Tresor meets Downwards Records
Tresor / Globus, Berlin
Fri 30 Oct 2026 · 9pm → 11am Sat · 14 hours
Press play
Who’s playing12 artists
In the order the promoter lists them.
Blu Aloé · OAKE · Oliver Ho · Scion · Helm · Irazu · Regis · Test Dept · Downwards · Hybrid set · *live · DJ set
Set times not published.
the pairs that have met
63 of the 66 pairings on this bill are first meetings.
- Oliver Ho and Regis — 1 shared bill before Friday, first on Fri 31 Oct 2025.
- OAKE and Oliver Ho — 1 shared bill before Friday, first on Fri 31 Oct 2025.
- OAKE and Regis — 1 shared bill before Friday, first on Fri 31 Oct 2025.
Good to know
- “A ticket does not guarantee entry.”
Guest Information:
Self-service lockers are now installed for guests to store their belongings.
It is recommended to download the DAYLOX app before arriving.
Bring a charged phone. NFC capabilities must be switched on.
Tresor staff are on site if you need support.
Ticketing Policy:
Tresor reserves the right to refuse admission to any guest in accordance with its house policy. All ticket purchases, resales, and refund requests are handled exclusively by Resident Advisor. For refund enquiries, please refer to RA’s support guidelines.
the rest of the promoter’s listing — 1 more paragraph
A ticket does not guarantee entry.
from the promoter’s listing on Resident Advisor
Who they are
“Blu Aloé is a Berlin-based artist working with voice, processed through granular modular synthesis - moving between fragmented poetic language and voice eroded into pure texture and vast drone.”
their own biography
the whole biography
Blu Aloé is a Berlin-based artist working with voice, processed through granular modular synthesis - moving between fragmented poetic language and voice eroded into pure texture and vast drone. Her practice operates at the intersection of drone, ambient, experimental electronics and industrial techno. She grew up in Cologne, Germany, where she became involved in the local techno scene in proximity to the Cologne-based label and cultural research platform Brutalism. Her recent EP Herde (03/26) was released on Karl O'Connor's Downwards Records. Her album Liminal Space (08/25), constructed entirely from vocal recordings, explores thresholds as zones of suspension - mapping the physicality of chaos and fragility. She recently performed live at Sanctum Of Sound, MaHalla Berlin. Boomkat: "Blu Aloé possesses a steely grasp of modular synthesis and dank aromas that feels out a bind between hermetic concentration and resonant decay. Her first bow on Karl O'Connor’s label [Downwards Records] explores her spectral voice at the crossroads of industrial experimentation, drone and noise techno, on a plane between Maria Zerfall’s cult ‘80s DIY works, Anne Gillis or Eros’ feel for haunted space and the rugged charges of Tuning Circuits."Their RA profile lists Downwards.Last at MaHalla in Jul
“...OAKE has become established as one of the most distinctive products of the genre, pushing an unforgiving style that’s demanding of listeners, devoid of stock value or predictable moralizing, and which seeks to find and create romance in a greyscale world of brutalist architecture and all-pervasive automation.”
