Keyi Magazine x QUANTUM photos of Richie Hawtin, Jeff Mills,Ellen Allien, Dave Clarke
Quantum Oddity Gallery, Berlin
This night happened — Sat 27 Dec 2025
Press play
Who was billed26 artists
In the order the promoter listed them.
- L.F.T.
- Eyesdice
- Berlin Bunny
- next: Signal in NYC, Fri 13 NovEllen Allien
- Jeff Mills
- next: RSO.BERLIN, Sat 7 NovFreddy K
- Richie Hawtin
- Monika Kruse
- next: OST, Sat 31 OctDJ Hell
- next: Tresor / Globus, Sat 7 NovDave Clarke
- Shao
- next: Tresor / Globus, Sat 21 NovChloe Lula
- Zanias
- Kris Baha
- next: Kater, Sat 24 OctFranz Scala
- next: BASEMENT in NYC, Fri 20 NovLady Starlight
- MAEDON
- David Castellani
- MAX DURANTE
- Nastia
- Veronica Vasicka
- next: Nowadays in NYC, Sat 21 NovHelena Hauff
- next: OXI, Tue 10 NovBloody Mary
- next: Festsaal Kreuzberg, Sat 31 OctNNHMN
- more.among others
- Limited Capacity RSVP here
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
301 of the 325 pairings on this bill were first meetings.
- Eyesdice and Berlin Bunny — 15 shared bills before that night, first on Sat 15 Feb 2025.
- Eyesdice and Franz Scala — 5 shared bills before that night, first on Fri 21 Nov 2025.
- Berlin Bunny and Franz Scala — 4 shared bills before that night, first on Fri 21 Nov 2025.
- Ellen Allien and Franz Scala — 2 shared bills before that night, first on Thu 14 Aug 2025.
- Jeff Mills and Helena Hauff — 1 shared bill before that night, first on Sat 27 Dec 2025.
- DJ Hell and Lady Starlight — 1 shared bill before that night, first on Sat 27 Dec 2025.
- L.F.T. and Berlin Bunny — 1 shared bill before that night, first on Sat 27 Dec 2025.
- L.F.T. and Eyesdice — 1 shared bill before that night, first on Sat 27 Dec 2025.
- MAEDON and David Castellani — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Franz Scala and Bloody Mary — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Berlin Bunny and Bloody Mary — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Eyesdice and Bloody Mary — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Lady Starlight and MAEDON — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Ellen Allien and Helena Hauff — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Chloe Lula and Helena Hauff — 1 shared bill before that night, first on Sat 27 Dec 2025.
- Chloe Lula and MAEDON — 1 shared bill before that night, first on Sat 27 Dec 2025.
- DJ Hell and Helena Hauff — 1 shared bill before that night, first on Fri 31 Oct 2025.
- Zanias and Kris Baha — 1 shared bill before that night, first on Thu 18 Sep 2025.
- Berlin Bunny and Kris Baha — 1 shared bill before that night, first on Thu 18 Sep 2025.
- Berlin Bunny and Zanias — 1 shared bill before that night, first on Thu 18 Sep 2025.
- Eyesdice and Kris Baha — 1 shared bill before that night, first on Thu 18 Sep 2025.
- Eyesdice and Zanias — 1 shared bill before that night, first on Thu 18 Sep 2025.
- Kris Baha and Franz Scala — 1 shared bill before that night, first on Thu 14 Aug 2025.
- Ellen Allien and Kris Baha — 1 shared bill before that night, first on Thu 14 Aug 2025.
Who they are
“Hamburg based Producer/DJ Member of Schulverweis Member of Cher Fassbinder”
their own biography
Their RA profile lists Tresor, Mannequin, Return To Disorder, Mechatronica and 4 more.Recently at Rough Trade Berlin, arkaoda Berlin, Sameheads · often with Aura Nox, UPRFXR, Rob Seurat, none of them here that night
“Eyes Dice is a Dj, photographer based half year in Shenzhen, China and another half year in Berlin, Germany, where he gaining regularly a lot of inspiration which he will bring with him to the dance floor.”
their own biography
the whole biography
Eyes Dice is a Dj, photographer based half year in Shenzhen, China and another half year in Berlin, Germany, where he gaining regularly a lot of inspiration which he will bring with him to the dance floor. Co-creator of Dark Disco project focused on techno/ebm/industrial/wave/disco sound. Dark Disco is having regular events mainly in Berlin, but also in different cities & channel which is featuring podcasts from various artists every week, who represent similar musical values.Recently at Kater, Coco Boule, Tresor / Globus · often with Shakti (KR), ACID BOGEN, HOPPER, none of them here that night
“Berlin Bunny is combining a strong alternative electro-punk background with techno, she is known for her energetic, eclectic DJ sets, which have gained popularity across Europe and Asia and visibility across the best electronic music venues like Säule Berghain in Berlin, Vent in Tokyo, Faust in Seoul, Groundless Factory in Beijing & more.”
their own biography
the whole biography
Berlin Bunny is combining a strong alternative electro-punk background with techno, she is known for her energetic, eclectic DJ sets, which have gained popularity across Europe and Asia and visibility across the best electronic music venues like Säule Berghain in Berlin, Vent in Tokyo, Faust in Seoul, Groundless Factory in Beijing & more. She co-created the Dark Disco.org music platform, promoting EBM, wave, and techno, with podcast series, events & more & co-creating music - art - fashion platform KEYI MAGAZINE.Their RA profile lists GLANZ UND ELEND.Recently at Kater, Coco Boule, Tresor / Globus · often with Shakti (KR), ACID BOGEN, HOPPER, none of them here that night
“As one of the most iconic artists of her generation, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has infused techno, rave, and dance music culture with her unique DNA.”
