Klubnacht
Berghain | Panorama Bar | Säule, Berlin
This night happened — Sat 10 Oct · 11:59pm → 6am Sun
Press play
Who was billed16 artists
In the order the promoter listed them.
- Anika Kunst
- Ben Klock
- next: Knockdown Center in NYC, Sat 14 NovDAX J
- Elisa Batti
- Fiedel
- next: RSO.BERLIN, Thu 31 DecGrace Dahl
- next: BASEMENT in NYC, Sat 21 NovNastia Reigel
- Gene On Earth
- Gonno
- Luke Slater
- next: The Buzz, Fri 20 NovLuigi Di Venere
- Ogazón
- Paquita Gordon
- next: The Chocolate Factory in NYC, Sat 7 NovZombies In Miami
- L.B. Dub Corp
- Hansgod
Set times were not published. · Timetable on berghain.berlin ↗
the pairs that have met
106 of the 120 pairings on this bill were first meetings.
- Fiedel and Ogazón — 2 shared bills before that night, first on Sat 29 Nov 2025.
- Fiedel and Luke Slater — 1 shared bill before that night, first on Sat 8 Aug 2026.
- Grace Dahl and Nastia Reigel — 1 shared bill before that night, first on Sat 10 Oct 2026.
- Nastia Reigel and Ogazón — 1 shared bill before that night, first on Sat 15 Aug 2026.
- Ogazón and Zombies In Miami — 1 shared bill before that night, first on Sat 27 Jun 2026.
- Fiedel and Zombies In Miami — 1 shared bill before that night, first on Sat 4 Apr 2026.
- DAX J and Nastia Reigel — 1 shared bill before that night, first on Sat 28 Feb 2026.
- Nastia Reigel and Zombies In Miami — 1 shared bill before that night, first on Sat 1 Nov 2025.
- Luke Slater and Luigi Di Venere — 1 shared bill before that night, first on Sat 18 Oct 2025.
- Fiedel and Grace Dahl — 1 shared bill before that night, first on Sat 20 Sep 2025.
- Luke Slater and L.B. Dub Corp — 1 shared bill before that night, first on Sat 30 Aug 2025.
- Ben Klock and L.B. Dub Corp — 1 shared bill before that night, first on Sat 30 Aug 2025.
- Ben Klock and Luke Slater — 1 shared bill before that night, first on Sat 30 Aug 2025.
- Paquita Gordon and Zombies In Miami — 1 shared bill before that night, first on Sat 23 Aug 2025.
Der in Nordwesten Frankreichs ansässige Produzent Hansgod bedient mit seiner Musik eine Nische, die von analoger Texturarbeit, zackigen Beats und euphorisierenden Melodien geprägt ist. Seine Veröffentlichungen auf Labels wie Obliqu3 und seinem eigenen Gnosticuts zeichnen sich durch ein polymorphes Sounddesign aus. Modulare Synthesizer-Loops treffen auf organische Percussion-Schichten, schwebende Synths und gebrochene Kicks. Dass DJs wie Laurent Garnier und John Digweed seine progressiven Tracks spielen, ist kaum überraschend. Zu dieser Klubnacht spielt Hansgod am Sonntagabend live in der Säule. Mit Gene On Earth spielt der Gründer des Labels Limousine Dream in der Panorama Bar. Sein Stil speist sich aus der Historie des US-amerikanischen Leftfield-House der späten 90er-Jahre: trocken rollende Basslines, humorvolle Sample-Details und punktgenau gesetzte Synth-Stabs bilden das Fundament seiner Sets. Und unter seinem Alias L.B. Dub Corp setzt Luke Slater seinen Fokus wieder einmal ganz auf House.
