Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 6 Jun
Press play
Who was billed16 artists
In the order the promoter listed them.
- Barker
- next: Berghain, Sat 24 OctChami
- next: RSO.BERLIN, Sat 14 NovOPH
- next: public records in NYC, Mon 9 NovDasha Rush
- next: Berghain, Sat 24 OctDon Williams
- Maemm
- next: Berghain, Sat 14 NovSonhan
- next: Berghain, Sat 7 NovSteffi
- next: Signal in NYC, Sun 1 NovLakuti
- Moopie
- next: Berghain, Sat 28 NovNaomi (Berlin)
- Sugar Free
- Tijana T
- next: Berghain, Sat 7 NovVirginia
- Yamour
- face 2 face
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
97 of the 120 pairings on this bill were first meetings.
- Steffi and Virginia — 5 shared bills before that night, first on Sat 9 Aug 2025.
- Steffi and Lakuti — 2 shared bills before that night, first on Sat 14 Feb 2026.
- Tijana T and Virginia — 2 shared bills before that night, first on Sat 29 Nov 2025.
- Lakuti and Virginia — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Tijana T and Yamour — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Steffi and Moopie — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Chami and Yamour — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Chami and Don Williams — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Chami and Tijana T — 1 shared bill before that night, first on Sat 6 Jun 2026.
- Barker and Steffi — 1 shared bill before that night, first on Sat 25 Apr 2026.
- Chami and Sugar Free — 1 shared bill before that night, first on Sat 21 Feb 2026.
- Naomi (Berlin) and Virginia — 1 shared bill before that night, first on Sat 7 Feb 2026.
- Don Williams and Naomi (Berlin) — 1 shared bill before that night, first on Sat 7 Feb 2026.
- Don Williams and Virginia — 1 shared bill before that night, first on Sat 7 Feb 2026.
- Steffi and Naomi (Berlin) — 1 shared bill before that night, first on Wed 31 Dec 2025.
- Chami and Steffi — 1 shared bill before that night, first on Sat 25 Oct 2025.
- Barker and Lakuti — 1 shared bill before that night, first on Sat 11 Oct 2025.
- Barker and OPH — 1 shared bill before that night, first on Sat 11 Oct 2025.
- OPH and Lakuti — 1 shared bill before that night, first on Sat 11 Oct 2025.
- Moopie and Tijana T — 1 shared bill before that night, first on Sat 30 Aug 2025.
- Chami and Maemm — 1 shared bill before that night, first on Sat 23 Aug 2025.
- Naomi (Berlin) and Tijana T — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Naomi (Berlin) and Yamour — 1 shared bill before that night, first on Sat 12 Oct 2024.
Who they are
“Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics.”
their own biography
the whole biography
Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics. These popular releases and live performances have earned Barker widespread acclaim from the underground to the mainstream and everything in-between, both off and on the dancefloor. After an intense, fruitful period of experimentation and conceptual development, Barker released his solo debut EP Debiasing on Ostgut Ton in 2018, containing four hypnotic and kick-less dancefloor experiments based on research into behaviorism and cognitive bias. This was followed by his solo debut album Utility, a playful but intentional musical approach to translating a spectrum of transhumanist ideas, packed into a deeper exploration of the emotive potential of rhythmic ambient electronics and – once again – almost entirely without kick drums. Both releases were received by many as instant classics, helping to define a discrete category of ambient dance music. Utility made numerous Best of 2019 year’s end lists, including Pitchfork, The Quietus, DJ Mag, Resident Advisor and others. It also earned the title of Mixmag’s Album of The Year 2019. As Philip Sherburne wrote in his Pitchfork review: “For anyone who has ever fantasized about dissolving into the dancefloor, Utility is about as close as it gets.” These releases were followed by two limited-edition white label EPs for Ostgut, BARKER001 and BARKER002. In 2023, he released the Unfixed EP on Smalltown Supersound, followed by another limited-edition white label 12" on the label in 2025, Cosmic Microwave / Stochastic Dynamics In Non-Linear Systems. In April 2025, Barker released his second full-length Stochastic Drift. Inspired in part by Euclidean and probabilistic patterns as well as the chaos and uncertainty of the preceding years, it emerged from a place of vulnerability that announced itself in the music's emotional impact. Boomkat celebrated the album as unfolding "like a galaxy-brained afters playlist…Barker's relentless research and development makes his music as fluid and mutable as his palette." In their Best New Music