their own biography
the whole biography
As one of the most iconic artists of her generation, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has infused techno, rave, and dance music culture with her unique DNA. Ellen Allien’s journey through the years is a blueprint for a healthy underground community and grounded career in music. Her playful mind and openness to sharing knowledge, imbues her art with an energy and inspiration that’s been highly influential to the subculture across art, design and fashion in her native Berlin. Ellen’s eternally creative mind has led to the production of ten albums, to join her extensive back catalogue of singles, EPs and remix work for seminal labels like Warp and Mute. Most recently she’s collaborated with Italian band Ash Code to bring together dark wave and techno in a seamless dancefloor marriage, remixed Lebanon Hannover and Rosa Anschütz, as well as contributing tracks to compilations from Gegen and Serendeepity. In 2023 she celebrated the 20th Anniversary of her seminal album ‘Stadtkind’, her most recent album AurAA delivered emotional techno resonating far beyond the dancefloor. A dynamic selector who prides herself on her extensive knowledge of music and dance floors, she’s travelled the globe as a DJ playing at every major club on the circuit, and commanding the big stages at festivals from Europe to South America. Ellen runs her days long ‘We Are Not Alone’ raves at RSO in her beloved hometown Berlin, bringing the party worldwide as UFO Rave, and she hosts in-store record shop gigs as Vinylism. In her role as head of BPitch, and UFO Inc., Ellen channels her ceaseless passion for digging into A&R, seeking out and nurturing new talent, alongside established artists and friends. She has signed new artists to her labels, including German trans-media artist Rosa Anschütz, Dutch electronic producer extraordinaire Dollkraut/DJ Europarking, and supports the growth of future talents like Métaraph and Shaleen through the booking agency. Steering the label to become one of the most important platforms for underground electronica. BPitch operates in a league of all its own, influencing the scene at home, but with a global reach. Ellen Allien’s constant forward focus led to the conception of a brand new record label, UFO Inc. in 2018; as an incubator for rough, ravey, raw techno – providing an additional space for Ellen to release her tougher productions, purely for the dancefloor. 2020-22 presented an extremely difficult situation for Ellen and the rest of the global electronic music community as clubs and festivals were shut down. Unable to tour, she conceived the hugely successful Balcony Streaming sessions, hosted from her home in Berlin.The livestreams allowed her to continue DJing and engaging with her fanbase, while also supporting music from a wide range of artists, new and old. During this time, she channeled her curatorial experience into an expansive three-part (expanded to six in 2023) compilation series. Named after her We Are Not Alone parties, the collection comprised tracks from artists that embody the ethos; club music with a rugged aesthetic and an unapologetic dancefloor focus. Volumes four-six were released together with a film and installation as AFTER DARK with Ellen’s longtime collaborator the director/photographer Stini Roehrs.AFTER DARK exhibition premiered at the Hamburger Bahnhof modern art museum in Berlin in July, with a new soundtrack by Ellen.Their RA profile lists fabric Records, Mute Records, Warp Records, Spectral Sound and 6 more.Last at RSO.BERLIN in Oct · often with SUMME, ROBUS, Spekki Webu, none of them here that night
“A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood before moving to New York in 1992 to pursue more vigorously his solo and DJ career (with a resident spot at the legendary Limelight and a recording contract with the noted German label Tresor).”
their own biography
the whole biography
A founding member of noted Motor City institution Underground Resistance, Mills helped build the artist roster and label ideology (as well as much of its back catalog) with partners "Mad" Mike Banks and Robert "Noise" Hood before moving to New York in 1992 to pursue more vigorously his solo and DJ career (with a resident spot at the legendary Limelight and a recording contract with the noted German label Tresor). (Although rumors of bad blood between the early UR crew have been denied by all involved, Mills' decision to split was apparently total, with Banks all but repudiating his involvement with Mills and Mills distancing himself from the continuing political militancy of Banks and the UR organization.) Mills' UR-related releases (including "The Punisher" and "Seawolf") are stripped-down and erratic, fusing elements of hardcore acid and industrial techno to the sparse Detroit aesthetic. Not surprisingly, his post-UR sound hasn't eased a bit, although UR's penchant for the four-track has been replaced by higher-quality production. Prior to his involvement in UR, Mills was a DJ at Detroit public radio station WDET (he was also studying architecture at the time), spinning everything from Meat Beat Manifesto and Nine Inch Nails to Chicago house and underground Detroit techno. He began producing in the mid-'80s, working with Tony Srock on the project the Final Cut. Mills met Banks through a local garage group Members of the House, who Banks was working with in the late '80s. Mills remixed a track on a Members 12-inch, and his and Banks' shared love for Chicago soul and the harder edge of Detroit techno blossomed into Underground Resistance as a combined business and creative enterprise. The pair, along with Robert Hood, recorded several EPs and singles together, including tracks such as "Waveform," and "Sonic," before Mills defected to New York in 1992 to pursue a residency at the Limelight club and a solo career recording for Tresor and his own label, Axis. Mills' discography includes two full-length volumes of Waveform Transmissions for Tresor, a live album and rarities collection for the British label React, and the first album in a new contract with Sony Japan, as well as a handful of 12-inch EPs on Axis and several collaborations with Robert Hood on his M-Plant label. In 2000, Mills took more memorable action by scoring a new soundtrack for Fritz Lang's 1926 film Metropolis, screened around the world at venues including the Museum of Music in Paris, London's Royal Albert Hall, and the Vienna International Film Festival.Their RA profile lists React Records, Sony, Axis Records, International DeeJay Gigolo Records and 6 more.Last at RSO.BERLIN in Dec · often with Rasheeda Ali, Prabhu Edouard, Jean Phi Dary, none of them here that night
“Freddy K: techno activist.”
their own biography
the whole biography
Freddy K: techno activist. Since the ‘90s Alessio Armeni has been tireless campaigning from the dancefloor, defending vinyl, championing young talents and reinforcing the scene from the shadows. You will know him best for his marathon DJ sets and deviant selections. You might recognise him as the head of KEY Vinyl, or for the backstage role he played at M_Rec, the label he helped run with best friend Max_M. You should definitely know about Virus, the thing that started it all off for him back in Rome. Lory D and Leo Anibaldi’s The Sound of Rome movement; Luca Cucchetti’s renowned Mad radio shows; warehouses, soundsystems and rave all informed Freddy K’s earliest obsession with techno. He started DJing at Sunday after hour events, having danced all through the night himself. In 1993, aged 21, he launched his now famous Virus radio show, which ran daily from 8PM to midnight, and from midnight to 6AM every Saturday. Parties, a booking agency and record shop soon followed: the Virus movement had arrived. A year later Freddy K signed to the legendary ACV, who released his first EP, Control. Rage Of Age, his debut album came in 1995; a dark and noisy record influenced by his two passions, Chicago acid and rock. It was widely lauded throughout the country and remains a testament to the old Sound of Rome today. After Virus peaked and having toured all over the world with ACV, Freddy K stopped DJing and retreated to the backroom. He spent the early millennial years working with Sandro Nasonte at Rome’s flagship record store, Remix. Together they set up the influential Elettronica Romana label, which released some of Donato Dozzy and Giorgio Gigli's first EPs. He moved to the German capital in 2009, setting up KEY Vinyl as a “techno label for DJs” two years later. Artists like PVS and Héctor Oaks have helped forge the label’s (and Freddy K’s own) traditionalist view on techno. Moving to Berlin reignited Freddy K’s teenage infatuation with rave. He soon fell in with Homopatik, the former monthly gay event at ://about blank. He became notorious for his epic 10, 14 and 16 hour-long sessions there, playing always strictly vinyl and in a dynamic, party conscious fashion. Freddy K sets are characteristically mercurial and 100% tailored for the dance. He plays a “360°-style of techno,” which can include Soft Cell, WestBam or Bronski Beat—when the timing is just right. He played his first Berghain set in 2013; two years later he was closing the place, keeping the energy levels soaring well into Monday. The last 20 minutes, he says, are the most important. So be sure to stick around till the very end.Their RA profile lists Key Vinyl.Recently at MUENZE, RSO.BERLIN, Hamburger Bahnhof - Museum für Gegenwart · often with ROBUS, D.Dan, The Lady Machine, none of them here that night
Last at OST in Aug · often with TRESOR, Salbany, Lindsey Herbert, none of them here that night
“As DJ Hell said about his musical beginnings in an interview with The European: “I was socialized with German electronic music of the 1960s and 1970s.”
