Time Warp US 2023
Brooklyn Navy Yard: Building 26826 Navy St, Brooklyn NY, 11205‬ · Map
This night happened — Fri 17 Nov 2023
Teksupport and cosmopop
Press play
Who was billed20 artists
In the order the promoter listed them.
- next: Duggal Greenhouse, Fri 20 NovAdiel
- next: Berghain in Berlin, Sat 31 OctAurora Halal
- Chris Stussy
- Dennis Cruz
- PAWSA
- Ilario Alicante
- Sam Paganini
- Joseph Capriati
- next: Pacha New York, Thu 29 OctVintage Culture
- KAS:ST
- next: Duggal Greenhouse, Fri 20 NovKlangKuenstler
- Miluhska
- next: Signal, Thu 29 Octmink
- next: Brooklyn Storehouse, Fri 30 OctMochakk
- Nina Kraviz
- Pan-Pot
- Paula Temple
- Reinier Zonneveld
- Sara Landry
- GOLFOS
Set times were not published.
the pairs that have met
177 of the 190 pairings on this bill were first meetings.
- Dennis Cruz and PAWSA — 2 shared bills before that night, first on Fri 17 Nov 2023.
- Adiel and KlangKuenstler — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Joseph Capriati and mink — 2 shared bills before that night, first on Fri 17 Nov 2023.
- Vintage Culture and Sara Landry — 1 shared bill before that night, first on Fri 17 Nov 2023.
- mink and Nina Kraviz — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Chris Stussy and GOLFOS — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Chris Stussy and Dennis Cruz — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Chris Stussy and PAWSA — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Dennis Cruz and GOLFOS — 1 shared bill before that night, first on Fri 17 Nov 2023.
- PAWSA and GOLFOS — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Dennis Cruz and mink — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Chris Stussy and mink — 1 shared bill before that night, first on Fri 17 Nov 2023.
- Miluhska and mink — 1 shared bill before that night, first on Fri 17 Nov 2023.
Who they are
“Having made a practice to steer crowds into deep ecstasy with her hypnotic sets at famed Goa Ultrabeat parties in Rome where she operates as a resident DJ, Adiel kicked off her own label, Danza Tribale in 2016 with a solid debut instalment, 'Anatomia Del Cavallo', that urged new ravers and dancers to join in with her densely forested musical fantasies where swirling melodic motifs, eerie atmospheres and entrancing 4/4 rhythms coexist in a rapturous communion of sorts.”
their own biography
the whole biography
Having made a practice to steer crowds into deep ecstasy with her hypnotic sets at famed Goa Ultrabeat parties in Rome where she operates as a resident DJ, Adiel kicked off her own label, Danza Tribale in 2016 with a solid debut instalment, 'Anatomia Del Cavallo', that urged new ravers and dancers to join in with her densely forested musical fantasies where swirling melodic motifs, eerie atmospheres and entrancing 4/4 rhythms coexist in a rapturous communion of sorts. Orbiting around her own output, Danza Tribale is intended to provide a bespoke landing platform for techno dynamics both obscure and profound, alternately wild and held-in, instinctive and sophisticated, functional yet far from merely tool-esque. Fresh off the release of her latest EP, 'Ritmo', Adiel strikes again with 'Tokyo' followed by 'Cavallina' EP where she teamed up with none other than Italian dub techno legend Donato Dozzy to sculpt a truly mind-bending mosaic of delayed drums, stealth acid accents and rolling bass moves. In July 2019 she returned with ‘Musicofilia’, her first record outside her own label, on Kangding Ray’s ara imprint. Adiel this time delivered tracks which will suit a variety of spatio-temporal dynamics, while still crafted for the club. In February 2020, on her Danza Tribale imprint, she had a new exciting EP in collaboration with one of the most respected figures in the techno scene, Northern Electronics label head Anthony Linell. Later on World Wide Window, collaboration between Enisslab, Sebastian Mullaert's Circle Of Live project and visual art collective Sbagliato, featuring more than six hours of unreleased music by 56 artists including Adiel. Just landed a few weeks ago, the four tracks release debut on Stroboscopic Artefacts "If Not Now When?". Now in the works, Club Quarantaene release: 8 tracks from artists at the first event that sum up the sound of virtual raving in 2020 and a new exciting project coming out on Danza Tribale. Adiel’s skills both as a DJ and producer have seen her play at some of the coolest clubs and festivals around Europe, such as Dekmantel, Off Sonar in Barcelona where she did her first Boiler Room, Berghain for the Klockworks showcase and Panorama Bar invited by Marcel Dettman, London’s Printworks for Ben Klock’s Photon event series, Concrete in Paris, DC 10 in Ibiza, De School in Amsterdam, Fuse in Brussels and other prestigious venues. Adiel will continue taking the scene by storm in the coming months, bringing her unique take on techno to dance floors across Europe. Some of her upcoming dates include shows at Amsterdam’s ADE for Photon, Ibiza’s Afterlife and London’s iconic Fabric club amongst many others.Their RA profile lists Stroboscopic Artefacts, Danza Tribale and ara.often with KYRUH, Berghain, BLANKA, none of them here that night
“Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable.”