review, Pitchfork's Harry Tafoya described it as "his most dazzling and definitive statement to date." Stochastic Drift was also named Mojo Magazine's #1 Electronic Album of 2025. Whether performing live solo or as part of a group, DJing on his own or B2B, Barker combines bass music, techno, electro, breakbeat, dub and ambient elements that coalesce into a distinctive, future-facing vision. He is one-half of Barker & Baumecker with longtime Panorama Bar resident nd_baumecker, with whom he has released multiple EPs, two albums and dozens of remixes. And his expansive approach to unorthodox musical exploration has led to ongoing live collaborations with the likes of Norwegian saxophonist Bendik Giske, alongside Speedy J, Rødhåd and Sebastian Mullaert in the shapeshifting live improv outfits Stoor, WSNWG and Circle of Live, installations developed with creative computer programmer Kay Sievers / Versio Duo, and remixes for the likes of Martin Gore, Tangerine Dream, JakoJako, and Planetary Assault Systems. It's a perspective also reflected in his curation of the Leisure System label and Berghain club night of the same name, which held the longest residency in Berghain's history. Launched in 2008, with the label following in 2009, Leisure System has since released seminal works by the likes of Dopplereffekt, Objekt, JakoJako, and Visionist, among many others. In addition to his recorded music, live sets, and DJing, Barker is an active instrument designer who combines coding skills with analogue, electric and acoustic instrument construction for his experimental archive and platform Voltek Labs. In the summer of 2020, he contributed a large-scale sound installation, Piano-1, to Berghain’s Studio Berlin art exhibition, featuring a self-playing piano performing generative serial compositions named Attune, which emphasize democratic harmonic relationships between tones. He has also delved deep into constructing his own MIDI-triggered acoustic instruments, including a prepared plate reverb and various percussion instruments, notably used to explore the resonant architecture of Detroit’s empty, abandoned factories with Underground Resistance’s Ray7. In August 2024, Barker collaborated with Kay Sievers / Versio Duo on the Discrete Ensemble installation, at the Neuenationalgalerie in Berlin, built around a set of eight MIDI-controlled mechanical string instruments called Viola-1. In September 2025, he performed alongside Norwegian saxophonist Bendik Giske for Atonal Festival in Berlin, with further live and studio collaborations for the pair on the horizon. Barker’s musical focus continues to be on the peak-time dancefloor potential of ambient music as he works on another album and label. Operating on the periphery of club music, he continues to shift its centre.Their RA profile lists Ostgut Ton, Smalltown Supersound, Leisure System, Air Texture and 2 more.Recently at Berghain, Dark Matter Berlin · often with Ryan Elliott, DJ Nobu, Nastia Reigel, none of them here that night
“Born and raised in Morocco, Chami has been djing there before moving to Lyon, France where he discovered his passion for techno.”
their own biography
the whole biography
Born and raised in Morocco, Chami has been djing there before moving to Lyon, France where he discovered his passion for techno. Now based in Berlin, where he has definitely become fully integrated in the Berlin local underground scene. Chami is one of those artists that truly reflects the spirit of techno, no superficial exterior surface of these days but only focusing on the pure art form itself. He is also part of the face 2 face project with OPH where they played facing each other using 2 mixers and 4 vinyl turntables which lead them to play multiple times in Berghain. He is also part of the Minijob French crew which organizes illegal raves in abandoned locations in the outskirts of Berlin, welcoming everyone regardless of genre, origin and sexuality with a wide variety of music from house disco and techno. These events are organized without public promotion and managed to gather a solid regular audience base that supports their values and trusts what they do. With his strong and determined vinyl only sets Chami is able to showcase his talent on the decks and demonstrate his deep knowledge for this very technical art. When listening to him, you can lock in for clean, rhythmic and mental hours of no bullshit techno.Recently at Berghain, Studio1111, Latitude Record Store · often with Sabine Hoffmann, Shinedoe, Olivia Mendez, none of them here that night
“OPH is a French-born DJ and producer based in Berlin, recognized for his dedication to vinyl and his deep connection to the city’s techno culture.”
