Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 11 Jul
Press play
Who was billed16 artists
In the order the promoter listed them.
- Doltz
- next: Berghain, Sat 31 OctTobias.
- next: Duggal Greenhouse in NYC, Fri 20 NovAdiel
- next: Prince Charles, Fri 13 NovBLANKA
- Delta Funktionen
- Kr!z
- next: RSO.BERLIN, Fri 20 NovMary Lake
- Measure Divide
- next: RSO.BERLIN, Sat 24 OctRed Rooms
- next: Music Hall of Williamsburg in NYC, Thu 5 NovAvalon Emerson
- Jayson Wynters
- next: KREUZWERK, Sat 26 DecKatia Curie
- next: Berghain, Sat 7 NovKikelomo
- next: OXI, Sat 21 NovNatalie Robinson
- Rebolledo
- Yuzo Iwata
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
111 of the 120 pairings on this bill were first meetings.
- Katia Curie and Natalie Robinson — 2 shared bills before that night, first on Fri 1 May 2026.
- BLANKA and Red Rooms — 1 shared bill before that night, first on Sat 11 Jul 2026.
- Katia Curie and Yuzo Iwata — 1 shared bill before that night, first on Fri 1 May 2026.
- Natalie Robinson and Yuzo Iwata — 1 shared bill before that night, first on Fri 1 May 2026.
- Mary Lake and Yuzo Iwata — 1 shared bill before that night, first on Sat 10 Jan 2026.
- Red Rooms and Natalie Robinson — 1 shared bill before that night, first on Fri 12 Dec 2025.
- Jayson Wynters and Kikelomo — 1 shared bill before that night, first on Sat 27 Sep 2025.
- Adiel and BLANKA — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Avalon Emerson and Kikelomo — 1 shared bill before that night, first on Sat 3 Aug 2024.
Who they are
- Their RA profile lists Oslated.
Recently at Tresor / Globus · often with DJ Nobu, Cio D'Or, Juana, none of them here that night
“In the case of Tobias Freund, all the answers are there, yet they will most probably not apply to anybody but him.”
their own biography
the whole biography
In the case of Tobias Freund, all the answers are there, yet they will most probably not apply to anybody but him. Sure, it might help to gather encyclopedic knowledge through the years about music ranging from Post Punk to Stockhausen and all points in between (and much beyond), but if you are not able to shape that into a personal artistic vision, it is very likely that your potential audience might prefer the artists your very knowledge consists of. In the works of Tobias Freund, inspirations are more to be suspected than to be pinned down. You feel they must be there. They just have to, if only for lack of better explanations. Still, his works are so original and individual that they have become a part of said knowledge themselves. Nobody else sounds like him, they just try to. He owns his sound. Certainly, it might help if you know what you are doing in terms of creating music. Tobias Freund’s process of learning what you are doing stretches back to 1980. Since then, he worked as engineer in the high-end studio of German producer legend Frank Farian for many years, getting to know everything on the mixing desk you could tweak. And he gathered more analogue hardware than others have plugins installed, and got to know it as well. And when he felt he was ready to become an artist himself, he knew exactly what to do with the ideas he had in mind, and thus his music made an impact right from the very start. Transferring his overground work into underground output, his aliases since the early nineties read like an inventory of German electronic music: Metazone, Zoon, Phobia, and especially Pink Elln. Then he put the full stop behind his first name and started releasing tracks that refined the live approach to his broad variety of music between Acid, Ambient and Techno to reduced but jacking grooves that displayed as much attention to detail as to floor impact and became an integral part of the defining sounds emanating from Germany to rule the clubs worldwide since the turn of the millennium. And it might help as well to extend your abilities to the work with other artists. Tobias Freund already started this as part of the electronic cassette circuit in the 80’s in groups like Vo Ese or Hypnobeat, but a decade later his much loved group Sieg Über Die Sonne (with Martin Schopf aka Dandy Jack) graced the clubs with twisted and multi-faceted Techno Pop, and when it went on hiatus two decades later the project NSI. (with Max Loderbauer) and the Non Standard Productions imprint were initiated, to quickly become an institution for groundbreaking explorations in freeform electronic experimentalism. And there is Odd Machine, a joint venture with Ricardo Villalobos and Uwe Schmidt (aka Atom™) in particular, with whom he also forms a live and recording act that puts the weight of their experience into according action, Atom™ & Tobias. His latest collaboration is with his wife Valentina Berthelon named Recent Arts, an audiovisual project that explores the performance of audio and video in real