Based in the north-west of France, producer Hansgod fills a niche marked by analog texturing, jagged beats and euphoric melodies. His releases on labels such as Obliqu3 and his own Gnosticuts are distinguished by a polymorphic sound design. Modular synthesizer loops meet organic layers of percussion, floating synths and broken kicks. It’s hardly surprising that his progressive tracks have made it into the sets of DJs like Laurent Garnier and John Digweed. At Klubnacht, Hansgod will perform live on the Säule floor on Sunday evening. Gene On Earth, founder of the Limousine Dream label, will perform at Panorama Bar: His style draws on the history of late-90s American leftfield house: dry, rolling basslines, playful sample details and precisely placed synth stabs form the foundation of his sets. And under his alias L.B. Dub Corp, Luke Slater once again shifts his focus on house music.
from the promoter’s listing on Resident Advisor
Who they are
“Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session.”
their own biography
the whole biography
Reading a dance floor is not a science, but knowing how to make the audience enjoy every minute is an art Anika Kunst puts into practice session after session. She has spent more than twenty years perfecting her intuition, technique and building up a vinyl collection which oscillates between timeless techno and the most select house, making the most of the nuances that exist between said genres and all their sub-genres have to offer. Maybe you remember some of her emblematic vinyl-only ‘All Night Long’ sessions or maybe you saw her perform in London, Berlin, Brussels or during her time in Latin America. She might have made her mark on one of your idyllic summer nights in Ibiza or perhaps you heard her at a festival or an distinguishing club in Barcelona at her ‘Selectors’ night; always in constant evolution, with all possibilities still open for exploration. You may be familiar with her well-respected label, which he founded in 2014 as Chapter Records, and you may even have played or listened to one of her releases yourself, perhaps at a DVS1 or Dave Clarke session. You might also have already discovered her studio work, such as her "Different Approach EP" on RSPX (Rekids Special Project), her acclaimed remix of Rødhad on WSNWG, her 'Hidden Intention EP' or 'Sin Rodeos EP' for Symbolism, Ben Sims' label. Her most recent release has been a track for ‘Back To Zero’, a V.A. on Rodhad's label.Their RA profile lists Casanova Bar, Symbolism Ltd, WSNWG, WSNWG – BACK TO ZERO and 2 more.Last at Berghain in Apr · often with Pablo Bozzi, VILE, Kim Ann Foxman, none of them here that night
“His long-standing relationship with the notorious Techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ-producers of the current generation.”
their own biography
the whole biography
His long-standing relationship with the notorious Techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ-producers of the current generation. Those who have witnessed him perform will note not only the diversity in his track selection, but also his ability to create a room rather than just play to it. Though intense and powerful, his DJ output reflects a certain kind of fervour, capturing an artistry and emotion that can often appear absent from the Techno genre. He also possesses a wonderful understanding of how to adapt his music to the circumstances, a competence that means he can be found at both large-scale festivals and small intimate club settings around the world. Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015. Over recent years his focus has been on touring – but his early works, most of which were released via Ostgut Ton, have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann, kickstarted the label itself and remains a stand-out track in its discography. Other releases of particular note include “Subzero”, taken from his Before One EP, and the Compression Session EP (2010). For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. Still today, this seminal record forms a reference point for all Techno long-players. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin. Additionally, Klock also runs Klockworks, a label he founded in 2006 as a home for his more raw and minimal productions. The focus, however, has shifted over recent years, with the label becoming a medium for him to present his more diverse personal tastes and support developing talents. Trevino, DVS1 and Etapp Kyle have all released on the imprint during the earlier stages of their careers. The growth of the label has been aided by a series of showcases at various international locations, including London’s Village Underground, New York, Barcelona, Detroit and Berlin, with more on the horizon.Their RA profile lists BPitch, Ostgut Ton, Rekids, Memo and 6 more.Recently at Berghain, Hamburger Bahnhof - Museum für Gegenwart, Philharmonie Berlin · often with Fadi Mohem, Budino, JakoJako, none of them here that night
“A global pillar of the techno scene, continuously pushing the underground forward.”
