Sound in the Garden 2026 (Series Ticket)

Who they are

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  Gigi Masin

  Venice, Italy · 2 bookings since Aug 2026

  ““[My parents] simply didn’t understand why I’d love to study music.”

  their own biography

  the whole biography

  “[My parents] simply didn’t understand why I’d love to study music. They believed to study music or to become a musician or composer was a silly idea...I had to find my own way and it wasn’t so easy.” The words of the Venetian composer, musician, producer, and polymath Gigi Masin ring true in the ears of those young and old, past present and future, who want to be creative but feel restrained by family and society. Always an innovator, Gigi’s first experiments in the late 1970s were sound collages made while working for theatres in Venice, working with tape loops, field recordings, and turntablism. Experimenting with tape allowed him to discover a new language to express himself, more than in his original ambitions to be a guitarist and violinist, looked down upon by his parents. It was difficult to find a local audience for these works, culminating in the release of his debut album Wind in 1987. A nation and society at the forefront of so many strands of Western music and high culture, Italy was staid and traditional. Gigi believed there to be “a poor sense of culture and a sort of intellectual haughtiness in the Italian media about Italian musicians in general” – especially if they had anything to do with the avantgarde. The music on Wind is stripped back, bare, almost alien in their stillness, with the steady pulse of his beloved Korg Poly-800 echoing the lagoon waters around him. Underappreciated on its release, Wind soon gained a cult following among late night radio listeners, hearing these gentle echoes of the Venetian landscape, reflecting a personal outlook on Venice from a native son; a rare artifact in a world where the platonic Venice can be heard and seen from artists the world over, but images and sounds of the actual Venice are harder to come by. Gigi is a rare exception. Released for free, Gigi never expected much to come of it. His 1989 joint album for Sub Rosa with This Heat’s Charles Hayward, Les Nouvelles Musiques Du Chambre, took on a life of its own when his track Clouds was sampled by Björk, To Rococo Rot, Nujabes, Black Eyed Peas, and Post Malone – but Gigi remained in obscurity. His output slowed from the early 90s as he raised a family and worked dutifully for Il Posto. Tragedy struck in 2007 when a flood destroyed the vast majority of his archives: instruments, tapes, records, and memorabilia. Salvaging what he could, he took to the computer for the first time, starting the next phase of innovating. In 2014, Dutch label Music From Memory released Talk To The Sea, a retrospective of the past 30 years of Gigi’s output, favorites handpicked by label heads Jamie Tiller and Tako Reyenga. It marked the start of the wider recognition Gigi so richly deserved, receiving praise from media and figures like Devendra Banhart, who claimed to listen to the album daily, praising in an interview in The Quietus how his music “is representative of the entire spectrum of emotions, which is what I think I, as a fan of music, am often looking for”. Through the label, Gigi met British producer and Melody As Truth label head Jonny Nash and cult Dutch DJ and producer Marco Sterk (Young Marco), forming the trio Gaussian Curve and releasing their debut Clouds on the label in 2015. Gigi says it was “an instant friendship”, a dream collaboration where they only had to sit in a studio and “let the music fill the space”. Back in Italy – where he remains, just outside Venice, having left his post office job to devote himself to music full-time – he struck up a relationship with Luciano Ermondi and Paolo Mazzacani of Tempelhof after a show in Mantua; their two joint albums for Italian label Hell Yeah – Hoshi and Tsuki – came in bursts of inspiration, virtually but simply. Gigi also appeared on PAN as part of Lifted, a group spearheaded by Future Times founder Andrew Field-Pickering (Max D / Beautiful Swimmers), also featuring Matthew Papich (Co La), Jeremy Hyman (Avey Tare’s Slasher Flicks), Motion Graphix, Jordan Czamanski (Juju & Jordash), and Dawit Eklund (1432 R). A series of singles came on Throne of Blood, Dekmantel, and Light In The Attic, along with dates at festivals, galleries, and opening for Oneohtrix Point Never and Devendra Banhart. With more international tour dates, upcoming collaborations, an upcoming album of new material - Calypso - on R&S/Apollo, and a continuous refusal to be pigeonholed as ambient, new age, Balearic, modern classical, or whatever you wish to call him, Gigi Masin continues to be one of the most quietly innovative and singular artists in the scene. Not wanting to rest on his laurels and remain tethered to past triumphs, he remains facing forward, doing things “in the same way I did in the past, when nobody cared”.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Hell Yeah Recordings, Unclear, Shaded Explorations, Music From Memory and 1 more.
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  Valentina Magaletti

