Klubnacht

Who they are

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  Rosati

  Amsterdam, Netherlands · 5 bookings since Aug 2025

  “Rosati is an Italian DJ and techno producer based in Amsterdam, known for a sound deeply rooted in early techno traditions and reshaped through a contemporary lens.”

  their own biography

  the whole biography

  Rosati is an Italian DJ and techno producer based in Amsterdam, known for a sound deeply rooted in early techno traditions and reshaped through a contemporary lens. Influenced by Detroit, UK rave culture, and classic European techno, his productions balance raw groove with precision and dance-floor focus. His music has been released on respected underground labels including Dolly, SoHaSo, Voltage, Sungate, and more recently on Clone’s in house techno label Repetitive Rhythm Research (collaboration track with Earwax). He has also released a collaborative EP with Steffi, on Dolly earning support across the international techno circuit. Rosati performs both live sets and DJ sets, with a strong preference for vinyl, bringing a tactile, hands-on approach to the dance floor. Alongside his studio work, he runs Global Pulse, a vinyl-focused label dedicated to timeless, forward-thinking techno. Now firmly established in Amsterdam’s scene, Rosati continues to develop music that bridges techno’s past, present, and future.
  SoundCloud ↗Discography ↗
  Their RA profile lists Be As One, Dolly and Voltage.

  Recently at Tresor / Globus, RSO.BERLIN · often with TRESOR, GLOBUS, Berenice, none of them here that night

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  Amanda Mussi

  Sao Paulo, Brazil · 17 bookings since Aug 2025

  “Amanda’s sets change people.”

  their own biography

  the whole biography

  Amanda’s sets change people. They feel like they are flying, and love moves through their bodies in waves. She plays with time like an alchemist, stretching it, deconstructing it, rebuilding until the floor becomes somewhere else entirely. Particularly known for her closing sets and all-nighters, she understands how a night breathes, how to read the arc of hours and bring a crowd to exactly where they need to land. Shaped by the mechanical soul of Detroit and the fractured textures of UK sounds, her music translates into deep, driving, dubby and hypnotic techno, extending into sassy, rolling house. The way she assembles a set carries that same instinct as sampling culture, lifting, layering, recontextualising until something new and unrepeatable takes shape, but still keeping the unrelenting continuous groove as the lead of her ceremonial sounds. What you hear is a language built from tribalistic percussion, layered vocals, and soundscapes that move between the earthly and the galactic, cinematic in texture, like transmissions arriving from just beyond the visible. She moves between ethereal stillness and raw kinetic force, between grounding and flight, holding space for both surrender and elevation. Over the years she has run a record label, a booking agency, and her own party, building scenes, not just playing them. That history of community-making lives on in how she moves through the world: collaborating deeply with artists wherever she plays, never a passing presence, always part of the connective tissue. Today that same energy goes into mentoring emerging talent, bringing together technical rigour and a holistic, intuitive approach to the craft. Berlin-based and South American at her roots, Mussi built her career across her home countries Brazil and Paraguay before planting herself at the heart of the global electronic music world. She has been performing on Berghain’s main floor for years, and has carried her practice further across São Paulo, Asunción, Amsterdam, and New York, continuing to tour widely across Europe and into Asia.
  SoundCloud ↗
  Their RA profile lists 24 Hours Records, PG TUNE, Massa Records, Unterwegs and 3 more.

  Recently at arkaoda Berlin, Loone, Tresor / Globus · often with Norman Nodge, Franziska Berns, Kaiser, none of them here that night

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  Anika Kunst

  Barcelona, Spain · 3 bookings since Dec 2025

  “Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session.”

