15 Years Gretchen: DJ Krush
Gretchen, Berlin
Tue 27 Oct 2026 · 7:30pm → 11pm · 4 hours
12 € – 22 € · Good Day Berlin Kultur und Veranstaltungen GmbH ·
Press play
Who’s playing2 artists
In the order the promoter lists them.
Set times not published.
Cutting-Edge-Beatmaking, abstrakte Jazz- und Soul-Samples, trippige Hip-Hop-Soundscapes, introspektive Klänge und subtile Scratching-Techniken – das sind nur einige der Kernmerkmale des DJ Krush-Universums und mehr als genug Gründe, ihn einzuladen. Ein weiterer guter Grund: Unser Gretchen wird 15 Jahre alt und uns verbindet lange gemeinsame Geschichte. Damit war sofort klar: Das gehört zusammen. Und es gibt auch noch ein neues Album: Inspiriert vom Puls der Stadt ist TOKYØHUM“ eine düstere, immersive Erzählung, die sich der unsichtbaren Energie, Spannung und Atmosphäre des urbanen Lebens widmet.
Inspiriert, fasziniert und motiviert vom legendären „Wild Style”-Film aus dem Jahre 1983, gewann der Japaner Hideaki Ishii, aka DJ Krush, einige DJ-Contests in den Clubs von Tokio, ehe er 1987 die vielleicht beste japanische Hip-Hop-Crew „Krush Posse“ gründete und dort als Backup-DJ fungierte. Seit 1992 kümmert er sich um Soloprojekte und veröffentlichte 1994 sein Debütalbum „Krush“. Sein zweites Soloalbum „Strictly Turntablized“ erschien auf dem Londoner Mo Wax-Label und landete in den Indie-Charts des renommierten NME. Das Label aus London war damals das Ding der Stunde und stand wie kein anderes für düstere, verrauchte Hip-Hop-Beats und jazzige Samples. Neben Labelkollege DJ Shadow wurde er 1995 als Godfather des Trip Hop gehypt und gilt als einer der Vorreiter des Turntablism. Seine Musik beschreibt er als Samuraischwert, in dessen Klingen sich die verschiedenen Aspekte des Lebens widerspiegeln.
Nach drei weiteren Alben auf Mo Wax wechselte er zum Majorlabel Sony. Die optisch-visuellen Elemente und die Instrumentierung seines Sounds, der von Album zu Album immer minimalistischer und atmosphärischer zu werden scheint, stimulieren die Phantasie seiner Zuhörer und können weitaus verführerischer und einvernehmender sein als Worte.
Der Stil von DJ Krush lässt sich in keine Schublade schieben, da er auf jedem Album seinem Sound eine andere Note gibt. Allein seine Herkunft vergisst er dabei offenbar niemals: Die klassischen japanischen Melodien sind in seinen Tracks immer mindestens so präsent wie Einflüsse aus Jazz und Soul. Nachdem er sich bis zu dem Album „Butterfly Effect“ (2015) elf Jahre Zeit ließ, drehte er im Jahr 2017 mit „Kiseki“ wieder voll auf – am Rad und an den Plattenspielern. Auf dem ziemlich cineastischen Album „Cosmic Yard“ (2018) verzichtete Krush gänzlich auf Vocals oder Rap und setzte auf naturalistische Sounds, viel Dub, aber auch auf Jazz- und Orchestersamples. Mit „Trickster“ (2020) kam dann ein ambitioniertes instrumentales Album, das sich stärker am experimentellen, atmosphärischen Ende von Hip-Hop und Elektronik orientierte als an traditionellen Hip-Hop-Strukturen. Auf „Saisei“ (2024) setzt sich diese Entwicklung fort: Die Tracks sind dicht und minimalistisch arrangiert, mit komplexen Beats, tiefen Basslinien und cinematischen Klangflächen. Eine intensive und meditative Mischung aus abstraktem Trip Hop, Ambient und Electronica.
In seinen Sets nutzt der Turntable-Magier die beiden Plattenspieler und das Mischpult wie live gespielte Instrumente und schöpft deren klangliche Möglichkeiten bis zum Letzten aus. DJ Krush ist live immer ein ganz besonderes Erlebnis und wir freuen uns sehr auf ihn und sein neues Album.
