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Who they are

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  DJ Hell

  Berlin · 12 bookings since Oct 2025

  “As DJ Hell said about his musical beginnings in an interview with The European: “I was socialized with German electronic music of the 1960s and 1970s.”

  their own biography

  the whole biography

  As DJ Hell said about his musical beginnings in an interview with The European: “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.”[1] Hell has worked as a DJ since 1978. Starting in 1983, he began working as a DJ at Club Libella in Kirchweidach, Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his eclectic style of mixing New Wave, Ska, Punk, Rockabilly, Hip hop, and Disco in the same set. Further residencies followed, at Park Café and Tanzlokal Grössenwahn in Munich, where, as one of the first house DJs in Germany he regularly performed at house music parties. In 1987 he organized the first acid house party there, and in the same year at Grössenwahn deejayed at Run–D.M.C.’s aftershow party. At the end of the 1980s, he developed his style at various Munich clubs and dance halls from New Wave, EBM, Electro, and Hip hop to include House and Techno. In 1991, Hell was instrumental in establishing Peter Wacha’s label Disko B, and until 1996 was closely involved as A&R. The label’s first release in 1991, Silicone Soul’s track Who Needs Sleep Tonight was licensed by Hell, who produced a remix for the b-side: The DJ G. Hell Remix. Hell’s first self-produced single, My Definition of House Music (on R&S) became a club hit in 1992 with over 100,000 records sold, drawing recognition to DJ Hell among the first generation of Techno DJs who also released records. During his time with Disko B and until 1997, DJ Hell was also a resident DJ at Ultraschall, Munich’s first Techno club, located on the site of the former Munich-Riem Airport. During the 1990s DJ Hell had further residencies in Berlin, at E-Werk and WMF, from 1992 at Tresor, and in the 2000s at Watergate. Parallel to his A&R work in Munich, in 1992 DJ Hell became A&R manager for the label Logic Records in Frankfurt, and in the same year compiled the world’s first trance compilation, Logic Trance. In 1993 he lived for a year in New York City, where was booked as a resident DJ at Limelight, together with Jeff Mills. In 1994 DJ Hell moved to Berlin and worked for the record store Hard Wax. Hell’s debut album Geteert & Gefedert (Tarred & Feathered) was released on Disko B in 1994. In 1995, he moved back to Bavaria. That same year, Hell was the only German DJ to be invited to be on a John Peel Session, including a radio interview, in London. The session was released that year on Disko B. In addition to his work as a DJ and producer, in 1997 he founded the label International Deejay Gigolos in Munich, for which he served from the first day onward as the label mastermind, A&R, and art director. Parallel to managing the label, as a DJ and event organizer, Hell also curated over 40 Bavarian Gigolo Nights featuring international DJs and live bands in various clubs in Munich. In 1999, Arnold Schwarzenegger sued International Deejay Gigolos for using his picture in the logo. Hell had to stop selling all records that bore the logo and pay a fine of 150,000 euros. In 2000, Hell’s second album Munich Machine was released on V2 Records. According to the music magazine De:Bug: “Munich Machine feels like the result of a dynamic collaboration by Munich residents engaged in the club scene and who know how to work with it. Every aspect of it has been carefully crafted and sometimes it seems as if DJ Hell is using this kind of mega-mix to grow beyond himself. This is particularly evident when he mixes together very different sources.”