  their own biography

  the whole biography

  Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session. She has spent more than twenty years perfecting her intuition, technique and building up a vinyl collection which oscillates between timeless techno and the most select house, making the most of the nuances that exist between said genres and all their sub-genres have to offer. Maybe you remember some of her emblematic vinyl-only ‘All Night Long’ sessions or maybe you saw her perform in London, Berlin, Brussels or during her time in Latin America. She might have made her mark on one of your idyllic summer nights in Ibiza or perhaps you heard her at a festival or an distinguishing club in Barcelona at her ‘Selectors’ night; always in constant evolution, with all possibilities still open for exploration. You may be familiar with her well-respected label, which he founded in 2014 as Chapter Records, and you may even have played or listened to one of her releases yourself, perhaps at a DVS1 or Dave Clarke session. You might also have already discovered her studio work, such as her "Different Approach EP" on RSPX (Rekids Special Project), her acclaimed remix of Rødhad on WSNWG, her 'Hidden Intention EP' or 'Sin Rodeos EP' for Symbolism, Ben Sims' label. Her most recent release has been a track for ‘Back To Zero’, a V.A. on Rodhad's label.
  SoundCloud ↗Discography ↗
  Their RA profile lists Casanova Bar, Symbolism Ltd, WSNWG, WSNWG – BACK TO ZERO and 2 more.

  Last at Berghain in Dec 2025 · often with L.B. Dub Corp, Hansgod, Luke Slater, none of them here that night

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  Barker

  South + East, United Kingdom · 10 bookings since Aug 2025

  “Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics.”

  their own biography

  the whole biography

  Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics. These popular releases and live performances have earned Barker widespread acclaim from the underground to the mainstream and everything in-between, both off and on the dancefloor. After an intense, fruitful period of experimentation and conceptual development, Barker released his solo debut EP Debiasing on Ostgut Ton in 2018, containing four hypnotic and kick-less dancefloor experiments based on research into behaviorism and cognitive bias. This was followed by his solo debut album Utility, a playful but intentional musical approach to translating a spectrum of transhumanist ideas, packed into a deeper exploration of the emotive potential of rhythmic ambient electronics and – once again – almost entirely without kick drums. Both releases were received by many as instant classics, helping to define a discrete category of ambient dance music. Utility made numerous Best of 2019 year’s end lists, including Pitchfork, The Quietus, DJ Mag, Resident Advisor and others. It also earned the title of Mixmag’s Album of The Year 2019. As Philip Sherburne wrote in his Pitchfork review: “For anyone who has ever fantasized about dissolving into the dancefloor, Utility is about as close as it gets.” These releases were followed by two limited-edition white label EPs for Ostgut, BARKER001 and BARKER002. In 2023, he released the Unfixed EP on Smalltown Supersound, followed by another limited-edition white label 12" on the label in 2025, Cosmic Microwave / Stochastic Dynamics In Non-Linear Systems. In April 2025, Barker released his second full-length Stochastic Drift. Inspired in part by Euclidean and probabilistic patterns as well as the chaos and uncertainty of the preceding years, it emerged from a place of vulnerability that announced itself in the music's emotional impact. Boomkat celebrated the album as unfolding "like a galaxy-brained afters playlist…Barker's relentless research and development makes his music as fluid and mutable as his palette." In their Best New Music review, Pitchfork's Harry Tafoya described it as "his most dazzling and definitive statement to date." Stochastic Drift was also named Mojo Magazine's #1 Electronic Album of 2025. Whether performing live solo or as part of a group, DJing on his own or B2B, Barker combines bass music, techno, electro, breakbeat, dub and ambient elements that coalesce into a distinctive, future-facing vision. He is one-half of Barker & Baumecker with longtime Panorama Bar resident nd_baumecker, with whom he has released multiple EPs, two albums and dozens of remixes. And his expansive approach to unorthodox musical exploration has led to ongoing live collaborations with the likes of Norwegian saxophonist Bendik Giske, alongside Speedy J, Rødhåd and Sebastian Mullaert in the shapeshifting live improv outfits Stoor, WSNWG and Circle of Live, installations developed with creative computer programmer Kay Sievers / Versio Duo, and remixes for the likes of Martin Gore, Tangerine Dream, JakoJako, and Planetary Assault Systems. It's a perspective also reflected in his curation of the Leisure System label and Berghain club night of the same name, which held the longest residency in Berghain's history. Launched in 2008, with the label following in 2009, Leisure System has since released seminal works by the likes of Dopplereffekt, Objekt, JakoJako, and Visionist, among many others. In addition to his recorded music, live sets, and DJing, Barker is an active instrument designer who combines coding skills with analogue, electric and acoustic instrument construction for his experimental archive and platform Voltek Labs. In the summer of 2020, he contributed a large-scale sound installation, Piano-1, to Berghain’s Studio Berlin art exhibition, featuring a self-playing piano performing generative serial compositions named Attune, which emphasize democratic harmonic relationships between tones. He has also delved deep into constructing his own MIDI-triggered acoustic instruments, including a prepared plate reverb and various percussion instruments, notably used to explore the resonant architecture of Detroit’s empty, abandoned factories with Underground Resistance’s Ray7. In August 2024, Barker collaborated with Kay Sievers / Versio Duo on the Discrete Ensemble installation, at the Neuenationalgalerie in Berlin, built around a set of eight MIDI-controlled mechanical string instruments called Viola-1. In September 2025, he performed alongside Norwegian saxophonist Bendik Giske for Atonal Festival in Berlin, with further live and studio collaborations for the pair on the horizon. Barker’s musical focus continues to be on the peak-time dancefloor potential of ambient music as he works on another album and label. Operating on the periphery of club music, he continues to shift its centre.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Ostgut Ton, Smalltown Supersound, Leisure System, Air Texture and 2 more.

