Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 15 Aug · 11:59pm → 6am Mon
Press play
Who was billed15 artists
In the order the promoter listed them.
- next: Signal in NYC, Fri 30 OctMathew Jonson
- Barker
- DJ Nobu
- Ina Kacz
- next: Tresor / Globus, Fri 13 NovLYZA
- next: BASEMENT in NYC, Sat 21 NovNastia Reigel
- next: Nowadays in NYC, Fri 30 OctRene Wise
- next: Nowadays in NYC, Wed 25 NovRyan Elliott
- Annabelle Gaspar
- Eden Burns
- next: Le Bain in NYC, Wed 21 OctEli Escobar
- next: Nowadays in NYC, Thu 19 NovLoidis
- Man Power
- MAYURASHKA
- Ogazón
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
89 of the 105 pairings on this bill were first meetings.
- Ryan Elliott and Ogazón — 2 shared bills before that night, first on Sat 7 Feb 2026.
- Rene Wise and Ryan Elliott — 2 shared bills before that night, first on Sat 13 Sep 2025.
- Barker and Ryan Elliott — 1 shared bill before that night, first on Sat 15 Aug 2026.
- Nastia Reigel and Ogazón — 1 shared bill before that night, first on Sat 15 Aug 2026.
- Rene Wise and MAYURASHKA — 1 shared bill before that night, first on Sat 2 May 2026.
- Nastia Reigel and Rene Wise — 1 shared bill before that night, first on Sat 28 Feb 2026.
- LYZA and Loidis — 1 shared bill before that night, first on Sat 21 Feb 2026.
- DJ Nobu and Rene Wise — 1 shared bill before that night, first on Fri 30 Jan 2026.
- DJ Nobu and Nastia Reigel — 1 shared bill before that night, first on Sat 1 Nov 2025.
- Barker and DJ Nobu — 1 shared bill before that night, first on Sat 1 Nov 2025.
- Barker and Nastia Reigel — 1 shared bill before that night, first on Sat 1 Nov 2025.
- Ryan Elliott and Annabelle Gaspar — 1 shared bill before that night, first on Sat 13 Sep 2025.
- Rene Wise and Annabelle Gaspar — 1 shared bill before that night, first on Sat 13 Sep 2025.
- Eli Escobar and Man Power — 1 shared bill before that night, first on Thu 11 Sep 2025.
- DJ Nobu and Ina Kacz — 1 shared bill before that night, first on Sat 23 Aug 2025.
- Ryan Elliott and Eli Escobar — 1 shared bill before that night, first on Sat 2 Aug 2025.
Who they are
“His music offers a rare fusion of populist intensities and nuanced musicality.”
their own biography
the whole biography
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dance floor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into the clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.) His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time playing; as opposed to mere layback-serves as a standard bearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth. Despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, in the groups Cobblestone Jazz, Midnight Operator and the Modern Deep Left Quartet, and with his Wagon Repair label. He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band – thus laying both the melodic and the rhythmic cornerstones of his music today. Thanks to his father's work as a musician, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home. Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the Victoria's techno parties. His first record, in 2001, was the first release on Itiswhatitis (a label Mathew bought from its original owner 11 years later). Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, 'Alpine Rocket' – a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Sub Static, Arbutus, Kompakt, M_nus – and every track an anthem. "I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there. In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his band mates. Crucially, he moved to Berlin. His studio here is jaw-dropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. His two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like 'Marionette' and ‘Decompression’, Jonson has increasingly turned his efforts towards more personal, introspective music. He never left the clubs behind though; his 2010 album, Agents of Time, featured a number of tracks that are as hip-winding wily as anything he's produced yet, full-on tracks like 'Girls Got Rhythm' and 'Thieves in Digital Land'. Equally physical was his 2011 drop on Hawtin's M_nus, 'Learning To Fly', and the well-received 'Automaton' on Crosstown Rebels. His 2013 album, On Her Blurry Pictures, too; here Jonson took advantage of the long player format to stretch out and indulge darker moods and slower tempos, but the core of the record remained rooted in a dancefloor context. In 2015, Mathew fulfilled his long-standing ambition of contributing to Fabric's esteemed mix series. Fabric84 is a recording of his set at the club's 15th birthday, during which he played a number of his classic tracks and unreleased edits. The energy of the occasion and the particular way Mathew performs his material blend perfectly, capturing a singular and very special set on CD. As well as continuing to tour his in-demand solo live show, which is consistently ranked amongst Resident Advisor's top 20, Mathew has recently remixed Paul St. Hilaire + Rhauder, The Martinez Brothers, Seth Troxler, and VCMG (to add to his past work including Moby, Cybotron, The Chemical Brothers, and Nelly Furtado). He released an album with Units and Measurements in 2016, and another as his new alias Freedom Engine entitled “A Box Full Of Magic” in 2019. Eighteen years on from his debut release, 'New Identity', Mathew's sound and reputation as an artist have developed, as you would expect for someone so richly and widely talented.Their RA profile lists Global Underground, Ministry Of Sound, fabric Records, Mute Records and 6 more.Recently at Club der Visionaere, Sonnenraum, Berghain · often with PARAMIDA, J. Richards, So-Fi, none of them here that night
“Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics.”