their own biography
the whole biography
As DJ Hell said about his musical beginnings in an interview with The European: “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.”[1] Hell has worked as a DJ since 1978. Starting in 1983, he began working as a DJ at Club Libella in Kirchweidach, Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his eclectic style of mixing New Wave, Ska, Punk, Rockabilly, Hip hop, and Disco in the same set. Further residencies followed, at Park Café and Tanzlokal Grössenwahn in Munich, where, as one of the first house DJs in Germany he regularly performed at house music parties. In 1987 he organized the first acid house party there, and in the same year at Grössenwahn deejayed at Run–D.M.C.’s aftershow party. At the end of the 1980s, he developed his style at various Munich clubs and dance halls from New Wave, EBM, Electro, and Hip hop to include House and Techno. In 1991, Hell was instrumental in establishing Peter Wacha’s label Disko B, and until 1996 was closely involved as A&R. The label’s first release in 1991, Silicone Soul’s track Who Needs Sleep Tonight was licensed by Hell, who produced a remix for the b-side: The DJ G. Hell Remix. Hell’s first self-produced single, My Definition of House Music (on R&S) became a club hit in 1992 with over 100,000 records sold, drawing recognition to DJ Hell among the first generation of Techno DJs who also released records. During his time with Disko B and until 1997, DJ Hell was also a resident DJ at Ultraschall, Munich’s first Techno club, located on the site of the former Munich-Riem Airport. During the 1990s DJ Hell had further residencies in Berlin, at E-Werk and WMF, from 1992 at Tresor, and in the 2000s at Watergate. Parallel to his A&R work in Munich, in 1992 DJ Hell became A&R manager for the label Logic Records in Frankfurt, and in the same year compiled the world’s first trance compilation, Logic Trance. In 1993 he lived for a year in New York City, where was booked as a resident DJ at Limelight, together with Jeff Mills. In 1994 DJ Hell moved to Berlin and worked for the record store Hard Wax. Hell’s debut album Geteert & Gefedert (Tarred & Feathered) was released on Disko B in 1994. In 1995, he moved back to Bavaria. That same year, Hell was the only German DJ to be invited to be on a John Peel Session, including a radio interview, in London. The session was released that year on Disko B. In addition to his work as a DJ and producer, in 1997 he founded the label International Deejay Gigolos in Munich, for which he served from the first day onward as the label mastermind, A&R, and art director. Parallel to managing the label, as a DJ and event organizer, Hell also curated over 40 Bavarian Gigolo Nights featuring international DJs and live bands in various clubs in Munich. In 1999, Arnold Schwarzenegger sued International Deejay Gigolos for using his picture in the logo. Hell had to stop selling all records that bore the logo and pay a fine of 150,000 euros. In 2000, Hell’s second album Munich Machine was released on V2 Records. According to the music magazine De:Bug: “Munich Machine feels like the result of a dynamic collaboration by Munich residents engaged in the club scene and who know how to work with it. Every aspect of it has been carefully crafted and sometimes it seems as if DJ Hell is using this kind of mega-mix to grow beyond himself. This is particularly evident when he mixes together very different sources.”[2] In 2001, the label moved to Berlin. Stylistically, its music spans the categories of Electroclash, Electro, EBM, electronic avant-garde House, Tech-House, and Techno, with influences from 1980s Pop and Disco. International Deejay Gigolos has released works by big names on the international Techno, House, and Electro scenes, including Jeff Mills, Dave Clarke, Tiga, Fischerspooner, Dopplereffekt, Vitalic, Bobby Konders, Miss Kittin, KLF, Tuxedomoon, and Laurent Garnier. Fischerspooner was discovered by DJ Hell and debuted on International Deejay Gigolos. In the 20 years spanning 1996 to 2016 that he has handled A&R for the label, Hell has released over 300 singles and albums on International Deejay Gigolos. The numerous releases on International Deejay Gigolos notably fuelled the 1980s revival in the German and international club scene, establishing DJ Hell as one of the founders of the Electroclash subgenre. From 2000 to 2003, he ran the disco and nightclub Villa Traunstein, located in the Bavarian town of Traunstein, where he was responsible for the club’s high-profile, international DJ bookings, including the likes of WestBam, Sven Väth, and Jeff Mills. Since 2002, DJ Hell has been based in both Munich and Berlin. From 2007 to 2010, he served as musical coordinator for Berlin fashion designer Michael Michalsky, for whose fashion shows he regularly produced the music. Hell has also performed at the after-show parties of Michael Michalsky’s StyleNite, held during the Berlin Fashion Week. DJ Hell has been producing music for fashion shows since the mid-1990s, for the likes of Hugo Boss, Raf Simons, Patrick Mohr, Dirk Schönberger, and Donatella Versace – ever since he was first asked by fashion designer Kostas Murkudis to accompany one of his fashion shows in Berlin with music. DJ Hell occasionally works with renowned fashion labels, either lending his name or collaborating as a designer. This work has given rise to an underwear collection for Wendy & Jim, women’s underpants for Agent Provocateur, CD cases for Magma, and a pair of glasses for Freudenhaus. In 2004, Karl Lagerfeld photographed DJ Hell for V Magazine. These photographs were then exhibited at a gallery in Berlin. DJ Hell on his affinity for fashion (in SPEX #316/2008, p. 95f): “In England, fashion and music have gone together for decades. In Germany, however, one tends to deny a musician’s competence if he defines himself superficially, that is, according to things that are visible. Just think of David Bowie on the male side, and Grace Jones on the female side, and it becomes clear that a union between fashion and music can be incredibly