their own biography
the whole biography
OPH is a French-born DJ and producer based in Berlin, recognized for his dedication to vinyl and his deep connection to the city’s techno culture. His journey began in Lyon, where he was active as a music journalist and ran a webzine focused on the local scene. In 2014 he moved to Berlin, a decisive step that allowed him to immerse himself in the city’s clubs and to start playing regularly. Over the years, OPH has shaped his sound through record digging and a broad musical background, channeling these influences into sets that balance intensity and emotion. This approach has brought him to play acclaimed closing sets at Berghain and RSO. Beyond his solo work, he performs alongside his close friend Chami in their Face 2 Face project. Together they have played at iconic venues such as Berghain, Bassiani and Womb in Japan. In recent years, OPH has also turned to music production, adding a new layer to his artistic journey and opening the way for future projects that reflect his ever evolving vision.Recently at Berghain, Renate, Loone · often with Budino, Sherø, Mary Yuzovskaya, none of them here that night
“Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects.”
their own biography
the whole biography
Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects. She has released music on labels such as Sonic Groove and Raster Noton, and has also collaborated with others. Additionally, some of her work has been released on her own labels, Fullpanda Records (2005) and the experimental sub-label Hunger to Create (2004) She began her musical career at a young age in Moscow, where she was one of the first female DJs/producers in Eastern Europe. After moving to France in 1996, she gained international recognition in the early 2000s and developed as an electronic music composer, producer, and DJ, experimenting with various forms of art by collaborating with dancers and painters. Rush views genres as starting points rather than destinations and explores rare electronic experimentation that draws from the roots of underground music from the early 20th century. Her album on Raster-Noton (2015), could be a metaphor for her musical work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in- between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. She pushes the boundaries of contemporary music to the limit and encourages experimentation with various musical and non-musical forms, creating thoughtful compositions in multidisciplinary projects. Her audiovisual work, inspired by scientific subjects, includes projects like "Antarctic Takt" (2014), "Aurora Cerebralis" (2019), and "Dark Hearts of Space" (2015). In her multidisciplinary show "Les Territoires Ephemeres" (2018), she combines different artistic disciplines such as Japanese butoh, theatre, poetry, and digital music and visuals. In conclusion, Dasha Rush is a live performer, electronic music composer, sound artist, and techno DJ whose work extends beyond the dance floor and sometimes beyond music itself. In her strange and twisted world, the machines are the protagonists of a neo-romanticism, weaved with human dreams. www.dashrush.org www.fullpanda.com Selected performance: -Antarctic Takt ( Audio Visual) 2014 -Dark Hearts Of Space ( Audio Visual) 2015 -Les Territoires Ephemers 2018/ Multidisciplinary) - Aurora Cerebralis 2019 ( Audio Visual) -Dasha Rush and Schloss Mirabel( Cello) (New classic experimental electronica Live show - Hypothetically Personal ( Audio Visual) 2024 Dasha Rush & UY studio collaboration -Zone ( Contemporary Dance / Ballet) -CODESS - choreographed by Candela CaptainTheir RA profile lists Raster-Noton, Fullpanda, Sonic Groove, Hunger to create and 6 more.Recently at Berghain, RSO.BERLIN · often with Rødhåd, Innersha, Megan Leber, none of them here that night
- Their RA profile lists 100% Pure, a.r.t.less, Mojuba, Styrax Leaves and 6 more.
Last at Berghain in Feb · often with Ryan Elliott, Franziska Berns, Elisa Bee, none of them here that night
Recently at Berghain
Last at RSO.BERLIN in May · often with Roi Perez, GIO THELLO, Cormac, none of them here that night
“Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s.”
