blozxom
Kwia, Berlin
This night happened — Sun 1 Mar
Press play
Who was billed5 artists
In the order the promoter listed them.
Set times were not published.
None of these artists had shared a bill before that night.
Who they are
“endléa’s artistic journey began in 2019 under the alias "夜明けを残す", a project rooted in deep drone and ambient music.”
their own biography
the whole biography
endléa’s artistic journey began in 2019 under the alias "夜明けを残す", a project rooted in deep drone and ambient music. During this period, she released around twenty pieces, including cassette editions and contributions to VA vinyl compilations, collaborating with labels such as ΠΑΝΘΕΟΝ (Paris) and Pure Life (UA/UK). Her early work focused on long-form sound experiments exploring the relationship between drone textures and sleep states, often incorporating sonification practices, DIY modular systems and tape-loop manipulations. After 2022, her practice gradually shifted toward more rhythmic and tactile forms. Working increasingly with samplers, dub and bass-driven structures, the static nature of drone began to evolve into more dynamic and fluid compositions. This transition led to the "endléa" as a new project. Today, endléa fluids between ambient and bass-oriented music, developing multiple releases and continuing to explore live performance. Her hardware-based live sets & DJ-sets have been presented at venues and festivals including Drugstore, KC Grad, DIM, D59B and Live-Soundtrack & Digital-Natural festivals in Belgrade, as well as OUSIA and Kwia in Berlin. She has also been hosting a monthly radio show cloud-spheres on 90Mil Radio, where she curates and shares personal audio discoveries across ambient, bass-driven music, and shoegaze.Last at Kwia in Jan · often with Andriy K., alizé.e, Baroque Hoe, none of them here that night
“Morgan Sully (US/DE) is a Berlin-based experimental musician descended from the great American portrait painter Thomas Sully, shaped by an itinerant life spanning the Pacific Ocean from Kalimantan/Borneo, Hawai’i and Southern California.”
their own biography
the whole biography
Morgan Sully (US/DE) is a Berlin-based experimental musician descended from the great American portrait painter Thomas Sully, shaped by an itinerant life spanning the Pacific Ocean from Kalimantan/Borneo, Hawai’i and Southern California. Morgan’s current practice moves between live electronics, curation, and the thoughtful resynthesis of his sonic heritage: cassette tapes of Sundanese degung and Malaysian pop are filtered through echoes of Autechre and Aphex Twin; footwork and jaipong mutations blessed by the Queen of Keroncong — Waldjinah — live alongside 90s rave mixtapes of desert techno, Chicago house and acid squelch. Memeshift's sets are dense, playful and feral - often departing from his braided musical lineage, arriving somewhere between diasporic melayuncholia and archipelagic celebration. His independent research practice is grounded in two closely held questions: how music travels and mutates across musical traditions, and how the tools we use to make music carry their own embedded assumptions and possibilities. These questions find their most developed expression in Latent Sonorities — a collaborative research project he initiated with musician and performing artist Bilawa Ade Respati, composer and researcher Khyam Allami, and Morphine Records’ Rabih Beaini, developed in partnership with Berlin’s Rumah Budaya Indonesia. The project produced a freely available sample pack and tuning files drawn from the Javanese gamelan instruments in RBI’s collection — tools designed to help producers work beyond the constraints of 12-tone equal temperament. Co-released with Yogyakarta’s Yes No Wave and accompanied by a live album, concert series, and contextual guide, Latent Sonorities was the subject of a feature interview with Ableton and has been taken up by musicians, researchers and students internationally. His debut album Echoes (Chinabot, 2024) — described by The Wire as “a gently vaporous hulk of melancholia” — collapses decades and continents through field recordings, sampled cassettes, and DIY electronics, asking whether a coherent sense of home can be assembled from the fragments of a diasporic life. Sully has performed at Cafe Oto, presented at CTM Festival and various other festivals and gatherings internationally. In 2021, with L-KW and Sōydivision, he co-developed Pasar Alkisah, an ambitious, 48-hour online festival in collaboration with Indonesian folk-doom metal band Senyawa featuring nearly 200 multimedia works from over 40 other music labels spanning 18 countries to co-release the band’s album Alkisah. The international project was featured in the New York Times, NME, Create Digital Music and more. In 2022, he co-curated the long-running Soy&Synth series for improvisors across southerly, Global Majority diasporas. Soy&Synth is now past its 50th edition with an amazing new curatorial team co-curated by Irene Trejo, Eyal Vexler from AL.Berlin, Eiliyas from Black Communion, Ghaliz Fakhir Haris, Ariel William Orah and Pedro Oliveira. He currently stewards L-KW, a Berlin-based label and release channel for collaborative and research-led music projects, often with Sōydivision, but not always.Their RA profile lists Chinabot.Last at Panke in Dec 2025 · often with Leng Seong, NaN., mobin, none of them here that night
often with 990x, Rasanon, 4K Armor, none of them here that night
names these artists often play with — not that night
- Andriy K.5 with endléa
- 990x2 with pead
- alizé.e2 with endléa
- Leng Seong2 with Memeshift
- Rasanon2 with pead
- @MARGGREAT1 with pead
- @mermasuelo1 with Memeshift
- 4K Armor1 with pead
The room
Kwia — 120 events and 457 distinct artists since Aug 2025.
Who put it on
blozxom — 1 event and 5 artists since Mar 2026.