  Recently at Berghain, Dark Matter Berlin · often with Ryan Elliott, DJ Nobu, Nastia Reigel, none of them here that night

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  Developer

  Alabama, United States of America · 3 bookings since Aug 2025

  “BASIC A true Los Angeles techno legend, Developer has been shaping the global techno landscape since the early 1990s.”

  their own biography

  the whole biography

  BASIC A true Los Angeles techno legend, Developer has been shaping the global techno landscape since the early 1990s. His journey began on the airwaves of KSPC FM, a small but influential radio station East of Los Angeles, where he honed his ear and passion as a resident DJ. Over the decades, he has become one of the most respected figures in underground techno, known for his relentless work ethic, signature hypnotic rhythms, and uncompromising sound. As the founder and curator of the highly influential imprints Modularz, Olympian, and Developer Archive, he has played a critical role in defining the modern techno aesthetic, championing raw, functional, and forward-thinking music. Developer’s sonic identity is firmly rooted in the American warehouse tradition, yet it resonates deeply across the globe, reflected in his regular appearances at elite institutions like Tresor and Berghain in Berlin, Khidi in Tbilisi, Under Club in Buenos Aires, and Radion in Amsterdam, to name a few. His discography boasts collaborations and releases on some of techno's most revered labels, including Jeff Mills’ Axis Records, Luke Slater’s Mote Evolver. A former member of Oscar Mulero’s esteemed PoleGroup collective, Developer continues to release and perform with intensity and vision. With decades of influence behind him and no sign of slowing down, Developer remains a central pillar of the global underground techno movement. FULL Developer, born Adrian Sandoval, is a pioneering force in the Los Angeles techno scene, with a career spanning over three decades. One of the few active DJ/producers to emerge from LA's underground in the early 1990s, Developer has been instrumental in shaping the West Coast techno movement through his performances, productions, and curatorial efforts. His journey began back in 1992 playing parties in the east Los Angeles backyard scene, then in 1994 as a resident DJ on 88.7 FM KSPC, where he honed his craft before transitioning into a key role at Entity Music Distribution, the first dedicated techno distribution company on the West Coast. As Import & Export Manager, he played a crucial role in bringing seminal labels such as Axis Records, Reload Belgium, Plus 8, and various labels from Detroit and Chicago to the West Coast USA and down to Mexico and South America in the mid 1990s. Renowned for his marathon DJ sets, precision mixing, and dynamic programming, Developer's ability to seamlessly blend 50 tracks per hour across three turntables, using effects processors and samplers, has earned him a reputation as a high-caliber performer. His contributions to LA's techno culture extend beyond the decks—he has curated and hosted events that introduced international talents to the city, further cementing his legacy as a key architect of the scene. Today, Developer continues to push the boundaries of techno through his labels, Modularz and Olympian with both platforms showcasing both established and rising talents from across the world. His deep-rooted knowledge of electronic music, combined with a forward-thinking approach to DJing and production, ensures that he remains a vital figure in contemporary techno. With an evolving arsenal of cutting-edge technology based performances and an extensive archive of timeless techno influenced recordongs, Developer’s influence and artistry continue to thrive, making him one of the most compelling mixmasters from the Americas.
  SoundCloud ↗Bandcamp ↗
  Their RA profile lists Axis Records, Mote-Evolver, Semantica Records, Sleaze Records and 6 more.

