive narratives that captivate both the body and the mind. Each transition, cut, and spinback is a precise expression of her skill and intuition, guiding the flow of the dancefloor effortlessly. Her reputation precedes her, with performances in some of the world’s most revered spaces. From the iconic walls of Berghain, Blitz Music Club and Fabric to festivals like DGTL Amsterdam, Lente Kabinet, Love International, Butik, Awakenings and Waterworks, Marie’s presence elevates every stage she graces. She expanded her creative vision with the founding of Paryìa, a label that embodies a forward-thinking ethos. Paryìa thrives on bold, genre-defying sounds. Marie Montexier is a rare voice in today’s musical landscape, one whose approach is rooted in elegance, precision, and a deep reverence for the art of DJing. Through her performances and her label, she offers not just music, but an enduring statement on the power and possibilities of sound.Their RA profile lists Paryìa Records.Last at Berghain in Sep · often with Cinthie, Elisa Bee, Budino, none of them here that night
“Magic Power”
their own biography
Their RA profile lists LACKRec., Magic Power and Lackrec vs Magic Power.Last at Berghain in Sep · often with Soundstream, LOLSNAKE, Phase Fatale, none of them here that night
names these artists often play with — not that night
- Budino3 with Ben Klock and 2 with Marie Montexier
- Gerd Janson3 with Aurora Halal and 2 with Lea Occhi
- LOLSNAKE2 with Lea Occhi and 2 with Victor (DE)
- Luke Slater2 with Ben Klock and 2 with Marcel Dettmann
- Richard Akingbehin2 with Ben Klock and 2 with Rødhåd
- Binh2 with Rødhåd and 1 with Victor (DE)
- deep creep5 with Aurora Halal
- Ne/Re/A5 with Amotik
449 said they were going — busier than a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.