Klubnacht

Berghain | Panorama Bar | Säule, Berlin · Map

This night happened — Sat 6 Dec 2025

OstGut GmbH

Press play

Who was billed15 artists

In the order the promoter listed them.

Set times were not published.

Most of these pairings were meeting for the first time that night.

the pairs that have met

90 of the 105 pairings on this bill were first meetings.

Decoder and Kangding Ray — 2 shared bills before that night, first on Sat 6 Dec 2025.
Decoder and Richard Akingbehin — 2 shared bills before that night, first on Sat 6 Dec 2025.
Clarisa Kimskii and Kangding Ray — 5 shared bills before that night, first on Fri 27 Oct 2023.
Kangding Ray and Richard Akingbehin — 2 shared bills before that night, first on Sat 30 Aug 2025.
Clarisa Kimskii and Rene Wise — 3 shared bills before that night, first on Fri 31 May 2024.
Clarisa Kimskii and Shinedoe — 1 shared bill before that night, first on Sat 6 Dec 2025.
Miss Kittin and Rene Wise — 1 shared bill before that night, first on Sat 6 Dec 2025.
DJ Rush and Kangding Ray — 1 shared bill before that night, first on Sat 6 Dec 2025.
DJ Rush and Richard Akingbehin — 1 shared bill before that night, first on Sat 6 Dec 2025.
Sedef Adasï and Soundstream — 1 shared bill before that night, first on Sat 6 Dec 2025.
Decoder and Rene Wise — 1 shared bill before that night, first on Sat 6 Dec 2025.
Cormac and Soundstream — 1 shared bill before that night, first on Sat 27 Sep 2025.
Kangding Ray and Rene Wise — 1 shared bill before that night, first on Fri 25 Jul 2025.
Clarisa Kimskii and Decoder — 1 shared bill before that night, first on Sun 24 Sep 2023.
Clarisa Kimskii and Sedef Adasï — 1 shared bill before that night, first on Thu 14 Sep 2023.

Who they are

Tobias.
Berlin · 7 bookings since Dec 2025
“In the case of Tobias Freund, all the answers are there, yet they will most probably not apply to anybody but him.”
their own biography
the whole biography
In the case of Tobias Freund, all the answers are there, yet they will most probably not apply to anybody but him. Sure, it might help to gather encyclopedic knowledge through the years about music ranging from Post Punk to Stockhausen and all points in between (and much beyond), but if you are not able to shape that into a personal artistic vision, it is very likely that your potential audience might prefer the artists your very knowledge consists of. In the works of Tobias Freund, inspirations are more to be suspected than to be pinned down. You feel they must be there. They just have to, if only for lack of better explanations. Still, his works are so original and individual that they have become a part of said knowledge themselves. Nobody else sounds like him, they just try to. He owns his sound. Certainly, it might help if you know what you are doing in terms of creating music. Tobias Freund’s process of learning what you are doing stretches back to 1980. Since then, he worked as engineer in the high-end studio of German producer legend Frank Farian for many years, getting to know everything on the mixing desk you could tweak. And he gathered more analogue hardware than others have plugins installed, and got to know it as well. And when he felt he was ready to become an artist himself, he knew exactly what to do with the ideas he had in mind, and thus his music made an impact right from the very start. Transferring his overground work into underground output, his aliases since the early nineties read like an inventory of German electronic music: Metazone, Zoon, Phobia, and especially Pink Elln. Then he put the full stop behind his first name and started releasing tracks that refined the live approach to his broad variety of music between Acid, Ambient and Techno to reduced but jacking grooves that displayed as much attention to detail as to floor impact and became an integral part of the defining sounds emanating from Germany to rule the clubs worldwide since the turn of the millennium. And it might help as well to extend your abilities to the work with other artists. Tobias Freund already started this as part of the electronic cassette circuit in the 80’s in groups like Vo Ese or Hypnobeat, but a decade later his much loved group Sieg Über Die