Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 27 Dec 2025
Press play
Who was billed14 artists
In the order the promoter listed them.
- Anika Kunst
- next: Berghain, Sat 28 NovDenise Rabe
- next: RSO.BERLIN, Sat 24 OctIgnez
- next: BASEMENT in NYC, Sat 24 OctKameliia
- Kr!z
- Kyle Geiger
- next: Berghain, Sat 7 NovVincent Neumann
- next: Berghain, Sat 14 NovAlinka
- CHIDA
- next: Rough Trade Berlin, Wed 18 NovChloé
- next: Berghain, Sat 24 OctFranziska Berns
- Radio Slave
- Subb-an
- Tal Fussman
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
82 of the 91 pairings on this bill were first meetings.
- Kameliia and Vincent Neumann — 2 shared bills before that night, first on Sat 27 Dec 2025.
- Radio Slave and Tal Fussman — 3 shared bills before that night, first on Fri 4 Oct 2024.
- Alinka and Tal Fussman — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Denise Rabe and Ignez — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Ignez and Kyle Geiger — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Kameliia and Radio Slave — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Denise Rabe and Franziska Berns — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Vincent Neumann and Alinka — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Ignez and Kameliia — 1 shared bill before that night, first on Sat 18 Nov 2023.
Who they are
“Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session.”
their own biography
the whole biography
Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session. She has spent more than twenty years perfecting her intuition, technique and building up a vinyl collection which oscillates between timeless techno and the most select house, making the most of the nuances that exist between said genres and all their sub-genres have to offer. Maybe you remember some of her emblematic vinyl-only ‘All Night Long’ sessions or maybe you saw her perform in London, Berlin, Brussels or during her time in Latin America. She might have made her mark on one of your idyllic summer nights in Ibiza or perhaps you heard her at a festival or an distinguishing club in Barcelona at her ‘Selectors’ night; always in constant evolution, with all possibilities still open for exploration. You may be familiar with her well-respected label, which he founded in 2014 as Chapter Records, and you may even have played or listened to one of her releases yourself, perhaps at a DVS1 or Dave Clarke session. You might also have already discovered her studio work, such as her "Different Approach EP" on RSPX (Rekids Special Project), her acclaimed remix of Rødhad on WSNWG, her 'Hidden Intention EP' or 'Sin Rodeos EP' for Symbolism, Ben Sims' label. Her most recent release has been a track for ‘Back To Zero’, a V.A. on Rodhad's label.Their RA profile lists Casanova Bar, Symbolism Ltd, WSNWG, WSNWG – BACK TO ZERO and 2 more.often with L.B. Dub Corp, Hansgod, Luke Slater, none of them here that night
“Denise Rabe´s experience in the Berlin techno scene as a booker, radio host, promoter and dj since she relocated to German capital drawn by the possibility of a life in music, is reflected in the pragmatic, grounded artist she became and the unique, original voice she's developed as a producer.”
their own biography
the whole biography
Denise Rabe´s experience in the Berlin techno scene as a booker, radio host, promoter and dj since she relocated to German capital drawn by the possibility of a life in music, is reflected in the pragmatic, grounded artist she became and the unique, original voice she's developed as a producer. Her approach and work ethic can be seen expressed on every release she's done under her label, Rabe, where her music is matched with an equal amount of care, thought and work, in the vessels that contain it, within a coherent aesthetic and vision that informs music, artwork and presentation equally. This has allowed her to recruit the artist who´s work resonates with her sensibility and can be heard in the remixes Rrose, Shxcxchcxsh, Headless Horseman, among others, have done for her releases on her and other labels. Imprints such as Mutewax, who released her first 12" in 2015, ARTS where she quickly became one of the label´s staples and Stroboscopic Artifacts where she published "Manifesto" in 2019, are clear reference points that describe her career and its development. Rabe’s particular inclination to sparse industrial soundscapes, gothic aesthetics, driven grooves under hooks that hypnotize as much as they distinguish, have propelled her 10 year career across stages all over the US, Asia and Europe, as well as the clubs that represent the apex of techno world wide such as Berghain and Tresor.Their RA profile lists Soma Records, Stroboscopic Artefacts, Illegal Alien Records, Diffuse Reality and 6 more.Recently at KREUZWERK, RSO.BERLIN, ://about blank · often with GLOBUS, TRESOR, Alan Oldham, none of them here that night
“His roots are in between dust of sand and waves of salt water.”