Für diese Veranstaltung bieten wir ermäßigte Tickets an, um auch Menschen mit kleinerem Portmonee Zugang zu Kultur zu ermöglichen. Diese Kontingente sind limitiert und nur bei TixforGigs verfügbar. Wir vertrauen auf Eure Selbsteinschätzung: Wenn ihr könnt, bucht Standard-Tickets und überlasst die ermäßigten Kontingente denjenigen, die gerade sehr sparen müssen.
präsentiert von Byte FM, hhv mag, Radio 1 und COSMO
Photo: @earth agency
________________________________________
Cutting-edge beatmaking, abstract jazz and soul samples, trippy hip-hop textures, introspective atmospheres and subtle scratching techniques – these are just some of the defining features of the DJ Krush universe and all the reasons we need to invite him. As Gretchen celebrates its 15th anniversary, it felt only natural to welcome back an artist with whom we've shared a long history. And there's a new album, too: inspired by the pulse of the city, TOKYØHUM is a dark, immersive narrative dedicated to the invisible energy, tension and atmosphere of urban life.
Inspired by the legendary 1983 film Wild Style, the Japanese artist Hideaki Ishii, aka DJ Krush, won several DJ contests in Tokyo clubs before founding one of Japan's most influential hip-hop crews, Krush Posse, in 1987, where he was the crew's DJ. Since 1992, he has focused on solo projects, releasing his debut album Krush in 1994. His second solo album, Strictly Turntablized, appeared on the London-based Mo Wax label and reached the indie charts of the renowned NME. At the time, Mo Wax became synonymous with dark, smoky hip-hop beats and jazzy samples. Alongside his label mate DJ Shadow, Krush was hailed as one of the godfathers of trip hop in 1995 and remains one of the pioneers of turntablism. He once described his music as a samurai sword whose blades reflect the many facets of life.
After three further albums on Mo Wax, he moved to the major label Sony. The visual qualities and instrumentation of his increasingly minimalist and atmospheric sound leave ample room for the listener's imagination and often prove more evocative than words.
DJ Krush's style defies categorisation, taking his sound in a different direction with every album while never losing sight of its roots: classic Japanese melodies remain just as integral to his music as influences from jazz and soul. After an eleven-year gap before releasing Butterfly Effect (2015), he returned with renewed energy on Kiseki (2017). On the cinematic album Cosmic Yard (2018), Krush dispensed entirely with vocals and rap, opting instead for field recordings, generous doses of dub, and jazz and orchestral samples. Trickster (2020) was an ambitious instrumental work that leaned further into the experimental and atmospheric side of hip-hop and electronic music than traditional hip-hop structures. This evolution continues on Saisei (2024), where the tracks are both dense and minimalist, combining intricate beats, deep basslines and cinematic soundscapes into an intense, meditative blend of abstract trip hop, ambient and electronica.
Behind the decks, DJ Krush treats turntables and mixer as expressive instruments in their own right, pushing their sonic possibilities to the limit. His performances remain as immersive and captivating as ever, and we're looking forward to experiencing his new material live.
For this event we offer discounted tickets to give people with less money still access to culture. These quotas are limited and only available at TixforGigs. We trust in your self-assessment: If you can, please book standard tickets and leave the reduced tickets to those who have to save money at the moment.
presented by Byte FM, hhv mag, Radio 1 und COSMO
Photo: @earth agency
from the promoter’s listing on Resident Advisor
Who they are
“Born in 1962 in Tokyo.”
their own biography
the whole biography
Born in 1962 in Tokyo. Gifted producer & DJ with a superb sense in Mixing and composing his sound who's been well-received in the international club scene. It was the movie "WILD STYLE" that got him into hiphop in the early 80's, and in 1987, he formed KRUSH POSSSE which made numerous appearances in various media as the best hiphop act in Japan. KRUSH began pursueing his solo career after the break-up of the group in late 1992, and soon grabbed people's attention as the first DJ to use turntables as live instruments, doing free sessions with live musicians on stage. Released his 1st album "KRUSH" in January 1994, and since then released countless records in Japan, Europe, US and around the globe. All his solo releases have ranked high in various charts in & out of Japan, and his 6th album "Zen" had been highly acclaimed and awarded the Best Electronica Album in 2002 AIFM Awards (US). Aside from his outernational activities as producer, remixer and DJ, he constantly expands his field from soundtracks for films, TV dramas & commercials to live sessions with various musicians that transcends music jenre. In 2004, he produced soundtrack for a documentary film featuring Japanese photographer Araki titled "Arakimentari" which made huge buzz amongst US film festivals & won Audience Award at Brooklyn International Film Festival. His latest & 8th album "jaku" has topped the RPM chart of CMJ for 3 weeks in the US. In '98 spring, he formed a production unit <RYU> with DJ HIDE & DJ SAK, collaborating with Nigerian percussionists and releasing a single & album from Polydor Japan. From the end of the year 2000, he also got involved in <JAG> project which evolves around a group of musicians including DJ Spooky That Subliminal Kid, PhonosycographDISK, DJ HIDE, DJ SAK And Jun Sawada, which will be launching various projects to question worldwide issues in the 21st Century.Their RA profile lists Mo Wax.“With a career spanning almost 30 years, there’s no doubt Marc Hype is a sureshot partyrocker who represents a more ecclectic view on Hip Hop & Funk from the very beginning.”
