Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 3 Jan
Press play
Who was billed7 artists
In the order the promoter listed them.
- next: Berghain, Sat 14 NovAlexander Skancke
- next: Berghain, Sat 7 NovBella Boo
- D'Julz
- next: Berghain, Sat 14 NovHenriku
- next: KREUZWERK, Sat 26 DecKatia Curie
- next: Berghain, Sat 31 OctRoman Flügel
- Sedef Adasï
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
15 of the 21 pairings on this bill were first meetings.
- Alexander Skancke and Henriku — 6 shared bills before that night, first on Fri 26 Sep 2025.
- Alexander Skancke and Sedef Adasï — 1 shared bill before that night, first on Sat 3 Jan 2026.
- Alexander Skancke and D'Julz — 1 shared bill before that night, first on Sat 3 Jan 2026.
- Henriku and Sedef Adasï — 1 shared bill before that night, first on Sat 3 Jan 2026.
- D'Julz and Sedef Adasï — 1 shared bill before that night, first on Sat 3 Jan 2026.
- D'Julz and Henriku — 1 shared bill before that night, first on Sat 3 Jan 2026.
Who they are
“The young Norwegian thrives off the energy of the people on the dancefloor and has made a sizeable impact on the European electronic music scene all the way from his early releases on Neostrictly, to the acclaimed releases on his own label Quirk.”
their own biography
the whole biography
The young Norwegian thrives off the energy of the people on the dancefloor and has made a sizeable impact on the European electronic music scene all the way from his early releases on Neostrictly, to the acclaimed releases on his own label Quirk. Entrenched in love for vinyl and analog productions, Skancke is imbued with a passion for the very roots of house music and has found his path by carefully selecting records that have a uniqueness and originality to them. It should not be understated that his passion for music takes him far beyond the boundaries of electronic music and that this is a key point in his understanding of the musical language as a whole. Skancke’s passion for all things analog is reflected in all aspects of his life: from his work at Bikini Waxx, a record shop in Berlin specializing in second-hand vinyl, to his fascination with vintage studio gear. Because of this, you can clearly hear his passion for off the grid production and the rawness of the analog soul in his music. As a traveling nomad, Alexander Skancke has managed to take advantage of his lifestyle. His years in Oslo, Budapest and now Berlin give him as an artist the tools and inspiration to bring together far-flung influences and create something genuinely new and exciting.Their RA profile lists Eskimo Recordings, Contexterrior, Strictly Chosen, Invade Records and 3 more.Recently at Hoppetosse, Club der Visionaere · often with Trent Voyage, Eli Verveine, Hervé, none of them here that night
“Flightmode is the greatest”
their own biography
Their RA profile lists Running Back, Studio Barnhus, Third Try Records and Velvet Pony.Last at Berghain in Aug 2025 · often with Answer Code Request, Shinedoe, Anish Kumar, none of them here that night
“There are DJs, and then there are DJ’s DJ's.”
their own biography
the whole biography
There are DJs, and then there are DJ’s DJ's. Julien Veniel, artist name D’Julz, is undoubtedly one of the latter - a true craftsman behind the decks whose true strongest skill is his ability to go beyond mere genres and trends, deciding instead to actively shape the ever-changing soundscape of electronic music through his own productions, DJ performances and parties. Through a career spanning two and half decades, D’Julz has practically done it all. He began spinning in Paris, often playing his home city’s much-talked about early 90’s raves and legendary clubs, all before moving to New–York in 1993 to further hone his skills and cement his reputation as a true taste-maker in his field. The rest, as they say, is history. Despite finding himself in high demand in every corner of the globe, from the States to Japan and countless countries in between, D’Julz has always remained true to his roots in Paris, where he has been running the now legendary “Bass Culture” night at Rex club since 1997. In tandem with the birth of his party D’Julz has dedicated a large amount of time and energy into the production side of his musical output. Solo-wise his music has been signed to some of the world’s finest underground labels – Circus Company, Robsoul, Ovum, Rekids, 20:20 Vision and more. Since D’Julz started producing he has been responsible for a long list of tracks and remixes that have become essential weapons in the record boxes of the world’s DJ elite. As a DJ he exudes class and panache. A gifted curator of music whose pedigree has earned him a loyal international following and a constant tour schedule which sees him travel the worlds major cities every week playing the best venues they have on offer. Not to mention the infamous Circoloco (DC10) where he has held a long-standing residency, taking charge of the main room and the world-renowned red terrace room several times each summer season. Each set demonstrating D’Julz’s uncanny ability to weave his penchant for dub elements into the house and techno sphere and rocking DC10 with potent groove and sultry rhythms. D’Julz remains as enthusiastic as he was when he first started DJing, as his Bass Culture label goes from strength to strength, clocking over 50 releases and he continues to traverse the globe rocking dance floors every weekend. A true legend and one who will continue to be at the top of his game…Their RA profile lists Ovum Recordings, Ibadan Records, Rekids, Circus Company and 5 more.often with Shvili, Kiyoshi, Omer Mil, none of them here that night
“While Henriku's focal point is music production and DJ'ing, he dabbles in art forms of all sorts fueled by queer, cute and crusty things.”