Sonne (with Martin Schopf aka Dandy Jack) graced the clubs with twisted and multi-faceted Techno Pop, and when it went on hiatus two decades later the project NSI. (with Max Loderbauer) and the Non Standard Productions imprint were initiated, to quickly become an institution for groundbreaking explorations in freeform electronic experimentalism. And there is Odd Machine, a joint venture with Ricardo Villalobos and Uwe Schmidt (aka Atom™) in particular, with whom he also forms a live and recording act that puts the weight of their experience into according action, Atom™ & Tobias. His latest collaboration is with his wife Valentina Berthelon named Recent Arts, an audiovisual project that explores the performance of audio and video in real time. He produced and remixed international stalwarts like Efdemin, Ellen Allien, Los Updates, Delano Smith, Margaret Dygas or Aérea Negrot, on seminal labels like Sähkö, Playhouse, Ongaku, Cadenza, Perlon, Logistic, Wagon Repair, Mule Musiq, and, of course, Ostgut Ton. And this is just an excerpt. With Tobias Freund a lot of things fall into place. He knows sound from the inside out, thus he is able to develop his own as well as lend his expertise to others. And even if the studio might be his favourite instrument, he knows so much about any hardware to produce electronic music that he can push the music forward any way he wants to. There is no need to divide his works into avant-garde or club contexts, because he effortlessly merges his whole spectrum into a performance that is all him, transforming the complex textures and gripping rhythms that make his music so fascinating into experiences where listening and dancing are one, and a whole life of music leads to ever new innovations. As it happens. On the spot. Tobias Freund may be non-standard, but he sure set many.
SoundCloud ↗Discography ↗
Their RA profile lists Cadenza Records, Ostgut Ton, Wagon Repair, Logistic Records and 6 more.
often with Snad, Gerd Janson, Alex Kassian, none of them here that night
Andy Martin
Guadalajara, Mexico · 5 bookings since Dec 2025
“His most recent album “Antiguos Astronautas” is a musical exploration between the sounds of techno and native american futurism narrative which had a good response from the music community with the support of artists like DVS1, Nastia, Ben UFO, Tobi Neumann, Gigi FM, Blawan, Jonas Kopp, Daniel Avery, Fred P, Electric Indigo, Batu, Darwin, Rene Wise, Marcal, Reka Zalan, DJ Rolando, Josh Wink, Luke Slater, Norman Nodge, Richie Hawtin, Dj Bone, The Advent, Truncate, Arjun Vagale, Ciel, Machine Woman, among others, playing his tracks in clubs like Berghain, Tresor, Fabric, Bassiani, Lux Fragil, De School.”
their own biography
the whole biography
His most recent album “Antiguos Astronautas” is a musical exploration between the sounds of techno and native american futurism narrative which had a good response from the music community with the support of artists like DVS1, Nastia, Ben UFO, Tobi Neumann, Gigi FM, Blawan, Jonas Kopp, Daniel Avery, Fred P, Electric Indigo, Batu, Darwin, Rene Wise, Marcal, Reka Zalan, DJ Rolando, Josh Wink, Luke Slater, Norman Nodge, Richie Hawtin, Dj Bone, The Advent, Truncate, Arjun Vagale, Ciel, Machine Woman, among others, playing his tracks in clubs like Berghain, Tresor, Fabric, Bassiani, Lux Fragil, De School. His experience and skills as a DJ has led him to perform at the best clubs and venues in México among artist like Dj Stingray, Skee Mask, Aurora Halal, Ryan Elliot, Batu, Darwin, Function, Mad Miran, NVTS, Eduardo de la Calle,Victor, Goldie among others. His last release on the label Mole Audio was a collaboration with the Jamaican artist legend Lee Scratch Perry who was one of the most relevant figures in dub music and an important influence on music culture. His alternative ambient works have led him to perform in museums, art galleries, and international festivals like MUTEK in the edition of 2020 in México and Japan with his ambient album “The Language of Sound”. EU/ROW bookings: lisa@ekipa.agency North/South America: nicole@muisca.la
SoundCloud ↗Bandcamp ↗
Their RA profile lists Items & Things, Compute Music, Glauben Records, Mole Audio and 3 more.