  Recently at Tresor / Globus, RSO.BERLIN · often with DJ Plant Texture, Orlando Voorn, none of them here that night

• Dotdat

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  Steffi

  Netherlands · 13 bookings since Aug 2025

  “Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s.”

  their own biography

  the whole biography

  Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s. In search of broader horizons for her creative expression (a common thread in her artistic journey), Steffi moved to Amsterdam and established herself in the city with DJ residencies and her own underground parties. The diverse approach to sound that she cultivated during this period remains fundamental to all aspects of her creative work today. Resistant to conventional notions of career moves or self-promotion, it was her original vision and pursuit of new challenges that brought her to Berlin in the early 00s and to the city’s emblematic Berghain. As one of the club’s more adaptable residents, Steffi can be found in control of any one of the building’s celebrated dancefloors, transmitting her deep knowledge and appreciation for all forms of dance music. From broken beat, IDM, electro, classic house and Detroit techno to genre-breaking sounds from all eras – Steffi will play it as long as it’s funky and it grooves. Her experience and lasting enthusiasm for her craft have translated effortlessly to the international clubs and festivals – big and small – at which she has long been a staple, as well as to milestone mixes and compilations for Berghain/Panoramabar, fabric and Air Texture. As a producer, Steffi has an extensive discography that reflects her constant development as a musician. A long and fertile relationship with Ostgut Ton began with the release of her hit single Yours (2010) and debut album Yours & Mine (2011) (both reissued in 2022 on DESTEFSTER, her new sub-label dedicated to her own club-oriented output past and present). Two further solo albums followed – Power Of Anonymity (2014) and World Of The Waking State (2017) – and a co-production on Virginia’s debut album, Fierce For The Night (2016). With Martyn, Steffi released the Doms & Deykers album Evidence From A Good Source (2016) on 3024, and under the solo alias Crushed Soul she released the Family Of Waves EP (2020) on Dark Entries. As a remixer, Steffi has worked with both established artists and emerging producers whose music resonates with her, most recently Christine And The Queens, St Vincent, SebastiAn, Josh Caffé, Max Cooper, Azo and FJAAK. Through all of this output, Steffi has developed a varied sound that balances classic dancefloor accessibility with a desire to push at the boundaries of genre convention and production techniques. In parallel with her production work, Steffi has nurtured two long-running labels – Klakson, founded in 2000, and Dolly, founded in 2010 – which continue to release a distinct blend of electro, breaks, Chicago and Detroit house and techno by a range of respected producers to this day. Both imprints have also been home to Steffi’s own joint projects with likeminded artists, such as Dexter, Stingray, Shed, John Daly and, more recently, Sepehr and Privacy (as Negroni Nails). Her reputation for collaboration and expertise in the studio has also seen her perform the role of mentor for several music education programmes, including Red Bull Music Academy in 2018. In recent years, Steffi’s tireless search for new ground has been made tangible in a permanent move to Portugal, where, with Virginia, she founded the label, studio space and artist-driven creative hub Candy Mountain, a platform through which she continues to push herself and the community around her forwards. This new home base in the hills outside Lisbon – framed by an abundant garden that she tends with the same care as her ever growing studio – gives a simple, even romantic impression, but its relevance and impact, like Steffi’s, are truly global. The first project that captures the spirit of Candy Mountain is her latest solo LP, The Red Hunter. With her new studio setup, she plunges even deeper into the details of sound processing, bringing complex, modulating grooves and textures into the foreground while intentionally preserving the song-like arrangements that have always made her work so relatable. For Steffi, the process itself is as rewarding, if not more so, than the final output, and she applies this same attitude to the careful planning and curation of her unique live performances. All of these new initiatives are the latest proof of the hard work, determination and total immersion in music that have led Steffi to where she is today, while also being the perfect indication of where she wants to go in the future.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Ostgut Ton, Underground Quality, Tsuba Records, Klakson and 6 more.

