Who was billed6 artists
In the order the promoter listed them.
- Batu
- next: Nowadays, Sat 14 NovPatrick Russell
- next: Berghain in Berlin, Sat 31 OctGiGi FM
- next: Sat 31 OctSister Zo
- Craig Gonzalez
- next: Dead Letter No. 9, Sat 31 OctHaruka
Set times were not published.
Most of these artists had shared a bill before that night.
the pairs that have met
7 of the 15 pairings on this bill were first meetings.
- Batu and Patrick Russell — 1 shared bill before that night, first on Fri 15 Sep 2023.
- Patrick Russell and Sister Zo — 2 shared bills before that night, first on Fri 15 Sep 2023.
- Patrick Russell and Craig Gonzalez — 1 shared bill before that night, first on Fri 15 Sep 2023.
- Sister Zo and Haruka — 1 shared bill before that night, first on Fri 15 Sep 2023.
- Patrick Russell and Haruka — 1 shared bill before that night, first on Fri 15 Sep 2023.
- Batu and Sister Zo — 1 shared bill before that night, first on Thu 14 Sep 2023.
- Batu and GiGi FM — 1 shared bill before that night, first on Thu 14 Sep 2023.
- GiGi FM and Sister Zo — 1 shared bill before that night, first on Thu 14 Sep 2023.
Who they are
“As an artist, Batu continually strikes out on his own.”
their own biography
the whole biography
As an artist, Batu continually strikes out on his own. Rightly hailed for his distinctive slant on modernist techno and experimental club music, he’s also prolific beyond the dancefloor. His is a sound marked out by bold shapes and angular expressions, whether strapped to physical rhythms or not. His 2022 debut album Opal took his accomplished sound design into broader spheres of expression, while production work for FKA Twigs saw him approaching pop sensibilities with his non-conformist sonic palette. As well as his production work, Batu’s presence as a DJ on the international club and festival circuit touches on venerated events such as Glastonbury, Dekmantel Festival, Sonar and Unsound. The flexibility in his sound also translates to the intimacy of smaller underground events - an environment which remains inspiring even as he graces some of the biggest stages for electronic music globally. Beyond sonics, his interests expand into visual work too, having produced and directed the video to his own track ‘Solace’ and collaborated on an A/V composition with Harry Butt for his Crack Magazine cover feature - one of multiple cover features he’s been placed on. Taken alongside his music, Batu’s holistic engagement with electronic music culture adds up to a considered spectrum of output and efforts with a shared aim - to push things forward.Their RA profile lists XL Recordings, Hessle Audio, Livity Sound, Timedance and 1 more.Last at Camp Kennybrook in Sep · often with JASSS, KAVARI, Dj Babatr, none of them here that night
“Patrick Russell is a true veteran of the US underground, perhaps one of the last unsung heroes of a now lost era in the Midwest.”
their own biography
the whole biography
Patrick Russell is a true veteran of the US underground, perhaps one of the last unsung heroes of a now lost era in the Midwest. A genuine sonic storyteller, he magically transforms the diaspora of acid, pure jack energy, and hints of IDM into a deep, fluent sonic dialog that never fails to devastate both minds and dance floor. A Detroit-bred DJ, artist, and producer active since the early 90's, Patrick has now made New York City his home. Perhaps best known as a key figure in the legendary No Way Back parties, his ability to weave intensely unique, long-format narratives has earned him critical acclaim and repeat performances at Japan’s Labyrinth festival, Berghain, Unsound, and DEMF/Movement. Patrick has also been steadily building a strong catalog of high-profile productions to compliment his increasingly varied, hypnotic, and in-demand DJ sets; his recent 3-track remix EP on The Bunker New York also marks his induction as an official resident DJ at the long-running Brooklyn party. His consummate taste and disciplined execution have created a respect that cannot be purchased. Patrick Russell is not just a name to watch, he is someone to be experienced.Techno on 34, Experimental on 8, Ambient on 6 and Acid on 7. styles on their catalogued releasesReleased on On Board Music (2) (1), Standards & Practices (2) (1) and useless seconds (1); their RA profile also lists BPitch, Circus Company, Delsin, Blank Artists and 6 more. labels on their catalogued releases and on their RA profileLast at Nowadays in Aug · often with Mike Servito, BMG, Carlos Souffront, none of them here that night
“GiGi FM is a multidisciplinary artist, DJ, dancer, and music producer whose journey began in the underground squat raves of South London.”