often with Shonky, Mattias El Mansouri, Kaiser, none of them here that night
Clarisa Kimskii
Washington DC, United States of America · 8 bookings since Aug 2025
“Brooklyn-based DJ and producer Clarisa Kimskii has cemented her musical footprint on the borough since moving back in 2022.”
their own biography
the whole biography
Brooklyn-based DJ and producer Clarisa Kimskii has cemented her musical footprint on the borough since moving back in 2022. Through a palpable blend of psychedelic and driving techno, Clarisa’s approach to the genre is deeply idiosyncratic - an assemblage of both timeless and modern grooves. As a producer, Clarisa has contributed to a handful of respected labels (Monday Off, Dusk & Haze, Mysteries of the Deep, etc.) within her sonic niche, but it’s through her own label L.A.G where the ethos of her sound truly takes form - a detailed variation of propulsive and atmospheric soundscapes. Clarisa is deeply rooted in the techno subculture’s underground, and in early 2022 - the 20+ year veteran was named resident DJ of the Brooklyn-based, queer party Merge. Through her former residency at Merge and regular appearances at the city’s premiere institutions in BASEMENT Nowadays and Bossa Nova Civic Club Clarisa’s prestige is undeniably felt. Her pure, yet passionate approach to DJing has graced the decks of memorable nights at international institutions in Berlin's Berghain, Tbilisi's Khidi, and at notably iconic parties in Wrecked, Club Toilet, and The Bunker NY. Recent festival appearances at Taiwan’s Organik Festival and North America’s Honcho Campout, Sustain-Release, Whole Festival , Draaimolen and The Great Beyond have only elevated her reputation as a force within those respective communities. The saga continues with juicy bits on the horizon.
SoundCloud ↗
Industrial on 1, Techno on 1, Acid on 1 and Minimal Techno on 1. styles on their catalogued releases
Their RA profile lists L.A.G., Monday Off, On Board Music, Gradient and 3 more.
Recently at Berghain, Tresor / Globus · often with Ne/Re/A, Ron Like Hell, Juana, none of them here that night
Decoder
Dallas/Fort Worth, United States of America · 12 bookings since Aug 2025
“Raised far from the gravitational pull of dance music hubs, Dallas-born Decoder developed his craft outside traditional DJ circuits, shaping a singular voice defined by independence that remains central to his sound today.”
their own biography
the whole biography
Raised far from the gravitational pull of dance music hubs, Dallas-born Decoder developed his craft outside traditional DJ circuits, shaping a singular voice defined by independence that remains central to his sound today. First opening Fruity Loops at the age of ten, Decoder's relationship with electronic music began free from expectation or institutional pressure. His early productions were guided as much by video game soundtracks, synth-pop and rhythm as by techno itself, resulting in music that is light and inquisitive. That playfulness has endured. Over time, his productions have evolved, with a distinctive sci-fi-feeling that's grounded in the techno's founding principles. Drum-led, full-bodied and often carrying a quiet melancholia, his discography draws a clear lineage from Detroit techno's futurist restraint and experimental traditions, all the while still resisting easy categorisation. Influences range from the microtonal explorations of Aleksi Perälä to the hypnotic patience associated with Perlon-era minimalism and Ricardo Villalobos, all filtered through an instinctive sense of play. Early support from Richie Hawtin and Jeff Mills affirmed his commitment to this direction, recognition many artists work years to achieve. In the DJ booth, Decoder treats performance as a direct extension of the studio. Sets are often built largely from unreleased material, functioning closer to live testing grounds than traditional DJ performances—ideas are trialled, stripped back and reshaped in real time with close attention to the room. After formative experiences at warehouse parties and renegade events across Texas, he began touring internationally while still in his teens, logging sets at the likes of De School, FOLD and Watergate. 2025 marked a significant turning point, with an acclaimed set at Waking Life and his debut at Berghain. Alongside releasing on established labels, Decoder runs two imprints: Codec, a community-focused platform for collaborative projects, and TOCA, a more purist, physical-only label emphasising longevity and restraint. His forthcoming album Prakasa, released on Planet X, represents several years of studio development and reflects his continued interest in cohesion across time, genre and form. Now operating internationally, Decoder represents a measured reinvention of techno, one that looks forward without severing ties to the past. Retaining the independence forged in Dallas warehouses and DIY parties, he remains an artist shaped not by trends, but by curiosity, patience and a disciplined belief in the power of simplicity.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Axis Records, Delsin, Subsist, Blank Code and 2 more.