prolific.” As a DJ, Hell has toured worldwide, and repeatedly headlined international festivals such as the Loveparade and Mayday in Berlin, Fuji Rock and Wire in Tokyo, the Montreux Jazz Festival, and the Time Warp Festival in Mannheim. He was the first Techno DJ to perform at the University of Havana in 1997. The performance was filmed by a German film crew directed by Torsten Schulz, and screened in 2000. In 2002, Romuald Karmakar shot a segment of his film “196 BPM” during a performance by Hell at WMF. In 2003, GQ magazine named DJ Hell “Man of the Year” in the category of music. That same year, DJ Hell lived for a second time in New York City, where he produced his third studio album NY Muscle, for which he collaborated with several artists, including Alan Vega, Erlend Øye, James Murphy, and singer Billie Ray Martin. The website allmusic.com wrote about NY Muscle: “This is the sound of nighttime New York City from the outsider perspective of an infamous German named Hell, and it’s dark, dark, debauched fun.”[3] In 2009 Hell released the album Teufelswerk (Devil’s Work), which again features several international guest stars, such as Bryan Ferry, Peter Kruder, P. Diddy, Roberto di Gioia, Mijk van Dijk, Christian Prommer, and Billie Ray Martin. The double album is conceptually divided into “day” and “night” parts, and ranked in the Top 50 of the German Media Control charts. According to Hell in an interview with Resident Advisor: “I did Kosmische Musik in a new way. This is where I come from, I grew up with the early German electronic pioneers of music, and this is why I went in this direction. Often it is called German electronic avant-garde, or psychedelic music. I went back to the '70s and tried to do it in my own way.”[4] The Guardian on Teufelswerk: “With Hell acting as conductor, and Kruder, Prommer, and Roberto di Gioia playing a mixture of synths, acoustic guitars, Wurlitzers and ‘rhythm machines,’ the four sweep back and forth across Europe, mapping the psychic highways that link Kraftwerk’s Dusseldorf and Jean Michel Jarre’s imaginary, futuristic Paris; Pink Floyd at the UFO Club in 1966, and Café del Mar in 1987; cavernous booming dubstep nights in modern Berlin and Goblin’s progressive 1970’s Italy.”[5] Since 2009, DJ Hell has supported the feminist Ukrainian activist group FEMEN with various DJ and television appearances. The self-confessed fan of the FC Bayern Munich soccer club is a jersey sponsor for TSV Altenmarkt, the football club of his hometown. Contrary to rumors, he does not possess a professional coaching license. For the 2006 FIFA World Cup, Hell was booked as a DJ for the opening ceremony at the Olympic Stadium in Berlin, but the event was canceled on short notice by FIFA. DJ Hell on his football passion in Alert, 8/2002: “I watch the home games of FC Bayern Munich. I also represented Germany as a DJ at the recent European and World Championships, travelling with the German national team from city to city, and deejayed on the evening before the games. My contract stated that the organizer had to get me tickets for the games.” (See Alert 8/2002, p.51) The name of DJ Hell's latest album, his first since 2011's Teufelswerk, translates as "music of the future." It's ironic, then, that so much of Zukunftsmusik is inspired by the past. There are obvious echoes of Kraftwerk, Gary Numan, David Bowie, new romanticism, electroclash and any number of gothy synth acts. Some of these tracks could have come out in 2002, '92, '82 or even '72. The album overflows with nostalgia for days gone by. The shocker is that Helmut Hell often makes it work. Much of Zukunftsmusik steers well clear of the dance floor, with an emphasis on quasi-classical melodies and brooding ambience. "Anything Anytime" drapes elegiac piano, pulsing strings and a vocodered voice over a dirge-like beat. Treated vocals also inhabit "High Priests Of Hell"—but here, the sliced utterances feel more malevolent, sitting as they do in a bed of jagged rhythms and disorienting clatter. "With You"—a cover of a bleakly beautiful Robert Görl cut from 1983, "Mit Dir"—has a romantic allure, aided by the slightly sinister vocal presence of Stereo MCs' Rob Birch. "Wir Reiten Durch Die Nacht," is Hell's Kraftwerk pastiche, driven by the gentle throb of an "Autobahn"-esque bassline. "2 Die 2 Sleep," with its droning synths, mournful horns and wistful languor could be a lost track from the instrumental half of Bowie's Low. Bowie's ghost, in full Kurt Weill mode, materializes again on the ambitious "Army Of Strangers," a cut full of grand gestures and over-the-top orchestration. "Car, Car, Car" is the half-speed cousin to Gary Numan's "Cars," its barely-getting-out-of-first-gear rhythm and grandiose synth line leavened by deadpan (and amusingly inane) lyrics that explain "a car is not just a car." Yes, it's derivative. But Hell borrows from his sources with adoration and reverence. Zukunftsmusik's dance floor excursions, however, are less distinctive. Tracks like "Guede," with its gentle 303 pulses and analog swooshes, or the percolating "Wild At Art" feel a bit rote and listless. Of the album's club cuts, the most dynamic is the previously released "I Want U," a salacious tune with a buzzsaw grind and a jackboot stomp. In German, the album’s title has another meaning—"pie in the sky." Hell says the album is his effort to "make sense of the uncertain world, the chaotic present and the fearful future." Even if he's fixated on the past, perhaps that's his way of avoiding dwelling on the pain of what is, and what will likely be. He's dreaming of an improbable tomorrow, one that's as seductive as days gone by. DJ Hell is the designated curator for the planned Museum of Modern Electronic Music (MOMEM), which is scheduled to open in Frankfurt in 2018.Their RA profile lists International DeeJay Gigolo Records, Disko B, Tresor, Time-Warp and 6 more.Recently at OST, Laflor, Der Weiße Hase · often with Paty Vapor, Emilia Fink, BAUGRUPPE90, none of them here that night
“Dave Clarke is a DJ with an anarchist streak a mile wide and punk in his soul.”