their own biography
the whole biography
GiGi FM is a multidisciplinary artist, DJ, dancer, and music producer whose journey began in the underground squat raves of South London. Now based in Berlin, GiGi has grown into a dynamic force in electronic music, captivating audiences at iconic stages and festivals worldwide. Whether blending techno, bass, and breaks or creating immersive ambient soundscapes, GiGi FM’s sets are a masterful exploration of versatility and emotional depth, transporting dancefloors into states of ecstasy. Now in her sixth year as a resident on NTS Radio, GiGi FM continues to explore sonic dimensions and share her unique musical palette. Her show is a space for deep inner journeys, weaving emotional storytelling through sound. Over the years, she has hosted esteemed guests such as Donato Dozzy, Voices From the Lake, Jako Jako & Mareena, and Vladimir Ivkovic, with many more to come. Each episode reflects GiGi’s ability to curate a shared space for introspection, transcendence, and collective experience through music. Movement has always been central to GiGi’s creative practice. A professionally trained dancer (Paris Opera & Alvin Ailey), she approaches music production as an extension of the body, often incorporating gestural techniques to create sound. Her 2022 EP Magnetite on Bambounou’s Bambe label was crafted using a MYO motion sensor, where arm gestures layered sounds in real time, embodying the interplay between physicality and sonic expression. This innovative approach flows into her self-released series, Kiwi Synthesis Diary, beginning with Vol. 1 in 2021, a deeply personal project born from using Ableton as a journal. Its successor, Kiwi Synthesis Diary Vol. 2 (2023), marked the launch of her own label, Sea~rène, a platform for euphoric, boundary-pushing soundscapes. Her most recent release, Movimiento (2024), expands on this narrative. The EP celebrates the transformative energy of dance, blending vibrant club rhythms with introspective sound design. It’s a body of work that encapsulates GiGi’s ethos: to create music that moves both body and mind. Deeply influenced by astrology, philosophy, and the cosmos, GiGi FM’s artistry bridges sound, movement, and metaphysics. In addition to her DJ sets and productions, she is developing a live ambient project linking meditation, reflection, her own poetry, and productions to craft deeply immersive experiences. Whether on the dancefloor or in moments of stillness, GiGi’s work invites audiences to connect with themselves and the universe around them. In 2025, GiGi FM continues to tour globally, including her first Australia tour and an extensive US tour, while releasing new music and curating innovative projects. Ever-evolving, she remains dedicated to crafting music and experiences that inspire reflection, transcendence, and joy.Their RA profile lists Bambe and Sea~rène.Last at Camp Kennybrook in Sep · often with Berghain, Altinbas, Efdemin, none of them here that night
“After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar.”