time. He produced and remixed international stalwarts like Efdemin, Ellen Allien, Los Updates, Delano Smith, Margaret Dygas or Aérea Negrot, on seminal labels like Sähkö, Playhouse, Ongaku, Cadenza, Perlon, Logistic, Wagon Repair, Mule Musiq, and, of course, Ostgut Ton. And this is just an excerpt. With Tobias Freund a lot of things fall into place. He knows sound from the inside out, thus he is able to develop his own as well as lend his expertise to others. And even if the studio might be his favourite instrument, he knows so much about any hardware to produce electronic music that he can push the music forward any way he wants to. There is no need to divide his works into avant-garde or club contexts, because he effortlessly merges his whole spectrum into a performance that is all him, transforming the complex textures and gripping rhythms that make his music so fascinating into experiences where listening and dancing are one, and a whole life of music leads to ever new innovations. As it happens. On the spot. Tobias Freund may be non-standard, but he sure set many.Their RA profile lists Cadenza Records, Ostgut Ton, Wagon Repair, Logistic Records and 6 more.Recently at Tresor / Globus, Haus der Visionäre, Berghain · often with Snad, Gerd Janson, Alex Kassian, none of them here that night
“Having made a practice to steer crowds into deep ecstasy with her hypnotic sets at famed Goa Ultrabeat parties in Rome where she operates as a resident DJ, Adiel kicked off her own label, Danza Tribale in 2016 with a solid debut instalment, 'Anatomia Del Cavallo', that urged new ravers and dancers to join in with her densely forested musical fantasies where swirling melodic motifs, eerie atmospheres and entrancing 4/4 rhythms coexist in a rapturous communion of sorts.”
their own biography
the whole biography
Having made a practice to steer crowds into deep ecstasy with her hypnotic sets at famed Goa Ultrabeat parties in Rome where she operates as a resident DJ, Adiel kicked off her own label, Danza Tribale in 2016 with a solid debut instalment, 'Anatomia Del Cavallo', that urged new ravers and dancers to join in with her densely forested musical fantasies where swirling melodic motifs, eerie atmospheres and entrancing 4/4 rhythms coexist in a rapturous communion of sorts. Orbiting around her own output, Danza Tribale is intended to provide a bespoke landing platform for techno dynamics both obscure and profound, alternately wild and held-in, instinctive and sophisticated, functional yet far from merely tool-esque. Fresh off the release of her latest EP, 'Ritmo', Adiel strikes again with 'Tokyo' followed by 'Cavallina' EP where she teamed up with none other than Italian dub techno legend Donato Dozzy to sculpt a truly mind-bending mosaic of delayed drums, stealth acid accents and rolling bass moves. In July 2019 she returned with ‘Musicofilia’, her first record outside her own label, on Kangding Ray’s ara imprint. Adiel this time delivered tracks which will suit a variety of spatio-temporal dynamics, while still crafted for the club. In February 2020, on her Danza Tribale imprint, she had a new exciting EP in collaboration with one of the most respected figures in the techno scene, Northern Electronics label head Anthony Linell. Later on World Wide Window, collaboration between Enisslab, Sebastian Mullaert's Circle Of Live project and visual art collective Sbagliato, featuring more than six hours of unreleased music by 56 artists including Adiel. Just landed a few weeks ago, the four tracks release debut on Stroboscopic Artefacts "If Not Now When?". Now in the works, Club Quarantaene release: 8 tracks from artists at the first event that sum up the sound of virtual raving in 2020 and a new exciting project coming out on Danza Tribale. Adiel’s skills both as a DJ and producer have seen her play at some of the coolest clubs and festivals around Europe, such as Dekmantel, Off Sonar in Barcelona where she did her first Boiler Room, Berghain for the Klockworks showcase and Panorama Bar invited by Marcel Dettman, London’s Printworks for Ben Klock’s Photon event series, Concrete in Paris, DC 10 in Ibiza, De School in Amsterdam, Fuse in Brussels and other prestigious venues. Adiel will continue taking the scene by storm in the coming months, bringing her unique take on techno to dance floors across Europe. Some of her upcoming dates include shows at Amsterdam’s ADE for Photon, Ibiza’s Afterlife and London’s iconic Fabric club amongst many others.Their RA profile lists Stroboscopic Artefacts, Danza Tribale and ara.Recently at Berghain · often with KYRUH, Rose Kourts, KlangKuenstler, none of them here that night
“BLANKA is a Berlin-based electronic music producer, DJ, and co-founder of Room Trax, a label and event series connecting Barcelona and Berlin through focused explorations of sound and community.”