their own biography
the whole biography
Looking beyond the realm of 4/4 techno to explore left-field sound design and rhythmic complexity, the Berghain resident’s string of signature solo releases for the club’s Ostgut Ton imprint and Smalltown Supersound have explored the rhythmic functionality of pumping, twisting and constantly evolving modular electronics. These popular releases and live performances have earned Barker widespread acclaim from the underground to the mainstream and everything in-between, both off and on the dancefloor. After an intense, fruitful period of experimentation and conceptual development, Barker released his solo debut EP Debiasing on Ostgut Ton in 2018, containing four hypnotic and kick-less dancefloor experiments based on research into behaviorism and cognitive bias. This was followed by his solo debut album Utility, a playful but intentional musical approach to translating a spectrum of transhumanist ideas, packed into a deeper exploration of the emotive potential of rhythmic ambient electronics and – once again – almost entirely without kick drums. Both releases were received by many as instant classics, helping to define a discrete category of ambient dance music. Utility made numerous Best of 2019 year’s end lists, including Pitchfork, The Quietus, DJ Mag, Resident Advisor and others. It also earned the title of Mixmag’s Album of The Year 2019. As Philip Sherburne wrote in his Pitchfork review: “For anyone who has ever fantasized about dissolving into the dancefloor, Utility is about as close as it gets.” These releases were followed by two limited-edition white label EPs for Ostgut, BARKER001 and BARKER002. In 2023, he released the Unfixed EP on Smalltown Supersound, followed by another limited-edition white label 12" on the label in 2025, Cosmic Microwave / Stochastic Dynamics In Non-Linear Systems. In April 2025, Barker released his second full-length Stochastic Drift. Inspired in part by Euclidean and probabilistic patterns as well as the chaos and uncertainty of the preceding years, it emerged from a place of vulnerability that announced itself in the music's emotional impact. Boomkat celebrated the album as unfolding "like a galaxy-brained afters playlist…Barker's relentless research and development makes his music as fluid and mutable as his palette." In their Best New Music review, Pitchfork's Harry Tafoya described it as "his most dazzling and definitive statement to date." Stochastic Drift was also named Mojo Magazine's #1 Electronic Album of 2025. Whether performing live solo or as part of a group, DJing on his own or B2B, Barker combines bass music, techno, electro, breakbeat, dub and ambient elements that coalesce into a distinctive, future-facing vision. He is one-half of Barker & Baumecker with longtime Panorama Bar resident nd_baumecker, with whom he has released multiple EPs, two albums and dozens of remixes. And his expansive approach to unorthodox musical exploration has led to ongoing live collaborations with the likes of Norwegian saxophonist Bendik Giske, alongside Speedy J, Rødhåd and Sebastian Mullaert in the shapeshifting live improv outfits Stoor, WSNWG and Circle of Live, installations developed with creative computer programmer Kay Sievers / Versio Duo, and remixes for the likes of Martin Gore, Tangerine Dream, JakoJako, and Planetary Assault Systems. It's a perspective also reflected in his curation of the Leisure System label and Berghain club night of the same name, which held the longest residency in Berghain's history. Launched in 2008, with the label following in 2009, Leisure System has since released seminal works by the likes of Dopplereffekt, Objekt, JakoJako, and Visionist, among many others. In addition to his recorded music, live sets, and DJing, Barker is an active instrument designer who combines coding skills with analogue, electric and acoustic instrument construction for his experimental archive and platform Voltek Labs. In the summer of 2020, he contributed a large-scale sound installation, Piano-1, to Berghain’s Studio Berlin art exhibition, featuring a self-playing piano performing generative serial compositions named Attune, which emphasize democratic harmonic relationships between tones. He has also delved deep into constructing his own MIDI-triggered acoustic instruments, including a prepared plate reverb and various percussion instruments, notably used to explore the resonant architecture of Detroit’s empty, abandoned factories with Underground Resistance’s Ray7. In August 2024, Barker collaborated with Kay Sievers / Versio Duo on the Discrete Ensemble installation, at the Neuenationalgalerie in Berlin, built around a set of eight MIDI-controlled mechanical string instruments called Viola-1. In September 2025, he performed alongside Norwegian saxophonist Bendik Giske for Atonal Festival in Berlin, with further live and studio collaborations for the pair on the horizon. Barker’s musical focus continues to be on the peak-time dancefloor potential of ambient music as he works on another album and label. Operating on the periphery of club music, he continues to shift its centre.Their RA profile lists Ostgut Ton, Smalltown Supersound, Leisure System, Air Texture and 2 more.Recently at Berghain, Dark Matter Berlin · often with Steffi, AMORAL, BLANKA, none of them here that night
“Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings.”