their own biography
the whole biography
After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar. Occasionally she'd wander upstairs to Niche, a 100-cap club with a legendary sound system known as the Meta HiFi. There she got her first taste of the sounds of the UK bass continuum and the LA beat scene, with its prominent figureheads like Flying Lotus, Ras G and Shlohmo. Ever the nomad, she would spend her mid-twenties traveling, flitting between cities like New York and LA and the mountainous terrain of the Colorado Rockies. At 26 years old, she left behind a stable career in psychotherapy to pursue her creative dreams. This would lead her back to Niche where a ravenous desire to evolve as an artist connected her with Peter Anthony, aka Coughman, who ran the independent KC collective and label, Intelligent Sound. Soon Anthony encouraged Zo and her friends Mazzy Mann and Lorelei Kretsinger to build a platform of their own. In October 2017, the three of them founded the UN/TUCK queer/trans collective and record label. Over the next two years, they tirelessly built UN/TUCK into an internationally recognized platform, releasing their own music and organizing shows and parties curated specifically for trans and queer people in Kansas City. Under the name BTRFLY, Zo produced her own LA-inspired beats and rapped over them in her sets. As she delved further into the realms of Chicago house, early 2000s UK dubstep, and the hybrid sounds of Hessle Audio, Hyperdub and Idle Hands, she discovered a profound love for DJing and a different kind of production. Now based in Brooklyn, she has made definitive creative statements in 2022, releasing her debut EP, Screw Cheek, on acclaimed UK club label, Scuffed Recordings, and a follow-up EP, Freak Shift, on Martyn's hallowed 3024 imprint, as well as a slew of national bookings at Bunker NY, Texture Detroit, Sole Rehab, clubs like Nowadays, Good Room and Kremwerk, festivals like Slingshot and Honcho Campout and many more on the horizon. It's clear that Zo has solidified her place as an emerging artist firmly in her own lane, with tracks that span the continuum of UK bass and North American techno and house, and mixes that seamlessly capture and defy her genres of interest, blending deep dark percussive bass and broken beat with blistering techno, psychedelic house, east coast club and more.Techno on 24, Bass Music on 22, Breaks on 17 and House on 17. styles on their catalogued releasesReleased on Clasico Records (2) (1), Delusional Records (2) (1) and Grid (6) (1); their RA profile also lists Pineapple Records, 3024, Fever AM, Scuffed Recordings and 1 more. labels on their catalogued releases and on their RA profileRecently at Camp Kennybrook, Apollo Studio, Paragon · often with Mui Mui, Sheepshead, Saia, none of them here that night
often with Clarisa Kimskii, GLOBUS, TRESOR, none of them here that night
“Having started her career as a musician and DJ in Japan, Haruka came to NYC in 2006 and has been steadily playing gigs, throwing parties, putting out mixes, performing live, collaborating, and building a name for herself ever since.”
their own biography
the whole biography
Having started her career as a musician and DJ in Japan, Haruka came to NYC in 2006 and has been steadily playing gigs, throwing parties, putting out mixes, performing live, collaborating, and building a name for herself ever since. A technical and thoughtful DJ, Haruka can bounce from electro and techno and house, and disco to hip-hop and rock music at the drop of a hat. With regular appearances at Brooklyn fixtures Bossa Nova Civic Club, Nowadays, Elsewhere and Mood Ring, and with infamous sets at the highly influential BOUND and Fourth World parties, Haruka has staked her claim as one of Brooklyn’s most versatile, seasoned, and in-demand DJsTheir RA profile lists Toucan Sounds, Duality Trax and Fortune Signal.often with Mike Servito, SPRFRK, 4AM NYC, none of them here that night
names these artists often play with — not that night
- Mike Servito7 with Patrick Russell, 5 with Sister Zo and 3 with Haruka
- BMG6 with Patrick Russell and 1 with Craig Gonzalez
- Derek Plaslaiko5 with Patrick Russell and 1 with Craig Gonzalez
- Erika5 with Patrick Russell and 1 with Craig Gonzalez
- Lauren Flax3 with Patrick Russell and 2 with Haruka
- Lychee3 with Patrick Russell and 2 with Haruka
- Clarisa Kimskii2 with GiGi FM and 1 with Craig Gonzalez
- GLOBUS2 with Patrick Russell and 1 with Craig Gonzalez
425 said they were going — busier than a usual Friday at Good Room.
how this compares
- Median final count, Fridays at Good Room332
- Middle half finished between259 and 476
- Past Fridays at this venue counted156
The room
Good Room — 477 events and 1,024 distinct artists since Aug 2023.
Holds about 500.
Most-tagged here: House (6) and Techno (3). genre tags on this room’s listings
Who put it on
The Bunker New York — 22 events and 86 artists since Aug 2023.