Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 7 Mar
Press play
Who was billed14 artists
In the order the promoter listed them.
- next: Berghain, Sat 14 NovBeste Hira
- Blasha & Allatt
- next: Berghain, Sat 24 OctElisa Bee
- next: RSO.BERLIN, Fri 20 NovJesse G
- next: Berghain, Sat 24 OctMarie-Julie
- next: Berghain, Sat 24 OctOlivia Mendez
- Roulita
- next: Berghain, Sat 14 NovCinthie
- next: Nowadays in NYC, Sat 7 NovGabrielle Kwarteng
- next: KREUZWERK, Sat 26 DecKatia Curie
- next: OHM, Sat 31 OctKaty De Jesus
- Malika
- Marie Montexier
- Ogazón
Set times were not published.
the pairs that have met
70 of the 91 pairings on this bill were first meetings.
- Cinthie and Gabrielle Kwarteng — 2 shared bills before that night, first on Sat 17 Jan 2026.
- Beste Hira and Gabrielle Kwarteng — 2 shared bills before that night, first on Sat 16 Aug 2025.
- Cinthie and Ogazón — 2 shared bills before that night, first on Sat 29 Nov 2025.
- Beste Hira and Cinthie — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Elisa Bee and Marie-Julie — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Elisa Bee and Olivia Mendez — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Marie-Julie and Olivia Mendez — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Cinthie and Marie Montexier — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Beste Hira and Blasha & Allatt — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Marie-Julie and Ogazón — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Elisa Bee and Marie Montexier — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Beste Hira and Jesse G — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Beste Hira and Malika — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Jesse G and Malika — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Olivia Mendez and Ogazón — 1 shared bill before that night, first on Sat 7 Mar 2026.
- Beste Hira and Ogazón — 1 shared bill before that night, first on Thu 1 Jan 2026.
- Blasha & Allatt and Cinthie — 1 shared bill before that night, first on Sat 29 Nov 2025.
- Blasha & Allatt and Ogazón — 1 shared bill before that night, first on Sat 29 Nov 2025.
- Jesse G and Katy De Jesus — 1 shared bill before that night, first on Sat 15 Nov 2025.
- Gabrielle Kwarteng and Ogazón — 1 shared bill before that night, first on Sat 15 Nov 2025.
- Olivia Mendez and Katia Curie — 1 shared bill before that night, first on Sat 1 Nov 2025.
Who they are
- Their RA profile lists Key Vinyl, Format Records and The Third Room.
Recently at Haus der Visionäre, Berghain · often with Tasha, Auspex, Jana Falcon, none of them here that night
“As driving forces behind the Meat Free collective, the duo have built a reputation for powerful, uncompromising techno with real depth and character.”
their own biography
the whole biography
As driving forces behind the Meat Free collective, the duo have built a reputation for powerful, uncompromising techno with real depth and character. Their sound is carefully honed and deeply focused, shaped by years of dedication to the scene. Recently, they’ve also been bringing their distinct energy and precision to house sets, adding a new dimension to their already dynamic approach. With solid releases on Blue Hour, Positive Source, Discos Paraiso, and Symbolism, their work in the studio continues to reflect the strength of their vision. For booking enquiries get in touch with lizzy@ekipa.agencyTheir RA profile lists Machine, Blue Hour, Hypermagic, Symbolism Ltd and 1 more.Recently at OXI, KREUZWERK, Berghain · often with Binh, Phase Fatale, Zisko, none of them here that night
“A passionate record collector with an eclectic taste spanning jazz, reggae, hip-hop, rock, and of course house and techno, Elisa Bee is equally captivated by the rich sounds of the past and the experimental waves shaping the future of music.”
their own biography
the whole biography
A passionate record collector with an eclectic taste spanning jazz, reggae, hip-hop, rock, and of course house and techno, Elisa Bee is equally captivated by the rich sounds of the past and the experimental waves shaping the future of music. Moving fluidly through ever-evolving creative landscapes, she has been DJing for over 18 years—starting in her native Sardinia before making her mark in Milan. Elisa’s productions have garnered international recognition, earning airplay on dancefloors and radio stations worldwide. Her music has been released on esteemed labels such as Symbolism, Hardgroove, Truncate, Unknown To The Unknown, Balkan Vinyl, I Love Acid and ANAØH. In recent years, her sound has evolved towards techno with a strong 90s influence and one of her latest projects includes a collaborative EP with Detroit legend Rolando, released in late 2024, alongside numerous remixes and solo tracks. Resident Advisor has recently recognised her as one of the finest selectors and producers in Italy: "[...] exploring and then refining a style of techno that has that rare, hard to put your finger on quality: a soulful reverence that pays homage to the old days and the originators without just copying them". As a resident DJ at Tempio Del Futuro Perduto in Milan, Elisa’s all-night sets are described as immersive journeys: “acid, very groovy, sometimes dark, always energetic and dreamy towards the end.” Regular at Berghain since 2023, she has showcased her signature sound through some of the most respected podcast series, including HATE, Awakenings, Slam Radio, and RA Podcast.Their RA profile lists BBE, Balkan Vinyl, Unknown to the Unknown, Truncate and 6 more.Last at Berghain in Dec 2025 · often with Stacey Hotwaxx Hale, nd_baumecker, JakoJako, none of them here that night
“There’s an ineffable feeling that one has after a Jesse G set, often evidenced by an upward turning of a lip corner, a child-like sense of discovering something new, or a renewed understanding of the word “fun.””