their own biography
the whole biography
His roots are in between dust of sand and waves of salt water. Ignez grew up near the coast of The Netherlands where hypnotizing waves and infinitive dunes shaped his sound. He fled the conservative world by sketching his own reality with these elements of nature. This became inextricably linked within his consciousness and reflects back into his music today, bringing a tight yet indefinable techno sound. He has shaped his own path through his imprint, Somov Records, where he unveiled his distinctive sound and artistic vision for the first time. In addition to his own imprint, he has made an indelible impact on influential labels such as Token and SK_eleven, enchanting audiences worldwide with mesmerizing releases. Notably, Ignez has collaborated with Rødhåd. Together, they have created two EPs that showcase their unique musical synergy. In his DJ sets, Ignez transports the audience into a mesmerizing sonic journey, captivating their senses and lifting the dancefloor to a higher state of being and a collective oceanic feeling. His driving, hypnotic, and minimalistic approach pulls listeners into a magnetic trance, where the pulsating rhythms and ethereal melodies create an immersive sonic experience. His residency at the esteemed underground Eerste Communie has been the cornerstone of his development as a DJ, fostering experience that has grown with him from a young age. From intimate club settings to renowned festivals, his sets evoke a transformative experience, inviting listeners to embark on a sonic odyssey and dive into the depths of his sonic universe.Their RA profile lists Token, SK_eleven, SEELEN., WSNWG and 2 more.Recently at RSO.BERLIN, Berghain · often with ROBUS, SUMME, Kim She, none of them here that night
“Hailing from Norway, Bulgarian-born DJ and producer Kameliia has built her reputation on beautiful, hypnotic and atmospheric techno sets.”
their own biography
the whole biography
Hailing from Norway, Bulgarian-born DJ and producer Kameliia has built her reputation on beautiful, hypnotic and atmospheric techno sets. Her music sets the dance floor on a journey using driving beats with rhythmic sub-bass and reverb-soaked percussion. Kameliia is also a producer with successful releases on SK_Eleven,AMTK+, WSNWG and more labels that have shown her abilities as a producer of intense, sophisticated techno.Their RA profile lists Token, Clergy, SK_eleven, Sublunar and 5 more.Last at RSO.BERLIN in Oct · often with Blue Hour, Dee Diggs, SUMME, none of them here that night
“Kr!z has been at the forefront of techno for more than a decade.”
their own biography
the whole biography
Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic and energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad and James Ruskin, he gradually but steadily developed his own identity in the international techno scene. After making a name for himself as a skilled DJ with sharp focus and a quick mixing style in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. It has since been a leading outlet for heady, purist sounds. He rapidly established the label as a fixed value with a timeless and powerful sound and took it around the world with label nights on every continent. Token remains important in defining techno today - always straightforward, sometimes weird, often catchy – all under the helm of Kr!z as avid A&R. After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur’s knowledge and experience he has cultivated in his work as a DJ, 2019 saw the release of his long awaited debut EP on Token. ‘Mantra’ received high acclaim by both media and the scene's key DJ’s. This continued in 2020, when he released the track ‘Scorpion’s Tail’ on Voltage Imprint and ‘Malice’ & ‘Imperative Needs’ as part of a split EP with Pfirter on his MindTrip label. 2022 will be his most prolific year to date with three full EPs seeing the light of day: ‘Neutrino EP’ on James Ruskin’s Blueprint Records, ‘The Tunnel’ on Setaoc Mass’ hotshot SK_eleven and a third one on his own Token Records. As a DJ, Kr!z takes listeners on journey’s surpassing space and time. Led by deeply hypnotic grooves, syncopated rhythms and widely reverberating atmospheres, his desire to guide the dancefloor into unknown depths can be felt with every note. Intensities build up and collapse under his skillful hands, knowing what each knob twist will result in. Each set feels almost like a mathematical calculation, deciphering the code of collective ecstasy.Their RA profile lists Token, Blueprint Records, Reclaim Your City and SK_eleven.Last at Else in Sep · often with 1morning, Elle Dee, Henry Chow, none of them here that night
“Humility is not generally a quality that ranks high on the list of things for which an average techno DJ is known.”