their own biography
the whole biography
Born in the Netherlands, Steffi began playing records in her small home town in the mid 90s. In search of broader horizons for her creative expression (a common thread in her artistic journey), Steffi moved to Amsterdam and established herself in the city with DJ residencies and her own underground parties. The diverse approach to sound that she cultivated during this period remains fundamental to all aspects of her creative work today. Resistant to conventional notions of career moves or self-promotion, it was her original vision and pursuit of new challenges that brought her to Berlin in the early 00s and to the city’s emblematic Berghain. As one of the club’s more adaptable residents, Steffi can be found in control of any one of the building’s celebrated dancefloors, transmitting her deep knowledge and appreciation for all forms of dance music. From broken beat, IDM, electro, classic house and Detroit techno to genre-breaking sounds from all eras – Steffi will play it as long as it’s funky and it grooves. Her experience and lasting enthusiasm for her craft have translated effortlessly to the international clubs and festivals – big and small – at which she has long been a staple, as well as to milestone mixes and compilations for Berghain/Panoramabar, fabric and Air Texture. As a producer, Steffi has an extensive discography that reflects her constant development as a musician. A long and fertile relationship with Ostgut Ton began with the release of her hit single Yours (2010) and debut album Yours & Mine (2011) (both reissued in 2022 on DESTEFSTER, her new sub-label dedicated to her own club-oriented output past and present). Two further solo albums followed – Power Of Anonymity (2014) and World Of The Waking State (2017) – and a co-production on Virginia’s debut album, Fierce For The Night (2016). With Martyn, Steffi released the Doms & Deykers album Evidence From A Good Source (2016) on 3024, and under the solo alias Crushed Soul she released the Family Of Waves EP (2020) on Dark Entries. As a remixer, Steffi has worked with both established artists and emerging producers whose music resonates with her, most recently Christine And The Queens, St Vincent, SebastiAn, Josh Caffé, Max Cooper, Azo and FJAAK. Through all of this output, Steffi has developed a varied sound that balances classic dancefloor accessibility with a desire to push at the boundaries of genre convention and production techniques. In parallel with her production work, Steffi has nurtured two long-running labels – Klakson, founded in 2000, and Dolly, founded in 2010 – which continue to release a distinct blend of electro, breaks, Chicago and Detroit house and techno by a range of respected producers to this day. Both imprints have also been home to Steffi’s own joint projects with likeminded artists, such as Dexter, Stingray, Shed, John Daly and, more recently, Sepehr and Privacy (as Negroni Nails). Her reputation for collaboration and expertise in the studio has also seen her perform the role of mentor for several music education programmes, including Red Bull Music Academy in 2018. In recent years, Steffi’s tireless search for new ground has been made tangible in a permanent move to Portugal, where, with Virginia, she founded the label, studio space and artist-driven creative hub Candy Mountain, a platform through which she continues to push herself and the community around her forwards. This new home base in the hills outside Lisbon – framed by an abundant garden that she tends with the same care as her ever growing studio – gives a simple, even romantic impression, but its relevance and impact, like Steffi’s, are truly global. The first project that captures the spirit of Candy Mountain is her latest solo LP, The Red Hunter. With her new studio setup, she plunges even deeper into the details of sound processing, bringing complex, modulating grooves and textures into the foreground while intentionally preserving the song-like arrangements that have always made her work so relatable. For Steffi, the process itself is as rewarding, if not more so, than the final output, and she applies this same attitude to the careful planning and curation of her unique live performances. All of these new initiatives are the latest proof of the hard work, determination and total immersion in music that have led Steffi to where she is today, while also being the perfect indication of where she wants to go in the future.Their RA profile lists Ostgut Ton, Underground Quality, Tsuba Records, Klakson and 6 more.Recently at Berghain, Haus der Visionäre · often with nd_baumecker, Efdemin, Marcel Dettmann, none of them here that night
- Their RA profile lists Yore Records.
Recently at Beach Neukölln, Berghain, Haus der Visionäre · often with Tama Sumo, Fadi Mohem, Richard Akingbehin, none of them here that night
- Their RA profile lists Blackest Ever Black, The Trilogy Tapes and A Colourful Storm.
Recently at Berghain · often with Gwenan, Miss Parker, Stojche, none of them here that night
“There are currently few artists who embody the feeling of life, groove and power in house music as authentically as Naomi does.”
their own biography
the whole biography
There are currently few artists who embody the feeling of life, groove and power in house music as authentically as Naomi does. With her skillful craftsmanship on the turntables and her driving sets, she has built a strong reputation over the past years. She hosts her own event series 'nice 2 be nice' at OHM Berlin and has played renowned clubs such as Panorama Bar, Robert Johnson, Public Records and Radion as well as festivals including Loveland, Garbicz, Nation of Gondwana and ZeeZout. She is quickly ticking off her passion & life goals and her tour calendar is growing relentlessly. Naomi is more than just a DJ - she is a source of inspiration and a driving force for all those who want to experience the magic of house music.Recently at OHM, Berghain, Haus der Visionäre · often with Dj Heartbreak, Mari Sakurai, The Chronics, none of them here that night
Recently at Tresor / Globus, Berghain, Backsteinboot
“Tijana T is a key part of Serbia’s music scene.”