[2] In 2001, the label moved to Berlin. Stylistically, its music spans the categories of Electroclash, Electro, EBM, electronic avant-garde House, Tech-House, and Techno, with influences from 1980s Pop and Disco. International Deejay Gigolos has released works by big names on the international Techno, House, and Electro scenes, including Jeff Mills, Dave Clarke, Tiga, Fischerspooner, Dopplereffekt, Vitalic, Bobby Konders, Miss Kittin, KLF, Tuxedomoon, and Laurent Garnier. Fischerspooner was discovered by DJ Hell and debuted on International Deejay Gigolos. In the 20 years spanning 1996 to 2016 that he has handled A&R for the label, Hell has released over 300 singles and albums on International Deejay Gigolos. The numerous releases on International Deejay Gigolos notably fuelled the 1980s revival in the German and international club scene, establishing DJ Hell as one of the founders of the Electroclash subgenre. From 2000 to 2003, he ran the disco and nightclub Villa Traunstein, located in the Bavarian town of Traunstein, where he was responsible for the club’s high-profile, international DJ bookings, including the likes of WestBam, Sven Väth, and Jeff Mills. Since 2002, DJ Hell has been based in both Munich and Berlin. From 2007 to 2010, he served as musical coordinator for Berlin fashion designer Michael Michalsky, for whose fashion shows he regularly produced the music. Hell has also performed at the after-show parties of Michael Michalsky’s StyleNite, held during the Berlin Fashion Week. DJ Hell has been producing music for fashion shows since the mid-1990s, for the likes of Hugo Boss, Raf Simons, Patrick Mohr, Dirk Schönberger, and Donatella Versace – ever since he was first asked by fashion designer Kostas Murkudis to accompany one of his fashion shows in Berlin with music. DJ Hell occasionally works with renowned fashion labels, either lending his name or collaborating as a designer. This work has given rise to an underwear collection for Wendy & Jim, women’s underpants for Agent Provocateur, CD cases for Magma, and a pair of glasses for Freudenhaus. In 2004, Karl Lagerfeld photographed DJ Hell for V Magazine. These photographs were then exhibited at a gallery in Berlin. DJ Hell on his affinity for fashion (in SPEX #316/2008, p. 95f): “In England, fashion and music have gone together for decades. In Germany, however, one tends to deny a musician’s competence if he defines himself superficially, that is, according to things that are visible. Just think of David Bowie on the male side, and Grace Jones on the female side, and it becomes clear that a union between fashion and music can be incredibly prolific.” As a DJ, Hell has toured worldwide, and repeatedly headlined international festivals such as the Loveparade and Mayday in Berlin, Fuji Rock and Wire in Tokyo, the Montreux Jazz Festival, and the Time Warp Festival in Mannheim. He was the first Techno DJ to perform at the University of Havana in 1997. The performance was filmed by a German film crew directed by Torsten Schulz, and screened in 2000. In 2002, Romuald Karmakar shot a segment of his film “196 BPM” during a performance by Hell at WMF. In 2003, GQ magazine named DJ Hell “Man of the Year” in the category of music. That same year, DJ Hell lived for a second time in New York City, where he produced his third studio album NY Muscle, for which he collaborated with several artists, including Alan Vega, Erlend Øye, James Murphy, and singer Billie Ray Martin. The website allmusic.com wrote about NY Muscle: “This is the sound of nighttime New York City from the outsider perspective of an infamous German named Hell, and it’s dark, dark, debauched fun.”[3] In 2009 Hell released the album Teufelswerk (Devil’s Work), which again features several international guest stars, such as Bryan Ferry, Peter Kruder, P. Diddy, Roberto di Gioia, Mijk van Dijk, Christian Prommer, and Billie Ray Martin. The double album is conceptually divided into “day” and “night” parts, and ranked in the Top 50 of the German Media Control charts. According to Hell in an interview with Resident Advisor: “I did Kosmische Musik in a new way. This is where I come from, I grew up with the early German electronic pioneers of music, and this is why I went in this direction. Often it is called German electronic avant-garde, or psychedelic music. I went back to the '70s and tried to do it in my own way.”