their own biography
the whole biography
BLANKA is a Berlin-based electronic music producer, DJ, and co-founder of Room Trax, a label and event series connecting Barcelona and Berlin through focused explorations of sound and community. Rooted in an underground ethos, Room Trax platforms both established and emerging artists, creating spaces where art and music connect. Working through a consistent and uncompromising approach, BLANKA has emerged as a clear and dependable presence within contemporary electronic music, guided by discipline and long-term vision, and quickly established herself firmly within the European’s techno landscape. Her sonic language is precise and instinctive, built on minimal structures, raw edges, and controlled intensity. This clean, architectural, and deconstructed sensibility extends naturally from the studio to the dancefloor. Her performances span key institutions worldwide, including Berghain, FVTVR, FOLD, Basement, Bassiani, and WOMB Tokyo, and her releases include records on labels such as SK_eleven, Mutual Rytm, Soma Records, and AMTK+.Their RA profile lists Soma Records, SK_eleven, Mutual Rytm and Room Trax.Recently at Coco Boule, Berghain, RSO.BERLIN · often with DVS1, Setaoc Mass, The Lady Machine, none of them here that night
“Kr!z has been at the forefront of techno for more than a decade.”
their own biography
the whole biography
Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic and energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad and James Ruskin, he gradually but steadily developed his own identity in the international techno scene. After making a name for himself as a skilled DJ with sharp focus and a quick mixing style in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. It has since been a leading outlet for heady, purist sounds. He rapidly established the label as a fixed value with a timeless and powerful sound and took it around the world with label nights on every continent. Token remains important in defining techno today - always straightforward, sometimes weird, often catchy – all under the helm of Kr!z as avid A&R. After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur’s knowledge and experience he has cultivated in his work as a DJ, 2019 saw the release of his long awaited debut EP on Token. ‘Mantra’ received high acclaim by both media and the scene's key DJ’s. This continued in 2020, when he released the track ‘Scorpion’s Tail’ on Voltage Imprint and ‘Malice’ & ‘Imperative Needs’ as part of a split EP with Pfirter on his MindTrip label. 2022 will be his most prolific year to date with three full EPs seeing the light of day: ‘Neutrino EP’ on James Ruskin’s Blueprint Records, ‘The Tunnel’ on Setaoc Mass’ hotshot SK_eleven and a third one on his own Token Records. As a DJ, Kr!z takes listeners on journey’s surpassing space and time. Led by deeply hypnotic grooves, syncopated rhythms and widely reverberating atmospheres, his desire to guide the dancefloor into unknown depths can be felt with every note. Intensities build up and collapse under his skillful hands, knowing what each knob twist will result in. Each set feels almost like a mathematical calculation, deciphering the code of collective ecstasy.Their RA profile lists Token, Blueprint Records, Reclaim Your City and SK_eleven.Recently at Berghain, Else · often with 1morning, Elle Dee, Henry Chow, none of them here that night
“Crazed rhythms & sonic adventures.”
their own biography
Their RA profile lists Nous'klaer Audio, Céad, United Identities and Radiant Love.Recently at RSO.BERLIN, Tresor / Globus, Berghain · often with DJ TOOL, SUMME, ROBUS, none of them here that night
“Measure Divide is the project of Fahad, a Karachi-born and Toronto-based DJ, producer, and community builder.”