their own biography
the whole biography
Dave Clarke is a DJ with an anarchist streak a mile wide and punk in his soul. Nothing says this as potently as his new album, ‘The Desecration of Desire’. Electronic to the hilt yet full of rich, dark songwriting, it’s been almost two years in the making and comes 14 years after his last full-length outing. “The desire to write songs has been bubbling in me for ages,” Clarke explains, “My first album was a collection of tracks, the ‘Red’ series of EPs, plus other stuff. With my second, even access to my studio was an issue. Those two felt like collections. This one’s more like a book, a chronology. I’m so happy with my studio. I’ve stayed away from club music. Finally, it’s just me, my imagination and a touch of fearlessness about opening up.” Dave Clarke has long embraced sounds outside staunch electronic dance, from Savages to Idles to old favourites Bauhaus. Such music informs his attitude as a DJ, using Serato on a 13” Macbook Pro Retina for ruthlessly effective, fat-free techno and electro sets. It also heavily flavours his new album, on which he’s worked with vocalists such as US alt-rocker Mark Lanegan, gothic synth don Mt. Sims, Brighton electronic artist Gazelle Twin, and Portishead associate Anika. He’s even included a version of new wave cult hit ‘Is Vic There?’ (originally by Department S) featuring Paris-based DJ-producer Louisahhh. A serious car crash in Serbia in July 2016 also affected Clarke. It fed into the album’s pensive mood, and gave him a desire to DJ less but to inject more of himself into the sets he takes on. “I still love DJing with a passion,” he enthuses, “but the album also ignited a flame within me about making music, about being totally true to myself. It’s been a long time coming…” Dave Clarke was born and raised in Brighton, England, but currently resides in Amsterdam, a city which revitalized his life and work. The offspring of a technology loving father and a disco-soul loving mother, it was always evident that Clarke would cut a swathe through music. As a youth he ran away from home, sleeping in car parks and on beaches. He took lousy jobs in shoe shops, living off £5 a day, to subsidise his income from badly paid local DJ gigs – anything to further his involvement with music. “I didn't really engage at all with the outside world,” he recalls, “I was your typical disenfranchised JD Salinger-inspired young adult that used to hide in and behind music.” Clarke’s debut release was in 1990 on XL, around the time the label was launching The Prodigy. He used the name Hardcore, a guise he then took to the legendary Belgian techno-rave imprint R&S where he released various EPs (some as Directional Force). By 1992 Clarke’s own label, Magnetic North, was on the rise and he unveiled the classic ‘Alkaline 3dh’ (as Fly By Wire), among others. A next level career boost was round the corner when his ‘Red’ trilogy were unleashed on Bush Records in 1994. These catapulted Clarke into a different league and he suddenly found himself remixing the likes of Kevin Saunderson’s Inner City, The Chemical Brothers, New Order, Depeche Mode, Moby, Leftfield and Underworld. Undisputed landmarks in techno, DJ Mag rightly incorporated ‘Red’ in its All Time Techno Top 100 list. Clarke’s debut album ‘Archive One’ followed, flecked with hints of breakbeat and electronica, a novelty in the puritanical techno scene of the time. Clarke’s mix CDs include the techno/electro double ‘World Service’ outings, one of which sold nearly 100,000 and made it into Resident Advisor’s top ten mix compilations of the 21st century. He signed to Skint Records – home of Fatboy Slim – resulting in 2004’s ‘Devil’s Advocate’ album, jammed with dark techno energy but laced with hip hop beats. When his production pace ebbed, Music Man Records gathered together ‘Remixes & Rarities’ in 2007, making Album Of The Month in Mixmag and receiving critical plaudits all over. After a break from production, recent years saw Clarke make his presence felt again, working with Dutch partner Mr Jones (Jonas Uittenbosch) as _Unsubscribe_ and dropping remixes ranging from John Foxx’s seminal synth-pop gem ‘Underpass’ to Gesaffelstein, Detroit Grand Pubas and Octave One, as well cutting tracks for labels such as Houndstooth and Boysnoize. In 2016 an album of remixes, ‘Charcoal Eyes (A Selection of Remixes From Amsterdam)’, ranging from Placebo to A Place to Bury Strangers, suggested Clarke was revitalized in the studio. The new album confirms it and includes a track made with virtuoso producer Keith Tenniswood (AKA Radioactive Man). As a DJ, Clarke plays out three weekends a month across Europe and the world, living up to his nickname, the Baron of Techno, a moniker given him by the late, great BBC Radio DJ John Peel. There’s the same attention to detail each time, his sets swooping whip-smart along the cutting blade of techno and electro, backed up by a seasoned bag of DJ tricks in which his early hip hop roots clearly show. Techno’s first and original “Man in Black”, Clarke blends into the background upon arrival and lets his music do the talking. That’s where he comes alive, where skills honed for years blow venues apart. From small, sweaty clubs to the likes of Fabric, Fuse or Tresor, Clarke nurtures an extraordinary relationship with the crowd. It’s the same with festivals. He’s played Awakenings, I Love Techno, Lowlands, Pukkelpop, Glastonbury and Nature One, and developed a special relationship with Tomorrowland where he has his own stage. Here he’s showcased names such as Green Velvet, Vitalic, Heidi, Seth Troxler, Chris Liebing, Jeff Mills and Ben Klock. Clarke also continues to be a key player in the Amsterdam Dance Event where his Dave Clarke Presents event at Melkweg has sold out 11 consecutive years running. And then there’s White Noise, Clarke's weekly radio show, a global institution and an indicator of where the scene is headed, more than 600 editions in and going out on over 100 FM partners worldwide. Here Clarke casts light on aspiring producers he discovers in his Dropbox alongside more established artists. “I’ve never been interested in what’s trendy and what’s not,” Clarke explains, “but the best music comes to me every single day and I want to share it.” His affiliation with technology makes him the perfect ambassador for brands such as Waves, Serato, Soundtoys and French gear manufacturer Arturia, as these are the tools of his trade. Deep down, however, Dave Clarke continues to buck predictability and to do his own thing. He flies the flag for true techno spirit. Whether it’s pushing cutting edge sounds on far-flung dancefloors or producing the haunting Mark Lanegan-fronted ‘Monochrome Sun’ from his new album, he has a consistency of vision and purpose rare in the ever-changing world of dance music. In short, Dave Clarke might be established, but he will never be establishment.Their RA profile lists Skint, React Records, International DeeJay Gigolo Records, Technasia Records and 6 more.Last at Tresor / Globus in Nov · often with GLOBUS, TRESOR, Handmade, none of them here that night
“Raised in San Francisco and based in Berlin, the DJ, producer and composer is known for her deep and atmospheric sound that pulls from the niche recesses of techno.”
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Raised in San Francisco and based in Berlin, the DJ, producer and composer is known for her deep and atmospheric sound that pulls from the niche recesses of techno. Originally trained as a classical cellist, Chloe left the conservatory at 18 when she discovered electronic music, moving to Berlin shortly thereafter to immerse herself in the city’s burgeoning techno scene. The confluence of these worlds has forged her textural approach to techno and inspired her to return to her instrument. Today, she uses the cello to write full-length ambient, electroacoustic live shows as well as deconstructed tones and timbres that help form the unique character of her releases for the dance floor. Chloe is a resident DJ at Tresor and has played widely across Asia, Europe, and North and South America, becoming known for driving and hypnotic sets that dig deep into the niche recesses of techno. She has releases on Tresor, Mord, Blueprint and Falling Ethics alongside Oscar Mulero. Her debut instrumental full-length came out on James Ginzburg’s Subtext label in November 2024, which she currently tours as an AV show, Oneiris. Beyond the studio, Chloe curates, hosts and produces interviews for Resident Advisor, and programs the publication’s talk programming and workshops at festivals like Atonal, Nuits Sonores, Dekmantel, Unsound, Rewire and many more.Their RA profile lists Tresor, Blueprint Records, Mord and Falling Ethics.often with TRESOR, GLOBUS, Ireen Amnes, none of them here that night
“She is originally from Australia but has been based in Berlin since 2013.”