their own biography
the whole biography
A global pillar of the techno scene, continuously pushing the underground forward. Few artists have carved out a legacy quite like Dax J. Born in London, the DJ and producer rose from backroom parties to headlining the world’s biggest techno institutions, all while staying true to the underground and cultivating a distinctive sound that is unmistakably his own. Armed with exceptional technical skill, deep knowledge of rare and obscure records, and a meticulous focus on cutting edge sound design, Dax J has established himself as a singular force at the forefront of modern techno. His unwavering dedication has earned him consistent recognition, including multiple Top 100 placements in Resident Advisor, DJ Mag, and Groove Magazine polls, as well as nominations for Best Techno DJ, Best Breakthrough DJ, and Best British DJ from Mixmag, DJ Mag, and the DJ Awards. He is well known for his marathon closing sets, including legendary 10 hour performances at iconic clubs such as Berghain and Bassiani. As a prolific producer and label owner, his trademark sound remains in constant rotation among the scene’s most respected DJs. This signature style was first fully realised on his highly acclaimed 2015 debut album Shades of Black, released on his own Monnom Black label. Mixmag named it Album of the Month, Hardwax called it “brilliantly banging,” and it reached No.1 on Juno Records’ charts. In 2018, he followed with the multi-faceted Offending Public Morality, which earned BBC Radio 1’s “Biggest Record of the Week” and featured in the year-end Top 50 Albums lists of DJ Mag, Tsugi, and Apocalypse Mag. That same year, his debut Radio 1 Essential Mix landed him in the BBC Hall of Fame, while Be.At.TV named his 4-hour closing set at NeoPop Festival the “Best DJ Set of the Year”. Dax J continued his evolution with the 2021 album Utopian Surrealism, which Groove Magazine placed in their Top 5 Albums of the Year, and the track “Simulated Reality” was featured at the Beijing Contemporary Art Expo. In 2022, he released Soul Enforcer, a powerful response to the war in Ukraine, described by Resident Advisor as a “highlight showing off Dax’s range.” Most recently, his 2024 album War is Peace, Freedom is Slavery, Ignorance is Strength — a bold Orwellian reference — received widespread critical acclaim, with Juno calling it “Basic Channel on steroids.” The initial pressing sold out within its first week. At this point, it’s hard to imagine what more he could possibly achieve. Already cemented as one of the leading figures in techno, as a DJ, producer, and label head operating at the absolute highest level, one thing is certain: his passion for the music burns brighter than ever, and his relentless drive to push the genre forward in bold, unexpected directions shows no signs of slowing. Dax J remains a true visionary, leading the way for everyone who celebrates the depth, darkness, and limitless diversity of electronic music.Their RA profile lists Soma Records, Deeply Rooted, Klockworks, Perc Trax and 6 more.Recently at Berghain · often with MARRØN, Holden Federico, Gabrielle Kwarteng, none of them here that night
“Unveiling her talent as a multidisciplinary artist and co-founder of the techno label Immaterial.Archives, Italian-born Elisa Batti is an exceptional artist based in Amsterdam.”
their own biography
the whole biography
Unveiling her talent as a multidisciplinary artist and co-founder of the techno label Immaterial.Archives, Italian-born Elisa Batti is an exceptional artist based in Amsterdam. She is also a resident of the collective Ypnotika. Her activity is diversified between a spectrum of different projects, all of them, though, connected through one red line: electronic music. In her projects, she always likes to push and expand the boundaries of contemporary music to the limits, trying to assemble it into multidisciplinary projects. She started her career collaborating with artists from different disciplines for installations and theater pieces, working on sound design and technology development. Her works have been presented in many venues worldwide, such as Palais de Tokyo, Taiwan National Theater, Ballet National de Marseille, Kinetica Museum London, Elbphilharmonie Hamburg, ZKM Karlsruhe, Fusion Festival, and more. Elisa Batti has released her music on various electronic and techno labels such as Semantica,Qilla Records,Balans Records, NYXII, Diffuse Reality, Observant, and others. She has been actively performing as a DJ for several years. With a remarkable range spanning from hypnotic and deep to driving and energetic techno, she can guide you through an enchanting odyssey of mysterious sounds, infusing each composition with her distinctive personal touch.Their RA profile lists Semantica Records, Detroit Underground, Balans, One Instrument and 3 more.Last at Berghain in Apr · often with Sarah Wreath, echo, Elle Dee, none of them here that night
“Contrast.”