their own biography
the whole biography
Humility is not generally a quality that ranks high on the list of things for which an average techno DJ is known. Kyle Geiger isn’t your average DJ/producer. From his marathon sets at legendary clubs like Berghain to his pounding yet melodic productions, there are plenty of notable musical accomplishments on his resumè. When you scratch the surface though, what you find is a genuinely humble human with a true passion for techno and a love for DJing…the kind of grateful joy you find in those who come from small Midwestern towns in the U.S., and find themselves relocated to an area where techno is so widely consumed: decades of experience collecting and programming music for some of the toughest crowds to be finally rewarded with chances to play in venues that have carried the music to where it is today.Their RA profile lists Soma Records, Cocoon Recordings, Drumcode, Droid Recordings and 6 more.Last at Berghain in Sep · often with GiGi FM, Zotos, DJ G., none of them here that night
“Avid music collector, label owner & DJ, Vincent Neumann has gathered a loyal underground following by word of mouth, with consistently brilliant closing sets and long patient vinyl orientated mixing.”
their own biography
the whole biography
Avid music collector, label owner & DJ, Vincent Neumann has gathered a loyal underground following by word of mouth, with consistently brilliant closing sets and long patient vinyl orientated mixing. Born, raised and currently residing in Leipzig, Vincent Neumann works as a psychotherapist during the day and as a DJ by night. As one of the residents of Leipzig’s Distillery since 2012, he happily gets to share his passion for dance music regularly. Next to this he also runs the Leipzig based label Unitas Multiplex. The vibes during his DJ-sets are often described as energetic, fast, enthusiastic and sometimes even relentless, without ever sacrificing taste or quality. For him, authenticity will always stand above fame, and if you witness one of his 10-hour closing sets you will understand what the fuss is about.Last at MaHalla in Oct · often with Blue Hour, KVLR, Talia Dorr, none of them here that night
“Alinka is the kind of DJ other DJ’s will tell you about.”
their own biography
the whole biography
Alinka is the kind of DJ other DJ’s will tell you about. She has a unique power on the decks that comes from lifelong passion and time served, with a focused devotion to her first love – house music. Raised on Chicago’s vibrant house sound with toes dipped into Detroit techno, Europe’s more robust approaches to bass music and the myriad of genre’s coming from cities like Berlin, London and Paris. Born in Kyiv, Ukraine, her early childhood included reluctantly learning the piano, her mother is a pianist, while trying to convince her parents to let her play guitar. Her exposure to Western music was limited, living in a communist country where censorship was common practice. Her family eventually immigrated to Chicago as Jewish refugees in the late ‘80s as the USSR crumbled. This was her first experience of pop music and she fell head over heels for the chart sounds of Madonna and Janet Jackson. Then came house music from local radio shows where you could frequently hear tracks by Chicago legends like Cajmere and DJ Funk, and shows like Sonic Boom helped expose underground music to the masses. By the late ‘90s, music had taken over her life. Teenage Alinka immersed herself in the dance music scene spending her summer pulling double shifts at a local pool and moonlighting for rave promoters to build up enough cash to buy decks. After a year of skipping class to relentlessly practice her mixing skills, she began her full-time musical pursuit. Working for various club promoters, doing odd jobs passing out flyers and helping with party logistics - anything just to get into clubs underage to see her favourite DJs - all while spending hours digging for tracks at Chicago’s legendary record shop Gramaphone. In 2001 Justin Long recruited her to be the opening resident for his .Dotbleep party at Smartbar where she honed her skills for the best part of a decade. In 2012, an impromptu meeting with former Hercules and Love Affair vocalist, Shaun J. Wright, changed her life forever. Their evolving friendship resulted in what would be the first of many musical collaborations. The pair launched their Twirl parties and label, continually strived to inspire each other both musically and spiritually, the result has been an impressive catalogue of material for both of them collaboratively and individually on the likes of The Classic Music Company, Jackathon Jams, Crosstown Rebels, Leftroom, and of course Twirl, where as well as their own material the duo have welcomed renowned artists like Spencer Parker, Virginia, LA-4A, Kim Ann Foxman, and Jason Kendig onto the label. Recent years have seen Alinka really hit her stride as a producer with successful releases on world renown labels like !K7, Rekids, Correspondant, DGTL Records, Permanent Vacation, and Peggy Gou’s Gudu Records. She also turned out a standout collection of remixes for labels Me Me Me, Live At Robert Johnson, Get Physical, and Massimiliano Pagliara’s Funnuvojere Records. Now living in Berlin, Alinka has well and truly found her feet and inspiration. Alinka has used this base to throw down at parties across Europe from Berghain/Panorama Bar to Robert Johnson, with regular visits back to the US to play standout clubs like Smart Bar and Basement, and Ukraine's famous ∄ club in Kyiv, where she stands as club’s first international resident. Her evolution continues with the recent re-launch of her Twirl imprint, highlighted by the ‘Day Dreamer’, ‘Sorry For Not Trending’ and ‘Edgewater’ EP’s, and her latest single ‘Touch The Flame’ that finely balance Alinka’s future-focused ethos, with a unmistakable, proud passion for her Chicago heritage.Their RA profile lists Classic, Crosstown Rebels, Get Physical Music, !K7 and 6 more.Recently at Berghain, Else · often with Cinthie, Efdemin, Budino, none of them here that night
“CHLOE’s transversal approach to deejaying has always been an integral part of her creative path, feeding her work as a producer (and vice versa).”
