Deutsche Oper Berlin

House rules 7 lines this room repeats, grouped

also repeated 7

• Scenes like found objects from personal history.3 of 3
• The soloists appear as fragile time travellers, a “broken consort” that only finds resonance in togetherness.3 of 3
• In music, language and movement, they unearth buried stories – comical, painful, tender.3 of 3
• A piece about letting go of old burdens and the realisation that loneliness can only be overcome together.3 of 3
• Walshe and Venables combine their passion for collage, voice and direct, open musical theatre.3 of 3
• Personal experiences are woven into a vibrant network in which no one exists without the others.3 of 3
• From broken bonds and buried memories, a new form of community emerges.3 of 3

Quoted exactly, from the 3 listings of this room's own that carry a write-up. A line prints when the room repeats it on at least half of them; the figure beside it is how many. Groups are keyword-matched, in one fixed order, and a line the keywords do not recognise keeps the company of the line above it or falls to the last group, which is printed and is not called a rule.

The cast 4 names billed three nights or more, of 8 in all

• Minus 1611 nights
• SAABA11 nights
• Jennifer Walshe3 nights
• Philip Venables3 nights

Every night it has held 15 nights

Every listing this room has held, newest first, each one a link to its own night. The names are whoever was billed, first three by bill order; the account is whoever filed the listing.

Also check

Too few nights here for a cast of its own — so these are the rooms the names billed here have of their own, and the row says who.

• RSO.BERLINWhy Be has 3 nights there

A regular is somebody billed at that room on three nights or more. This is one person's record, not two rooms' casts, and it is captioned that way on purpose.