their own biography
the whole biography
...OAKE has become established as one of the most distinctive products of the genre, pushing an unforgiving style that’s demanding of listeners, devoid of stock value or predictable moralizing, and which seeks to find and create romance in a greyscale world of brutalist architecture and all-pervasive automation. OAKE has released on genre-defining labels such as Downwards, Stroboscopic Artefacts, SNTS, 47, and has seen remix duties on imprints like Horo, Noiztank, and Cluster Node. The result has been a sound that arrests the listener’s consciousness with a rigorous balance of ethereal vocal seduction and concussive rhythm, projecting them into a world where the forces of techno-science and magic find themselves in constant reciprocal conversation. OAKE’s intense, theatrical live shows have captivated club and festival goers all around the world, alongside DJ sets that range from grooming night-setting openers and all-night ambient vinyl sessions, to intense techno closings led by a fearless sound that brings together all kinds of broken styles – always keeping things high-pace, always full-on, and always producing a particular sense of satisfaction on dancefloors across the world. For live and DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you. ---------------------------------------- Auferstehung has been received as a grand and mysterious work of art, despite working in an industrial lineage, it also "recalls the ethereal beauty of Cocteau Twins or Julee Cruise's work for David Lynch much thanks to Bathseba's otherworldly vocals, resulting in a dense, atmospheric album of real cinematic tension, one that leaves you painting the scenery in your mind (RA review).” “A dense, atmospheric album of real cinematic tension, one that leaves you painting the scenery in your mind. At times it sounds grand and mysterious, at others it evokes a pagan funeral on a windswept cliff. Yes, it is sombre. Yes, it is noisy. But Auferstehung is also rich and rewarding.” -- ResidentAdvisor “The debut LP from this mysterious duo can only be described as astonishing. “Auferstehung” is like a terrifying and intense howl from the core of the deepest winter forest. Cold but warm, this wonderful debut album provides listeners with a truly poetic and emotional dark sound.” -- Secretthirteen "This record is more than just an experimental electronic record, Auferstehung is dark ambient meeting drone, industrial merging with metal, techno running into dream pop -the vocals are a fundamental part of the whole thing, whch is an actual small gem- everything spiced up with a little punk. Oake gave us this little masterpiece, a record you should definitely listen to, love and jealously keep." -- FuturismiTheir RA profile lists Stroboscopic Artefacts, Downwards, SNTS, Noiztank and 5 more.Recently at OHM, Tresor / Globus · often with Samuel Kerridge, Rangelova, none of them here on Friday
- Their RA profile lists Poker Flat Recordings, Klang Elektronik, Music Man Records, Macro and 6 more.
Last at Tresor / Globus in Jun
- Their RA profile lists Scion Versions.
Recently at OHM
- Their RA profile lists PAN, Hospital Productions, Alter and Ascetic House.
Recently at Silent Green
“Born in Madrid, living somewhere in Europe, Irazu’s connection with electronic music is just a symbol of sonic expressionism of self discovery to try to know what he is.”
their own biography
the whole biography
Born in Madrid, living somewhere in Europe, Irazu’s connection with electronic music is just a symbol of sonic expressionism of self discovery to try to know what he is. Starting his contribution to music as a promoter of parties in Madrid, making music and release records was a necessary way to express emotions that he felt a few years later. His first records came out in the last two years in Kastil’s label ‘’Stale’’, working with artists like Acronym, Regis, Pessimist and Kastil, two new records are also coming out in different Labels in 2018. His last record ‘’Study for portrait’’ was released a few weeks ago with a remix by Pessimist. His influences comes specially from UK west Midlands, Holland, Italy and Spain, figures like Regis, Svreca, Autechre, Oscar Mulero, Donato Dozzy, Luke Slater or Surgeon are a way to define what he believes in a sonic way. He defines his work as ‘’An intimate space between tension and false tranquility’’.Their RA profile lists Semantica Records, Downwards, Fanzine Records, Stale and 2 more.“Still Ear”
their own biography
Their RA profile lists Tresor, Synewave, Semantica Records, Sandwell District and 6 more.Recently at Tresor / Globus, Hamburger Bahnhof - Museum für Gegenwart, Sonnenraum · often with Beatrice, Samuel Kerridge, DJ Pete, none of them here on Friday
“Test Dept's formation in 1981 in the decaying docklands of South London, was an urgent reaction to the materialistic drift and reactionary conservatism of the prevailing musical and political culture.TD rejected the conventional and developed a style that reflected the decay of their surroundings scavenging the unregenerated wastelands for raw materials, and transforming found industrial items into designed, sculptural instruments.”