their own biography
the whole biography
There’s an ineffable feeling that one has after a Jesse G set, often evidenced by an upward turning of a lip corner, a child-like sense of discovering something new, or a renewed understanding of the word “fun.” Proficient at working a crowd, Jesse G wants you to feel whatever you want to feel during her sets, as long as it’s something. Known for her energetic, genre-spanning sets that surprise and delight crowds, the Berlin-based Techno DJ’s big sound is a playful wide range medley of deep, metallic and trippy to groovy, jacking, percussive sounding Techno with diverse rhythms and UK bass influence. Growing up in Wiesbaden, Germany as a child of Filipino and Sicilian immigrants, Jesse found music to be a lingua franca that connected her with her surroundings. Her early introduction to music was through R&B, Italo Pop, and Rap and her deep curiosity and engagement with music in all its forms still guides her today. Describing DJing in her words as „a way to express how she hears the world“, her exhilarating sets borrow from a diverse range of sonic spaces and one can often detect influences from different genres such as bass music, breakbeat, house, reggaeton and dancehall alongside her meticulous and expansive feel for varied techno grooves and rhythms. Her distinctive sound is also informed by an encyclopedic understanding of electronic music and her craft honed over her nearly six years as an integral member of the staff at the hallowed Berlin record store, Hard Wax. In addition to holding down residencies at RSO Berlin and Tresor, she has brought her sound to venues such as De School, Berghain, Open Ground, and Blitz Club; and graced festivals including ADE Het Weekend and Nachtiville.Recently at RSO.BERLIN, OHM, Haus der Visionäre · often with Dangermami, Xiorro, Ellen Allien, none of them here that night
“Marie-Julie is a vinyl only dj and a true vinyl aficionada.”
their own biography
the whole biography
Marie-Julie is a vinyl only dj and a true vinyl aficionada. She started collecting vinyls at a young age, ranging from house, electro, ambient to techno. After having spent a year in Berlin, her style got heavily inspired by regular visits to Berghain and Hardwax. Known for her regular sets at Brussels’ iconic Fuse Club and a busy gig schedule across Belgium, she’s also graced the decks at Amsterdam’s De School and Berlin’s Tresor and Paris’Spectrum Waves, making waves internationally. She plays groovy and energetic techno, navigating from deep-diving techno to vibrant sounds. She uses only two vinyl decks and a mixer, blending oldskool sounds and modern grooves. Marie-Julie is known for her outstanding track selection and carefully crafted sets with deep takes, groovy parts, exhilarating heights and contemplating ends.Recently at Tresor / Globus, Berghain, RSO.BERLIN · often with Amanda Mussi, Don Williams, Franziska Berns, none of them here that night
“Olivia is a record proxenete, dealing grooves across territories her unique sound can reach.”
their own biography
the whole biography
Olivia is a record proxenete, dealing grooves across territories her unique sound can reach. Strongly influenced by the sounds of Senegalese drums as a child, both as a percussionist and dancer, she eventually fell in love with the post modern aesthetics embedded in Detroit’s industrial landscapes. From Brooklyn to Kiev, she has been queering consciousness through her roaring, pulsing, sonorous soundscapes. Entangled in the UK underground for 5 mad years, Breakbeat, IDM, Experimental, DnB, Dub and Techno were some of the defining genres she explored as an artist. As a passionate vinyl archaeologist she keeps roaming record shops to excavate forgotten pieces that she cross-pollinates with the avant-garde, aiming to keep the magic, encoded in music, alive. Her background as a France and UK based music journalist, artist and event promoter imbues her DJ sets with an eclectic range, playfully leading us through deep, steady minimalistic journeys. She is also the founder of the FLINTA collective KONVENT, intending to create positive spaces to reinvestigate and elevate the discourse on contemporary feminism, through site-specific music and art interventions, where she smashes the patriarchy one beat at the time.Recently at Funkhaus Berlin, Berghain, RSO.BERLIN · often with ROBUS, Henning Baer, SUMME, none of them here that night
Recently at Berghain
“German producer, DJ, label and record store owner Cinthie has become one of the most sought-after artists in the contemporary electronic scene.”