their own biography
the whole biography
Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable. In all her projects, she treats dance music as an arena for transformation and since 2010, her events have been rooted in an underground, DIY approach that pushes forward-thinking sounds, production, and ideas. She’s spent the last 10 years touring like-minded clubs, raves, and festivals worldwide and gained a reputation for powerful, unique performances that work both the body and mind. She’s 4 years into a residency at NYC’s Nowadays, is a regular at Berghain and previously De School.Techno on 28, House on 14, Electro on 11 and Experimental on 9. styles on their catalogued releasesReleased on BAKK (2), Dekmantel (1) and Mister Saturday Night Records (1); their RA profile also lists Mutual Dreaming Recordings. labels on their catalogued releases and on their RA profileRecently at Nowadays, Mansions · often with Berghain, deep creep, Gerd Janson, none of them here that night
“2020 marked a significant milestone with the launch of his label, Up The Stuss, a vinyl and digital platform for Chris and his peers to release forward-thinking, timeless club-focused productions.”
their own biography
the whole biography
2020 marked a significant milestone with the launch of his label, Up The Stuss, a vinyl and digital platform for Chris and his peers to release forward-thinking, timeless club-focused productions. As the label celebrates its 5th anniversary in 2025, it has become a must-visit hub for quality cuts across the electronic sphere. Home to his 'Get Together' project alongside S.A.M., plus material from Kolter, Locklead, Burnski & Kepler, Paolo Rocco, Janeret, and more, the imprint reflects not only Chris's versatility as a producer but also his growth as an A&R and label head. As a DJ, Chris draws from a wide range of influences, transitioning effortlessly from intimate clubs to major festivals. Notable appearances include stages at Awakenings and Timewarp to Sunwaves and Coachella, as well as standout shows at Warehouse Project, KOKO, Club Space, and beyond. His rise as an Ibiza favourite is underscored by performances at DC10, Hï, and Amnesia for events like Circoloco, Paradise, Solid Grooves, and The Martinez Brothers, alongside appearances at Hï’s renowned opening parties. Chris’s schedule continues to be packed with global tours, headline shows, and extended sets in his home city, ensuring his presence is felt worldwide. As a producer, his original material, collaborations, and remixes continue to captivate both dancers and DJs alike. While each new track demonstrates subtle evolution, they all maintain the distinct sound that has become synonymous with his name. 2024 saw Chris raise the bar, with debut performances at the likes of Timewarp USA, another sold out UK tour, plus his highly anticipated Boiler Room debut, which garnered over 2 million views. Chris also took on some of his biggest shows yet, becoming a regular at Circoloco and playing peak-time slots at the likes of Awakenings, Creamfields and more, not to mention another sold out tour of Australia. In the studio, his productions continued to shine, with a second Across Boundaries outing coupled with releases like his #1 remix of Moby’s 'Go' on CSS and his remix of Todd Terry’s 'Bounce to the Beat’. His 'Won’t Stop (Don’t)' EP on Up The Stuss closed out the year in style, with the title track securing another #1 on Beatport’s Deep House chart, all while introducing a new scholarship program to provide emerging talent with opportunities and mentoring. 2025 kicked off with one of Chris’s biggest milestones to date—the launch of USS, his own highly anticipated event series, debuting with a sold-out show at London’s iconic Roundhouse. Focusing on stripping things back, creating an immersive experience that places music at the forefront, the event aims to foster a mindful atmosphere, removing distractions to allow attendees to experience music in a pure and focused way. This vision will continue to unfold with further USS events and a fresh wave of music from Chris in the coming months. Looking ahead, Chris is set to take his creative vision even further with the launch of his new AV show at selected festivals across the year - including Lowlands and Creamfields - marking his first-ever performance of this kind. As he continues to push boundaries, Chris Stussy remains one of the most dynamic, influential and essential figures in the global house scene today.Their RA profile lists Robsoul Recordings, Moscow Records, Madhouse, Fuse London and 6 more.often with Seth Troxler, Bedouin, Francesco Del Garda, none of them here that night
“Dennis Cruz is one of the pillars of the underground house and tech community.”