[4] The Guardian on Teufelswerk: “With Hell acting as conductor, and Kruder, Prommer, and Roberto di Gioia playing a mixture of synths, acoustic guitars, Wurlitzers and ‘rhythm machines,’ the four sweep back and forth across Europe, mapping the psychic highways that link Kraftwerk’s Dusseldorf and Jean Michel Jarre’s imaginary, futuristic Paris; Pink Floyd at the UFO Club in 1966, and Café del Mar in 1987; cavernous booming dubstep nights in modern Berlin and Goblin’s progressive 1970’s Italy.”[5] Since 2009, DJ Hell has supported the feminist Ukrainian activist group FEMEN with various DJ and television appearances. The self-confessed fan of the FC Bayern Munich soccer club is a jersey sponsor for TSV Altenmarkt, the football club of his hometown. Contrary to rumors, he does not possess a professional coaching license. For the 2006 FIFA World Cup, Hell was booked as a DJ for the opening ceremony at the Olympic Stadium in Berlin, but the event was canceled on short notice by FIFA. DJ Hell on his football passion in Alert, 8/2002: “I watch the home games of FC Bayern Munich. I also represented Germany as a DJ at the recent European and World Championships, travelling with the German national team from city to city, and deejayed on the evening before the games. My contract stated that the organizer had to get me tickets for the games.” (See Alert 8/2002, p.51) The name of DJ Hell's latest album, his first since 2011's Teufelswerk, translates as "music of the future." It's ironic, then, that so much of Zukunftsmusik is inspired by the past. There are obvious echoes of Kraftwerk, Gary Numan, David Bowie, new romanticism, electroclash and any number of gothy synth acts. Some of these tracks could have come out in 2002, '92, '82 or even '72. The album overflows with nostalgia for days gone by. The shocker is that Helmut Hell often makes it work. Much of Zukunftsmusik steers well clear of the dance floor, with an emphasis on quasi-classical melodies and brooding ambience. "Anything Anytime" drapes elegiac piano, pulsing strings and a vocodered voice over a dirge-like beat. Treated vocals also inhabit "High Priests Of Hell"—but here, the sliced utterances feel more malevolent, sitting as they do in a bed of jagged rhythms and disorienting clatter. "With You"—a cover of a bleakly beautiful Robert Görl cut from 1983, "Mit Dir"—has a romantic allure, aided by the slightly sinister vocal presence of Stereo MCs' Rob Birch. "Wir Reiten Durch Die Nacht," is Hell's Kraftwerk pastiche, driven by the gentle throb of an "Autobahn"-esque bassline. "2 Die 2 Sleep," with its droning synths, mournful horns and wistful languor could be a lost track from the instrumental half of Bowie's Low. Bowie's ghost, in full Kurt Weill mode, materializes again on the ambitious "Army Of Strangers," a cut full of grand gestures and over-the-top orchestration. "Car, Car, Car" is the half-speed cousin to Gary Numan's "Cars," its barely-getting-out-of-first-gear rhythm and grandiose synth line leavened by deadpan (and amusingly inane) lyrics that explain "a car is not just a car." Yes, it's derivative. But Hell borrows from his sources with adoration and reverence. Zukunftsmusik's dance floor excursions, however, are less distinctive. Tracks like "Guede," with its gentle 303 pulses and analog swooshes, or the percolating "Wild At Art" feel a bit rote and listless. Of the album's club cuts, the most dynamic is the previously released "I Want U," a salacious tune with a buzzsaw grind and a jackboot stomp. In German, the album’s title has another meaning—"pie in the sky." Hell says the album is his effort to "make sense of the uncertain world, the chaotic present and the fearful future." Even if he's fixated on the past, perhaps that's his way of avoiding dwelling on the pain of what is, and what will likely be. He's dreaming of an improbable tomorrow, one that's as seductive as days gone by. DJ Hell is the designated curator for the planned Museum of Modern Electronic Music (MOMEM), which is scheduled to open in Frankfurt in 2018.
  SoundCloud ↗
  Their RA profile lists International DeeJay Gigolo Records, Disko B, Tresor, Time-Warp and 6 more.