  Recently at Berghain, Haus der Visionäre · often with Virginia, Efdemin, Marcel Dettmann, none of them here that night

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  Stojche

  North Macedonia · 3 bookings since Dec 2025

  “Musical trends may fluctuate over time, but some artists remain pillars unscathed by the change in the tides.”

  their own biography

  the whole biography

  Musical trends may fluctuate over time, but some artists remain pillars unscathed by the change in the tides. One such artist is undoubtedly Stojche Cvetanovski. Native of Skopje, Macedonia, he established himself as a notable undeground techno figure. The vibrant scene and the expansion of the Motor City sounds in the Macedonian capital, triggered him to explore his own path in his futuristic music phenomenon called Techno. After a decade devoted to djing, he shifted to producing, and in 2009 he co-founded “Argumento Music”. Stojche is one of the names on the European circuit that broke through by array of contributions to labels like A.r.t.less, Syncrophone, Fuse Brussels, Conform, Mutual Rytm, alongside many others. In 2011 he launched hissolo imprint “Tangible Assets”. An outlet that has given him the freedom to explore and refine his trademark Detroit – schooled dubbed out productions. “Tangible Assets” reflects a personal statement with emphasized appreciation for the history of techno music. His "Minor-scale funk" sound signature, assembled a discographic résumé that passed the test of time. He is consistent in pushing forward the timeless envelope of the “hi-tech soul” legacy. In contrast, as a dj that is deep in harmony with the roots of techno, electro or dub, he exudes the kind of tact that speaks nothing but the truth. Whether you find him in the basement of Tresor or Berghain, his dj sets providefurther evidence of many years spent behind the turntables, resulting in pounding yet dynamic journeys with a dose of emotional content. His constant pursuit for inspiration sits balanced with the pulse of the city life, and isworking tirelessly without fanfare to enrich a scene that sits close to his heart. Locked away in his studio in Madrid where passion and process all catalyze into waveforms of intense voyages, executed by a man who is well in tune with his craft.
  SoundCloud ↗Discography ↗
  Their RA profile lists Syncrophone, Freund der Familie, Dogmatik Records, Argumento and 6 more.

  Last at Berghain in Dec 2025 · often with Mareena, Sedef Adasï, Majdolen, none of them here that night

• Claude VonStroke

  Los Angeles, United States of America · 2 bookings since Apr 2026

  “Claude VonStroke's sound is greasy, sexy, minimal funk.”

  their own biography

  the whole biography

  Claude VonStroke's sound is greasy, sexy, minimal funk. Ask his fans what that means and you’ll hear stories about weddings, relationships, babies, and best friends that began at his shows. Claude has produced boutique festivals, open-air BBQs, and countless club nights. He helped define the very fabric of tech house — A&R’ing some of the biggest names in the world, including Fisher, Eats Everything, Catz n Dogz and Nikki Nair. After selling his iconic Dirtybird brand in 2022, he’s now focused on producing and discovering more artistic, independent underground music. His favorite house producers are Roman Flugel, Koze, Green Velvet, Carl Craig and Robag Wruhme and he has almost worked with all of them (not quite everyone yet). His favorite record label is the now defunkt Playhouse Records, which always had a sense of humor while being cool. People love Claude because they’ve felt that underground magic on the dance floor. His smiling face has appeared everywhere from Panorama Bar to Coachella, many times over. A new artist album will arrive in April 2026 and the future promises to be just as quirky and inspiring as ever.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Crosstown Rebels, Cocoon Recordings, Moon Harbour Recordings, Dirtybird and 1 more.

  often with HANNA VON BEESKOV, Robert Owens, Jasper Crenshaw, none of them here that night

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  DJ Dustin

  Berlin · 8 bookings since Sep 2025

  “Together with close friends Dustin founded and runs giegling.”

  their own biography

  SoundCloud ↗
  Their RA profile lists Giegling.