their own biography
the whole biography
While Henriku's focal point is music production and DJ'ing, he dabbles in art forms of all sorts fueled by queer, cute and crusty things. Generally, you'll find Henriku glorifying the 90s or eating bananas in clubs.Their RA profile lists Quirk and Det Gode Selskab.Last at Hoppetosse in Sep 2025 · often with Trent Voyage, Magda, Power Squad, none of them here that night
“With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks.”
their own biography
the whole biography
With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks. Sometimes dark, sometimes more uplifting, her music takes listeners on a journey that shifts in tone and mood, depending on the energy of the moment. Moving between vinyl and digital, Katia creates immersive experiences on the dancefloor that reflect her diverse influences and her ability to read the space.Their RA profile lists MINDHELMET, System Error and PLOT.Recently at Hoppetosse, Fitzroy, RSO.BERLIN · often with Natalie Robinson, evin, Yuzo Iwata, none of them here that night
“It all started with one of these Chicago Trax compilations on DM/STREETSOUNDS.”
their own biography
the whole biography
It all started with one of these Chicago Trax compilations on DM/STREETSOUNDS. As a reaction to his thirsting for more of these crazed beats from overseas and with a view to his tight budget, the greatest hits of these expensive imported 12” singles were soon released in the form of a compendium. This opened Pandora’s box, for very young Roman Flügel, too. Innocently given to him by his elder brother as a present (“He probably had no idea what he was about to unleash and just wanted to give me some new music”), the dazzle of the unrefined and feverish dance music, furnished with just a few drum machines and inexpensive synthesizers, turned the whole world upside down for the cultivated music pupil from Darmstadt. After several evenings at Sven Väth’s renowned Omen club, few kilometres further up north, and his mind was made up. Memories of the atmosphere at the legendary Warp or Underground Resistance label nights has put a smile on Flügel’s delicate face ever since – a man who would also make a fine figure as a literature lecturer, poet or thinker. “LFO’s bass, once they had set up their massive range of equipment, was unbelievable,” he says laughing. It didn’t take long before the well-trained ear tried out more than just classical melodies. Little by little, he collected a vast array of equipment, bringing forth his first sound experiments and enough courage to give a demo tape to indie fan (that’s what music magazines like Zillo used to call people like that back then) Jörn Elling Wuttke. The latter was a well-known face in Darmstadt’s music scene and often enthused about new electronic music. In him he had found the right partner and Wuttke could hardly believe his spellbound ears. DJs und Delirium record sellers Ata and Heiko MSO from Frankfurt felt the same. At first they thought someone was making fun of them. It sounded too authentic and unique. The music Flügel and Wuttke had presented to their label Ongaku and Klang Elektronik as Acid Jesus or, rather, Alter Ego, couldn’t possibly come from the little neighbouring town Darmstadt. In Frankfurt, that kind of sound made people think of Detroit. The rest is history and forged an almost holy alliance. Speaking of holy: a humid summer’s day, a crate of beer and a studio in a garage sufficed to found a new label by the name of Playhouse for Holy Garage and to create that certain “surprise” which still excites house clubs today. Comrades-in-arms such as Isolée, Don Disco alias Losoul and Ricardo Villalobos made the label the number one address. So they went on, history was written and the nineties flew by in a jiffy. His degree course in music was in the way: “It seemed obsolete somehow, just to be analyzing church sonatas all day when there were so many interesting things going on around me. When, on top of that, the only semester on modern music was cancelled that year, I decided to leave the university.” Luckily for us all, actually. The electronic intellectual’s productivity is virtually unparalleled and Roman