Tresor Klubnacht
Tresor / Globus, Berlin
This night happened — Sat 28 Feb
Press play
Who was billed8 artists
In the order the promoter listed them.
- next: KREUZWERK, Fri 20 NovBeatrice
- next: OXI, Tue 27 OctDJ Pete
- next: Tresor / Globus, Fri 30 OctRegis
- next: OXI, Tue 24 NovStephanie Sykes
- Sven von Thülen
- Terrence Dixon
- next: Sat 24 OctViiaan
- next: Berghain, Sat 24 OctSabine Hoffmann
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
25 of the 28 pairings on this bill were first meetings.
- Beatrice and Regis — 1 shared bill before that night, first on Sat 28 Feb 2026.
- Stephanie Sykes and Sven von Thülen — 1 shared bill before that night, first on Sat 28 Feb 2026.
- DJ Pete and Regis — 1 shared bill before that night, first on Fri 31 Oct 2025.
Who they are
“Beatrice crafts sound into journeys that transcend the ordinary, where rhythm, texture, and emotion intertwine to create immersive experiences.”
their own biography
the whole biography
Beatrice crafts sound into journeys that transcend the ordinary, where rhythm, texture, and emotion intertwine to create immersive experiences. Her sets flow between intensity and introspection, guiding listeners through sonic landscapes that are at once intimate and expansive. Each moment is shaped by intuition, honesty, and a deep understanding of how music moves the body, mind, and heart. A regular performer at Berghain, a local resident at Tresor Berlin, and formerly resident at Basement NYC, Beatrice has developed a voice that resonates across the global electronic music scene. Her approach is uncompromising, rooted in authenticity, exploration, and the transformative power of sound. Within her sets, layers of tension and release, subtle textures and sweeping energy create narratives that linger long after the music fades. Her artistry balances technical precision with emotional depth. Beatrice’s performances are not simply presentationshey are spaces for connection, reflection, and shared experience, where listeners are invited to lose themselves and discover unexpected emotions. Beyond the decks, she is a storyteller, a curator of feeling, and a visionary. Through her work, she reminds audiences of why they fell in love with music, revealing the hidden layers of sound and sensation that transform each moment into something unforgettable.Recently at Berghain, Tresor / Globus, ÆDEN · often with Mareena, RÆZA, Reka Zalan, none of them here that night
“If you want to trace the beginnings of DJ Pete's status in Techno culture, you have to go back a very long way.”
their own biography
the whole biography
If you want to trace the beginnings of DJ Pete's status in Techno culture, you have to go back a very long way. He emerged as a DJ in the pioneering days of the Berlin scene during the late 80s. As a producer he made his name with the first release on Chain Reaction in 1995, a sub-label of the Basic Channel imprint, together with René Löwe aka Vainqueur as Scion. Scion also released the first commercially available CD ever produced with the then newly developed software Ableton Live in 2002 and later continued their collaboration as Substance & Vainqueur on the label Scion Versions. Substance, the acclaimed alias DJ Pete uses for his own productions has a back catalogue of highly influential solo efforts and an impressive string of acclaimed remixes for pivotal Techno artists like Juan Atkins, Regis, Kessell, Orphx, Robert Hood, Rhythm & Sound, Monolake or Shed, among many others. DJ Pete earned similar respect behind the decks, combining highly individual yet refined mixing skills with both his vast encyclopedic knowledge of Techno history and an unquenchable thirst for new sounds that carry the potential to push all boundaries. Beyond that his energetic sets also incorporate elements of pure Techno, the Hard Wax tradition and powerful House tracks. His seemingly unlimited scope is informed by frequent Dynamic Tension nights at Tresor in the late 90s with Surgeon and his residency at Berghain since its opening, as well as countless successful gigs at the most crucial nights of the scene's international circuit. He is also known to merge Techno with Dubstep and selecting Reggae, particularly while working the mighty Killasan sound system as core DJ member of the seminal Wax Treatment events. DJ Pete's lauded signature style also benefits from his numerous experiences as part of the cherished live acts TR-101 (an improvisational live act in collaboration with Sleeparchive), Scion (either with or without vocalist Paul St. Hilaire), and gigs with many other likeminded DJ innovators. A typical DJ Pete performance is always delivering an array of programming, sequencing, layering and live effects that goes well beyond a mere presentation of tracks. True to Techno's original claim, innovations in sound and technology are intuitively employed to achieve a floor sensation that manages to involve the crowd on as many levels as possible.Their RA profile lists Scion Versions and Chain Reaction.Recently at Philharmonie Berlin, Berghain, Haus der Visionäre · often with Juju Ji, Finn Johannsen, BLACK, none of them here that night
“Still Ear”
their own biography
Their RA profile lists Tresor, Synewave, Semantica Records, Sandwell District and 6 more.Recently at Tresor / Globus, RSO.BERLIN · often with Samuel Kerridge, Oliver Ho, OAKE, none of them here that night
- Their RA profile lists Soma Records, Fullpanda, Animal Farm Records, VENT and 6 more.