their own biography
the whole biography
Nobu is something of a cult figure for those who know with decades of experience, all of which are distilled at his acclaimed party ‘Future Terror’, his label ‘Bitta’ and his few choice production outings. All of this has slowly but surely turned Nobu from being one of Japan’s, to one of the world’s most in demand selectors who is famously flexible and ever evolving.Their RA profile lists Token, Grasswaxx Recordings, Non Series, Bitta and 4 more.Recently at Berghain, Backsteinboot · often with Doltz, Ne/Re/A, Juana, none of them here that night
“French DJ and producer based in Tbilisi.”
their own biography
the whole biography
French DJ and producer based in Tbilisi. Ina Kacz's sound is a captivating fusion of tribal grooves, hypnotic rhythms with a slight touch of trance, drawing from a wide variety of influences.Their RA profile lists On Board Music, KALT Records, From A Lost Place, QEONE and 2 more.Recently at RSO.BERLIN, Tresor / Globus, OHM
“Lyza, better known for the DJ duo Lyric, was born and grew up in Hanover.”
their own biography
the whole biography
Lyza, better known for the DJ duo Lyric, was born and grew up in Hanover. Today she lives in Berlin, where she has not only honed her artistic skills, she has also developed a strong connection to the city's vibrant music scene, which continually inspires and drives her to expand her boundaries and reach new artistic heights even as a solo artist to reach. Her journey began in the clubs of her hometown of Hanover, where she became enthusiastic about the techno scene early on. From hypnotic melodies to pulsating rhythms, she developed a unique ability to transform her sets into captivating stories that captivate dancers. With her partner Ericson, she founded the successful DJ duo Lyric in 2019, under which they have already created some captivating productions and achieved successful gigs across Europe.Their RA profile lists Adroit Recordings, Selected, SYXT and Room Trax.Recently at RSO.BERLIN, Renate, Berghain · often with BUTZ, Eduardo de la Calle, Carmen Electro, none of them here that night
“Respected by techno heavyweights, she’s known for her captivating DJ sets and vinyl releases on esteemed labels.”
their own biography
the whole biography
Respected by techno heavyweights, she’s known for her captivating DJ sets and vinyl releases on esteemed labels. Following a constant output of EPs on heavy-hitting techno labels like fabric, Rødhåd’s WSNWG and album on Function's Infrastructure New York, Nastia Reigel honed and sharpened her sound into something sleek and uninhibited. She channels the classic roots of techno, yet hits a deeper emotional resonance, embedding her personal feelings and experiences within the sound. Her every set is an undeniable display of technical mastery – a mesmerizing blend of driving rhythms, heavy kicks, and deep atmospheres that stealthily take you away, leaving no stone unturned.Their RA profile lists fabric Records, Token, Enemy Records, Infrastructure New York and 2 more.Recently at Tresor / Globus, RSO.BERLIN, Berghain · often with Grace Dahl, NEUX, Function, none of them here that night
“Wise portrays a deep sense of knowledge and maturity, devising atmospheric soundscapes with a raw but modern touch, captivating the listener from beginning to end.”