their own biography
the whole biography
Contrast. Objection. Antithesis. This is how you might start an attempt to describe the world. A seemingly chaos of shapes and thoughts that don't belong to each other. An overall image to be found in life and in music. But that's not how Fiedel views things. Where others make distinctions, he sees connections, where others find emptiness, he finds rooms full of opportunities. Finding those harmonies, connections and contexts marks out his musical work. The synthesis of apparently opposing music, the interaction and the mix of styles and moods, without loosing the storyline, that makes out the characteristic Fiedel sound. Born and raised in Brandenburg, he finds access to the music through various artists and styles in the mid 1980s. He was influenced by artists of the old school hip hop like Mantronix and Egyptian Lover and the early works of Depeche Mode and Kraftwerk. A very important influence was Monika Dietl’s radio show at Radio 4U in West-Berlin. Her show aroused the fascination and the longing for musical freedom and diversity, that was not possible in former Eastern Germany. Those impressions gave him a first feeling, a first vision of what should become alive later on. After the wall came down, the way was open to access a fresh scene, and with it came a whole spectrum of new and old music to discover. In the beginning of the 1990s, he started DJing in public as a regular at the Monday events at Subversiv. Shortly after he began his collaboration with his befriended Errorsmith under the name of MMM. They released several productions and play live shows. Since 2000 he is resident at OstGut and later on at Berghain. On the compilation Fünf he had his first solo release on the incorporated Ostgut Ton label, followed by contributions to the compilations Various (2013) and Ostgut Ton | Zehn (2015). In 2012 he eventually founded his own label Fiedelone, to give his own productions a more personal base. In spring 2014 he developed a live set, which he premiered at Berghain. March 2017 saw his first full Ostgut Ton release with the 12" Substance B, followed up by his contribution to the Berghain mixes series in January 2018.Their RA profile lists Ostgut Ton, Night Slugs, MMM, Key Records and 6 more.Recently at Berghain, ://about blank, Tresor / Globus · often with Virginia, Claudio PRC, Gerd Janson, none of them here that night
“Born in Budapest, Hungary and spending her early childhood in Spain before eventually settling in Amsterdam, her upbringing was as colourful as it was diverse.”
their own biography
the whole biography
Born in Budapest, Hungary and spending her early childhood in Spain before eventually settling in Amsterdam, her upbringing was as colourful as it was diverse. With a Hungarian Father and Finnish Mother deeply immersed in the European rave scene of the 1990s, it seems that her path was almost predestined. As a child, some of her earliest memories are watching her father playing records at home, being entranced by what was happening on the turntable and coming out of the speakers. From the very beginning she had a burning passion for music that was only fueled and enhanced by her colourful and diverse upbringing. Grace’s career began at 18, cutting her teeth at clubs and venues around Amsterdam. She soon became a resident at the iconic Vault Sessions party series, solidifying her reputation as a rising star. Since then she has gone on to play some of the most revered venues and festivals around the world, including Berghain, Awakenings, Boiler Room and Stone Techno Festival. Her production journey began in 2018 with her first release on Coincidence Records as part of a VA compilation, followed by her debut solo EP, Dark Side of Desire, on Khazad Records. Since then she has appeared on high-profile imprints such as Amelie Lens’s Exhale and Frenzy Recordings, further cementing her place among techno’s elite talents. Her productions are a balance of powerfully weighted percussion and rich, immersive soundscapes. In 2024 Grace launched her very own label Serial Disc Touchers (SDT Recordings), which is a testament to her vision of fostering high-quality, boundary-free music. Since then the label has already released two projects and boasts a roster of talented artists, including Alec Dienaar, Julian Muller, François X, and Onyvaa. As 2025 unfolds, Grace’s momentum shows no signs of slowing, reflecting her strong dedication to this craft and her incomparable experience. With a packed release schedule and performances at some of the globe’s most iconic venues, it’s clear her journey is just beginning.Their RA profile lists Voxnox Records, Index Marcel Fengler, Bipolar Disorder, Everyone On Acid and 5 more.Recently at RSO.BERLIN, Else, Berghain · often with Kim She, Josey Rebelle, Disguised, none of them here that night
“Respected by techno heavyweights, she’s known for her captivating DJ sets and vinyl releases on esteemed labels.”