Recently at Coco Boule, Loone, RSO.BERLIN · often with ROBUS, ALI3N, Inverse Element, none of them here that night
“In the Spring of 1999, he started working as an editor at De:Bug magazine, while also writing for other magazines and newspapers.”
their own biography
the whole biography
In the Spring of 1999, he started working as an editor at De:Bug magazine, while also writing for other magazines and newspapers. As a DJ, he has been a club fixture since the early 2000s, holding residencies at various locations throughout the city and playing regularly at Berghain/Panorama Bar since its inception. He is and has been touring extensively as a DJ, playing hot spots like Concrete in Paris, Robert Johnson in Offenbach, fabric in London or Golden Pudel in Hamburg, as well as festivals like Glastonbury, Nation of Gondwana, Fusion, Garbicz or Melt!. Currently he can be regularly found behind the decks at Heideglühen and STAUB. He has released various house and techno records both solo and in groups on labels like Spencer Parker's Work Them Records, Ellen Allien's Bpitch Control, John Osborn's Dred Records and his own labels Expansion Unit and Constant Variables. Sven von Thülen has remixed (solo and in groups) A-list DJs/producers like DJ Hell, Ellen Allien or Radio Slave. He continues to work as a DJ, producer and writer. He co-wrote (alongside Felix Denk) the oral history Der Klang der Familie - Berlin, Techno und die Wende, an in-depth look at the beginnings of Berlin's techno scene in the late eighties and early nineties, which was published in March 2012 by renowned German publisher Suhrkamp. In 2013 a French translation was published, and in October 2014 Sven von Thülen and Felix Denk self-published an English translation called Der Klang der Familie - Berlin, Techno and the Fall of the Wall, followed by a translation into Spanish in November 2015. A Russian translation will be published in late 2019. The book was turned into a TV documentary called "Wendeklang"/"In This Place Called Techno", for which Sven von Thülen co-wrote the script. He also curated the soundtrack, which featured two of his own original compositions. The documentary was aired on French-German TV station ARTE in July 2014. In August 2020 he released his debut album Emanating on Dred Records. New music and a new music related film projects are on the way for late 2020 and 2021.Their RA profile lists Work Them Records, Myth Music and DRED Records.Recently at Paloma, Tresor / Globus, Berghain · often with Bassdee, Iron Curtis, Andrea Zadro, none of them here that night
“Terrence Dixon, also known under the Population One moniker, describes his techno as “Forward-thinking ghetto electronics” and is widely recognised for his incongruous, minimalist sound design, authenticity, and dedication.”
their own biography
the whole biography
Terrence Dixon, also known under the Population One moniker, describes his techno as “Forward-thinking ghetto electronics” and is widely recognised for his incongruous, minimalist sound design, authenticity, and dedication. A prolific producer, his 30-year studio career has seen releases on Metroplex, Tresor and Rush Hour to name but a few. Dixon's sound safeguards Detroit techno so that it will remain relevant in the years to come and his tracks have been some of the most exhilarating of the 21st century. He is a champion of the Detroit sound, who is firmly rooted in the city's grand tradition, but also propels things forward in unexpected ways. Bookings: PARAMOUNT tom@paramountartists.comTheir RA profile lists Nice & Nasty, Underl_ne, Utensil Records, Sino and 6 more.Last at Tresor / Globus in Oct 2025 · often with Fireground, Thomas Hoffmann, Chloe Lula, none of them here that night
“Viiaan, producer, record collector, dj and co-founder of Voragine, label and platform under which she promotes the work of artists who work both in the field of experimental electronics, and within the club sound.”
