Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 14 Feb
Press play
Who was billed14 artists
In the order the promoter listed them.
- DJ Nobu
- next: BASEMENT in NYC, Fri 13 NovJustine Perry
- next: Berghain, Sat 31 OctMARRØN
- Oscar Mulero
- next: Berghain, Sat 7 NovSteffi
- next: BASEMENT in NYC, Sat 14 NovThe Lady Machine
- Cosmo (KR)
- DJ Dustin
- next: Signal in NYC, Sun 1 NovLakuti
- Nick Höppner
- next: Tresor / Globus, Sat 21 NovRichard Akingbehin
- next: Signal in NYC, Sun 1 NovTama Sumo
- next: Berghain, Sat 31 OctVerraco
- Quiet Husband
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
66 of the 91 pairings on this bill were first meetings.
- Lakuti and Tama Sumo — 21 shared bills before that night, first on Thu 31 Aug 2023.
- Justine Perry and Richard Akingbehin — 3 shared bills before that night, first on Sat 30 Aug 2025.
- Steffi and Lakuti — 2 shared bills before that night, first on Sat 14 Feb 2026.
- Lakuti and Richard Akingbehin — 2 shared bills before that night, first on Sat 14 Feb 2026.
- Steffi and Nick Höppner — 2 shared bills before that night, first on Sat 25 Oct 2025.
- MARRØN and Tama Sumo — 2 shared bills before that night, first on Sat 4 Oct 2025.
- Lakuti and Nick Höppner — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Nick Höppner and Tama Sumo — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Steffi and Tama Sumo — 1 shared bill before that night, first on Sat 14 Feb 2026.
- DJ Dustin and Lakuti — 1 shared bill before that night, first on Sat 14 Feb 2026.
- MARRØN and Verraco — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Justine Perry and Lakuti — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Cosmo (KR) and DJ Dustin — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Justine Perry and Steffi — 1 shared bill before that night, first on Sat 14 Feb 2026.
- MARRØN and Richard Akingbehin — 1 shared bill before that night, first on Sat 14 Feb 2026.
- DJ Nobu and Justine Perry — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Nick Höppner and Verraco — 1 shared bill before that night, first on Sat 14 Feb 2026.
- MARRØN and Lakuti — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Steffi and DJ Dustin — 1 shared bill before that night, first on Sat 14 Feb 2026.
- Steffi and The Lady Machine — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Nick Höppner and Richard Akingbehin — 1 shared bill before that night, first on Sat 25 Oct 2025.
- Steffi and Richard Akingbehin — 1 shared bill before that night, first on Sat 25 Oct 2025.
- The Lady Machine and Lakuti — 1 shared bill before that night, first on Sat 11 Oct 2025.
- Steffi and Verraco — 1 shared bill before that night, first on Sat 9 Aug 2025.
- MARRØN and Oscar Mulero — 1 shared bill before that night, first on Fri 17 May 2024.
Who they are
“Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings.”
their own biography
the whole biography
Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving.Their RA profile lists Token, Grasswaxx Recordings, Non Series, Bitta and 4 more.Recently at Backsteinboot, Berghain · often with Doltz, Ne/Re/A, Juana, none of them here that night
“She actively supports emerging artists and is engaged in the LGBTQIA+ community, contributing to safer and more inclusive spaces through her involvement in queer parties.”
their own biography
the whole biography
She actively supports emerging artists and is engaged in the LGBTQIA+ community, contributing to safer and more inclusive spaces through her involvement in queer parties. Following her debut EP on Dynamic Reflection in 2024, she returned in 2026 with a second EP on X/Y/Secret, further refining her distinctive, high-intensity sonic identity. She has also contributed to compilations on Blue Hour and Vault Sessions, strengthening her presence within today’s techno landscape.Their RA profile lists Ostgut Ton, Dynamic Reflection, Blue Hour, On Board Music and 6 more.Recently at RSO.BERLIN, Tresor / Globus, Giri · often with Paula Koski, Phase Fatale, SUMME, none of them here that night
“MARRØN is always trying to exceed the limits of himself and the crowd, with his fast but extremely rhythmic sound driven by his roots.”