their own biography
the whole biography
Respected by techno heavyweights, she’s known for her captivating DJ sets and vinyl releases on esteemed labels. Following a constant output of EPs on heavy-hitting techno labels like fabric, Rødhåd’s WSNWG and album on Function's Infrastructure New York, Nastia Reigel honed and sharpened her sound into something sleek and uninhibited. She channels the classic roots of techno, yet hits a deeper emotional resonance, embedding her personal feelings and experiences within the sound. Her every set is an undeniable display of technical mastery – a mesmerizing blend of driving rhythms, heavy kicks, and deep atmospheres that stealthily take you away, leaving no stone unturned.Their RA profile lists fabric Records, Token, Enemy Records, Infrastructure New York and 2 more.Recently at Berghain, Tresor / Globus, RSO.BERLIN · often with NEUX, Function, Hervé, none of them here that night
“Nuggin’ it up.”
their own biography
Their RA profile lists Limousine Dream.Recently at Schönwalde-Glien, Grünefeld bei Berlin, Germany, Club der Visionaere, ZENNER · often with Bennet (DE), Hiroko Yamamura, dj sweet6teen, none of them here that night
“Gonno is without a doubt an integral part of the current wave of house and techno in Japan.”
their own biography
the whole biography
Gonno is without a doubt an integral part of the current wave of house and techno in Japan. His releases have not only appeared on reputable local labels but have also made their way humbly over to the continent. Gonno always manages to bring an acidy and melodic flavor to his DJ and live sets while still staying true to his house and techno roots. Without fail he draws clubbers in with eclectic sounds and the lost art of storytelling behind the decks/machines. As a result of his infectious sets he’s been playing as a DJ around the world such as UK, EU, US, China, South East Asia, India and Australia since now. Gonno’s release “Acdise #2” on International Feel Recordings in 2011 was his break point to get wider audience, even before its release the EP had frequent play from so many DJs such as Laurent Garnier, James Holden, Francois Kevorkian, Tim Sweeney and Todd Terje, and still continues to be a phenomenal long seller. It’s no exaggeration to say “Acdise #2” is the year’s best Japanese techno tune. In 2015 Gonno released a full-length solo album for the first time in ten years entitled “Remember The Life Is Beautiful” from Endless Flight which gained him wider recognition and appraise from international audience. His remix of Jeff Mills’ “Light Of Electric Energy” was included in Mills’ album “Where Light Ends,” and other recent works include his solo EP “The Noughties” on Tim Sweeney’s Beats In Space Records, and a collaboration EP with Nick Höppner “Fantastic Planet” on Ostgut Ton. In past 3 years from then, while he’s still been touring many countries he did some remix for the label such as Cocktail D’Amore Music and Butter Sessions etc., also collaborated with a Japanese drummer Masumura and putted their album “In Circles” in 2018 on P-vine records Japan. It sounds they focuses the new impacts between electronics and afro-jazzy drums, such like resonating South London's new vibes as Giles Peterson introduced their track on BBC Radio in UK. In 2019 he is keeping touring arounds energetically as a DJ, amongst he suppose to play at Dekmantel Selectors Croatia, Berghain, Canada and US from summer till Autumn. On top of that, the collaboration with Nick Höppner will be coming back and their new EP on Ostgut Ton. Also his some remixes will be coming out soon. This his DJ mix for Dimensions is that he recorded exclusively for his first time since 2015, and published formally since Beats In Space Radio show in 2018.Their RA profile lists Ostgut Ton, Endless Flight, Perc Trax, International Feel and 4 more.Recently at Berghain
- Their RA profile lists React Records, fabric Records, Peacefrog, Mute Records and 6 more.
