WSNWG LIVE
Berghain | Panorama Bar | Säule, Berlin
This night happened — Fri 25 Sep · 10pm → 6am Sat
Press play
Who was billed5 artists
In the order the promoter listed them.
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
7 of the 10 pairings on this bill were first meetings.
- Dasha Rush and Rødhåd — 2 shared bills before that night, first on Sat 8 Nov 2025.
- Dasha Rush and Megan Leber — 1 shared bill before that night, first on Fri 25 Sep 2026.
- Rødhåd and UFO95 — 1 shared bill before that night, first on Sat 10 Jan 2026.
Who they are
“Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects.”
their own biography
the whole biography
Dasha Rush is a Russian-born, French national, based in Berlin, who is an artist that spends her time traveling around the globe while working on a wide variety of electronic music and art projects. She has released music on labels such as Sonic Groove and Raster Noton, and has also collaborated with others. Additionally, some of her work has been released on her own labels, Fullpanda Records (2005) and the experimental sub-label Hunger to Create (2004) She began her musical career at a young age in Moscow, where she was one of the first female DJs/producers in Eastern Europe. After moving to France in 1996, she gained international recognition in the early 2000s and developed as an electronic music composer, producer, and DJ, experimenting with various forms of art by collaborating with dancers and painters. Rush views genres as starting points rather than destinations and explores rare electronic experimentation that draws from the roots of underground music from the early 20th century. Her album on Raster-Noton (2015), could be a metaphor for her musical work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in- between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. She pushes the boundaries of contemporary music to the limit and encourages experimentation with various musical and non-musical forms, creating thoughtful compositions in multidisciplinary projects. Her audiovisual work, inspired by scientific subjects, includes projects like "Antarctic Takt" (2014), "Aurora Cerebralis" (2019), and "Dark Hearts of Space" (2015). In her multidisciplinary show "Les Territoires Ephemeres" (2018), she combines different artistic disciplines such as Japanese butoh, theatre, poetry, and digital music and visuals. In conclusion, Dasha Rush is a live performer, electronic music composer, sound artist, and techno DJ whose work extends beyond the dance floor and sometimes beyond music itself. In her strange and twisted world, the machines are the protagonists of a neo-romanticism, weaved with human dreams. www.dashrush.org www.fullpanda.com Selected performance: -Antarctic Takt ( Audio Visual) 2014 -Dark Hearts Of Space ( Audio Visual) 2015 -Les Territoires Ephemers 2018/ Multidisciplinary) - Aurora Cerebralis 2019 ( Audio Visual) -Dasha Rush and Schloss Mirabel( Cello) (New classic experimental electronica Live show - Hypothetically Personal ( Audio Visual) 2024 Dasha Rush & UY studio collaboration -Zone ( Contemporary Dance / Ballet) -CODESS - choreographed by Candela CaptainTheir RA profile lists Raster-Noton, Fullpanda, Sonic Groove, Hunger to create and 6 more.Recently at RSO.BERLIN, Schönwalde-Glien, Grünefeld bei Berlin, Germany, Berghain · often with Innersha, Afrikan Sciences, Francis Harris, none of them here that night
“Megan, labelled by the modular community as “the Queen of Restraint”, is gaining ground in the electronic music scene.”
their own biography
the whole biography
Megan, labelled by the modular community as “the Queen of Restraint”, is gaining ground in the electronic music scene. She has worked with artists like Speedy J and Rødhåd and recently contributed a track to the latest Stone Techno Series “Triclinic” alongside Luke Slater and Ben Sims.Their RA profile lists STOOR.often with Grisha Lichtenberger, Anthony Linell, none of them here that night
“Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene.”