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She is originally from Australia but has been based in Berlin since 2013. Over the last few years she has collaborated with some of electronic music’s most respected figures, appearing on Dax J’s critically acclaimed ‘Offending Public Morality’ LP, as well as providing vocals on Black Rain’s ‘Dark Pool’ album and ‘Computer Soul’ EP (Blackest Ever Black), and working with Ancient Methods on the track ‘Andromeda’ (Candela Rising). Her debut EP ‘To the Core’ (2016, Noiztank) featured the track ‘Follow the Body’, which between the original and its remixes by Dax J and Kobosil has since become a staple of techno dancefloors worldwide. At the end of 2018 she followed it with her debut album, ‘Into the All’ (Candela Rising), a genre-defying journey of psychospiritual enlightenment formed from extensive recording and experimentation. While her live sets are a spectacle and catharsis led by an intense vocal performance, in her DJ and hybrid sets (featuring live vocals) she expresses this emotive force in the form of evocative melodies intricately woven through industrial beats and EBM basslines, aimed to move both the body and the mind. In 2019 she will unveil a new EP on Fleisch Records.Their RA profile lists Candela Rising, Monnom Black, Noiztank, HEX Recordings and 1 more.Recently at Tresor / Globus, RSO.BERLIN · often with Khadija, motiv-a, @korineband, none of them here that night
“Time has passed since Kristian Bahoudian, known artistically as Kris Baha - the Australian born, multi-disciplinary queer artist of Egyptian-Armenian and Italian descent - swapped the parched red earth and searing midday sun of the Australian landscape for the brutalist buildings, communist-era apartment blocks, and slate-grey skies of Berlin.”
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Time has passed since Kristian Bahoudian, known artistically as Kris Baha - the Australian born, multi-disciplinary queer artist of Egyptian-Armenian and Italian descent - swapped the parched red earth and searing midday sun of the Australian landscape for the brutalist buildings, communist-era apartment blocks, and slate-grey skies of Berlin. Now firmly embedded in his adopted city, Baha has become known for a mutant trademark production style inspired by sunbaked hallucinatory visions of the past-future, clandestine, concrete-clad industrial hum of the metropolis after dark. Kris is a fixture in Berlin’s industrial/ EBM, electronic punk/ techno club scene, playing at notable parties and venues such as Cocktail D’Amore, Tresor, Panorama Bar and RSO. His DJ sets dive deep into a realm of otherworldly machine music driven by emotion, mood, and energy. Baha also runs his own event series called ‘Wired’, which focuses on the immersive experience of live performances and DJ sets in the dark electronic sphere. The same ethos is applied to his performance-based live shows, initially inspired by his love for industrial and electronic punk artists like DAF, Front 242, Severed Heads, Hard Corps, Nine Inch Nails, The Prodigy, New Order, Skinny Puppy, and Depeche Mode—artists with some of whom Kris has had the privilege of opening and sharing festival bills with. Kris’s touring career is as extensive as his discography with releases & appearances on labels like Pinkman, She Lost Kontrol, Cocktail D’Amore, BoysNoize, Zone, Fleisch, X-IMG, Artoffact, BMG UK. His performances and music have also aired on BBC6 - UK, KEXP - USA, NTS, Rinse FM, Boiler Room, Arte.TV & documentary coming in September 2024 titled ‘Electronic Body Movie’, with his influence extending beyond the streaming ether, resonating through clubs and festivals worldwide. Baha has toured globally, supporting acts on tour like Boys Noize, Boy Harsher, and Drab Majesty, and has headlined numerous dance and live music events across continents. Kris just wrapped up a live European tour in June 2024 and will continue touring South America, Asia, and the USA for the remainder of the year, headlining notable festivals in the US such as Substance Festival, Sanctum, and Freak Out Festival. When not channeling the musical spirits to inspire dancers, Baha can be found lurking in the shadows of his studio space as a prolific producer and remixer. There, he performs remix duties for celebrated artists and bands such as Boy Harsher, Boys Noize, Qual (Lebanon Hanover), Ultra Sunn, Kontravoid, Hercules & Love Affair, Red Axes, and many more. There has also been a notable collaboration with fellow Aussie Dreems as 'Die Orangen', as well as various projects launched over the years with his latest in 2023 being 'Ghosts In The Machine', a future sci-fi concept moniker based around a story written by Kris that delves into the perils of artificial intelligence and humanity. The self-titled album was released on Zanias’ imprint Fleisch Records, home to releases from Schwefelgelb, Kontravoid, Fractions, Linea Aspera, and many other seminal artists. Yet, it’s his own skewed, mutant productions for which Baha is undoubtedly best known for, seamlessly blending techno, electro, breaks, trance-induced psychedelia, and inhabiting their own sound space between the late 90's and early 2000's. In 2024, Kris returned to the dance floors with ‘Cyber Body Music v1’ released on Kindcrime, poised as a new music genre he created using the EP title that takes futuristic parts of techno, EBM, electro, drum & bass, trance and smashes them together in a hadron collider, racing from speeds of 125-150 bpm and discovering a new sonic territory for Kris. Kris backed up this release in June 2024 with a 4-track summer-ready dance floor smasher called ‘Breathe’ that was released on his label, Power Station. Later that year Kris was featured in a documentary about the EBM genre called 'Electronic Body Movie' and is the only known movie about it and it's revival which he participated in in 2015-2023. In 2025 Kris continued the cyber theme in a different lens - a nod to the Hackers movie in 1994 , Kris released Livewire which signals his musical shift from darker sounds to brighter, hybrid mutant dance songs and productions. In a way, Kris’s discography has been a testament to his ability to redefine the boundaries of his own craft that are not just heard but felt. Perhaps this is why Kris’s music has been championed by some of the world's most in-demand artists like Boys Noize with regular play on the latest Nine Inch Nails tour across arena's. Kris's unique ability to blend the lines of artistry, crossing over to different musical factions either on the dancefloor or in live music to create something new with each release is why he has built a loyal fanbase of followers over the last 13 years from Australia, to Berlin, and beyond.Their RA profile lists Boysnoize Records, Cocktail D'Amore, Emotional Response, Pinkman and 6 more.Recently at Kantine am Berghain, Tresor / Globus, RSO.BERLIN · often with Third Purser, Desolate Discotheque, babxi, none of them here that night
“Franz Scala’s sets are as diverse as the music he curates as label head of Slow Motion.”