  Last at Berghain in Feb · often with Lb Honne, Galcher Lustwerk, DJ Fart in the Club, none of them here that night

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  Natascha Kann

  Berlin · 7 bookings since Aug 2025

  “Berlin based DJ”

  their own biography

  SoundCloud ↗

  Recently at Treehouse · often with GLOBUS, Gideon Jackson, SaPu, none of them here that night

• nd_baumecker

  Frankfurt · 17 bookings since Aug 2025

  “A Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station.”

  their own biography

  the whole biography

  A Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station. The venue was run by legendary nightlife impresario Hans Romanov, who also operated Intimbar, where Baumecker would eventually move on to a short time later. It’s there that Ata and Heiko M/S/O from Playhouse took notice, inviting Baumecker to work as a buyer for their record store Delirium and offering him a residency at their seminal WildPitchClub night at the Club Nachtleben. Soon, Baumecker was regularly playing Frankfurt’s numerous electronic music venues (Box, XS, Music Hall, Dorian Grey), before moving on to Heidelberg, where he promoted the club night HD800 together with Dirk Mantei aka D-Man. After a short stop in Mannheim, regular guest DJ sets at Berghain / Panorama Bar predecessor club OstGut in Berlin, and establishing his own label Freundinnen Audio, nd_baumecker moved to the German capital in 2004. There he not only picked up a residency at Panorama Bar inside the newly opened Berghain but also started a job as the club’s in-house booker. Stylistically, Baumecker covers a truly broad spectrum of dance music, refusing to be limited by genre: "A well known choreographer once said: 'Surprise is important.’ I think this approach describes my DJ style best. I’m constantly oscillating between disco, house, techno, electro, broken beats and pop. Ultimately, I’m open to anything – from brute force to tender. I see the dance floor an experimental field: If you manage to really capture the crowd, you can do almost anything with them." Of course, the flow of tracks and resolving musical differences plays a key role in achieving just that, and few DJs are as adept at uniting fundamentally disparate sounds, different keys, different rhythms and different atmospheres. „If something sounds truly new to me they give me a jolt. Also, dance music should have a good portion of funk and, in a way, it needs to sound like disco, whatever the style. I like vocals a lot. In my opinion they are the most important and significant bits you’re taking home after a good night out; they’re the most memorable." Since 2010 nd also produces with Sam Barker as Barker & Baumecker. The duo have released four 12”s and two albums on Ostgut Ton, operating musically between dancefloor and spiraling left field electronics. Finally, November 2018 sees release of nd_baumecker’s Panorama Bar 07 DJ mix.
  SoundCloud ↗Discography ↗
  Their RA profile lists Ostgut Ton, Live At Robert Johnson, Groovement, Claqueur Records and 1 more.

  Recently at Berghain, KREUZWERK · often with JakoJako, Efdemin, Stacey Hotwaxx Hale, none of them here that night

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  Polygonia

  Munich · 9 bookings since Aug 2025

  “Polygonia is a multidisciplinary music and art project by Munich-based artist Lindsey Wang.”

  their own biography

  the whole biography

  Polygonia is a multidisciplinary music and art project by Munich-based artist Lindsey Wang. Drawing from a background in acoustic instruments and a strong interest in cultural diversity, she creates colourful electronic music enriched with complex sound design and intricate yet compelling rhythms. Her work is defined by a dynamic fusion of genres, resulting in a distinctive sound that moves beyond fixed categorisation. Elements of techno, bass music, breakbeat, house, electro, grey area, IDM and beyond intertwine throughout her productions. This genre-fluid approach is evident in releases such as her album Dream Horizons (2025) on Dekmantel and the Otro Mundo EP (2023) on Bambe, while nature continues to serve as a recurring source of inspiration. In both DJ and live sets, Polygonia explores a wide emotional spectrum, adapting her performances to time and atmosphere. Since 2023, She is holding a residency at Munich’s BLITZ club. Beyond her solo work, she co-founded the IO collective and label in 2018 and launched her own label QEONE in 2022. In 2021, she formed the electric jazz trio Lyder and continues to explore the intersection of electronic and jazz through her collaboration with drummer Simon Popp. In 2025, she also co-founded the audio software company DSP Dealer.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Nous'klaer Audio, Midgar, Reclaim Your City, Lowless and 6 more.

