adrift
berlinnyc
beta

← sun 21 jun — 68 listings

Open Air Terasse auf der Terasse der Weltwirtschaft am HKW - Féte de la musique

Weltwirtschaft am HKW, Berlin · Map

This night happened — Sun 21 Jun

Sebastian Eberhard

Press play

Who was billed5 artists

In the order the promoter listed them.

Set times were not published.

None of these artists had shared a bill before that night.

Who they are

  • Arthur

    Berlin · 6 bookings since Aug 2025

    Recently at The Door Club, Kraftwerk Berlin / OHM, Kraftwerk Berlin · often with Rafush, Heith, Moritz von Oswald, none of them here that night

  • Tapes

    3 bookings since Oct 2025

    Recently at Sameheads, OHM · often with Wutu, Kappa Cat, Orpheu The Wizard, none of them here that night

  • Bassdee

    Berlin · 5 bookings since Nov 2025

    “Born in West Berlin BassDee got in touch with dance music in the late 80ies, a few years before the Berlin Wall came down.”

    their own biography

    the whole biography
    Born in West Berlin BassDee got in touch with dance music in the late 80ies, a few years before the Berlin Wall came down. The G.I. Disco influences on the Kurfürstendamm Diskotheken, the engulfing Hip Hop movement and suddenly the Acid House wave aroused his inspiration to perform as a DJ. So he bought his first records at the PINKY record store, scratched together all his money to buy turntables to win the first merits in the science of mixing. The year 1989 changed his world inconceivably, when Monika Dietl was performing the best Dance Music Show at the West Berlin SFB 2 radio station, DJ Jon Magic Jonzon was spinning eternal house sets at the Berlin UFO Club, and the newly opened Hard Wax record store supplied unknown House Music from Chicago, Detroit and New York. BassDee´s first DJ club gig was at a Dubmission Party in 1991. In 1992, he started the Bassterror Project focussed on Breakbeat together with his brother DJ Feed and Alec Empire, while at the same time playing House and Techno at legendary clubs like the Berlin ELEKTRO (Resident), Friseur (Resident) or Tresor, and the Potsdam Waschhaus, where the Hard Wax DJs René and Pete shaped the probably most futuristic techno nights of that time. The enormous power of the breakbeat science hidden in the the big 1994 Jungle boom fueled things even further. In 1994 he started the admired Drum&Bass show "Radio Massive" together with Thaddeus Hermann at the Berlin Kiss FM station. His next major project was the Case Invaders record label initiated with DJ Bleed. Beside his residencies at the Berlin WMF, Elektro, Friseur, Toaster and Icon he dejayed at the same time in Berlins Clubs like 103, E-Werk, Maria, Ostgut, Cookies, Suicide, amongst others. As one of the creators of the famous Berlin "hard:edged" nights, he tremendously shaped Berlin's Drum&Bass scene. Since Drum&Bass somehow lost its edge, he found his way back to the enthusiastic embrace of House and Techno and returned with full enthusiasm to the Berlin club scene playing at places such as the Panorama Bar, Ohm, Palomabar, Acud, about:blank, Gretchen, Prince Charles, Horst Krzberg, WMF, M12,... BassDee recently joined the Hidden Hawaii crew and co-produced the critically acclaimed “Veteranenstraße EP“ together with Felix K.
    Their RA profile lists Hidden Hawaii and Nullpunkt Records.

    Recently at Beate Uwe, Paloma · often with Sven von Thülen, Psycho Cat, Der Würfler, none of them here that night

names these artists often play with — not that night
  • Anthony Linell2 with Arthur
  • Azu Tiwaline2 with Arthur
  • Bill Kouligas2 with Arthur
  • Calibre2 with Arthur
  • Heith2 with Arthur
  • Mala2 with Arthur
  • Moritz von Oswald2 with Arthur
  • Niklas Bildstein Zaar2 with Arthur
24 said they were going.

The room

Weltwirtschaft am HKW — 2 events and 8 distinct artists since Dec 2025.

Who put it on

Sebastian Eberhard — 2 events and 6 artists since Jun 2026.

Artist photos: Resident Advisor, event 2461932.

Attending counts, venue and promoter records and co-billing history: adrift’s record of Berlin events.

Quoted passages are the promoter’s or the artist’s own words, unedited.