  Recently at Metropol, Fotografiska Berlin, Sameheads · often with Lady Starlight, Paty Vapor, Helena Hauff, none of them here on Saturday

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  Umek

  Slovenia

  “UMEK is personally responsible for kickstarting the electronic music scene in his home country by first organizing illegal raves and then becoming one of Slovenia’s most wanted export products and number one music ambassador to the whole world.”

  their own biography

  the whole biography

  UMEK is personally responsible for kickstarting the electronic music scene in his home country by first organizing illegal raves and then becoming one of Slovenia’s most wanted export products and number one music ambassador to the whole world. And he does fly! Around 100 times per year, visiting almost every continent each year. His gig diary ranges from dark underground clubs in Berlin to massive techno stages on world’s most renowned festivals. Apart from making his name in the DJ booth, he’s also a tireless producer. He mostly releases on his own imprint 1605, and most of his tracks end up on the very top of Beatport’s charts. After more than 25 years as a professional musician, he decided to use his experience and skills in the entrepreneurial world. Together with his managers, he founded a music-tech startup Viberate (www.viberate.com), where they are building the world’s greatest music platform.
  Their RA profile lists Ultra Records, Tortured Records, Armada Music, Pacha Recordings and 6 more.
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  Teenage Mutants

  Berlin · 15 bookings since Sep 2025

  next: PKH Warehouse, Sat 5 Dec

  “An exciting adventure, a project where two German friends –Christian and Fabio- began by holding a party in Hamburg (Baumhaus at famous Reeperbahn) and now it has become an unbounded creativity and scope duo with the purposed to make us spinning with their particular ‘Techno With Drama’ doctrine.”

  their own biography

  the whole biography

  An exciting adventure, a project where two German friends –Christian and Fabio- began by holding a party in Hamburg (Baumhaus at famous Reeperbahn) and now it has become an unbounded creativity and scope duo with the purposed to make us spinning with their particular ‘Techno With Drama’ doctrine. The duo represent a generation of DJ/Producers who don’t need to attend to any musical rules, just carve in their main passion and provide a fresh listening to the techno circuit audience. Heady, inspired and hypnotic sounds to techno’s always vibrant culture. Demanding people, no doubt! The Boys recently joined Adam Beyer’s „DRUMCODE“ and released one of the biggest Techno Tracks of the Year: „Dark Clouds“. Earning the #1 on Beatport and huge support from the whole scene, this track is truly the summer anthem of 2023. Although they have released first-class music on top-notch labels such as Filth On Acid or Terminal M, their current real aim is to continue conquering the worldwide clubbing field with their own imprint TRAGEDIE. They are ready -and more than ever before by having full creative control- to explore, elevate and display their fine-tuned signature sound to the next level. “Excellence is never an accident… choice, not chance, determines your destiny.” Aristotle, Greek, philosopher)
  SoundCloud ↗Discography ↗
  Their RA profile lists Drumcode, Stil vor Talent, Terminal M, Suara and 5 more.

  Recently at Columbiahalle, Ritter Butzke, SAGE · often with Tocadisco, Nakadia, Dr. Motte, none of them here on Saturday

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  Andreas Henneberg

  Berlin · 6 bookings since Aug 2025

  “Andreas Henneberg..”

  their own biography

  the whole biography

  Andreas Henneberg.. Born in Berlin and still living, loving & working in this beautiful pulsating city. Founder of “SNOE”, "Voltage Musique", "Hennon" and “Cascandy” as well as part of “The Glitz”. You can find him behind the scenes since the mid 90’s as a producer, label owner, mastering-engineer and of course as a DJ and live-performer. A vast number of productions, publications and releases are the result of more than 20 years studio, label and stage experience. Feeling at home at the well established, Bremen based “Plantage13” family and frequently releasing on record labels such as SNOE, Katermukke, Get Physical, Bedrock, Desert Hearts, Heinz Music or Systematic Recordings. Andreas is located somewhere between Tech-house, Minimal and Techno simply because he is killing all borders around. In his Dj-Sets he is summing up these genres in a very compatible and functional way. With his critically acclaimed philharmonic live concert concept called "Synth Happens" Andreas gained attention world wide, proving himself yet again as a genre transcending and multifaceted musician capable of blending styles in an innovative fashion. Through the massive support of the performance where he combines his own electronic music with a full orchestra, it can now be seen in opera houses all over the world. web: www.andreas-henneberg.com www.snoemusic.com www.henmountain.com www.plantage13.com full discography: www.discogs.com/artist/Andreas+Henneberg
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Bedrock Records, Soma Records, Get Physical Music, Digital Structures and 6 more.

  Recently at Komplex Berlin, Ritter Butzke · often with Beth Lydi, TraumaMia, @Der Dude, none of them here on Saturday

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  JOANNA COELHO

  Barcelona, Spain · 3 bookings since Sep 2025

  “Joanna Coelho was born in the city of Curitiba, in Paraná (province) in southern Brazil.”