their own biography
the whole biography
Measure Divide is the project of Fahad, a Karachi-born and Toronto-based DJ, producer, and community builder. He moved to Canada in 2004, discovered electronic music soon after, and spent eight years touring internationally in a duo before stepping out on his own in 2012 to develop a sharper, more individual sound under the Measure Divide moniker. The following year he founded FORMAT, the underground event series that helped reshape Toronto’s techno landscape. What began as a small initiative grew steadily into one of North America’s key platforms for boundary-pushing electronic music, known for its curation, its risk-taking, and its deep community roots. On stage, Measure Divide’s sets move with raw physical energy: quick pivots, sharp edges, layers that build, collide, and redirect without warning. This approach has taken him across Europe, North America, and South America, with performances at institutions such as Berghain, Tresor, Boiler Room, Stereo, Under Club, K41, Public Records, and others pushing the global underground forward. As a producer, he gravitates toward grit, tension, and experimentation. His recent output includes Everything Is Porridge on Mutual Rytm X, alongside earlier releases Green Parallel and Evidence of a Rhythmic Pattern on Clergy, each built from metallic textures, unruly momentum, and an obsessive attention to detail. Over more than a decade, his catalog has earned steady respect for its individuality and refusal to follow formula. With FORMAT now more than a decade deep, Fahad continues to connect global and local circuits, bringing international voices to Toronto while amplifying the city’s own. In an industry in which egotistic and mercenary personalities are all too common, his steady, humble approach is a breath of fresh air. Driven by a passion for the music above all else and by a desire to create spaces where others can experience it fully, he has become a true linchpin of Toronto’s techno community, bringing the best of the world to the city and showing the best of the city to the world.Their RA profile lists Air Texture, Clergy, Humidex, Mutual Rytm and 1 more.Recently at Berghain
“Over the past years Red Rooms established himself in Berlin's electronic music scene.”
their own biography
the whole biography
Over the past years Red Rooms established himself in Berlin's electronic music scene. Known for his distinctive sound and minimalist approach, he captivates audiences with his hypnotic and driving grooves. He has garnered recognition from well-known labels such as Planet Rhythm, Drawner Records and Out Of Place Records. Esteemed DJs such as MARRØN, Rødhåd, Justine Perry, DVS1 and Setaoc Mass have recognized his skill and regularly include his tracks in their sets. The great support and feedback from the scene solidifies Red Rooms' position as an emerging artist who is making waves in the electronic music community. With several releases under his belt and more to come this year Red Rooms is one to watch.Their RA profile lists Planet Rhythm Records, connwax and MALöR Records.Recently at Tresor / Globus, KREUZWERK, Berghain · often with Kim She, Disguised, Cryptofauna, none of them here that night
“Triple scorpio supernova”
their own biography
Their RA profile lists !K7, Spectral Sound, Icee Hot, shtum and 3 more.Last at Berghain in May · often with Sadie, The Charm, Portable, none of them here that night
Recently at Berghain
“With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks.”
their own biography
the whole biography
With a classical music background and years spent in her hometown’s underground scene, she has found a space for herself in electronic music, drawing from the energy of the ’90s and early 2000s while embracing the modern.Her sets are dynamic and fluid, mixing mystery with deep, rolling rhythms and occasional breaks. Sometimes dark, sometimes more uplifting, her music takes listeners on a journey that shifts in tone and mood, depending on the energy of the moment. Moving between vinyl and digital, Katia creates immersive experiences on the dancefloor that reflect her diverse influences and her ability to read the space.Their RA profile lists MINDHELMET, System Error and PLOT.Recently at OST, Berghain, Hoppetosse · often with evin, Lobster, Diamin, none of them here that night
“Kikelomo's eclectic sound stems from many influences in her life, including her home city London and her Nigerian roots.”
their own biography
the whole biography
Kikelomo's eclectic sound stems from many influences in her life, including her home city London and her Nigerian roots. As a result, her high energy sets are packed full of everything from techno, house, garage, bass, deconstructed club, house, jungle, jersey club , electro, hip hop and more. This sound has become renowned for its ability to get crowds moving. Since starting out in September 2017, Kikelomo has experienced an explosive growth, playing across multiple continents alongside industry heavyweights, from Objekt to DJ Stingray to Skepta. She has launched t-shirts in collaboration with Adidas and Keep Hush, played and regularly hosts at Boiler Room, as well as continuing to showcase her sound at events like Splash! Festival, the infamous Fusion Festival, opening the internationally renowned CTM Festival at Berlin’s prestigious Berghain/Panorama Bar, in addition to being given the honour of playing to a crowd of 100,000+ people at the Brandenburger Tor national monument, broadcast on national television to celebrate the 30th anniversary of the fall of the Berlin Wall. Kikelomo is actively involved with broader initiatives pushing for diversity and inclusion in the music industry, co-chairing the D&I workstream for the Association for Electronic Music.Recently at Hamburger Bahnhof - Museum für Gegenwart, Maaya, Beach Neukölln · often with Virginia, LIL RISK, Amowia, none of them here that night
“Natalie Robinson is a Berlin-based DJ with a deep passion for house music and an instinctive ability to read the room.”