Recently at Kater, Latitude Record Store, Block1 · often with Claudio PRC, jay york, Afrikan Sciences, none of them here that night
DJ Rush
Chicago, United States of America · 3 bookings since Dec 2025
“DJ RUSH draws on his varied taste in music from contemporary Brazilian Jazz, and rare disco to The Beatles to take you on a tour of the deep side of reality, mind and soul through his vision of rhythmic percussive style.”
their own biography
the whole biography
DJ RUSH draws on his varied taste in music from contemporary Brazilian Jazz, and rare disco to The Beatles to take you on a tour of the deep side of reality, mind and soul through his vision of rhythmic percussive style. Rush gives recordings physical and mindpuzzling energy. The 6'6" giants' open minded attitude to life is: Take me for what I am or don't take me at all. Born in Chicago (USA), he grew up on the South Side and started to party at a very young age, immediately picking up on the fever of the music. He would attend clubs like The Ringzone, Playground, The Candystore and The Music Box. Before he began playing gigs in Chicago, he started making tracks in his bedroom with his friends' sinsonic drums. In Rushs' own words, "It's always important and interesting to make music according to your feelings and experiences" which is exactly what he does with The Energy EP. He likes to play with voices and percussion (his percussion is both wicked and legendary) in his many releases. Throughout the years DJ RUSH has committed himself to the art of rhythm & drums. Born in the big city of Chicago, his music is heard throughout the world, including such famous tunes as Spitball, I Love You, and Mutha Fucking Bass. Although much of Rush's work is used for many mix compilations, some of his most famous moments have come from his live performances. In 1989 Rush had his first residency in a club called the Reactor in Chicago playing 70's disco for a crowd of 800, including 10 hour non-stop sets for party kids. He then continued to play for the famous Medusa club, Power House, Music Box, and Warehouse. Quickly becoming a central figure in Chicago's house scene, Rush's uniqueness and individuality has always been portrayed in his productions and djing. "Not letting the music control me, but letting the music guide me"
Discography ↗
Their RA profile lists Basic Beat, Mental Groove, Dark House Music, Relief Records and 6 more.
often with Tommahawk, Nakadia, Teenage Mutants, none of them here that night
Kangding Ray
Berlin · 12 bookings since Aug 2025
“Kangding Ray’s complex sound aesthetic tests boundaries, evolving tirelessly in its exploration of texture, rhythm, and sound design.”
their own biography
the whole biography
Kangding Ray’s complex sound aesthetic tests boundaries, evolving tirelessly in its exploration of texture, rhythm, and sound design. KR has remixed artists such as Martin Gore and Ben Frost on Mute, Battles on Warp, Oscar Mulero on Polegroup or Inigo Kennedy on Token. Letellier’s foundations in rock and musique concrete give his music a vitality and uniqueness that has won fans the world over, from discerning avant-garde–electronica listeners, all the way to devoted clubbers. Those who have been following Letellier since his debut album, 2006’s Stabil, will recognize not only his meticulous and constantly developing approach to sound design, but also the conceptual gravity behind his releases. Through a string of recent EP’s and albums, culminating with the critically acclaimed “Solens Arc”, KR showed his ability to keep his artistic approach while delivering direct and powerful club-leaning tracks and darkly cinematic soundscapes. On 2015’s “Cory Arcane”, he pushed the limits of his sound even further. Relinquishing standard rhythmic structures and conventional tonal models, he delivered what is perhaps his most sophisticated release yet; a raw and visceral universe, allowing a more fluid dialogue between soul and machines. 2017’s “HYPER OPAL MANTIS” released on Stroboscopic Artefacts heralds a new era for Kangding Ray, where he explores the tension between the natural and artificial, the body and mind, which are central themes in electronic music in general, and Techno in particular. The means of creation, focused around technology and interactions with machines, contrast with the emotional response to sound, the mystical ritual of collective dancing, and the ethos of liberation and tolerance embedded in the culture it has produced. As he describes it himself in a recent interview : “I’ve been evolving since a couple of years at the outer fringes of the club culture, where it overlaps with different experimental and avant-garde genres. While i intend to continue to explore that zone as a free maverick, i also wanted to give something back to the scene, something strong, beautiful and functional at the same time, while retaining enough personality to be exciting.” ( Adapted from words by Vincent Morris)
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Mute Records, Warp Records, Raster-Noton, Token and 6 more.