their own biography
the whole biography
CHLOE’s transversal approach to deejaying has always been an integral part of her creative path, feeding her work as a producer (and vice versa). Since her years at the Pulp,a mythical underground venue and haven of inclusivity even before this word was part of today’s music vocabulary, CHLOE has helped define the transformative power of a club and the emotional power of a DJ set. Away from the over-commercialisation of electronic music, she has championed a versatile and out-of- the-box electronic music practice that inspires fans and artists alike. In recent years, she has played at major festivals (Mutek, Burning Man, Sonar, DGTL, Nuits Sonores) as well as holding a residency at Rex Club. Her sets are a unique experience, as CHLOE often performs in all night long formats that allow her to take the audience on unexpected journeys. She manages to create unique connections between various musical aesthetics, physical and mental sensations. An oblique way of approaching the dj set without leaving the audience on the sidelines, which has made her reputation with dancers all over the world. The production of tracks that have become iconic has allowed her to further establish her approach. The Dawn (on the Endless Revisions album, Nemone’s favourite record on BBC6) manages to develop a long melody between minimal techno and new wave, tinged with the heritage of Steve Reich. The more frontal Mars 500 (Permanent Vacation) and its early house accents bathed in psychedelia or Night Rider (DGTL), an emotional minimal wave played with a techno fever, are other unstoppable tracks that the public could taste on record before appreciating their power on the dancefloor. She has also shone in her remix work for artists as varied as Metronomy, Etienne Daho, Malik Djoudi, Pantha du Prince, Ezechiel Pailhès, Feu Chatterton, Mirwais, to whom she has offered inventive reworks bathed as much in her approach as a producer as in her DJ skills. At the helm of her own label, Lumière Noire Records, capable of performing in clubs as well as festivals, in museums or halls dedicated to contemporary music, CHLOE is a key artist on the current scene, where each track she plays contributes to lifting us a little further away from reality and prefabricated schemes.Their RA profile lists Diynamic Music, Permanent Vacation, Live At Robert Johnson, Lumière Noire and 1 more.often with Flexonaut, MARRØN, Beste Hira, none of them here that night
“Franziska Berns was born near Offenbach am Main, Germany.”
their own biography
the whole biography
Franziska Berns was born near Offenbach am Main, Germany. Its proximity to Frankfurt became her gateway into the world of electronic music. Her journey began working at several Record Shops and Vinyl Distributions such as Freebase Records and DBH Music in her youth. Launching her own Event Series at a number of Clubs and Venues in Frankfurt and Offenbach, her drive and perseverance earned her a residency at Robert Johnson Club. Guiding clubbers through unique musical journeys her DJ career has continued to flourish, taking her to venues and parties across Europe such as Waking Life in Portugal, Nachtdigital, Lost Village in the UK and Berghain/Panorama Bar in Berlin.Recently at Prince Charles, ZENNER, Mom's Limousine Service · often with Foehn & Jerome, Norman Nodge, Amanda Mussi, none of them here that night
“As Matthew E he fashions club-based, dancefloor slayers.”