their own biography
the whole biography
Natalie Robinson is a Berlin-based DJ with a deep passion for house music and an instinctive ability to read the room. Her sets move between soulful, classic, garage, and underground house music with subtle tribal influences, creating flowing journeys that balance energy, rhythm, and atmosphere on the dance floor. Known for her carefully curated, hard-to-find records, Natalie brings musical depth and precision to every performance. Drawing from a broad range of underground dance music influences, her selections honor the foundations of house music while maintaining a contemporary feel. Her performances are immersive and intentional, shaped by musical storytelling and a close connection with the crowd. For Natalie, house music is more than a genre — it’s a shared language rooted in community, freedom, and collective experience. Each set invites movement, connection, and presence on the dance floor.Recently at OST, Else, Tresor / Globus · often with CRYME, TRESOR, GLOBUS, none of them here that night
“Pachanga Boys, Hippie Dance, TOPAZdeluxe, M.N. Roy and Mayan Warrior are some of the projects Rebolledo is involved as “Experience Designer” showing his forward thinking vision.”
their own biography
the whole biography
Pachanga Boys, Hippie Dance, TOPAZdeluxe, M.N. Roy and Mayan Warrior are some of the projects Rebolledo is involved as “Experience Designer” showing his forward thinking vision. Foremost, He believes in music beyond boundaries, collecting material from all corners of the world and showing how you can tell a story with those apparently unconnected records. His sound is propelled forward by psychedelic beats and rippling synthetic basslines that induce trance like states. Whether it’s his solo or collaborative efforts, Rebolledo has always been a maverick presence in underground dance culture. Rebolledo’s unique signature as both a dj and a producer is exhibited by his early releases on Cómeme including his singular 2011 debut album ‘Super Vato’, trough to his latest album ‘Mondo Alterado’ from 2016 and his work as fifty percent of the notorious duo Pachanga Boys. In 2010 Mauricio joined forces with Aksel Schaufler (aka Superpitcher) giving birth to this project. They first presented their unique style on a couple of Kompakt Total compilations. Not long after, they conceived their own label ‘Hippie Dance’ to have full creative freedom, on which they released some cult EP’s including iconic tracks such as ‘Time’, ‘Black Naga’ and ‘Poem For The Youth’, as well as their first album ‘We Are Really Sorry’ in 2012. Rebolledo returned to Kompakt with his 2014 Mix CD called ‘Momento Drive’, which was part of that year’s Top Ten Mix Cd’s list by Resident Advisor, and Included the single ‘Windsurf, Sunburn and Dollar’ which was number one on that year´s Spin Magazine list of best Dance Songs. Rebolledo’s exotic style has also build a strong connection to the fashion world, his tracks have been used by brands like Chanel, Maison Martin Margiela, Versace, Karl by Karl Lagerfeld, as soundtrack of their runways. Over the years, solo and as Pachanga Boys, he has released several acclaimed remixes to a diverse selection of artists such as Röyksopp, Tiga, John Talabot, Pional, Jagwar Ma and Fango to name a few. As a partner of two of the most iconic clubs in Mexico, M.N. Roy in Mexico City, and the now classic TOPAZdeluxe in Monterrey which he founded in 2007, and as a main collaborator of the Mayan Warrior project, he has pushed the music culture beyond his own performances. In 2015 Rebolledo was included in the FORBES Magazine list of the fifty Mexican creatives with the most worldwide influence. In 2017 his reworks album ´Mondo Re Alterado´ is coming out including collaborations with great artists such as Superpitcher, DJ Tennis, Maceo Plex, Red Axes among others.Their RA profile lists Kompakt, Cómeme, Riotvan, Hippie Dance and 1 more.often with Axel Boman, none of them here that night
Recently at OST, Renate, Sameheads · often with Courtney Bailey, Fantastic Man, Timur Basha, none of them here that night
names these artists often play with — not that night
- Aurora Halal3 with Avalon Emerson and 1 with Tobias.
- GLOBUS3 with Natalie Robinson and 1 with Katia Curie
- ROBUS3 with Mary Lake and 1 with Adiel
- SUMME3 with Mary Lake and 1 with Adiel
- TRESOR3 with Natalie Robinson and 1 with Katia Curie
- CRYME4 with Natalie Robinson
- Amowia3 with Kikelomo
- Analog Soul3 with Avalon Emerson
275 said they were going — about like a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.