their own biography
the whole biography
Dennis Cruz is one of the pillars of the underground house and tech community. At 17 years old Dennis started djing whilst also studying sound engineer. In his 20s, he had already worked with several hiphop artists and rock bands in the studio with their production. As a DJ and producer he is truly setting trends with his fresh sounds and, off the back of his busiest year yet, he has plenty more in store for the world in 2017. The Spaniard is never far away from the top of the charts thanks to his high rate of release on labels like Snatch!, Solid Grooves, Suara, Lemon-Aid and Suruba X amongst many others. For his work he has picked up many awards and nominations from being Beatport’s 3rd Best Tech House Artist to Resident Advisor’s 2nd Most Charted Artist of 2016. He has had many Number 1s on Beatport and is currently top of the overall Tech House Chart. Always serving up dancing dynamite, it is no wonder he has found favour with big hitters like Jamie Jones and Joseph Capriatti, Roger Sanchez and Marco Carola, all of whom reach for his tunes when they need to make an impact. In 2015 Dennis was nominated Best Tech-House Dj and Best Spanish Artist at the Vicious Music Awards, and more recently in 2016 Dennis held 4 nominations, Best Tech-House Dj, Best Spanish Artist, Best Producer and Best Dj from Vicious. As a DJ, too, Dennis always plots exciting musical journeys that make people feel real emotions as they dance the night away. He has woven together his wide musical influences and slick mix of styles all over Europe from Greece to the UK, across North and South America, Russia and all over Australia.Their RA profile lists Stereo Productions, Moon Harbour Recordings, Saved Records, Suruba X and 6 more.Last at Artsdistrict Brooklyn in Sep · often with Piem, Aria Santillana, Michael Bibi, none of them here that night
“Picking up steam, PAWSA received the firm backing of industry stalwarts Green Velvet and Nicole Moudaber who both locked down EP's from the innovative producer on Relief Records and Mood Records respectively.”
their own biography
the whole biography
Picking up steam, PAWSA received the firm backing of industry stalwarts Green Velvet and Nicole Moudaber who both locked down EP's from the innovative producer on Relief Records and Mood Records respectively. Further to that, he can also call upon the likes of Adam Beyer and Pan-Pot as staunch supporters. These early successes further cementing the feeling that PAWSA is a producer destined to make a lasting impact. In 2015, PAWSA co-founded Solid Grooves Records alongside Michael Bibi and with the underlying motif of "let the music do the talking”, the label provided a firm base for PAWSA's latest EP ‘Stage Two’. The sister company to the much vaunted Solid Grooves club night with regular happenings in London, Ibiza and Berlin, the label has been an important string to the bow of PAWSA. PAWSA's signature sound - inventive tech house with an old school vibe - is decisively made for the dance-floor. As a DJ he lays down carefully curated and atmospheric sets. The producer identifies with also being a DJ in the most natural, traditional sense: he makes music which he can play out and share with a crowd. PAWSA regularly performs at esteemed clubs around Europe and held a much talked about residency in Sankeys Ibiza throughout 2015. Alongside all of this, PAWSA also turns his own magical and much loved ‘PAWSA's Mixtape Series’ and some top weekly tips for producers and DJs alike via his ‘Groover Essentials’ series. PAWSA is one DJ who is letting quality records do all the talking and at the outset of 2015, few are coming close to his consistency and indisputable calibre of his productions. With plenty more planned for 2016 and beyond, PAWSA and his team have a lot in store to extend their impact on the musical landscape.Their RA profile lists Solid Grooves Records.Last at 99 Scott Ave in Aug · often with Locky, Marco Carola, Ale De Tuglie, none of them here that night
Recently at Superior Ingredients, Randall's Island · often with Nicole Moudaber, Carl Cox, Viot, none of them here that night
“Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.”