Recently at Berghain, Dark Matter Berlin · often with Ne/Re/A, Subb-an, SUMME, none of them here that night
Miss Kittin
2 bookings since Dec 2025
often with YAMA(JP/OSK), Laura BCR, Paulete Lindacelva, none of them here that night
Rene Wise
South + East, United Kingdom · 8 bookings since Sep 2025
“Wise portrays a deep sense of knowledge and maturity, devising atmospheric soundscapes with a raw but modern touch, captivating the listener from beginning to end.”
their own biography
the whole biography
Wise portrays a deep sense of knowledge and maturity, devising atmospheric soundscapes with a raw but modern touch, captivating the listener from beginning to end. His sets demonstrate this to full effect, consistently maintaining a powerful sonic trademark via a low end focused, yet intricate and enchanting selection. Indeed, the capacity to dip in between deeper realms of sound and rhythmic exploration aids the artists preference towards longer sets. Before discovering the world of electronic music, Wise came from a background of drum and percussion which was guided by his Iranian father, a former professional drummer. This influence plays a key part in shaping the foundation of techno that he crafts. Subsequently, exposure to Europe’s dancefloors further triggered his passion, allowing him to understand the importance of the interaction between the physicality of sound on the human body. Fast-forward to 2024, this notion gave birth to his label ‘Moving Pressure’. Conceptually, as the title already hints at, the imprint focuses on the capacity of sound to guide movement and emotion, to weave into the fabric of our physical being. Concretely, the first release features a 4 tracker by Wise himself and will proceed by showcasing his sonic vision through self and external releases. The artist’s 'quality over quantity’ mindset has seen him become a mainstay on influential labels such as Mote Evolver and his pure but passionate approach to music has given him the honour of gracing institutions such as Berghain and Bassiani and earned him a residency at the esteemed underground Eerste Communie parties hailing from The Netherlands. RENE WISE // CONTACT: Bookings > Lizzy@ekipa.agency
SoundCloud ↗
Their RA profile lists Enemy Records, Mote-Evolver, Blueprint Records, Reclaim Your City and 6 more.
Last at Berghain in Oct · often with Quelza, Virginia, Ryan Elliott, none of them here that night
Chez Damier
Chicago, United States of America · 3 bookings since Dec 2025
Bandcamp ↗Discography ↗
Their RA profile lists Perlon, Mojuba, Moodmusic, Enterbt Records and 6 more.
often with Joiah, Choukroun, Sky Society, none of them here that night
Cormac
8 bookings since Sep 2025
“Cormac (Polari/Running Back/Ostgut Ton/Correspondant) No longer one of dance musics' best-kept secrets Cormac's reputation as a revered selector has rapidly spread.”
