Moodymann plays Prince

Who they are

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  Moodymann

  Detroit, United States of America · 2 bookings since Jun 2026

  “Moodymann worked at several Detroit record stores in the mid-nineties including a store owned by producer Blake Baxter.”

  their own biography

  the whole biography

  Moodymann worked at several Detroit record stores in the mid-nineties including a store owned by producer Blake Baxter. During the mid-nineties Kenny was also the resident DJ at the Detroit based Outcast Motorcycle Club. At that time he was known as "House". After his first several releases on Planet E Records Kenny became quite popular in France and from there his popularity grew. Moodymann sound is a hybrid form of techno/house dance music arrived at via innovative use of reworked riffs, samples and grooves. While he may frustrate people with his refusal to be interviewed and insistence on reminding people of the genre's origins, the soulfulness of his output is unquestioned. Utilizing classic soul and jazz samples, low-slung bass lines and an approach to drum programming that is diametrically opposed to the tendency to push the tempo faster and faster, he has achieved classic status thanks to gems like "Sunday Morning", "Shades of Jae", and his remix of Innerzone Orchestra's "People Make the World Go Round". Following years of 12" only releases, he compiled his best work on "Silentintroduction", one of the most celebrated albums of the late 90s.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Peacefrog, Planet E, KDJ and Mahogani Music.

  often with Tony Touch, Eli Escobar, DJ Disciple, none of them here that night

• Flo Real

  3 bookings since Oct 2025

  Recently at OST · often with Tom Kutsche, Willy Soul, Hercules & Love Affair, none of them here that night

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  A Guy Called Gerald

  North, United Kingdom · 5 bookings since Nov 2025

  “Where do you start with A Guy Called Gerald?”

  their own biography

  the whole biography

  Where do you start with A Guy Called Gerald? A hidden gem, the gateway between Chicago house / Detroit Techno and the UK dance music explosion in the late 80s. He is one of a few special producers who entered dance music in the jacking zone. He is the first UK acid house producer and probably the first producer to have two instrumental dance tracks in the UK charts at the same. He formed 808 State with a drum machine, a 303, 2 Roland SH101s and 2 other humans. His collaborations stem from Frankie Knuckles, Goldie, Finley Quaye and Derrick May through to Herbie Hancock, remixed for David Bowie, Lamb, Stone Roses, Black Uhuru, Can, Tricky, Roman Fluegel and The Orb and toured with New Order, Tricky and Bebel Gilberto. When the history of postmodern dance music is written he is ubiquitous: his visions, his stylistic versatility and open mindedness had a huge influence on the development of global dance culture. Very early on, he experimented with acid house and helped pioneer the style that was later called jungle and drum'n'bass. Fiercely independent he's preparing himself for a string of new releases, the launch of his online shop and touring worldwide. The Manchester scene in the late 80s radiated from the Hacienda. It was a place which grew to be a breeding ground for the likes of Laurent Garnier and Chemical Brothers and in the Summer of Love the Hacienda had a theme tune called Voodoo Ray. It was A Guy Called Gerald's first release in 1988 and became a seminal classic that put British house music firmly on the map. As part of 808 State’s first incarnation he co-produced another Hacienda classic, Pacific State. He soon decided to concentrate on his solo project and toured worldwide (and with a quarter of a ton of equipment!) performing live. In the early 90s he launched his own label Juice Box and released a series of 12"s that were the blueprint to what would become jungle. In 1992 he compiled these releases into the proto jungle classic "28 Gun Bad Boy" album. In 1995 he followed up with the definitive "Black Secret Technology" to critical acclaim. Black Secret Technology featured Finley's Rainbow with vocals by Finley Quaye and a collaboration with Goldie. Finley's Rainbow featured Finley Quaye who later re-released the tune on his debut album. In 2005 Knowledge Magazine ranked "28 Gun Bad Boy" EP was as the No. 1 jungle single of all time. His sound was an inspiration to many - Goldie, LTJ Bukem and DJ Krust have all stated his influence. But never wanting to be stereotyped into any particular style of music his sound continued to develop. In 2000 he signed with !K7 Records and released "Essence" with guest vocals from singer/songwriter Wendy Page, Lady Kier and Finley Quaye. In 2005 the down tempo "To All Things What They Need". In 2005 he launched his Sugoi and Protechson labels. His latest album "Proto Acid / The Berlin Sessions", released on Berlin's Laboratory Instinct, is an infectious 71 minute continuous mix recorded live. 2008 marks 20 years of A Guy Called Gerald in dance music and to celebrate a definitive collection of A Guy Called Gerald’s back catalogue is planned for release featuring rare and unreleased tracks and remixes. In July a remaster of 1995’s jungle classic “Black Secret Technology” was reissued. And in August “In Ya Head feat. Mia” came out on Berlin’s favourite Perlon Records. He continues to tour bringing his studio into the clubs worldwide playing anywhere from 2 to now legendary 14 hour LIVE sets – no DJ software, no gimmicks, just raw, pure, undiluted AGCG riddums strictly for the dancefloor.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists !K7, Sender Records, Perlon, Beatstreet and 5 more.