  South, Italy · 4 bookings since May 2026

  “She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more.”

  their own biography

  the whole biography

  She has performed and co-written with many artists including Nicolas Jaar, Jandek, Helm, Raime,Moin, HOly Tongue,Czn Malcom Catto, Charles Hayward, Graham Lewis (Wire, Dome), Tightpaul Sandra (Coil, Spiritualized, Julian Cope), Thurston Moore, Bat for Lashes, Gruff Rhys (Super Furry Animals), and many more. In her current project, Vanishing Twin she has a more conventional jazz approach that finds its escape in the drone/field recordings of the percussive narrative in other experimental/avant-garde productions. Valentina was born in Bari, Italy, and lives in London. She has performed widely with festivals including: UnSound (Toronto,Krakow),Wysyng Art Centre(Cambridge) Atonal(Berlin),Festival International Musiques Actuelle (Victoriaville),Festival de la Cité (Lusanne)Museum of Modern Art(Moscow),The Great Escape (BBC Stage),(Brighton),Incubate festival Tilburg),Nuits Sonores(Lion),Hyperreality(Vienna) Tauron Nowa Muzyk Festival(Katowice) Bozar(Bruxelles),Hyperreality(Vienna)ANLG(NYC),EcoFestival(Madrid), Loop Festival(Los Angeles),Phono Festival (Odense),Tremor(Azores), Roskilde (Roskilde),Jazz is Dead(Turin),Le Guess who?(Utrecht),RewireTheHague),Glastonbury(Glastonbury),Supersonic(Birmingham),Sonar(Reykjavik),Time Zones(Bari),Tempo Reale(Florence). Other performance highlights include several improvised or repertoire presentations at Cafe Oto (London),commissioned work for Zabludowicz collection(London),The Barbican(London),Southbank Center (London),National Theatre and Dance (Lisbon),Sonoscopia (Porto),VAC(Palazzo Delle Zattere, Venezia) Valentina has performed or composed music released on labels including Editions Mego, Trilogy Tapes, Offen,Takuroku,Marionette,Hands in the Dark,Blank Editions,Confront,Latency,Horn of Plenty,Meakusma,Emotional Response,Other People,Soundway,Fire Records and mony more.
  Their RA profile lists Editions Mego, Meakusma, Emotional Response, Soundway Records and 6 more.

  Last at Kraftwerk Berlin in May · often with GЯEG, Devon Rexi meets John T. Gast, ABADIR, none of them here that night

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  upsammy

  Amsterdam, Netherlands · 9 bookings since Aug 2025

  SoundCloud ↗Discography ↗
  Their RA profile lists Dekmantel, PAN, Die Orakel, Nous'klaer Audio and 1 more.

  Recently at Berghain, Kraftwerk Berlin · often with Dj Babatr, Kamran Sadeghi, Lechuga Zafiro, none of them here that night

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  Dopplereffekt

  Detroit, United States of America · 4 bookings since Feb 2026

  SoundCloud ↗Discography ↗
  Their RA profile lists International DeeJay Gigolo Records, Rephlex, Clone Classic Cuts, Solar One Music and 1 more.