Last at Berghain in Aug · often with Efdemin, Quelza, Steffi, none of them here that night
“CO-FOUNDER OF POWER DANCE CLUB.”
their own biography
the whole biography
CO-FOUNDER OF POWER DANCE CLUB. PHILOXENIA RECORDS LABEL DADDY.Their RA profile lists Freeride Millenium and Funnuvojere Records.Recently at Minimal Bar, Sameheads, KREUZWERK · often with Stathis (GR), Richii, Majdolen, none of them here that night
Recently at Berghain, Friedrichstraße 112 · often with Ryan Elliott, Cinthie, Virginia, none of them here that night
“Vinyl Only”
their own biography
Last at Berghain in Jul · often with Sandrien, Mareena, none of them here that night
“ZOMBIES IN MIAMI is a project created by Cani & Jenouise.”
their own biography
the whole biography
ZOMBIES IN MIAMI is a project created by Cani & Jenouise. The couple became one of the most prominent members of Mexico‘s vital electronic scene over the last decade. After highly acclaimed EPs and tracks for such diverse labels as Running Back, Correspondant, Love on the Rocks, Fabric, Permanent Vacation or Live at Robert Johnson they started their own label called Creatures of the Night releasing their own music and talented people from Latinoamérica and all the world. Playing regularly in top clubs in the world like Berghain / Panorama Bar, Robert Johnson, Fabric, Blitz, Nitsa, Lux Fragil, Basement, Rex and also festivals as Sonar, Fusion, Goptun Festival, Nachtdigital, Paradise City, Garbicz, Mutek and many more. https://www.sweatlodgeagency.com/artist/zombies-in-miami/Their RA profile lists fabric Records, Permanent Vacation, Running Back, Live At Robert Johnson and 6 more.Last at Berghain in Aug · often with DJ MARIA., Fadi Mohem, Kim Ann Foxman, none of them here that night
Recently at Berghain
names these artists often play with — not that night
- Fadi Mohem4 with Ben Klock, 3 with Zombies In Miami and 2 with Fiedel
- Cinthie3 with Ogazón, 2 with Fiedel and 2 with Luke Slater
- Quelza3 with Luke Slater, 2 with Fiedel and 2 with Ogazón
- Massimiliano Pagliara4 with Luigi Di Venere and 2 with DAX J
- Virginia3 with Fiedel and 3 with Ogazón
- JakoJako3 with Ben Klock and 2 with Luke Slater
- Gerd Janson2 with DAX J and 2 with Fiedel
- Marcel Dettmann2 with Ben Klock and 2 with Luke Slater
how this compares
- Median final count, Saturdays at Berghain307
- Middle half finished between259 and 387
- Past Saturdays at this venue counted54
- Counted368 on Thu 8 Oct, 418 on Sat 17 Oct
The room
Berghain | Panorama Bar | Säule — 210 events and 1,019 distinct artists since Aug 2025.
Who put it on
OstGut GmbH — 202 events and 979 artists since Aug 2025.
Also that night
how this one is connected
- Tresor Klubnacht — Paula Koski and Panorama Bar have shared 5 bills; Paula Koski is on that bill and Panorama Bar is on this one.