their own biography
the whole biography
Wise portrays a deep sense of knowledge and maturity, devising atmospheric soundscapes with a raw but modern touch, captivating the listener from beginning to end. His sets demonstrate this to full effect, consistently maintaining a powerful sonic trademark via a low end focused, yet intricate and enchanting selection. Indeed, the capacity to dip in between deeper realms of sound and rhythmic exploration aids the artists preference towards longer sets. Before discovering the world of electronic music, Wise came from a background of drum and percussion which was guided by his Iranian father, a former professional drummer. This influence plays a key part in shaping the foundation of techno that he crafts. Subsequently, exposure to Europe’s dancefloors further triggered his passion, allowing him to understand the importance of the interaction between the physicality of sound on the human body. Fast-forward to 2024, this notion gave birth to his label ‘Moving Pressure’. Conceptually, as the title already hints at, the imprint focuses on the capacity of sound to guide movement and emotion, to weave into the fabric of our physical being. Concretely, the first release features a 4 tracker by Wise himself and will proceed by showcasing his sonic vision through self and external releases. The artist’s 'quality over quantity’ mindset has seen him become a mainstay on influential labels such as Mote Evolver and his pure but passionate approach to music has given him the honour of gracing institutions such as Berghain and Bassiani and earned him a residency at the esteemed underground Eerste Communie parties hailing from The Netherlands. RENE WISE // CONTACT: Bookings > Lizzy@ekipa.agencyTheir RA profile lists Enemy Records, Mote-Evolver, Blueprint Records, Reclaim Your City and 6 more.Recently at Berghain, KREUZWERK · often with Quelza, Virginia, Philippa Pacho, none of them here that night
“Ryan Elliott has spent the past two decades of his esteemed career effortlessly bridging the gap between different artistic expectations.”
their own biography
the whole biography
Ryan Elliott has spent the past two decades of his esteemed career effortlessly bridging the gap between different artistic expectations. Growing up as a DJ in Detroit, but coming into his own in Berlin, his sets expand on each city’s styles. A resident at Berghain and Panorama Bar, he refuses to be aligned with just techno or house, instead highlighting their optimal overlaps. And as a producer, remixer, and founder of his own label, Faith Beat, Elliott releases music that is playable but unpredictable, perfectly calibrated for dancefloor impact and enduring enjoyment. No matter what form his musical expression takes, with Elliott listeners always seem to get the best of both worlds. Launched in 2019, Faith Beat is an organic extension of Elliott’s passions as a DJ, producer and voracious record collector. A home for music that is thoughtful and loose, precise yet approachable, Faith Beat is not a one-way street, but an ongoing conversation between Elliott and the crowds he plays for, the producers he loves and the records he buys. As a DJ, Elliott delivers sets that slice energetically across the house and techno divide, a revelatory approach that's infused with a deep respect for his selections. This ethos also manifests in the monthly charts Elliott has published since 2003, insisting on giving a proper platform to whatever he plays. As with all of his efforts, Elliott doesn’t pit one place or style against each other, continuing to pursue a sleek and transportive fusion.Their RA profile lists Ostgut Ton and Faith Beat.Last at Berghain in May · often with DVS1, BLANKA, Natalie Robinson, none of them here that night
Recently at Berghain
“As a teenager, he connected with the world of dance music via scuffed tech-house records in dollar bins and a DVD rip of Paris Is Burning.”
their own biography
the whole biography
As a teenager, he connected with the world of dance music via scuffed tech-house records in dollar bins and a DVD rip of Paris Is Burning. Drawing on these inspirations, his early productions hit a sweet spot between wide-eyed weirdness and club-ready maximalism. He was quickly released on Feel My Bicep and Cold Tonic, and began an upward trajectory from the Taieri Plains to clubs and stages worldwide. Now trading under his own name, Eden’s vividly colourful productions have been recently released via Sensible Seelen, Optimo Music, and Beats In Space. In recent years, Eden has also linked up with Public Possession, a crew of Munich upstarts who are actually able to keep up with his relentless and diverse discography. This includes the first edition of the Big Beat Manifesto series, which has gained support from Discogs sharks, Solomun, Jennifer Cardini, Jamie Tiller, Huge DJ Party Alerts, Gerd Janson and more. Much like his productions, Eden’s DJ sets are reverent and wildly fun, the product of an innately curious talent. Whether in the booth at Rinse FM or NTS, or in front of crowds in London, Dunedin, or Japan, Eden has a habit of weaving sets that are rich and unpredictable, interspersing phases of driving momentum with joyful curveballs and blissful reveries — moments that feel like turning the corner on a precipice and suddenly seeing ocean.Their RA profile lists Permanent Vacation, Beats in Space Records, Optimo Music, Public Possession and 1 more.“With over two decades of electronic music eminence, Eli Escobar has confirmed his place amongst dance music greats.”