  their own biography

  the whole biography

  Joanna Coelho was born in the city of Curitiba, in Paraná (province) in southern Brazil. Pretty soon, her interest in electronic music was growing up. With the age of 17 Joanna graduated the "International Academy of Electronic Music" (AIMEC) in Curitiba. Joanna Coelho moved to The Netherlands and concluded the Electronic Music Production Course at SAE Rotterdam. From then on, she focused not only in her performances but also dared her first steps as a producer. Joanna has produced and played in the same line-ups as Jeff Mills, Sven Väth, Svetec, N.O.B.A , Alex TB, Pet Duo and other stars in the most varied countries and festivals in Portugal, Spain, Colombia, Austria, Germany, Slovenia, Croatia, Argentina and France amongst many others. She is working hard and knows how to evolve herself continuously, and grow with many new challenges and projects. She seeks to express her skills and personality through her music, bringing strong techno vibes into the scene.
  SoundCloud ↗Discography ↗
  Their RA profile lists ART.1.43 RECORDS.

  Recently at ORWO Haus · often with Paula Hilton, none of them here on Saturday

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  Jil Tanner

  Berlin · 8 bookings since Aug 2025

  “Jil Tanner is a passionate musician, fully immersed in her craft as a DJ, producer, singer, and label owner.”

  their own biography

  the whole biography

  Jil Tanner is a passionate musician, fully immersed in her craft as a DJ, producer, singer, and label owner. Hailing from Germany, she remains deeply rooted in the underground, channeling its authentic energy into a sound that resonates with listeners across the globe. Her music, a fusion of pulsating, vibing techno and progressive tech house, is defined by powerful basslines, hypnotic hooks, and captivating vocals that transform any DJ set into an unforgettable experience. Jil has graced stages at legendary venues such as Fusion Festival (Turmbühne), Kater Blau, Kit Kat, and Sisyphos in Berlin, as well as Rakete in Nürnberg, and has performed at renowned clubs in Stuttgart, Hamburg, Köln, Frankfurt, Zürich, and many more. With releases on respected labels such as Mood, Hottrax, Radikon, Ritter Butzke Rec., Iconyc, and 3000Grad, Jil has firmly established herself in the electronic music scene. Her EP Ravenergy on Nicole Moudaber's Mood Records became a dancefloor staple, achieving millions of streams on Spotify. She has also been featured four times on the cover of Spotify’s Electronic Rising playlist and was ranked among the Top Ten in the Best 50 Tracks of 2022&2024. In the same year, Jil launched her own label, K N KT, with the mission of connecting people through the power of underground dance music. The label’s debut releases quickly gained traction, hitting top spots on Spotify’s Electronic Rising, Techno Bunker, Tunnel Vision, and Electronic Circus playlists, climbing the Beatport charts while also catching the attention of global icons like Solomun. For Jil Tanner, music is more than just a passion—it’s a way of life. Her message? Simple but powerful: LET’S GET LOST IN MUSIC. Looking ahead, Jil’s journey is set to expand, with exciting collaborations, new music, and a growing presence across international venues. Contact: jane@this-saturday.com ALL LINKS: https://linktr.ee/jil_tanner
  SoundCloud ↗
  Their RA profile lists Great Stuff Recordings, Natura Viva, 3000° Records, Audio Safari and 6 more.

  Recently at Treptower Park, Weekend, Ritter Butzke · often with AKA AKA, Simina Grigoriu, Chris Di Perri, none of them here on Saturday

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  BLYSS

  Hannover · 2 bookings since May 2026

  SoundCloud ↗

  Last at Tresor / Globus in May

• Rose

  Paris, France

  Discography ↗
  Their RA profile lists Liebe*Detail and Motoguzzi Records.
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  Bombata

  Berlin · 28 bookings since Aug 2025

  “As a DJ, he stands for musical versatility, solid skills at the mixer and, above all, pure energy.”

  their own biography

  the whole biography

  As a DJ, he stands for musical versatility, solid skills at the mixer and, above all, pure energy. Benny lives in the moment, celebrates with the crowd and pulls people in with his visible passion for music and the dancefloor.Whether behind the booth or right in the middle of it all, he becomes part of the party and knows how to transfer that connection straight onto the floor. Playing across Berlin’s clubs and festivals, he has also performed internationally in the UK, Thailand, the Netherlands and Slovakia, to name just a few. A definite highlight was his two tours in Astana and Almaty, where he represented Berlin’s club culture on behalf of the German Embassy. In 2024, he reached another milestone by celebrating his first official release.
  SoundCloud ↗