their own biography
the whole biography
Cormac (Polari/Running Back/Ostgut Ton/Correspondant) No longer one of dance musics' best-kept secrets Cormac's reputation as a revered selector has rapidly spread. The Queer Northern Ireland-born DJ is now soundtracking dancefloors the world over with his unique take on HI-NRG, House and Techno. Cormac was a listener and dancefloor staple at zeitgeist defining London institutions such as Trade, Nag Nag Nag, and Bugged Out! He's currently resident at Dicks in Ankali, Prague and is working on an event 'Aqueerius' with the same crew. As well as appearances at key events like Sonar Festival, PollarWeisen, Circoloco, WHOLE Festival, Homobloc, Adonis, isburning, Shmutz, Mustang, and many more. In Berlin and Europe, he's best known for his legendary closing performances at Panorama Bar and Snax. Sometimes running up to eleven hours in length, and with free reign to play across the board sonically, Cormac has fast become a staple on the line-ups for the club. As the light pours in on Monday mornings, the crowd are kept moving with a selection of his extensive 20 years of DJ knowledge. In 2021 he founded his own imprint Polari Records. Polari is named in reference to the secret old-school gay slang once used in Europe. The label showcases new and established producers with each release featuring collectible artwork from LGBTQ+ artists. Cormac's BBC Radio 1 Essential mix featured exclusive non-released material from Polari and artists Gerd Janson, Kink, Volta, Alan Dixon, and Jordan Nocturne, alongside the debut of his first solo release on Polari, the much loved anthem “Heartcore”. As one half of "Comets", he released on the revered Berlin label Ostgut-Ton. “Sparks” an homage to Cowley and Bobby O was released in 2022 on Polari Records. 2023 sees a debut on Running Back Records and the release of Leather ’n Lasers on Polari Records. Cormacs RA mix and interview dropped in May 2023 https://ra.co/podcast/885 management: mt@tailored-communication.com bookings : fh@temporary-secretary.com
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Ostgut Ton, Running Back, Correspondant and Polari Records.
Last at Berghain in Sep · often with Tom Peters, Phase Fatale, Roi Perez, none of them here that night
Gonno
Tokyo, Japan · 2 bookings since Dec 2025
“Gonno is without a doubt an integral part of the current wave of house and techno in Japan.”
their own biography
the whole biography
Gonno is without a doubt an integral part of the current wave of house and techno in Japan. His releases have not only appeared on reputable local labels but have also made their way humbly over to the continent. Gonno always manages to bring an acidy and melodic flavor to his DJ and live sets while still staying true to his house and techno roots. Without fail he draws clubbers in with eclectic sounds and the lost art of storytelling behind the decks/machines. As a result of his infectious sets he’s been playing as a DJ around the world such as UK, EU, US, China, South East Asia, India and Australia since now. Gonno’s release “Acdise #2” on International Feel Recordings in 2011 was his break point to get wider audience, even before its release the EP had frequent play from so many DJs such as Laurent Garnier, James Holden, Francois Kevorkian, Tim Sweeney and Todd Terje, and still continues to be a phenomenal long seller. It’s no exaggeration to say “Acdise #2” is the year’s best Japanese techno tune. In 2015 Gonno released a full-length solo album for the first time in ten years entitled “Remember The Life Is Beautiful” from Endless Flight which gained him wider recognition and appraise from international audience. His remix of Jeff Mills’ “Light Of Electric Energy” was included in Mills’ album “Where Light Ends,” and other recent works include his solo EP “The Noughties” on Tim Sweeney’s Beats In Space Records, and a collaboration EP with Nick Höppner “Fantastic Planet” on Ostgut Ton. In past 3 years from then, while he’s still been touring many countries he did some remix for the label such as Cocktail D’Amore Music and Butter Sessions etc., also collaborated with a Japanese drummer Masumura and putted their album “In Circles” in 2018 on P-vine records Japan. It sounds they focuses the new impacts between electronics and afro-jazzy drums, such like resonating South London's new vibes as Giles Peterson introduced their track on BBC Radio in UK. In 2019 he is keeping touring arounds energetically as a DJ, amongst he suppose to play at Dekmantel Selectors Croatia, Berghain, Canada and US from summer till Autumn. On top of that, the collaboration with Nick Höppner will be coming back and their new EP on Ostgut Ton. Also his some remixes will be coming out soon. This his DJ mix for Dimensions is that he recorded exclusively for his first time since 2015, and published formally since Beats In Space Radio show in 2018.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Ostgut Ton, Endless Flight, Perc Trax, International Feel and 4 more.
often with DAX J, Grace Dahl, Fiedel, none of them here that night
Richard Akingbehin
Liverpool, United Kingdom · 15 bookings since Aug 2025
“Co-founder of Berlin community radio station Refuge Worldwide and founder of techno, dub and ambient label Kynant Records.”