their own biography
the whole biography
With over two decades of electronic music eminence, Eli Escobar has confirmed his place amongst dance music greats. With an unparalleled record collection of handpicked gems and curveball productions, Escobar guides revellers through the heartbeat of music, from the past to the future. Always looking forward and keeping step with evolving generational tastes, Escobar has redefined his sound in recent years. As an acquainted DJ & Producer, the dance music veteran cut his teeth into the epicentre of 1990’s New York City hedonism and set the foundations for an admirable career. Releasing music on influential labels such as Phonica, Razor n Tape, Defected’s ‘Classic’ and his very own label imprint Night People, only gives a snapshot into the depth of his discovery. Spanning over more than 20 years, the influence and presence of Eli Escobar is undeniable in every corner of dance music. As a selector he has appeared on a variety of influential platforms including BBC Radio 1 Essential Mix, Resident Advisor's Exchange Podcast, Boiler Room, Mixmag ‘The Lab’ and The Lot Radio, only to name a few. Likewise transporting his sound to dancefloors across the world with residencies at House of Yes, Le Bain, Battlehymn and beyond. Globally respected and recognised as a forward thinking producer, Escobar’s output steps beyond conventional dance music with remix work for the likes of Lana Del Rey, M.I.A., Honey Dijon, Cakes Da Killa and many more. Now heading into 2023 Eli looks to stay true to his musical progressionHouse on 82, Deep House on 44, Disco on 17 and Nu-Disco on 12. styles on their catalogued releasesReleased on Deep South Recordings (3) (1), Off Track Recordings (1) and Potions Music (1); their RA profile also lists Classic, Phonica Records, Razor-N-Tape, Deeplomatic Recordings and 3 more. labels on their catalogued releases and on their RA profileRecently at Berghain · often with DJ Moma, Andi, Sissies of Mercy, none of them here that night
- Their RA profile lists Tresor, Incienso and NAFF.
Last at Berghain in Feb · often with Huerco S., Purelink, Galcher Lustwerk, none of them here that night
“Initially it felt fairly easy to pin down the Man Power project when it started off in 2014 with a bunch of growling slo mo techno records on the likes of Correspondant, Hivern Discs and Infiné.”
their own biography
the whole biography
Initially it felt fairly easy to pin down the Man Power project when it started off in 2014 with a bunch of growling slo mo techno records on the likes of Correspondant, Hivern Discs and Infiné. However in the intervening decade we’ve seen Geoff Kirkwood continually confound expectations, whether it be via releasing Disco and Italo records (Stamp / SKINT / Eskimo), Detroit leaning Techno (Sound As, DFA, Ene Japan), straight-up House Music (Rekids, Make A Dance, ESP Institute) or, more often than not, weirdo mutations of all of those sounds and more on an impressively wide range of big and small labels. All of this before we even get into his Techno Alias MPX, his 2 Experimental Ambient albums as Bedwetter, and his creation of a full blown Orchestral Symphony with the Royal Northern Sinfonia. Since almost the very start of the project, Man Power has been found applying this mercurial method regularly as a DJ at clubs and festivals across the world ranging from the candy coloured excesses of Burning Man Festival, to the lights-off mystery of Panorama Bar, and all points in-between. Making appearances at everything from institutions like Glastonbury, Rex Club Paris, Love International, Nitsa Barcelona, Vent Tokyo, Amnesia Ibiza and Elsewhere Brooklyn, to nameless warehouses, pub-raves, pop-ups and guerrilla parties across the UK, Europe, Central & South East Asia, The USA and Latin America. In many ways it feels as though it’s taken the last 10 years just for Kirkwood to be able to get some way towards revealing the full scope of his musical breadth both as a producer and as a DJ, but despite the somewhat open-ended approach to genre it’s still possible to pick out common threads in his choices. Throughout the Man Power project there has always been an openly earnest and emotive undercurrent that is often tempered by a contrary tendency towards the arch or absurd, and while cinematic sonics and narrative indulgences are frequent motifs, they often rub shoulders with a raw, direct and unpretentious approach that arguably borders on the naïve. At the heart of it all, whether making music, playing music, releasing other people’s music via his Me Me Me label, or throwing parties around the world, the Man Power project is simply an example of someone authentically trying to explore the full extent of their creative self, and doing so in way that may not be for everyone, but which is deeply meaningful and compelling to those who feel things the same way that he does.Their RA profile lists Eskimo Recordings, BMG, PIAS, InFine Music and 6 more.“Mayurashka is a DJ and electronic music producer based in Tokyo, Japan.”