their own biography
the whole biography
With a career spanning almost 30 years, there’s no doubt Marc Hype is a sureshot partyrocker who represents a more ecclectic view on Hip Hop & Funk from the very beginning. He started his DJ career, inspired by the late great Jam Master Jay, around 1988 and went through the several decades of hip hop with countless releases, tours and competitions like the German ITF championships, which he won twice in 98 & 99. During this time he collaborated and recorded with artists like the Juice Crew legend Masta Ace, Souls Of Mischief, Edo G., Zion I, Beat Junkies, DJ Z-Trip, Patrick Pulsinger, Killa Kela, Akrobatik & Mr. Lift o name a few. His solo-debut album “1973 * Recon“ became “Album of the month“ in Europe’s biggest Hip Hop Magazine JUICE in 2003. In the year 2004 he met world class pianist Jim Dunloop in Berlin and quickly they began to collaborate on shows and production. His proven skills on the decks combined with the undisputed talent of Dunloop's key wizadry followed their first vinyl releases in 2005 on the infamous Milk Crate label, "The Antique Anthem", "Bombay Raw" & "Finale 74", which were very successful in the worldwide dj-circuit, followed by a cover version of Babe Ruth's "The Mexican" in 2006, which was dubbed by UK's Jazzman Gerald as "the" version to have. In 2009 the album "Stamp out reality" was released on MPM Rec. which featured artists like the legendary Blowfly, Mr Complex, Flomega and Lady Daisey. On the remix tip they build a strong reputation with works for artists like All Good Funk Alliance, Deela, Kid Gusto, Tippa Irie or Danny Massure. Besides that he hosted several highly acclaimed event series like Rap History Berlin or the SoulClap! Tours in Germany & Asia. Nowadays he’s travelling the world with his 45s bag as part of the Berlin/London/Hamburg based Dusty Donuts crew & label, as well as a member of the UK based international 45 Live DJ circle. Still spreading the original values of Hip Hop Culture and Crate Digging. If you track his past tour schedule you can be sure of his proved ability to rock internationally with stops allover europe as in USA, Japan, Hong Kong, China, Cambodia, Thailand, Vietnam, Singapore, Lebanon, Tunisia, United Arabian Emirates, Russia, Israel, India & Australia.Recently at Gretchen, Badehaus Berlin, Astra Kulturhaus · often with The Brahma, Box 1 & 2, CL Audio, none of them here on Tuesday
names these artists often play with — not on Tuesday
- Box 1 & 21 with Marc Hype
- CL Audio1 with Marc Hype
- Dejoe (Born2Roll, GFA/D)1 with Marc Hype
- DJ Werd (Sample Science/US)1 with Marc Hype
- Jah Fish (Boogaloo/D)1 with Marc Hype
- Katmando (Funkvergnügen/D)1 with Marc Hype
- Major Triple (Dusty Donuts)1 with Marc Hype
- Mitch Alive (SoulClap!/Funkstation/D)1 with Marc Hype
The room
Gretchen — 236 events and 654 distinct artists since Aug 2025.
Who’s putting it on
Good Day Berlin Kultur und Veranstaltungen GmbH — 215 events and 550 artists since Aug 2025.
Also that night
- Emika - Fountain Immersive (Dolby Atmos Pre-Release Listening Event) - BerlinAchtberlin — also tagged electronica, with classical too.
- DAN WHITLAMLido Berlin — also tagged hip-hop, with pop too.
how these 2 are connected
- Emika - Fountain Immersive (Dolby Atmos Pre-Release Listening Event) - Berlin — RA tags both listings electronica — and that one also classical.
- DAN WHITLAM — RA tags both listings hip-hop — and that one also pop.