their own biography
SoundCloud ↗Bandcamp ↗
Recently at Berghain, Tresor / Globus, Refuge Worldwide / Oona Bar · often with Tikiman, Justine Perry, Lakuti, none of them here that night
Sedef Adasï
Istanbul, Turkey · 8 bookings since Oct 2025
“Sedef Adasï has spent years refining a style that is both unpredictable and precise—shaped by instinct rather than formula.”
their own biography
the whole biography
Sedef Adasï has spent years refining a style that is both unpredictable and precise—shaped by instinct rather than formula. Her sets go beyond simple selections, evolving into a language between artist and audience. With elegance and ease, she moves fluidly between house, acid, and rhythmic textures, blending raw energy with refinement to create a sound that feels both dynamic and defined. Her sets unfold in real time, guided by the rhythm, movement, and shifting energy of the dancefloor. Born and raised in Augsburg, Adasï resisted the allure of major urban centers, using her local foundation to create something new for her city. This decision led to HAMAM Nights, the party series she launched in 2017 that has since gained international resonance. From the intimate City Club Augsburg to Berghain’s Panorama Bar, Hammam Nights returns to the essence of club culture, creating spaces of warmth, unity, and collective energy. A resident at both Munich’s Blitz Club and Berghain / Panorama Bar, Adasï sculpts nights that are unrepeatable and deeply felt. She moves through sound with instinctive precision, creating an ongoing dialogue with the dancefloor. More than a decade into her journey, she continues to push the boundaries of club music, treating each set as a dynamic exchange—where sound, space, and collective energy come together to create something unique and lasting.
SoundCloud ↗Bandcamp ↗
Their RA profile lists Permanent Vacation, Public Possession, Freeride Millenium and KALT Records.
Last at Berghain in Oct · often with Gabrielle Kwarteng, Steffi, Henriku, none of them here that night
Shinedoe
Amsterdam, Netherlands · 5 bookings since Aug 2025
“Chinedum Nwosu’s relentless passion for the finer elements of electronic dance music has seen her win over hearts and minds in every aspect she has turned her attention to - from her transformative DJ performances, authoritative productions and exquisitely curated labels - Intacto and now the newly formed Music That Moves (MTM Records).”
their own biography
the whole biography
Chinedum Nwosu’s relentless passion for the finer elements of electronic dance music has seen her win over hearts and minds in every aspect she has turned her attention to - from her transformative DJ performances, authoritative productions and exquisitely curated labels - Intacto and now the newly formed Music That Moves (MTM Records). Like only a handful others in the scene, her name signifies a strength of purpose and commitment to quality that is rare in the world of dance music. Based in Amsterdam and with Nigerian roots, Shinedoe has graced some of the world’s most significant DJ booths - from her countless performances in Berlin's Berghain to underground festivals and clubs all over the world. Beginning her journey as a DJ at 19 years old, Shinedoe has drawn inspiration from originators like Jeff Mills, Derrick May, Juan Atkins, Carl Craig, Kevin Saunderson and Orlando Voorn. With her deep connection to the sounds of Detroit, Chicago and the often unsung Amsterdam scene, her DJ sets blend these influences with a warmth and style that few can hope to emulate - her mixes take dancers on a sensual, explorative trip to the beyond. Having honed her considerable skills at her own Inmotion parties in Amsterdam from 2001 (now renamed ‘Intacto Nights’), Shinedoe shared the stage with techno and house royalty, whilst making a huge impact on Amsterdam’s burgeoning scene with her forward-thinking booking policy. Shinedoe radiates a positivity that at times can seem in short supply elsewhere in electronic dance music. Dive in to her extensive back catalogue of productions and it’s clear she has established a sound that is recognisably her own - both timeless and unique. Her releases stretch back over a decade to when her debut track Dillema dropped on Dutch label 100% Pure in 2004. It was clear nothing was going to hold her back - the track was picked up by everyone from the techno elite to the bedroom DJs and ravers who couldn't get enough of its tough, funky and infectious groove. A series of killer 12s would follow, both on her own Intacto imprint and labels such as Ibadan Records, Cocoon, Bpitch Control - to name but a few. Key moments