their own biography
the whole biography
MARRØN is always trying to exceed the limits of himself and the crowd, with his fast but extremely rhythmic sound driven by his roots. Highly inspired by the powerful and strong-willed Marrons who freed themselves from slavery to live freely in the primeval forest of Surinam. Starting his musical evolution with Afro Deep, characterized by its African beats and used these elements to connect with techno music. The freedom and diversity of techno persuaded him to really dig into the underground scene and create a name of his own. This sound contains African groove and a powerful but atmospheric techno sound with which he aims to hypnotize the crowd to stay on the dancefloor for hours.Recently at RSO.BERLIN, Berghain · often with Akua, Aurora Halal, Alex Kassian, none of them here that night
“Oscar Mulero's DJ career has been as prolific and long lasting as the evolution of dance music.”
their own biography
the whole biography
Oscar Mulero's DJ career has been as prolific and long lasting as the evolution of dance music. As a key figure in its development, Oscar has always absorbed new trends and kept his finger on the pulse of electronic dance music, from the end of the 80’s right up to the present day. It is impossible to understand his genius without taking into account the tireless work he has carried out behind the decks for over two decades. Production-wise he's been releasing records since the late 90’s, with countless 12" vinyls and several studio albums, as well as many remixes for the best players in the scene. He runs Warm Up, his very own imprint, since 2000 as well as the label PoleGroup Records since 2004, both of which have reached the 50 releases mark. On 2013 he started a series of live A/V performances under several project names like Light and Dark, Biolive and Monochrome AV. In 2019 he will celebrate his thirty-year career with a very special secret lineup party in Madrid that will be much talked about because of its concept and the quality of the guests. 2019 also meant the Selection Natural project peak time with releases in Pole Group and performances all over the club universe. The uncertain days of 2020 and 2021 meant a sudden stop of all touring action but Oscar kept busy with his studio work. A bunch of releases saw the light during that period and his audiovisual project Monochrome had some performances under the security environment required those days. Now near the end of 2021 most of the club activity has returned and Oscar has again a full schedule gigwise. We also celebrate his 20 years in production with releases on Token records, Semantica, and his very own Warm Up Recordings with a new limited vinyl series called WUBC mostly available on Bandcamp.Their RA profile lists Tsunami, Tresor, Token, MindTrip and 6 more.Last at RSO.BERLIN in Nov 2025 · often with Massimiliano Pagliara, P.E.A.R.L., Pablo Bozzi, none of them here that night
“Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s.”
their own biography
the whole biography
Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s. In search of broader horizons for her creative expression (a common thread in her artistic journey), Steffi moved to Amsterdam and established herself in the city with DJ residencies and her own underground parties. The diverse approach to sound that she cultivated during this period remains fundamental to all aspects of her creative work today. Resistant to conventional notions of career moves or self-promotion, it was her original vision and pursuit of new challenges that brought her to Berlin in the early 00s and to the city’s emblematic Berghain. As one of the club’s more adaptable residents, Steffi can be found in control of any one of the building’s celebrated dancefloors, transmitting her deep knowledge and appreciation for all forms of dance music. From broken beat, IDM, electro, classic house and Detroit techno to genre-breaking sounds from all eras – Steffi will play it as long as it’s funky and it grooves. Her experience and lasting enthusiasm for her craft have translated effortlessly to the international clubs and festivals – big and small – at which she has long been a staple, as well as to milestone mixes and compilations for Berghain/Panoramabar, fabric and Air Texture. As a producer, Steffi has an extensive discography that reflects her constant development as a musician. A long and fertile relationship with Ostgut Ton began with the release of her hit single Yours (2010) and debut album Yours & Mine (2011) (both reissued in 2022 on DESTEFSTER, her new sub-label