their own biography
the whole biography
Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene. Starting with his first residency at the long-defunct Zementgarten in 2006, he went on playing venues and festivals of all sizes and magnitudes. Known for relentless DJ sets that meld uncompromising techno with highly emotional atmospheres and soundscapes, he’s managed to have a major impact on the world’s most cherished floors while remaining passionately independent. Rødhåd continues to abstain from excessive hype, staying very much connected to the community that formed him. In the last years he deepened his interest in the communal aspect of electronic music even further, curating excessive multipersonal live jams at places like Berghain or Dekmantel Festival. By launching Dystopian in 2009, first as a party series and later as a label, he made a distinct mark on Berlin’s techno landscape through a raw and honest vision, that felt true amid the city’s more dark and industrial edge. With releases from the likes of Alex.Do, Recondite, Distant Echoes or Rødhåd himself, Dystopian cemented itself as one of Berlins major techno trademarks throughout the decade of its existence. In 2017 Rødhåd released his debut LP Anxious, demonstrating his versatility as producer, spanning straightforward techno to dim and dusky ambient tunes. With his latest imprint, WSNWG, he created a platform for collaborative explorations in sound and texture with long-time companions and newfound friends alike. While the label’s core output remains a steady stream of dancefloor oriented 12”s it also released full-length albums that venture deeper into experimental and exploratory territories. The concept album series Out Of Place Artefacts (with Vril) takes the listener on a journey through deep introspection and otherworldly land- and soundscapes, while always always alluding to the rich tradition of electronic music in an abstract and mediated rather than direct way. Released in 2022, the LP In Vere (with JakoJako) departs from the characteristically dark and melancholic undertone of Rødhåd’s work, delving into lush, organic textures and ethereal, arpeggiated themes, also implementing elements of electronica. The sublabel WSNWG Back To Zero is devoted to solo releases and compilations, launched in 2020 through the highly acclaimed LP Mood, comprising archive material from 2017/2018, marking Rødhåd’s first purely ambient and experimental release, free of any dancefloor ambition. Over the years, Rødhåd has proved himself as a proponent of true craftsmanship, applying the same rigour to his work in the studio as to selecting and mixing records. Remaining hands-on, and keeping a down-to-earth mentality - steering clear of spectacle - has made him a long-established staple in the electronic music community.Their RA profile lists Cocoon Recordings, CLR, Token, Wolfskuil Records and 6 more.Recently at Schönwalde-Glien, Grünefeld bei Berlin, Germany, ÆDEN, Berghain · often with Victor (DE), Richard Akingbehin, Xiaolin, none of them here that night
“Jochem Paap (the Rotterdam artist owes the nickname Speedy J to his DJ skills) is unanimously considered to be one of the first techno producers to come from the Benelux.”
their own biography
the whole biography
Jochem Paap (the Rotterdam artist owes the nickname Speedy J to his DJ skills) is unanimously considered to be one of the first techno producers to come from the Benelux. Together with people like Laurent Garnier, Aphex Twin and Richie Hawtin he helped raising the genre just after it had escaped the Detroit delivery room. Since the early nineties, Speedy J releases on labels like Plus 8, Warp and Novamute. But while techno develops into a dominating force on many dance floors worldwide, Jochem Paap, after the albums G Spot (1993) and Ginger (1995), turns left and heads for other exciting places. On Public Energy No. 1 (1997) and A Shocking Hobby (2000) the sound wizard exchanges flowing, harmonious techno for a much more complex sound, filled with colliding samples, crackling rhythms and tremendously thrilling turns. After fifteen years of techno Speedy J now has come full