their own biography
the whole biography
Tijana T is a key part of Serbia’s music scene. Now a full time DJ, Tijana T is overtaking on the inside fast lane to global stardom. Her mastery of an acid-dominant techno style with elements of house, electro, breakbeat and trance has turned ears all across the globe. This lethal dancefloor style has propelled her to become one of the busiest and most durable DJs on the tour circuit. Over 700 shows in 50+ countries in six continents since the start of 2016 tells its own story. Spinning coldwave at dawn in Antarctica? Surely not far off. Unlike other breakthroughs in the game, Tijana T has put in the hard hours. As this burst of recent activity shows, she was completely ready to make the leap and break out of Belgrade when the time came. Now, she does it all. Whether opening or closing, on Ibizan terraces or in smokey basements, soundtracking the sunrise for a few hundred or headlining festival stages to tens of thousands, the details are immaterial. What happens when she plays is empathy with the audience, selecting music to expand their hunger, as well as satisfy their pleasure-centre core. This is why everyone from Berghain to The Bunker NYC, and Beats In Space to Boiler Room have called upon Tijana T lately. Belgrade is where the artist born Tijana Todorovic first made her name, moving from heavy presence on local TV and radio to marathon slots across town, specifically the world-renowned Drugstore and Klub 20/44. Now the tables have turned: in the late 2010s, she is making Belgrade’s name. Tijana T has become a global ambassador for the city, tirelessly exporting its culture. As her reputation has travelled, so has she. Negative preconceptions about Serbia are falling, replaced by the squelch of a 303, a touch of class behind the booth, and more and more people admiring this fiercely determined talent.Their RA profile lists Festplatten, Items & Things, Abe Duque Records, Dystopian and 2 more.Recently at Berghain, Else · often with Stefan Goldmann, LOLSNAKE, Quelza, none of them here that night
“Growing up in Munich, the talented, energetic and dedicated artist quickly found her feet in music.”
their own biography
the whole biography
Growing up in Munich, the talented, energetic and dedicated artist quickly found her feet in music. Her career kick-started in the late 90s thanks to a wave of early hit singles, and she soon began to tour as a DJ, discovering a real passion for life in front of the crowd. Inspired by the warm and analog tracks of the 80s and 90s, her DJ sets combine this sound with modern a in an exciting fusion, layered with spontaneous live vocals adding a unique third dimension. With a careful mixture of peaks and also moments of reduction, she commands attention in her hybrid DJ / Live performances. Her song-writing and production projects continued to grace the charts and hold her in great respect in the scene. Her full length album, 'Twisted Mind', was released in 2008 on Rough Trade, co-produced with Eye- Q Records' Steve B-Zet; a wonderfully musical cross-over album that found its way into Film and TV airplay. The album was a positive blend of electro-pop, a project which saw Virginia touring live on stage with a 5-piece band. Viriginia co-wrote a wealth of productions and guest appearances, alongside the likes of Steve Bug, Butch, Abe Duque and most recently with Panorama Bar resident Steffi, on her album 'Yours & Mine'. Beginning with a vocal-led collaboration, 'Reasons', on Jus Ed's acclaimed label Underground Quality in Oct 2010, they have since gone on to produce some very exciting results. Steffi's album focuses two tracks around Virginia's vocals which she feels really reflect her true musical direction - the tracks 'Yours', a rousing hit in the making, and the touching 'You Own My Mind' (both released on Berlin's Ostgut Ton in Feb 2011). Virginia's rich, colourful and vibrant voice has brought a golden touch to her widespread and highly respected release catalogue, and she continues to collaborate with some of electronic music's key players. Always developing her own production skills, she released her first solo production "Loch& Hill" on Ostgut Ton, 8th of april 2013. Another Ep for Ostgut Ton was released september 2014. And her first studio album "Fierce For The Night" was just released in may 2016.Their RA profile lists Poker Flat Recordings, Ostgut Ton, Underground Quality, Abe Duque Records and 6 more.Last at Berghain in May · often with Quelza, Tama Sumo, Marcel Dettmann, none of them here that night
“For booking inquiries please contact: ilyas@minor-am.com”
their own biography
Recently at Hoppetosse, Berghain, KREUZWERK · often with Tau Car, Konstantin, Edward, none of them here that night
names these artists often play with — not that night
- Quelza6 with Virginia, 3 with Steffi, 2 with Lakuti and 2 with Tijana T
- Tama Sumo22 with Lakuti and 3 with Virginia
- nd_baumecker5 with Steffi and 3 with Virginia
- Marcel Dettmann3 with Steffi and 3 with Virginia
- Mike Servito3 with Lakuti and 2 with Yamour
- Answer Code Request2 with Barker and 2 with Chami
- Ryan Elliott2 with Barker and 2 with Don Williams
- Sabine Hoffmann3 with Chami and 1 with Don Williams
193 said they were going — quieter than a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.