dedicated to her own club-oriented output past and present). Two further solo albums followed – Power Of Anonymity (2014) and World Of The Waking State (2017) – and a co-production on Virginia’s debut album, Fierce For The Night (2016). With Martyn, Steffi released the Doms & Deykers album Evidence From A Good Source (2016) on 3024, and under the solo alias Crushed Soul she released the Family Of Waves EP (2020) on Dark Entries. As a remixer, Steffi has worked with both established artists and emerging producers whose music resonates with her, most recently Christine And The Queens, St Vincent, SebastiAn, Josh Caffé, Max Cooper, Azo and FJAAK. Through all of this output, Steffi has developed a varied sound that balances classic dancefloor accessibility with a desire to push at the boundaries of genre convention and production techniques. In parallel with her production work, Steffi has nurtured two long-running labels – Klakson, founded in 2000, and Dolly, founded in 2010 – which continue to release a distinct blend of electro, breaks, Chicago and Detroit house and techno by a range of respected producers to this day. Both imprints have also been home to Steffi’s own joint projects with likeminded artists, such as Dexter, Stingray, Shed, John Daly and, more recently, Sepehr and Privacy (as Negroni Nails). Her reputation for collaboration and expertise in the studio has also seen her perform the role of mentor for several music education programmes, including Red Bull Music Academy in 2018. In recent years, Steffi’s tireless search for new ground has been made tangible in a permanent move to Portugal, where, with Virginia, she founded the label, studio space and artist-driven creative hub Candy Mountain, a platform through which she continues to push herself and the community around her forwards. This new home base in the hills outside Lisbon – framed by an abundant garden that she tends with the same care as her ever growing studio – gives a simple, even romantic impression, but its relevance and impact, like Steffi’s, are truly global. The first project that captures the spirit of Candy Mountain is her latest solo LP, The Red Hunter. With her new studio setup, she plunges even deeper into the details of sound processing, bringing complex, modulating grooves and textures into the foreground while intentionally preserving the song-like arrangements that have always made her work so relatable. For Steffi, the process itself is as rewarding, if not more so, than the final output, and she applies this same attitude to the careful planning and curation of her unique live performances. All of these new initiatives are the latest proof of the hard work, determination and total immersion in music that have led Steffi to where she is today, while also being the perfect indication of where she wants to go in the future.Their RA profile lists Ostgut Ton, Underground Quality, Tsuba Records, Klakson and 6 more.Recently at Haus der Visionäre, Berghain · often with Virginia, nd_baumecker, Efdemin, none of them here that night
“Based on a more complex structure of rhythms with dark underground lines of synths and textures, The Lady-Machine incorporates the spirit of the twenty first century Techno.”
their own biography
Their RA profile lists Token, Mote-Evolver, Symbolism Ltd, Unterwegs and 1 more.Recently at Haus der Visionäre, MUENZE, Berghain · often with Curses, Rakans, Freddy K, none of them here that night
- Their RA profile lists Giegling and 禁 JIN.
Recently at arkaoda Berlin, ZENNER, Haus der Visionäre · often with Edward, Galcher Lustwerk, Stella Zekri, none of them here that night
“Together with close friends Dustin founded and runs giegling.”
their own biography
Their RA profile lists Giegling.Last at Berghain in Nov 2025 · often with Lb Honne, Galcher Lustwerk, DJ Fart in the Club, none of them here that night
- Their RA profile lists Yore Records.
Recently at Berghain, Haus der Visionäre, Kaos Berlin · often with Fadi Mohem, Morgan, Virginia, none of them here that night
Recently at Ikii, Berghain, Paloma · often with Isabel Soto, Inox Traxx, Gerd Janson, none of them here that night
“Co-founder of Berlin community radio station Refuge Worldwide and founder of techno, dub and ambient label Kynant Records.”
their own biography
Recently at Berghain, Tresor / Globus, Refuge Worldwide / Oona Bar · often with Tikiman, Decoder, Kangding Ray, none of them here that night
“I started out in a bar called Drama in Kreuzberg, which has been an important hang out for the scene and one of the first bars ever to feature its own djs at the weekend.”