circle. But what a wide circle it was, and how fickle the trodden path. Over the years he has collaborated with video-artists, filmmakers and advertisers, made the pioneering DVD Umfeld, an audio-visual, electronic trip, which sets the standard for many composers who want to compose for six speakers in the coming years – remarkably made available as a free download on the internet. But not only that, Speedy J has continuously been pushing the boundaries of electronic & experimental dance music. Blurring the lines between Live performance and Digital Djing, he fuses subversive electronics and peak time Techno. Together with his partner in crime Chris Liebing he started using Traktor and other Software technology on 4 laptops with hardware such as Machine Drum and 303’s to create a fully integrated set. Again he is spearheading a way of DJing that is picked up by a lot of other forward thinking electronic artists. Logically, the releases on his label Electric Deluxe all feature tool versions, introducing the concept of creating unique live sets from parts as a natural evolution of Djing. Not only setting the bar for peak hour Techno madness, Electric Deluxe becomes the platform for his Collabs series that started on Novamute, as well as releases by open minded artists like Chris Liebing, George Issakidis, Tommy Four Seven and Terrence Fixmer to showcase the value of creative synergy using newest technology. Another strong part of this idea is the introduction of a new series of techno events called Electric Deluxe presents, which in a young history of just a couple of editions brought major artists like Richie Hawtin, Marco Carola, Radio Slave, Matthew Dear, Chris Liebing into play. Speedy J’s musical vision is genre blurring, creative freedom at the highest level of innovation and quality, it is providing a platform for artists operating within any conceivable genre in the broad spectrum of techno to fully explore and embrace the ever-expanding technological possibilities.Their RA profile lists Warp Records, novamute, Music Man Records, Plus 8 Records Ltd and 5 more.Recently at RSO.BERLIN, Berghain · often with SUMME, ALI3N, Carmen Electro, none of them here that night
“UFO95, IS A FRENCH ELECTRONIC MUSIC ARTIST, WHO DELVES INTO TECHNO'S ESSENCE WITH HIS DARK,HYPNOTIC RHYTHMS REMINISCENT OF '90S AND EARLY '00S SOUNDS.”
their own biography
the whole biography
UFO95, IS A FRENCH ELECTRONIC MUSIC ARTIST, WHO DELVES INTO TECHNO'S ESSENCE WITH HIS DARK,HYPNOTIC RHYTHMS REMINISCENT OF '90S AND EARLY '00S SOUNDS. RENOWNED FOR ELECTRIFYING LIVE PERFORMANCES IN ICONIC CLUBS LIKE BERGHAIN, BASSIANI, BASEMENT NY AND TRESOR WHERE HE IS ALSO RESIDENT, HE EMPHASIZES IMPROVISATION OVER PRE-RECORDED SETS. DESPITE EVOLVING, HE REMAINS TRUE TO TECHNO'S CORE,OFFERING INTROSPECTIVE JOURNEYS THROUGH HIS AUTHENTIC AND INNOVATIVE SOUNDSCAPES. HE RELEASED MUSIC ON TRESOR, WSNWG, MORD AND HIS CO-OWNED LABEL WITH HADONE, TSSRCT FOR THEIR DUO PROJECT « CIVIC INSTRUCTION ».Their RA profile lists Tresor, Mord, WSNWG, Mama told ya and 3 more.Recently at Tresor / Globus, Berghain, RSO.BERLIN · often with TRESOR, GLOBUS, Hadone, none of them here that night
names these artists often play with — not that night
- Victor (DE)3 with Rødhåd and 2 with Dasha Rush
- GLOBUS5 with UFO95
- TRESOR5 with UFO95
- Hadone3 with UFO95
- Marcel Dettmann3 with Rødhåd
- The Carry Nation3 with Rødhåd
- Afrikan Sciences2 with Dasha Rush
- Amotik2 with Dasha Rush
57 said they were going — much quieter than a usual Friday at Berghain.
how this compares
- Median final count, Fridays at Berghain153
- Middle half finished between125 and 256
- Past Fridays at this venue counted52
- Counted57 on Tue 11 Aug, 57 on Wed 12 Aug
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.
Also that night
- Tresor meets Non SeriesTresor / Globus — TRESOR and UFO95 keep turning up on the same bills.
- SESHRSO.BERLIN — that room books a lot of the same DJs as this one.
how these 2 are connected
- Tresor meets Non Series — TRESOR and UFO95 have shared 5 bills; TRESOR is on that bill and UFO95 is on this one.
- SESH — shares 214 artists with this room, Darwin among them.