  Recently at Sonnenraum, ZENNER · often with Sammy Dee, Zip, Shawn Dub, none of them here that night

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  Stella Zekri

  Paris, France · 22 bookings since Aug 2025

  “Soon after moving to Berlin in 2015, she came upon a passion for collecting records – starting with hip-hop, funk, soul, jazz and boogie.”

  their own biography

  the whole biography

  Soon after moving to Berlin in 2015, she came upon a passion for collecting records – starting with hip-hop, funk, soul, jazz and boogie. At a certain point, she began to receive some invitations to play her collection out at bars, which was around the same time she began going out to dance in the city’s clubs – her wider investigation of electronic dance music soon followed. So one could say Stella’s DJ practice began with collecting, then gained dimension as a selector and dancer, and this is audible in her sound – she plays sets that stoke a warmth in the body and keep it lit, sequences of deep-dug cuts that are mixed with a tactile intuition and trust in the track that only a vinyl DJ could have. Over the years, Stella has become a signature member of Berlin’s club community, enacting an old-school ethic of the DJ as a community-driven role. Today she is well-known for her wide knowledge of classic, groove-driven house and disco, as well as deep dubs and acid, but her rise as a DJ came hand-in-hand with booking and curating. After a number of years organising parties at the DIY venue Kake Stella founded Body Language with Camilla Rae and Caitlin Russell in 2021. Gaining a committed crowd over the last years, Body Language has hosted a vibrant array of international and local DJs. Rather than needing to brand the party with markers of identity, Stella emphasises the core ethic of the party being its openness – the function encourages a range of sounds and styles (one can hear everything from clever, groovy house and techno to classic Chicago cuts to RnB-laced high-NRG in recorded sets on SoundCloud)  and so welcomes a heterogenous crowd. In this way, Body Language is part of a shift into a new line of queer parties in Berlin – “queer” precisely because diversity runs through its bookings, its sound systems, its dancefloors, and isn’t just a catchword printed on a statement.  Although Stella’s original plans to become a singer were quickly overtaken by the drive to play out her record collection, 2022 saw the release of Détends-Toi and the formation of Stella and the Longos, a band and collaborative project with DJ and musician Ed Longo. Released on Cosmic Records, the album is a sensual tribute to 80s Zouk and Boogie, with Stella’s silky, sultry vocals taking the fore. Much like her DJ-practice, the project pays loving homage to sounds of the past while spinning them into the present, never simply lapsing into nostalgia. The 6-piece band has toured extensively over the last years, which has provided a counterpoint to Stella’s increasingly international DJ gigs – some notable bookings include Nowadays, De School, Gay Haze and a stint of sets in China last year. Closer to home, she has been a resident at Cocktail D’Amore since its heyday years at Griessmühle and played at Panorama Bar for the first residency night programmed by Refuge Worldwide, where she also hosts the Breakfast Show once a month. On the airwaves, in Berlin or abroad, a DJ-set or studio recording or upcoming edition of Body Language – whatever it may be, make sure to catch the singular warmth and deeply cultivated love of music Stella brings to the table. There’s nothing quite like it.
  SoundCloud ↗Discography ↗
  Their RA profile lists Cosmic Romance.

  Recently at KREUZWERK, Renate, Tresor / Globus · often with TRESOR, GLOBUS, Daniel Bell, none of them here that night