their own biography
the whole biography
German producer, DJ, label and record store owner Cinthie has become one of the most sought-after artists in the contemporary electronic scene. Dubbed by many as the Berlin Queen of House, the last decade has seen her become an unstoppable force who has a touring schedule that takes her across the globe to perform at leading clubs and festivals across Europe, Asia, the Americas and beyond. Cinthie's knowledge of house music's foundations is second to none, as reflected by the vast vinyl collection she has been building since 1995. Her DJ sets cleverly join the dots between the past and the present and plot lines between the swing of New York, the rawness of Chicago and the energy of Berlin. They're stripped back and emotive, whether deep or vocal, and always married to an irresistible groove. In the studio, Cinthie has mastered the art of making maximum impact from bare musical essentials. For more than 20 years her timeless house sounds have come on labels like Heist, Aus Music and her own 803 Crystal Grooves, and in 2020 gave rise to her adventurous and accomplished debut album Skylines - City Lights. Cinthie's DJ-kicks mix in 2022 was another high-water mark. It's a revered series that had a big impact on her in the nineties, and her own entry is one of house music's best. House music isn't known for its live shows, and even less so for female live artists. But as always, Cinthie is breaking new ground and has recently taken her machines on the road to cult events like Sonar and Mutek. Her influential Elevate.Berlin store is also known for its exceptional taste: every record is handpicked by Cinthie. Such realness and authenticity have always been synonymous with proper house music, but they are also the values that stand Cinthie apart.Their RA profile lists Skint, Aus Music, Running Back, Watergate Records and 6 more.Recently at Berghain, Zeiss Grossplanetarium, Silent Green · often with Fadi Mohem, Alinka, Efdemin, none of them here that night
“Gabrielle Kwarteng’s journey continues to be one of passion, dedication and fate.”
their own biography
the whole biography
Gabrielle Kwarteng’s journey continues to be one of passion, dedication and fate. Born and raised in New York, Kwarteng has withstood shifting sands in dance music to represent a curatorial presence with a deep knowledge of music history, driven by a dedication to regenerating its culture. In an era of everything at once, Kwarteng is a DJ who weaves stories for the dancefloor that often look to the past, while always focusing on possible futures. In an era of sonic singularities, Kwarteng’s flexibility and curiosity is a virtue; her long-awaited debut at Dekmantel Festival in 2023 resulted in no less than three sets across the weekend, each possessing contrasting energies. Elsewhere London’s iconic Fabric have championed Kwarteng on multiple occasions, programming her into their prestigious 25th birthday celebrations alongside the likes of Ben UFO and Ricardo Villalobos. At Berghain, she has appeared with even greater frequency as part of some of the fabled club’s most crucial parties, including CSD, Silvester, as well as smoothly piloting seven-hour closing sets in Panorama Bar. Such reverberations have reached far beyond the club; FKA twigs extended a personal invite to soundtrack her 2024 Met Gala afterparty. Taking place at The Standard, Kwarteng played just a few blocks uptown from the Soho Grand ballroom, where she had once furtively begun her first DJ residency, less than a decade earlier. The roots of this keen musicality run deep. Born in Brooklyn to Ghanaian parents but raised in the Bronx, Kwarteng’s childhood was soundtracked by a mix of first-wave Highlife, Afrobeat and disco. Outside her own front door, in a thriving neighborhood of diverse American experiences, entire sounds and scenes expanded and exploded as pop-culture began to mutate in new ways, both online and off. Crossing to Manhattan for school, the tempo changed entirely as rock, hip hop and experimental music filled Kwarteng’s ears, accompanying her intense study. Juggling academia with the beat became part of life, and she was later presented with the Mixcloud Online Radio Award for Best Eclectic Show, broadcasting on then burgeoning online radio station, The Lot. An early and completely unexpected acknowledgement of an instinct for music that traversed genre expectations, it laid down the foundations for her later move and return to Europe, and a commitment to trusting her creative instincts. Here, Kwarteng has not only become a fixture in established, open-minded musical spaces everywhere from Berlin, London, Amsterdam and Paris, but is equally called upon to establish the energy of new ventures, such as Horst Club in Belgium. Her resplendent selections have made connections further still, on tour in Australia, South America and soon to include Asia. Listening and dancing to Kwarteng, whether in a cavernous rave hall, a sweat-soaked underground club or amid the temporary pleasures of a festival, is an experience that feels at once familiar but always energizing. Fluidly slipping through a mix of heady 80s and 90s US house, disco interpretations that traverse diaspora and eras, and the futurist pulse of physical, emotive techno, Kwarteng expertly matches the requisite energy of contemporary queer rave culture. This understanding led to an invitation to make a storied Glastonbury festival debut at the legendary Block 9, the deepest pleasure center within the nocturnal NYC Downlow, before returning in 2024 for a back-to-back set with Shanti Celeste, this time on the wider scale of the Silver Hayes stage. Wherever she performs, Kwarteng’s expertise serves to not only continue the championing of Black American genres such as house, techno and disco, but equally, to explore the continuum of global dance music as a whole. Having laid the foundations for a unique musical journey, it’s a level of respect that’s tangible on any dancefloor. In these increasingly sacred spaces, Gabrielle Kwarteng’s personal passion translates into collective ecstasy. The dig continues.Recently at Berghain, Backsteinboot · often with Massimiliano Pagliara, Boris, BASHKKA, none of them here that night
“With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks.”