their own biography
the whole biography
Viiaan, producer, record collector, dj and co-founder of Voragine, label and platform under which she promotes the work of artists who work both in the field of experimental electronics, and within the club sound. Although she is unwilling to pin down a specific style to define her work, she is inclined to dark ambient and techno. Her music is a complex and evocative sonic experiment. In her mix-tapes she seamlessly integrates Classic House, Experimental Techno and Drum & Bass, and Breaks. She also draws influence from ambient, industrial and arabic music. Over the last two years her works appeared on compilations like Lowmute and Desembocadura, where she touches on subjects such as migration problems finding inspiration in film, art and literature. She launched her first EP Discromía in 2017 on Maladolescenza and her second EP Shimonoseki at the beginning of January 2020 via SNU. She is currently working on various collaborations and is about to release music on the Uk META MOTO record label, and Extasis Records.Their RA profile lists Voragine, QEONE and Causal Chain.Recently at Refuge Worldwide / Niemetzstraße, RSO.BERLIN, Bar Neun · often with Retter (DE), Brusco, Rafush, none of them here that night
“Raised and based in Berlin, deeply connected to its vinyl culture.”
their own biography
the whole biography
Raised and based in Berlin, deeply connected to its vinyl culture. Sabine Hoffmann has carved out her space through a simple, dedicated approach: playing the music she loves, strictly on wax. Sabine discovered her passion for spinning vinyl around the early 2000’s, when she was first exposed to electronic music. Today, her sets reflect this broad foundation, moving naturally between Techno and House. Whether she is commanding the booth at legendary institutions like Berghain, Tresor, ://about blank or Heideglühen, her selections are driven by an intuitive understanding of the dancefloor and a profound respect for the roots of electronic music. As a longtime face of Berlin’s renowned OYE Records, she sits at the source of crate digging culture. She is taking care of all OYE club events and In Stores happening at one of the record shops. Since January 2023 she is hosting the OYE Podcast series. For Sabine, music has always been about more than just the individual performance. With her "Frauengedeck" initiative, she has spent years creating space for FLINTA* artists, prioritizing community and talent over hype. Her newest project is "Dub Nation". An event series brought to life by good old colleagues and friends Sabine Hoffmann and Kenneth Christiansen. Both share the unconditional love for the deeper and more dubby side of Techno and House. She doesn’t aim for the spotlight, she aims for the right track at the right moment. That´s, what made her a respected and consistent voice in Berlin’s underground scene.Their RA profile lists zaijenroots and Rarehouse Records.Recently at Tresor / Globus, Golden Gate, Crack Bellmer · often with Chami, eva h., HOPPER, none of them here that night
names these artists often play with — not that night
- Chami3 with Sabine Hoffmann and 2 with Beatrice
- Berghain2 with Beatrice and 2 with Sabine Hoffmann
- Inverse Element2 with DJ Pete and 2 with Stephanie Sykes
- Ben Sims2 with Stephanie Sykes and 1 with Sven von Thülen
- Retter (DE)5 with Viiaan
- Brusco3 with Viiaan
- Finn Johannsen3 with DJ Pete
- Juju Ji3 with DJ Pete
476 said they were going — busier than a usual Saturday at Tresor / Globus.
how this compares
- Median final count, Saturdays at Tresor / Globus239
- Middle half finished between153 and 311
- Past Saturdays at this venue counted49
The room
Tresor / Globus — 286 events and 1,149 distinct artists since Aug 2025.
Most-tagged here: Techno (18). genre tags on this room’s listings
Who put it on
Tresor Club — 282 events and 1,140 artists since Aug 2025.