Flügel, the producer, DJ and label co-owner of Ongaku/Klang/Playhouse has meanwhile become a gentle giant in the German electro scene. With his own personal style and the privilege of being independent from the usual constraints of the music industry. A free spirit instead of a sheep. His solo project as Soylent Green (see the latest “La Forca Del Destino” compendium) is just as much of a must as his Alter Ego project with Wuttke, rigorously affirming techno down to the very last detail. He and Wuttke also count as techno Teuton Sven Väth’s favourite producers, who booked the team to produce a series of his own music. Roman’s work as Eight Miles High and Ro 70 show his quieter side, while the remixes (e.g. for Daft Punk, The Human League, Primal Scream, Pet Shop Boys, Kylie Minogue) and tracks under his own name (just think of the Arcade rave of “Geht’s Noch”) are light dancefloor affirmations. Roman also champions the cause of this in his job as an entertainer. Tried and tested by the stadium and pop hit “Rocker”, Flügel and Wuttke can be proud of being able to set any auditorium in the world on fire with their live set. DJ Roman Flügel can say the same of himself. Be it his sets at Offenbach’s Robert-Johnson, Amnesia on Ibiza or Berlin’s Tollhaus Berghain/Panorama Bar: instead of disappearing in trivial and meaningless elevator clicks, he prefers to make his way through 20 years of “rave”. Contemporary music that includes bleeping house or quirky techno meets futuristic Italo-disco and electronica devoid of all provenance. There was a time when you’d call that kind of sound acid house, released cheaper by the dozen on compilations. It all turns full circle again. Gerd Janson 2009Their RA profile lists Skint, Cocoon Recordings, Playhouse, Klang Elektronik and 6 more.Recently at Berghain, Else · often with Gerd Janson, André Galluzzi, Zombies In Miami, none of them here that night
“Sedef Adasï has spent years refining a style that is both unpredictable and precise—shaped by instinct rather than formula.”
their own biography
the whole biography
Sedef Adasï has spent years refining a style that is both unpredictable and precise—shaped by instinct rather than formula. Her sets go beyond simple selections, evolving into a language between artist and audience. With elegance and ease, she moves fluidly between house, acid, and rhythmic textures, blending raw energy with refinement to create a sound that feels both dynamic and defined. Her sets unfold in real time, guided by the rhythm, movement, and shifting energy of the dancefloor. Born and raised in Augsburg, Adasï resisted the allure of major urban centers, using her local foundation to create something new for her city. This decision led to HAMAM Nights, the party series she launched in 2017 that has since gained international resonance. From the intimate City Club Augsburg to Berghain’s Panorama Bar, Hammam Nights returns to the essence of club culture, creating spaces of warmth, unity, and collective energy. A resident at both Munich’s Blitz Club and Berghain / Panorama Bar, Adasï sculpts nights that are unrepeatable and deeply felt. She moves through sound with instinctive precision, creating an ongoing dialogue with the dancefloor. More than a decade into her journey, she continues to push the boundaries of club music, treating each set as a dynamic exchange—where sound, space, and collective energy come together to create something unique and lasting.Their RA profile lists Permanent Vacation, Public Possession, Freeride Millenium and KALT Records.Last at Berghain in Dec 2025 · often with Gabrielle Kwarteng, Steffi, Josh Caffé, none of them here that night
names these artists often play with — not that night
- Trent Voyage3 with Alexander Skancke and 3 with Henriku
- Beste Hira1 with Alexander Skancke and 1 with Henriku
- Dresden1 with Alexander Skancke and 1 with Henriku
- Elena Moroder1 with Alexander Skancke and 1 with Henriku
- Hervé1 with Alexander Skancke and 1 with Henriku
- Kenny Larkin1 with Alexander Skancke and 1 with Henriku
- cotton3 with Sedef Adasï
- evin3 with Katia Curie
162 said they were going — quieter than a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.