their own biography
the whole biography
With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks. Sometimes dark, sometimes more uplifting, her music takes listeners on a journey that shifts in tone and mood, depending on the energy of the moment. Moving between vinyl and digital, Katia creates immersive experiences on the dancefloor that reflect her diverse influences and her ability to read the space.Their RA profile lists MINDHELMET, System Error and PLOT.Recently at Berghain, Hoppetosse, Fitzroy · often with Natalie Robinson, evin, Yuzo Iwata, none of them here that night
Recently at Tresor / Globus, RSO.BERLIN, Berghain · often with Mike Servito, Handmade, Tasha, none of them here that night
“With over a decade of DJing, record collecting, and formative years in Berlin, she has developed a deeply intuitive approach to storytelling through music.”
their own biography
the whole biography
With over a decade of DJing, record collecting, and formative years in Berlin, she has developed a deeply intuitive approach to storytelling through music. Whether in intimate listening sessions or on festival stages, her sets move patiently between rhythm, texture, and emotion, always carrying a quiet sense of depth and magnetism. Her appearances at Glastonbury, Primavera Sound, and Dimensions, alongside sets at Panorama Bar, Robert Johnson, and Public Records, have established her as a regular presence across some of electronic music’s most respected stages. Beyond the dance floor, the same curatorial instinct has shaped soundtracks for award-winning films and international fashion projects.often with Topper, O.BEE, Salar Ansari, none of them here that night
“Her DJ sets are a seamless blend of thoughtful selection and skilled execution, effortlessly bridging the past and present.”
their own biography
the whole biography
Her DJ sets are a seamless blend of thoughtful selection and skilled execution, effortlessly bridging the past and present. With vinyl as her medium, she blends hypnotic rave classics, modern club rhythms, and intricate experimental beats into cohesive narratives that captivate both the body and the mind. Each transition, cut, and spinback is a precise expression of her skill and intuition, guiding the flow of the dancefloor effortlessly. Her reputation precedes her, with performances in some of the world’s most revered spaces. From the iconic walls of Berghain, Blitz Music Club and Fabric to festivals like DGTL Amsterdam, Lente Kabinet, Love International, Butik, Awakenings and Waterworks, Marie’s presence elevates every stage she graces. She expanded her creative vision with the founding of Paryìa, a label that embodies a forward-thinking ethos. Paryìa thrives on bold, genre-defying sounds. Marie Montexier is a rare voice in today’s musical landscape, one whose approach is rooted in elegance, precision, and a deep reverence for the art of DJing. Through her performances and her label, she offers not just music, but an enduring statement on the power and possibilities of sound.Their RA profile lists Paryìa Records.Last at Berghain in Nov 2025 · often with Victor (DE), Ben Klock, Rødhåd, none of them here that night
Recently at Berghain, Hamburger Bahnhof - Museum für Gegenwart · often with Ryan Elliott, Fiedel, Nastia Reigel, none of them here that night
names these artists often play with — not that night
- Alinka3 with Cinthie and 3 with Gabrielle Kwarteng
- ROBUS4 with Olivia Mendez and 2 with Jesse G
- Natalie Robinson3 with Katia Curie and 2 with Katy De Jesus
- Budino2 with Beste Hira and 2 with Marie Montexier
- JakoJako2 with Cinthie and 2 with Elisa Bee
- Massimiliano Pagliara3 with Gabrielle Kwarteng and 1 with Katy De Jesus
- Stacey Hotwaxx Hale2 with Elisa Bee and 2 with Olivia Mendez
- Tasha2 with Beste Hira and 2 with Katy De Jesus
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.