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Franz Scala’s sets are as diverse as the music he curates as label head of Slow Motion. Weaving smoothly between Italian Dance, Psychedelic Disco and Proto House, Franz quickly turns the dance floor into a vignette-tainted retro nostalgia rave fueled only by his music. Born in Italy and now a resident of Berlin for a decade Franz has his roots in noise rock and elettronica but was led by the record collectors passion into acquiring a taste for modern and not so modern dance floor music. He frequently inspires dancers in clubs all over Europe with his eclectic blend of spacey House, New Wave, Italo and Acid speckled with hints of Electro and Chicago House. Aside from producing on his own imprint, he has releases on World Unknown, Bordello A Parigi, Bahnsteig 23, Tusk Wax, Mechatronica or Discodromo´s Cocktail d’Amore Music. Franz is link to many events around the german capital such as the monthly Wrong Era, Italian Dance Wave and Italorama night in Panorama Bar, Magic Waves or New Dance Fantasy Festival. Beside long time collaboration with Sameheads he is regular dj at Griessmuhle and Salon zur Wilden Renate. In 2013 he joined Dimitri SoEmotional in the “Studio Luce” projectTheir RA profile lists Slow Motion, World Unknown, Bordello A Parigi, Clouded Vision and 6 more.Recently at arkaoda Berlin, OXI, Orangerie Neukölln · often with Fabrizio Mammarella, Paty Vapor, Giulia Gutterer, none of them here that night
- Their RA profile lists Ostgut Ton, Tresor, Figure, Stroboscopic Artefacts and 6 more.
Recently at Berghain, Dark Matter Berlin · often with TRESOR, GLOBUS, Telephones, none of them here that night
“As a resident DJ at Tresor, she hosts legendary closing sets and has established herself as a standout performer.”
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As a resident DJ at Tresor, she hosts legendary closing sets and has established herself as a standout performer. MAEDON is the complete embodiment of the modern sound of dance music. Influenced by Dasha Rush, Luke Slater, Oscar Mulero, Rødhad,& Surgeon; she blends her influences and her essence into an entirely new form.Their RA profile lists Tresor, Sonic Groove, OMEN Recordings, Pure Hate Trax and 5 more.Recently at OXI, Tresor / Globus · often with TRESOR, GLOBUS, Nadia Struiwigh, none of them here that night
often with Vivi (2), Eramo, TRESOR, none of them here that night
Last at Tresor / Globus in Oct · often with Tiran, Alhena_, DJ Saunameister, none of them here that night
“Nastia, the Ukrainian DJ whose real name is Anastasia Topolskaia started her career in 2005.”
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Nastia, the Ukrainian DJ whose real name is Anastasia Topolskaia started her career in 2005. In a short time, she became a curator of KISS FM stage and a resident at the legendary Kazantip festival, she also hosted her weekly live radio show from 2006 to 2016 on the aforementioned radio station. In 2010, she was offered residency at Moscow’s cult Arma17 club. Inspired by the club’s team and their project, Nastia began to organize her own parties in Ukraine. After gaining experience and recognition, Nastia, together with the team of Closer, the famous club in Kyiv, created the Strichka festival in 2014, which runs to this day. A year earlier she launched a vinyl label Propaganda Records, which quickly gained a strong presence in modern house music. Her career developed rapidly: she appeared on the covers of MixMag and DJ Mag magazines, recorded an Essential Mix and was a resident of BBC Radio 1, regularly spoke at many conferences such as ADE and the International Music Summit, frequently performed for Boiler Room and later made appearances on Berlin’s famous radio HOR. In 2019, Nastia concluded the Propaganda Records label as it no longer suited the directions where she was headed. Whilst getting serious about techno music, Nastia created a new label – NECHTO. The name itself is an anagram of “ techno” and translates as “something else” from origin. During the pandemic, Nastia kept herself busy and became the first resident of the Beatport Residency project, where she presented the majority of Ukrainian producers and DJs, and released two seasons of her self-authored projects on YouTube. One of them is True Talk, where she interviewed Ukrainian colleagues, and the second is an audio-visual project Scary Beautiful, where Nastia played selected demo tracks sent by both young upcoming producers and well-known respected musicians. The sets were recorded in unique locations. After the project aired, Nastia released the music that she played on her label. In 2020, Nastia teamed up with a large Ukrainian organization Qievdance that focuses on events. Together they launched NECHTO raves at various previously unused industrial locations. These massive events instantly became famous around the world as both the visual content and success of the brand accelerated. In addition to house and techno, Nastia is a true fan of jungle and drum and bass music and has included these genres in her performances since 2007. She performed at dnb festivals such as SunAndBass, Hospitality and at the dnb stage “Booha” of the Romanian festival Electric Castle. In 2020, she interviewed Goldie for the print version of the British MixMag, and performed in this genre twice at MixMag Lab. All these years, Nastia’s activities were aimed at popularizing Ukrainian culture and local artists, which made her the face of the Ukrainian electronic music scene on the global stage. Nastia is a rare example of how great success can be achieved solely by DJing, ideas and hard work – so far she is the most touring and popular DJ in the history of Ukraine. She performs at key venues around the world and takes an active social and political positio. In 2022, due to the war in Ukraine, she temporarily moved to Amsterdam and actively supported Ukraine using all of her social instruments, and also opened her own fund to help Ukraine. Currently, she continues to actively perform and represent Ukraine at various dance, media and official platforms.Their RA profile lists Nilla, Kvadrat and TECHNO Records.Recently at RSO.BERLIN, Else · often with TRESOR, GLOBUS, ROBUS, none of them here that night
“Veronica Vasicka is a NYC native: a photographer, musician, DJ and founder of the epic record label and on-line music resource Minimal Wave.”