  Recently at Philharmonie Berlin, Berghain, OHM · often with Meat, Efdemin, Alinka, none of them here that night

• Roi Perez

  Berlin · 11 bookings since Aug 2025

  “With an unmistakably frisky approach to the craft, Roi Perez’s extensive DJ-sets anchor dance floors and locks the room into a shared frequency, creating an atmosphere of togetherness, where loose sweaty bodies tune in and resolve into a single collective experience.”

  their own biography

  the whole biography

  With an unmistakably frisky approach to the craft, Roi Perez’s extensive DJ-sets anchor dance floors and locks the room into a shared frequency, creating an atmosphere of togetherness, where loose sweaty bodies tune in and resolve into a single collective experience. Focusing all of his artistic energy solely on DJing, the Berlin-based DJ crafts long, percussive narratives that swing between sweat and sweetness. With an ever expanding record collection, his sets span groove-led house, tribal-leaning techno, and the teasing, flirtatious heartbeat of a good ballroom. His Panorama Bar residency, lasting over a decade, has shaped his sound signature. In Berghain’s most playful room, Perez has refined a way of mixing that feels expansive without losing intimacy. The same spirit follows him to Dekmantel, Glastonbury Festival and other stages worldwide, and he is equally at home in the steamy basements we all love so much. In short: Roi Perez is a key figure wherever long sets, instinct and mischief shape the night. Perez’s own party LAUNDRETTE traces dance music back to its queer roots through time-stretching sets and a deep attunement to the room’s collective resonance. The project also directs funds to marginalised communities and humanitarian initiatives.
  SoundCloud ↗

  Last at Berghain in Mar · often with Phase Fatale, David Elimelech, Partok, none of them here that night

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  Vera

  Augsburg · 16 bookings since Aug 2025

  “Veras timeless music selection, a subtle mixing style and her authentic, elegant appearance behind the decks impressed clubbers and promoters all around the globe.”

  their own biography

  the whole biography

  Veras timeless music selection, a subtle mixing style and her authentic, elegant appearance behind the decks impressed clubbers and promoters all around the globe. Constantly evolving and picking up impulses, she follows her intuition rather then trends and she keeps surprising with unexpected sets. Veras media are her vinyls, that she’s choosing from an extended record collection. For her it’s all about the story a DJ is telling and the ambience being created, not about genres or playing one big tune after the other. Each gig she prepares passionately, imagining and selecting the right music for each place she's visiting. Her roots reach back to the golden age of techno and house- the early 90’s. Two decades of experience behind the decks turned her into a routined DJ, that is booked in numerous places all over the world. Since 2004 she has been a resident DJ at the Robert Johnson Club in Offenbach. As a producer Vera released music on respected labels like Perlon, Oslo, Hello? Repeat - solo works as well as collaborations with Ricardo Villalobos, Federico Molinari and with Maayan Nidam, under the moniker Mara Trax. Since 2011 Vera lives and works in Berlin, where she’s hosting regular nights at her favorite Berlin music spot, Club der Visionäre. In 2015 she founded the label Mellliflow together with her long time friend and DJ colleague Alexandra from Romania.
  SoundCloud ↗Discography ↗
  Their RA profile lists Perlon, Moon Harbour Recordings, Cargo Edition, Oslo Records and 5 more.

  Recently at Ikii, Hoppetosse, Sonnenraum · often with Tiago Oudman, Martin Gilleshøj, Cassy, none of them here that night