their own biography
the whole biography
Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem. His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever). Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels. In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists. Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances. He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).Their RA profile lists Cocoon Recordings, Plus 8 Records Ltd and Drumcode.often with debuting, Eileithyia isn’t just creating songs, For Bookings/Collaboration, none of them here that night
“Though Capriati has amassed an extensive and accomplished discography, there is no doubt he is a DJ first and producer second.”
their own biography
the whole biography
Though Capriati has amassed an extensive and accomplished discography, there is no doubt he is a DJ first and producer second. First manning the decks at just 11 years old, Capriati was a natural and soon began his journey into the footsteps of Naples techno pioneers like Marco Carola and Rino Cerrone. He learnt his craft whilst absorbing the influences of early House pioneers like Masters at Work, Todd Terry, David Morales, Danny Tenaglia, Francois K and Tedd Patterson, then first releasing his own productions (including the classic "C'est La Vie') on local labels Globox Records and Analytic Trail. By 2007, he was playing his first high profile gig to thousands of adoring, hometown fans and just one year later for Awakenings. Capriati's brand of slick and emotive techno, delivered with precision, flair and infectious energy, has become a staple highlight of the global club and festival circuit. With revered sets at the world's most high-profile events - Time Warp, Monegros Festival, Kazantip, Sonus, WMC Miami, Fabric and Berghain to name a few - Capriati has proven himself as a consistently mesmerising performer and a fans favourite. Despite the intense touring schedule, which has reached up to 150 gigs yearly, he manages to maintain a high level of focus, preparation and vigour for each set, and keeps the smile on his face throughout. The combination of his charismatic personality and ear for the perfect groove has made Joseph a torchbearer for the Italian techno sound worldwide and has brought many new fans to the genre in general. One of many important milestones in the Capriati story is a fabled residency at Marco Carola's Music On parties beginning in 2012, where Joseph first spun his memorable sets to the Amnesia main room faithful. His ongoing presence in Ibiza has also seen him play headline sets at the Amnesia opening and closing parties and major slots at DC10. Worldwide Drumcode events with Adam Beyer have long been notable dates in his calendar, as have back-to-back sets with the likes of Beyer, Carola, Tenaglia, Dave Clarke, Dubfire, Jamie Jones and Carl Cox, coast-to-coast US tours, Boiler Room with Richie Hawtin and a sold out, 12-hour marathon show in the 7000 capacity Metropolis club of his hometown. This concept eventually led to his own event brand called 100% JC. It sees venues, such as Paradiso (Amsterdam), Trade (Miami) and many more, transformed into Joseph's idea of the perfect party, with him playing all night long. Perhaps the most concrete expression a DJ can make, though, is with a commercially-released mix CD, especially for Fabric (London). Capriati mixed their 80th edition in 2015, to universal acclaim from critics and fans. As a highly versatile entertainer who feels the power of every beat, there's no surprise Capriati has excelled with such a complete, 360° vision. Since his production debut in 2007, Capriati has collaborated with, recorded for and remixed many of the biggest names in the business; labels like Hawtin's now-defunct Plus 8, Chris Liebing's