included the Fuse Presents Shinedoe mix that dropped in 2007 on Music Man, which added extra heat to her already hot reputation. Having also contributed stellar mixes for XLR8, Groove magazine, Electronic Beats, and Data Transmission, Shinedoe also delivered exceptional remixes for the likes of The Knife, Orlando Voorn, Pantha Du Prince, Terre Thaemlitz, and Booka Shade. Since its founding in 2004, Intacto has gone from strength to strength under the guidance of Shinedoe and co-head 2000 and One (Dylan Hermelijn). Now with around 100 releases to its name, the label represents a distinct approach to electronic music - rooted in respect, quality and professionalism, yet wildly courageous and adventurous in its releases. Intacto was heavily populated by Shinedoe’s productions - including three albums (Sound Travelling, No Boundaries and Illogical Directions) that won plaudits across the board. Yet in in 2018, Shinedoe founded Music That Moves, a new label exclusively focussing on her own musical vision. MTM is the home for precision techno with soul - literally music that will move you in every sense, and another reminder as to why Chinedum Nwosu is one of the most engaging and inspiring artists in electronic music. Music That Moves (MTM) Founded in 2018, Music That Moves is the latest venture by Amsterdam-based techno maven Shinedoe. Having been jointly responsible for the long running and hugely influential Intacto label with partner in crime 2000 and One, Chinedum Nwosu’s new label is a vehicle for her own special musical vision. Focussing entirely on Shinedoe productions, Music That Moves is the home for precision techno with soul - literally music that will move you in every sense.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Axis Records, Size Records, Cocoon Recordings, Get Physical Music and 6 more.
Last at Berghain in Aug · often with Chami, Connor Wrong, Bella Boo, none of them here that night
Soundstream
Berlin · 12 bookings since Sep 2025
“Born in West Berlin in the 1970s, the producer has come a long way since first hearing Technotronic’s “Pump Up the Jam” on the radio in 1989, a time when the Berlin Wall was pulverized to the ground and house music reached the city in full force.”
their own biography
the whole biography
Born in West Berlin in the 1970s, the producer has come a long way since first hearing Technotronic’s “Pump Up the Jam” on the radio in 1989, a time when the Berlin Wall was pulverized to the ground and house music reached the city in full force. Growing up on a diet of George Benson and Chic from his American stepfather’s collection, he then entered the quintessential orbit of Hardwax and Tresor in the early ’90s. It was there that he discovered his love of Chicago’s chopped-and-screwed roughness and New York’s groove. The young producer took his influences and transformed them into a template that would come to define his output: he chopped, cut, and reforged loops into his first Soundhack release in 1997, which was met with instant acclaim, as well as his first official Soundstream release in 1999, “Good Soul”. Since then, each new Sound Stream, Soundhack, or Smith ‘N’ Hack record (his singular collaboration with friend and peer Errorsmith) is greeted with anticipation by DJs, producers, and fans around the world. The pace for his output—released every few years in a measured fashion, but always instantly classic—has kept up with the quality of releases, from the timeless “Live Goes On”, “Bass Affairs” and „Love Remedy“ to his recent triple album „Disco Fantasy“. Tightly sampling disco and funk and overlaying them with pummeling kicks, his tracks are always instantly recognizable, dance floor bombs—crossovers as likely to be found in the bags of disco heads as much as house producers. Helming his DJing craft in the old Tresor and Ostgut, few can lay claim to having played at Berghain/Panorama Bar around 200 times since its doors opened in 2004, a residency that has cemented Soundstream’s DJing reputation at home and abroad. A look into his bag reveals lovely disco 12 inches, dirty Chicago house, immortal club classics, and dew-fresh jams—all blended, mixed, and sliced together with style, grace, and his trademark smile. Humble and understated, Soundstream doesn’t cater much to the world of social media hype and vacuous musical trends. Rather, like all great musicians, he lets the music do the talking.
SoundCloud ↗Bandcamp ↗Discography ↗
Their RA profile lists Sound Stream and Footjob.
Recently at Weltwirtschaft am HKW, Paloma, Berghain · often with Snow (DE), LOLSNAKE, Victor (DE), none of them here that night