their own biography
the whole biography
I started out in a bar called Drama in Kreuzberg, which has been an important hang out for the scene and one of the first bars ever to feature its own djs at the weekend. The Drama has been one of the few locations featuring house music, instead of techno dominating all the other clubs and bars at that time. I used to play a lot of soulful vocal house and quickly became a resident at Globus/Tresor, as well as at the gay Saturdays at Café Moskau. „My motivation is and has been a mixture of fun and communication. Verbally as well as non-verbally. I love to create and play with different moods and atmospheres. I’m still fascinated by the fact that music can release a huge amount of energy and how music creates fun, jollying anyone along without any reason or principle. Music and bass in particular can make people happy!“ Since 1997, when I have been a resident at Globus/Tresor, I gradually opened up stylistically and didn’t feel the need anymore to go along the lines of the techno and house division. Since 2001 I regularly played at the gay/lesbian „Dance with the Aliens“ parties at the old OstGut and consequently at the end of 2004 I became a resident at the new Panorama Bar / Berghain. In the meantime I developed a varied style ranging from new and classic House to Techno including a lot of Disco, Afrobeats..... It is fundamental to my work as a DJ that I manage to let the music, the crowd and myself run freely. I have to turn off my head and go with the flow. This always is the challenge and if it works it is big fun. The crowd and i have to get kind of cosy with each other. And if I manage to build my set up and down, to go to lots of different places, it is perfect!Their RA profile lists Rabid Records, Diamonds & Pearls, Ostgut Ton, Hotflush Recordings and 1 more.Recently at Berghain, Kaos Berlin · often with Virginia, Fadi Mohem, Shaun J. Wright, none of them here that night
“"In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets techno, latin-influenced tribal, hyper-electronica, carefully crafted IDM and cutting-edge dembow-bass technology with both intensity and precision.”
their own biography
the whole biography
"In the daring sonic fiction of JP López, the Medellín artist collides in his productions and DJ sets techno, latin-influenced tribal, hyper-electronica, carefully crafted IDM and cutting-edge dembow-bass technology with both intensity and precision. Verraco is also one of the heads behind the groundbreaking TraTraTrax, label that has become a key platform for Latinx sound explorers in recent years. With the future classic Escándaloo EP on VOAM out in Summer 2023, RA and Crack Magazine lauded the record as one of the best of the year. In 2024, the Colombian artist's debut on Bristol's stalwart Timedance with 'Breathe... Godspeed' was unanimously acclaimed by the press, with the EP being awarded Pitchfork Best New Music, described by renowned journalist Philip Sherburne as "an essential record for the vanguard of dance music". In 2025, he signed with the legendary UK label XL Recordings for a three-tracker EP. In addition to having important recurring appearances at clubs and festivals such as Dekmantel, Berghain or Berlin Atonal, Verraco also launched his own party in Bogotá also called Escándaloo, which has been sold out on all occasions and has brought to his country for the first time the likes of Skee Mask, Batu, Pariah, Livwutang among others." ~ Outer Agency.Their RA profile lists XL Recordings, Timedance, Voam and TraTraTrax.Recently at RSO.BERLIN, Kraftwerk Berlin / OHM, Berghain · often with Pariah, Gabrielle Kwarteng, Bitter Babe, none of them here that night
often with GLOBUS, TRESOR, TONI BA, none of them here that night
names these artists often play with — not that night
- Virginia6 with Steffi, 3 with Tama Sumo and 2 with Lakuti
- Fadi Mohem3 with Lakuti, 3 with Tama Sumo and 2 with Richard Akingbehin
- Quelza3 with Steffi, 2 with Lakuti and 2 with Tama Sumo
- Freddy K4 with The Lady Machine and 2 with MARRØN
- Mike Servito3 with Lakuti and 3 with Tama Sumo
- Decoder3 with Richard Akingbehin and 2 with DJ Nobu
- Edward3 with Cosmo (KR) and 2 with DJ Dustin
- Isabel Soto3 with Steffi and 2 with Nick Höppner
393 said they were going — busier than a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.