their own biography
the whole biography
As Matthew E he fashions club-based, dancefloor slayers. Under that aegis he’s updated the classic Chi-town, jackin’ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul. If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance. Quiet Village is something else all together. A collaboration with long-time musical sparring partner Joel Martin (a vinyl freak, like Mr Edwards, who works in esteemed auction house Christie’s pop department), it’s sample-based music which veers from drawn out disco-not-disco delirium to evocative, under-stated soundscapes. Sea Devils - you keeping up at the back? – is undeniable electronic pop brilliance. Working with Tom from Cagedbaby, it’s the least niche of Matt’s projects and thanks to Sea Devils alluring pop dance grooves they’ll no doubt be shagging the upper reaches of the hit parade sometime soon. Last, but by no means least etc, etc, etc, is Radio Slave. Perhaps Matt’s most instantly recognisable nom de guerre, thanks in part to his inspirational melding of Kylie’s Can’t Get You Out Of My Head to New Order’s Blue Monday, this is Matt’s DJ moniker and the guise under which he completes his incendiary remixes and re-edits. However, before such sonic schizophrenia gets you calling for the men in white coats, just feel the quality and consider Matt’s legacy. Fired by the first wave of acid house, Matt gained his musical spurs by partying to dance music that was just that: music you danced to, irrespective of tribal factions. This was the raison d’être he acknowledged when he took to the decks, first at London’s legendary Milk Bar in 1992, then onto the, then, recently opened Ministry Of Sound and then to parties across the country, most notably in Wales – where he was a regular at free parties – and in Brighton, his home since 1998. His love of re-edits, dance music’s oft-forgotten backbone, led Matt into the studio himself. His own re-edits and remixes, such as the aforementioned epoch-defining re-imagining for Ms Minogue, soon gave way to his own productions and since the floodgates opened there’s been no stopping the man known as, erm, Matthew E, Quiet Village, Sea Devils, Rekid and Radio Slave. He’s released records for Skint, Soul Jazz, Classic, Whatever We Want, and he’s worked with fellow travellers, Belgium’s The Glimmers. If Matt comes up with another two projects he’ll have enough alter egos for every day of the week. Psychologists would probably have a field day with him; mercifully, we don’t have to worry about any crisis of identity, we just get to keep on dancing.Their RA profile lists International DeeJay Gigolo Records, Buzzin Fly, Green, Ostgut Ton and 6 more.Last at Berghain in Sep · often with DJ Minx, LOLSNAKE, Marcel Dettmann, none of them here that night
“His DJ sets seamlessly blend deep, groovy basslines with hypnotic rhythms, creating a captivating sonic experience.”
their own biography
the whole biography
His DJ sets seamlessly blend deep, groovy basslines with hypnotic rhythms, creating a captivating sonic experience. Releases on esteemed labels include One Records, Spectral Sound and Crosstown Rebels. Subb-an has solidified his status as a producer of exceptional talent and vision and has worked with Mathew Jonson, Seth Troxler, Enzo Siraguza and Tom Trago. As a producer Subb-an has garnered widespread support from a roster of influential DJs, including Ricardo Villalobos, Sonja Moonear, Peach, Tini, Soairse, Job Jobse, Sedef Adasi, Chris Stussy, Priku, Laurent Garnier, Shanti Celeste, Peggy Gou, and Antor all support his music. His live performances have left an indelible mark and he's made appearances at DC10, Fabric, and Glastonbury. Recent standout gigs at events like Houghton and Sunwaves attest to his continued influence. Anticipate forthcoming releases on labels like Yoyaku, Subb-an’s personal imprint ‘Sub Series’ and Thomas Melchoir’s 'My King Is Light,' ensuring an exciting trajectory for this luminary in the global electronic music scene.Their RA profile lists Crosstown Rebels, 20/20 Vision, Spectral Sound, BPitch and 6 more.often with Wata Igarashi, Kangding Ray, Tama Sumo, none of them here that night
“Tal Fussman creates music that works in many settings and transcends genres.”
their own biography
the whole biography
Tal Fussman creates music that works in many settings and transcends genres. His openness to a wide range of sound is what has both made him a widely loved favourite, but also someone who operates in his own parallel musical world .Their RA profile lists Rekids, Innervisions, Cod3 QR and Seven.Last at Berghain in Aug · often with Anja Schneider, Francesco Del Garda, Binh, none of them here that night
names these artists often play with — not that night
- Budino3 with Alinka, 1 with Chloé, 1 with Denise Rabe and 1 with Tal Fussman
- ROBUS5 with Ignez and 2 with Kameliia
- SUMME4 with Ignez and 2 with Kameliia
- Blue Hour3 with Kameliia and 2 with Vincent Neumann
- Anja Schneider2 with Tal Fussman and 1 with Radio Slave
- Dee Diggs2 with Kameliia and 1 with Vincent Neumann
- Massimiliano Pagliara2 with Alinka and 1 with Denise Rabe
- Binh1 with Kyle Geiger and 1 with Tal Fussman
306 said they were going — about like a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.