CLR and Drumcode, and artists like Cari Lekebusch and Joey Beltram. His debut album 'Save My Soul' came out via Analytic Trail back in 2010 and showcased an artist confident exploring the more introspective and delicate corners of techno. His second album, 'Self-Portrait', found its home on Drumcode and stood out through a refined musicianship, one that often favoured subtle details over outright functionality. It was most evident on tracks like the ambient and breaks-influenced opener ‘Electrolytic’, or the melodic hit ‘Fratello’. It wasn't without hard-hitters though; tracks like ‘Awake’ are often the go-to for Capriati and his peers when a peak-time crowd need something bold and with extra energy. Accompanying the album was a documentary called 'Autoritratto', which gave Capriati fans a deeper insight into the personality behind the music and brought the whole project to a new level. Rubbing shoulders with many of techno's most skilled producers, and never one to rest on his laurels, starting a label was a natural next step for Capriati. The same ear that has kept his selection so fresh and adventurous for all these years turns to the A&R task for REDIMENSION Records in 2016. Joseph is constantly road-testing his own and his friends' latest demos to find the perfect formula for a killer club record, and his and Beyer's joint release 'Parallels' is the ideal place to start. The new label is just one of many reasons why Capriati remains amongst the most in-demand, well-respected and exciting artists in dance music.Their RA profile lists MB Elektronics, Loose Records, Plus 8 Records Ltd, Drumcode and 6 more.Last at Artsdistrict Brooklyn in Sep · often with Quest (IT), Mau P, The Fellas, none of them here that night
Last at Brooklyn Mirage in Aug · often with Butterman, Floyd Lavine, Doozie, none of them here that night
often with Le Youth, HI-LO, Noya, none of them here that night
“90s and early 2000s influenced Techno producer from Berlin.”
their own biography
Their RA profile lists EXHALE Records.often with VTSS, Red Axes, KYRUH, none of them here that night
often with Tomer, Shimza, Henry Mora, none of them here that night
- Their RA profile lists On Edge Society, Teksupport Records and Chunky Records.
Last at 99 Scott Ave in Oct · often with Pablo Romero, Daniel Dutts, Loco Dice, none of them here that night
“Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music.”
their own biography
the whole biography
Growing up in the midst of skating and hip-hop culture, he found his musical start as a beatmaker before eventually pivoting to electronic music. After discovering house music in particular, he became a dedicated student of the genre and used that to his advantage as he progressively made waves in his home country of Brazil, both as a meticulous producer and mesmerizing performer. In recent months, his presence has gone global as he’s embarked upon an expansive North American tour with multiple sold out dates in tow, dominated a laundry list of festivals internationally, done B2B sets with the likes of Vintage Culture, and is now headed toward a slot at the church, Circoloco this summer. With standout releases like “False Need” via Black Book alongside an exponentially growing fanbase with over 1 million followers, not to mention a smash forthcoming remix for The Martinez Brothers.Their RA profile lists Nervous Records, Black Book Records and Dtuned Records.Recently at Mi Candela, The Glasshouse · often with Berghain, Konstantin, Seth Troxler, none of them here that night
often with Dan Snazelle, u.r.trax, Pablo Romero, none of them here that night
“Tassilo and Thomas met at Berlin’s renowned SAE, and were drawn together as they were the only two in their studies who had their sights set on the sound of techno.”