  Recently at Berghain, Tresor / Globus · often with Max Watts, DJ Stingray 313, Purelink, none of them here that night

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  Space Afrika

  North, United Kingdom · 5 bookings since Sep 2025

  “With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future.”

  their own biography

  the whole biography

  With their slow-stepping, spacious urban dubscapes, Space Afrika harness ambient, Detroit techno and shades of early nineties Sheffield with a fresh and open approach to composition — this is dub techno stripped-down, sealed in a time capsule and sent back from the near future. Driving, echo-laden deep beats form the bed for a heavily subaquatic sound palette with undercurrents of cybernetic dread. Friends for almost 2 decades, the two Joshuas formed Space Afrika after years of listening to music together, sequestered by harsh Northern winters. Heavily inspired by the industrial architecture of Northwest England and notions of travel, their sonic framework evokes images of rust and disintegrating concrete, and sensations of movement and redemption — exuding a distorted analogue soul offering escape into their overcast skies. Closely associated with Brighton/London label, Where to Now?, who slink along a vintage axis of post-punk, On-U Sound, minimal and no wave influences, Space Afrika's diverse and creative radio shows (notably their residencies on NTS and Reform Radio) also display a breadth of curiosities in experimental and avant-garde music, old and new.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Where To Now?, Dais Records and Sferic.

  Recently at Haus der Visionäre, MONOM · often with Nardus Williams, Bapari, 20:50 Mug Live, none of them here that night

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  Hildur Guðnadóttir

  Iceland · 6 bookings since Nov 2025

  “Guðnadóttir began playing cello as a child, entered the Reykjavík Music Academy and then moved on to musical studies/composition and new media at the Iceland Academy of the Arts and Universitat der Kunste in Berlin.”

  their own biography

  the whole biography

  Guðnadóttir began playing cello as a child, entered the Reykjavík Music Academy and then moved on to musical studies/composition and new media at the Iceland Academy of the Arts and Universitat der Kunste in Berlin. Back in Iceland, she became very active in the neu-Iceland scene as a member of Kitchen Motors, a Reykjavík based think tank, record label and an art collective along with internationally renowned composer Jóhann Jóhannsson. In 2004, she started playing with the band Angel (Ilpo Väisänen and Dirk Dresslehaus). Around that time she made an album with Dirk (Mr. Schmuck´s farm), and went on to play live Pan Sonic, later collaborating on their album Cathodephase. She released her first solo album, Mount A, under the artist name Lost in the Hildurness, on the Reykjavík based label 12 Tónar in 2006. The album was recorded in New York City, and at ‘Hólar in Hjaltadalur’, a historic spot in Iceland with a house named Audunarstofa. The old house is constructed from Norwegian wood and was chosen for its excellent cello acoustics. Guðnadóttir played all the instruments on the album – vibraphone, viola da gamba, harp and vocals. Guðnadóttir is a member of Storsveit Nix Noltes (The Nix Noltes Big Band), a rotating cast of 7 to 10 Icelanders playing traditional Bulgarian and Greek dance music. The group has toured the US twice supporting Animal Collective. She has also played frequently with field recording artist and performer BJ Nilsen; delicate duets that conjure somber rapture of multi tracked cello - Guðnadóttir’s live playing augmented by laptop loops. Guðnadóttir has collaborated, played and recorded with other artists such as Skúli Sverrisson, Hilmar Jensson, Hafler Trio, Jóhann Jóhannsson, Nico Muhly, Valgeir Sigurdsson, Angel, Schneider™, Ben Frost and Stilluppsteypa. As a composer she has written music for plays, dance performances and films, pieces for chamber orchestras, various instruments, voices and electronics. Guðnadóttir likes to explore the nature and movement of sound, and often turns her experiments into sound and visual installations. She recently co-composed a live soundtrack to Derek Jarman's 1980 film In The Shadow of The Sun with legends Throbbing Gristle, arranged choir for performances by them in Austria and London.
  Discography ↗

  Recently at Volksbühne · often with Emma Ruth Rundle, Eve Matin, Sam Slater, none of them here that night

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  Michael Rother

  Berlin · 2 bookings since Aug 2026

  Discography ↗
  Their RA profile lists Polydor and Grönland Records.

  often with Harmonia, plays NEU, Solo Works, none of them here that night

• Slauson Malone 1

  2 bookings since Aug 2026

  often with Eve Matin, Sam Slater, none of them here that night