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Veronica Vasicka is a NYC native: a photographer, musician, DJ and founder of the epic record label and on-line music resource Minimal Wave. As one of the founding members of East Village Radio, she managed the station during its pirate days and began collecting obscure and long forgotten gems that fell somewhere between the Cold Wave, Post-Punk, Industrial and Synth-pop genres. Not knowing what to classify these bands as, she coined the genre Minimal Wave and set up the website www.minimalwave.com as an online resource to share her finds with the rest of the world. The response to the website was huge and shortly after its launch, Veronica began tracking these artists down and re-issuing their work on the Minimal Wave label. Most of these bands recorded extremely limited copies of their work in their basements and shared their work with the world via John Peel's radio show and a handful of underground music mailings. The music released on the label ranges stripped down, D.I.Y. synth-pop to pioneering industrial electronics. In addition to running Minimal Wave, Veronica launched the Cititrax in 2008 (www.minimalwave.com/releases/cititrax) label as way to expose newer synth-based acts. She DJs monthly in her hometown, New York City, and around the world, as well as having hosted a weekly radio show from 6-8pm ET on East Village Radio for 10 years. She now hosts a monthly show on Red Bull Radio called This Side of Nowhere. She has curated and released over 100 albums now, amongst them were two highly lauded compilations: The Minimal Wave Tapes: Volumes 1 and 2 which were picked up, released and distributed by Stones Throw Records. Veronica's DJ sets range from raw, danceable industrial electronic to cold wave fused with mutant house and underground techno. She likes to tell a story when spinning and to teach the crowd about the roots of electronic music. She has a fantastic talent for synthesizing her influences into an unforgettable night of dancing. Select mixes can be heard here: Resident Advisor #663 https://www.residentadvisor.net/podcast-episode.aspx?id=663 Boiler Room (Dekmantel) https://www.youtube.com/watch?v=mhYkHPNs1d0 Boiler Room (Santiago) https://www.youtube.com/watch?v=4p9kOO-xS4w Beats in Space 923 https://beatsinspace.net/playlists/923/ Beats in Space 519 https://beatsinspace.net/playlists/519/ Mixmag in Session https://soundcloud.com/mixmag-1/in-session-veronica-vasicka Dekmantel 072 https://soundcloud.com/dkmntl/dekmantel-podcast-072-veronica-vasicka XLR8R, http://www.xlr8r.com/podcasts/2015/07/xlr8r-podcast-396-veronica-vasicka-dekmantel-festival-2015-edition/ LN-CC Boutique, https://soundcloud.com/ln-cc/ln-cc-store-mix-033-veronica Dazed And Confused, http://www.dazeddigital.com/music/article/13016/1/exclusive-veronica-vasicka-mix I.D. Magazine http://soundcloud.com/i-d-online-1/id-mix-final-veronica-vasicka, Noise In My Head http://www.noiseinmyhead.com.au/2013/02/170213-w-veronica-vasicka New York Times feature: http://www.nytimes.com/2012/04/12/fashion/talking-with-veronica-vasicka-founder-of-minimal-wave.html Veronica has DJ'd events for Art Basel, MoMA, MoMA P.S. 1, Miu Miu, Calvin Klein, Surface To Air, Agnes B, and 22/4 Hommes Femmes. She also played these festivals: Sonar, Primavera, Atonal, Simple Things, Dekmantel (Amsterdam and Sao Paolo), Cynetart, Mutek, Movement, Sustain Release, as well as numerous club nights in New York, Los Angeles, San Francisco, Seattle, Vancouver, Miami, Tokyo, Kobe, Tbilisi, London, Paris, Lyon, Amsterdam, Rome, Milan, Frankfurt, Berlin, Hamburg, Prague, Stockholm, Tel Aviv, Copenhagen, Malmö, Helsinki, Bucharest, Athens, Moscow, Mexico City, Santiago, Medellin, Bogota, Manchester, Bristol, Belfast and Glasgow. Veronica has been featured in various notable publications such as The New York Times, Interview Magazine, Dazed & Confused, I.D. Magazine, Vice, Elle, Electronic, Revel In New York, New York Magazine, and Time Out New York. http://www.minimalwave.com https://www.facebook.com/minimalwaverecords http://www.twitter.com/minimal_wave http://www.instagram.com/minimalwaveTheir RA profile lists Downwards and Minimal Wave.often with Andi, S4M23, Sam Clarke, none of them here that night
- Their RA profile lists Ninja Tune, Dark Entries, PAN, Solar One Music and 5 more.
Last at Berghain in Dec · often with Adriana Lopez, Shvili, Sharlese, none of them here that night
“Her distinct production style is heavily influenced by the raw, hardware-based sounds of the 90s, citing acid legends like Josh Wink, DJ Pierre, Freddy Fresh, Tim Taylor, Hardfloor & Thomas P. Heckmann as some of her biggest influences during her formative years.”
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Her distinct production style is heavily influenced by the raw, hardware-based sounds of the 90s, citing acid legends like Josh Wink, DJ Pierre, Freddy Fresh, Tim Taylor, Hardfloor & Thomas P. Heckmann as some of her biggest influences during her formative years. Fast forward to today, and it’s these exact producers she can be found regularly featuring alongside on the same vinyl releases. It’s therefore no surprise that she’s often called upon to share her knowledge and expertise around the world. Whether it’s being invited by the Goethe Institute to give production workshops in Mongolia, or being hand-picked by Roland to talk about their illustrious 303 at ADE in Amsterdam, her unique approach to music making and years of experience spent honing her craft have allowed her to constantly travel the globe for over a decade. Bloody Mary’s unique musical taste and elegant on-stage presence have seen her feature at festivals such as Movement Detroit, Piknic Electronik, CRSSD, Montreux Jazz Festival, Epizode Vietnam, Rainbow Serpent, ADE, Sonar and WMC Miami. She has also graced the decks of world-renowned clubs like Fabric London, Space Ibiza & Miami, Panorama Bar / Berghain Berlin, Khidi Tbilisi, Smart Bar Chicago, Fabrik Madrid, RAUM Amsterdam, Basement NY, alongside her residency at Berlin techno institution, Tresor. Accomplishments aside, it’s Bloody Mary’s unique vision, unrivalled passion, and dedication to her art that has kept the fire burning for her over all these years, and will no doubt continue to do so for many years to come. https://sourceartists.net/Bloody-MaryTheir RA profile lists Ovum Recordings, Soma Records, Afro Acid Digital, dame-music and 5 more.Recently at Tresor / Globus, Renate, HHV.de Store · often with TRESOR, GLOBUS, Alienata, none of them here that night
Last at Bi Nuu in Oct · often with Damage Code, Echoberyl, Electric Visionary, none of them here that night
names these artists often play with — not that night
- TRESOR6 with MAEDON, 5 with Bloody Mary, 4 with Chloe Lula, 3 with Dave Clarke, 3 with Lady Starlight, 2 with Nastia, 2 with Richie Hawtin, 1 with David Castellani and 1 with L.F.T.
- GLOBUS5 with Bloody Mary, 4 with MAEDON, 3 with Chloe Lula, 3 with Dave Clarke, 3 with Lady Starlight, 2 with Nastia, 1 with L.F.T. and 1 with Richie Hawtin
- Paty Vapor6 with Franz Scala, 2 with Berlin Bunny, 2 with DJ Hell and 2 with Eyesdice
- ROBUS6 with Ellen Allien, 4 with Freddy K and 2 with Nastia
- ACID BOGEN4 with Franz Scala, 3 with Berlin Bunny and 3 with Eyesdice
- HOPPER4 with Franz Scala, 3 with Berlin Bunny and 3 with Eyesdice
- SUMME6 with Ellen Allien, 2 with Freddy K and 2 with Nastia
- Säule2 with Berlin Bunny, 2 with Eyesdice and 1 with L.F.T.
21 said they were going.
The room
Quantum Oddity Gallery — 2 events and 30 distinct artists since Sep 2025.
Who put it on
Keyi Magazine — 7 events and 47 artists since Aug 2025.