their own biography
the whole biography
Test Dept's formation in 1981 in the decaying docklands of South London, was an urgent reaction to the materialistic drift and reactionary conservatism of the prevailing musical and political culture.TD rejected the conventional and developed a style that reflected the decay of their surroundings scavenging the unregenerated wastelands for raw materials, and transforming found industrial items into designed, sculptural instruments. Suitably armed they forged a hard rhythmic sonic battery, fusing found sound samples and cutting edge electronics in the construction of a dynamic physical totality. Their infamous sonic assaults were challenging and demanding for audience and performers alike, a test of physical endurance that journeyed through the sonic pain threshold and into a cathartic energy release. The 'Stakhanovite Sound' was a furnace that forged an attitude of total collective commitment, embracing the spirit of punk with an avant revolutionary sensibility that sought to challenge the status quo. It was the antithesis of commercial record industry values. EXTREME CONDITIONS DEMAND EXTREME RESPONSES. Their unique performance enviroment utilised multiple slide and film projections reinvigorating disused industrial settings, with epic scale spectacular events working collectively with other artists under the umbrella of the 'Ministry of Power'. Collaborations were formed with filmmakers, sculptors, dancers and politically active groups, such as the striking Miners in 1984/85, where members of the community were encouraged to participate with creative contributions. Such endeavours led to comparisons with the early work of the Futurists movement, Russolo's ' Art of Noises', Mayakovsky's political poetry, Meyerhold's revolutionary theatre, and Vertov's audio visual experiments on celluloid. This reputation was enhanced as they became one of the few Western groups to penetrate the iron curtain and forge working alliances in Eastern Bloc Europe. Test Dept became renowned for producing epic scale site specific productions within Britain, land and sound mark events included both Arch 69 and Titan Arch at Waterloo, 'The Unacceptable Face of Freedom at Bishops Bridge Maintenance Depot, Paddington, and Cannon Street Station in a continuing burgeoning relationship with British Rail. Other Multi media collaborations took them to represent Britain at Expo Vancouver Canada, supported ironically by the Queens Own Royal Lancashire Regiment. In Valladollid, Spain they created a show with the local theatrical and music academies at the Monasterio De San Benito, in a 'Boschian' exorcism of the centre of the Spanish Inquisition. Their most awesome collaboration with Brith Gof (Faint Recollection) took place at the Rover Car factory in Cardiff and other unique locations around Europe. The performance based on the epic 6th Century poem 'Gododdin' recalled the plight and heroic struggle of a small band of celtic warriors against the might of the invading Angles. A parable of minority cultures struggle for identity against the superior forces of colonialism and homogenisation. In 1992 an offshoot of The Ministry of Power, NVA was formed in Glasgow to focus on large scale productions. 'The Second Coming' show at the St. Rollox Railway Works in Glasgow was the centrepiece of the cities European Year of Culture celebration. The remaining core of the group concentrated their activities on working with new music technology, moving in the underground dance scene, whose counter cultural values were to find themselves at odds with both mainstream musical values and the Government. With the proliferation of illegal 'raves , the politicisation of the dance movement became official with the introduction of 'The Criminal Justice Act' to prevent large scale gatherings and curb the "excessive" noise levels of "repetitive beats". Such draconian action alongside advances in digital technology ultimately led to the creation of a wider digital diaspora of experimental sound artists and electronic practitioners.Recently at Tresor / Globus, Panke, ÆDEN · often with ọ́kụ́, Jonas Xenon, DJ LOUI FROM JUPITER4, none of them here on Friday
Recently at Kantine am Berghain, Club der Visionaere, Klunkerkranich · often with Warlord®, Eva Selezneva, e03 (1), none of them here on Friday
names these artists often play with — not on Friday
- Samuel Kerridge2 with OAKE and 2 with Regis
- Warlord®3 with *live
- Beatrice2 with Regis
- benzii2 with *live
- bod [包家巷]2 with *live
- DJ Pete2 with Regis
- e03 (1)2 with *live
- Eva Selezneva2 with *live
The room
Tresor / Globus — 286 events and 1,149 distinct artists since Aug 2025.
Who’s putting it on
Tresor Club — 282 events and 1,140 artists since Aug 2025.
Also that night
- SOUND METAPHORS FESTIVAL PART 2Berghain — Surgeon and GLOBUS keep turning up on the same bills.
- FOREVER 25 curated by Mila Stern & Esther SilexKater — Barbara Preisinger and TRESOR keep turning up on the same bills.
- FIGURE NACHT w/ Len Faki, Arthur Robert live, Decoder, IGLO, and Inox TraxxRSO.BERLIN — that room books a lot of the same DJs as this one.
how these 3 are connected
- SOUND METAPHORS FESTIVAL PART 2 — Surgeon and GLOBUS have shared 6 bills; Surgeon is on that bill and GLOBUS is on this one.
- FOREVER 25 curated by Mila Stern & Esther Silex — Barbara Preisinger and TRESOR have shared 4 bills; Barbara Preisinger is on that bill and TRESOR is on this one.
- FIGURE NACHT w/ Len Faki, Arthur Robert live, Decoder, IGLO, and Inox Traxx — shares 229 artists with this room, Xiorro among them.