  Recently at Ritter Butzke, KitKatClub, Lokschuppen Berlin · often with Dennis Beutler, Peet Flower, justUS, none of them here on Saturday

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  Cat Vermillion

  Berlin · 33 bookings since Aug 2025

  “GEPRÄGT DURCH IHR KÜNSTLERISCHES ELTERNHAUS BEGANN DIE MUSIKALISCHE REISE DER HALBITALIENERIN SCHON IN FRÜHEN KINDERTAGEN.”

  their own biography

  the whole biography

  GEPRÄGT DURCH IHR KÜNSTLERISCHES ELTERNHAUS BEGANN DIE MUSIKALISCHE REISE DER HALBITALIENERIN SCHON IN FRÜHEN KINDERTAGEN. JAHRELANGES BALLETT, SOWIE DAS ERLERNEN MEHRERER INSTRUMENTE, FÜHRTE ZUR ENTWICKLUNG EINES TIEFEN GESPÜRS FÜR RHYTHMUS UND MELODIE. ZUSÄTZLICH KAM DIE LIEBE ZUR ELEKTRONISCHEN MUSIK HINZU. 2018 TRAT CAT DEM BERLINER KOLLEKTIV „DEEP FREQUENCIES“ BEI, WO SIE SICH MAßGEBLICH UM DIE INNENKOMMUNIKATION KÜMMERTE UND DAS DEKOTEAM FÜR EIGENE VERANSTALTUNGEN UND PARADEWAGEN UND FESTIVALS (FEEL FESTIVAL, ARTLAKE, HEXENWERKFESTIVAL) LEITETE. 2020 ETABLIERTE SIE SICH SCHLIEẞLICH ALS DJANE UND BEGEISTERTE MIT IHREN ERSTEN GIGS DAS PUBLIKUM. IHRE LEIDENSCHAFT FÜR SCHRANZ UND HARDGROOVE FAND SCHNELL ANKLANG UND FÜHRTE DAZU, DASS SIE 2021 ALS RESIDENT ARTIST IM RENOMMIERTEN LABEL VOLUME BERLIN RECORDS AUFGENOMMEN WURDE. IM JAHR 2023 GRÜNDETE CAT ZUSAMMEN MIT FELIX REICHELT DIE BOOKING AGENTUR „“,„ANTRIEB BOOKING“, WO SIE IHRE EXPERTISE IN SOCIAL MEDIA-KÜNSTLERBETREUUNG, WEBSITEINSTANDHALTUNG UND CONTENT CREATION EINBRINGT. IHRE VISION UND IHR ENGAGEMENT HABEN DIE AGENTUR SCHNELL ZU EINEM WICHTIGEN AKTEUR IN DER SZENE GEMACHT. 2025 KAMEN DANN DANN DIE ERSTEN EIGENEN RELEASES ÜBER DAS LABEL. SCHON MIT IHREM ERSTEN RELEASE SCHAFFTE SIE ES IN DIE TOP 100 2025 BEATPORT CHARTS IN DER KATEGORIE NEW TRANCE. IHRE MUSIKALISCHE REISE IST ERST AM ANFANG, UND SIE WIRD DIE CLUBSZENE WEITERHIN DIE MIT IHREM EINZIGARTIGEN SOUND UND IHRER UNERMÜDLICHEN ENERGIE BEREICHERN.
  SoundCloud ↗
  Their RA profile lists Volume Berlin Records.

  Recently at Der Weiße Hase, Golden Flamingo, Void Club · often with Felix Reichelt, TechNovaBader, Ronny Luft, none of them here on Saturday

• Denise Schneider

  4 bookings since Feb 2026

  Recently at Straße des 17. Juni, ORWO Haus · often with Thomas Schumacher, Haito, ASK:ME, none of them here on Saturday

• Emilia Fink

  18 bookings since Sep 2025

  Last at Der Weiße Hase in Aug · often with Kevin, Daniel Boon, Klangpusch, none of them here on Saturday

• Kevin Fink

  14 bookings since Nov 2025

  Last at Der Weiße Hase in Aug · often with Daniel Boon, Emilia, Klangpusch, none of them here on Saturday

• KLETTA