their own biography
the whole biography
Tassilo and Thomas met at Berlin’s renowned SAE, and were drawn together as they were the only two in their studies who had their sights set on the sound of techno. Their initial musical efforts placed a primacy on integrating electronic experimentation with minimal stylings while simultaneously establishing the ominous, murky sounds that have since become synonymous with their name. The next few years saw the release of a steady stream of original tracks and remixes on both Mobilee and Einmaleins, each demonstrating the duo’s commitment to precise, undulating and kinetic grooves accompanied by a steady expansion of their sonic palate. The defining moment of Pan-Pot's career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long player offered a 360-degree view of techno that was unique, uncompromised and most importantly, their own. The body of work perfectly balanced heavy, peak time club stormers to deeper, more intricate atmospherics and birthed the overground hit "Charly". More recently "Confronted" and "Captain My Captain" have demonstrated their classic, bold and timeless production style, presenting them as the producers at the top of their game, both sonically and conceptually. Pan-Pot hasn't gotten to where they are on their productions alone. When the two aren't spending countless hours in the studio remixing or creating original work, they are relentlessly touring. This is how they have truly gotten to where they are: by touching the writhing, euphoric, dancing seas of bodies at countless gigs every year. Not only do they have an electric vibe to watch, but their grasp and keen understanding of each and every dance floor is unparalleled. Whether it's an intimate club night or a massive festival like Awakenings, Timewarp, or Creamfields, Pan-Pot know exactly what to do. Unconstrained by boundaries, they traverse techno, house and everything in between with a masters touch. Although their name comes from a basic element of studio equipment, they have rewritten notions of form and function through their own idiosyncratic language and are now stepping completely into a new world with the launch of their own imprint, Second State. Second State is not only a platform for Pan-Pot to release their own music, they are creating a family of like minded artists around them to create, imagine and travel the world with, spreading the Second State vision. It's a place where all ideas can flow seamlessly. From music and events to art and fashion, it's a place where there is no ceiling. No limits to what can be achieved or dreamed. Now is the time they are truly coming into their own. Not only as world class artists and performers, but as tastemakers and masters of their own destiny.Their RA profile lists Soma Records, Cocoon Recordings, Get Physical Music, Systematic Recordings and 6 more.often with Maceo Plex, Nicole Moudaber, ONYVAA, none of them here that night
often with ALiCA RØUGH, bestehend aus zwei Brüdern, die für präzise, none of them here that night
often with LASERLUDI, LAVINIA, ÖLFASSLAGER, none of them here that night
“Sara Landry is relentless.”
their own biography
the whole biography
Sara Landry is relentless. At once immensely creative and wholly uncompromising, Sara is a self-taught producer, audio engineer, and DJ known for her dark, driving, and divinely feminine brand of industrial techno. Though only a few years into what is sure to be a long and storied career, Sara has quickly emerged as one of the most exciting new voices in techno, with her releases on T-Minus, Kraftek, and mau5trap quickly attracting an ever-growing community of loyal fans, and cementing her firmly on the radar of some of the industry’s most prominent tastemakers, including Perc, I Hate Models, Nico Moreno, VTSS, Cera Khin, Cassie Raptor, and Amelie Lens. As a producer, Sara is an irrefutable powerhouse who delights in surprising her listeners, deftly pushing the envelope to craft innovative sonic experiences that are, above all else, deliberate, witchy, and weird. Her productions have been streamed millions of times, are frequently featured on Spotify’s Techno Bunker, and her industrial remix of Cardi B’s WAP made quite an impact on the European rave scene. As a DJ, Sara is an explosive presence and open channel, consistently delivering thunderous, hammering sets that have won the hearts of techno fanatics the world over and earned her a slew of high-profile 2021 bookings at Coachella’s Yuma tent, Red Rocks, and Brooklyn Mirage. At her core, Sara is an intentional energetic conduit; her sole goal with her music is to help her audiences transcend known musical experiences by providing a space for them to lose themselves in the realm she manifests with her meticulously-executed productions and warehouse/livestream event series KLUBHAUS.Their RA profile lists Mau5trap Recordings, Crisis Of Man, RAW, Zeca Records and 4 more.often with DIØN, Jenna Shaw, ALT8, none of them here that night
often with Map.ache, Rampa, Rony Seikaly, none of them here that night
names these artists often play with — not that night
- Seth Troxler4 with mink, 2 with Chris Stussy, 1 with Dennis Cruz and 1 with Mochakk
- The Fellas2 with Dennis Cruz, 2 with mink, 1 with Ilario Alicante and 1 with Joseph Capriati
- Berghain5 with Aurora Halal, 2 with Adiel and 2 with Mochakk
- Ben Sterling3 with mink, 2 with Vintage Culture and 1 with Joseph Capriati
- Map.ache1 with GOLFOS, 1 with Mochakk and 1 with PAWSA
- Rampa1 with GOLFOS, 1 with Mochakk and 1 with PAWSA
- Pablo Romero8 with mink and 1 with Nina Kraviz
- Loco Dice3 with mink and 1 with Joseph Capriati
The room
Brooklyn Navy Yard: Building 268 — 4 events and 23 distinct artists since Oct 2023.
Who put it on
Teksupport — 219 events and 298 artists since Aug 2023.
cosmopop — 3 events and 56 artists since Nov 2023.