their own biography
the whole biography
Mayurashka is a DJ and electronic music producer based in Tokyo, Japan. She played at nightclubs and music festivals in Japan as DJ over the past decade. In addition to clubs and music festivals in Japan, she DJ'd in Hong Kong in 2023 and toured Australia twice. In 2024, she performed in Indonesia, Korea, "ouhe" festival organized by yusu and knopha in Shanghai, and "Strawberry Fields" in Australia. She also made some DJ mixes for international labels and radios such as Born Free, Animals Dancing,Butter Sessions, NTS Radio, Skylabradio, Berlin Community Radio, etc. ///Release/// December 2021 She participated in the compilation cassette "Donne Che Corrono Coi Lupi" released by "Osàre! Editions" in Amsterdam, organized by Elena Colombi, with two tracks. March 2022 Released the first single "waterskipps EP" on "Lady Bug". April 2022 ORDINARY DREAMS VOL. 2" released by "planet trip" in Sydney, Australia. August 2022 One song was included in a compilation project by XLR8R and Osàre! Editions, an American music media company. April 2023 Participated in the compilation cassette "The Male Body Will Be Next part 2" released by "Osàre! August 2023 Participated in a track on the compilation CD "Chill Pill V" released by "Public Possesion" August 2023 EP "Guidance to the Sennou" from "ANIMALS DANCING" January 2024 Participates as a remixer for Earth Boys "In the sun EP" released from "Public Releas" July 2024 Released "Obsession" with Eden Burns on "Public Possession" October 2024 EP "Through The Hours" is released on Serenity Now Recordings. November 2024 Released the EP "Cosmic Rising" on Studio Burnhus February 2025 Participated in a track on the compilation " I Active, II Passive, III Unobtanium [L.A. WILDFIRE FUNDRAISER]" released by "ESP Institute" July 2025 EP "LSI Dreaming" is released on Rhythm Section International.Their RA profile lists Studio Barnhus, ESP Institute, Butter Sessions, Public Possession and 6 more.Last at Berghain in May
Recently at Friedrichstraße 112, Berghain · often with Fiedel, Cinthie, Zombies In Miami, none of them here that night
names these artists often play with — not that night
- Virginia3 with Ogazón, 3 with Rene Wise and 2 with Ryan Elliott
- Quelza6 with Rene Wise and 2 with Ogazón
- AMORAL2 with Barker and 2 with Nastia Reigel
- BLANKA2 with Barker and 2 with Ryan Elliott
- DVS12 with Barker and 2 with Ryan Elliott
- Juliana Huxtable2 with Loidis and 2 with Rene Wise
- DJ Moma38 with Eli Escobar
- Andi32 with Eli Escobar
317 said they were going — about like a usual Saturday at Berghain.
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
- Counted316 on Tue 11 Aug, 317 on Wed 12 Aug
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.
Also that night
- Else x Toy TonicsElse — Natalie Robinson and Panorama Bar keep turning up on the same bills.
- Closer in the Woods with Alexia, Karine, Shakolin, Timur BashagART.n — Shakolin and Panorama Bar keep turning up on the same bills.
- Bonobo (DJ-Set)Sonnenraum — Naomi (Berlin) and Panorama Bar keep turning up on the same bills.
how these 3 are connected
- Else x Toy Tonics — Natalie Robinson and Panorama Bar have shared 3 bills; Natalie Robinson is on that bill and Panorama Bar is on this one.
- Closer in the Woods with Alexia, Karine, Shakolin, Timur Basha — Shakolin and Panorama Bar have shared 3 bills; Shakolin is on that bill and Panorama Bar is on this one.
- Bonobo (DJ-Set) — Naomi (Berlin) and Panorama Bar have shared 3 bills; Naomi (Berlin) is on that bill and Panorama Bar is on this one.