Patrice Bäumel + Ray Zuniga and Nikita

Who they are

• 

  Patrice Bäumel

  Saxony, Germany · 5 bookings since Nov 2023

  “Patrice Bäumel has carved a unique path through the European and global techno world.”

  their own biography

  the whole biography

  Patrice Bäumel has carved a unique path through the European and global techno world. He's the Beatport chart topping producer and international top flight DJ, who can comfortably fit in with the stellar cast of Global Underground compilers/mixers. He's a hero in his adopted hometown of Amsterdam for the residency at the musch beloved Trouw club where he made his name. His releases on lynchpin labels like Kompakt, Get Physical and Watergate consistently soundtrack wild scenes from Ipanema to Ibiza. But he is no generic DJ/producer, not by a long shot. This is a man who cites the dark experimental grind of Andy Stott and the liquid metal explosions of Autechre as key influences. These days he's straightedge and level headed, yet is still in love with the Dionysian extremes of club culture, and remains a livewire behind the decks, forging an electric connection with dancers. And for all that he is a strategic and studious thinker, he's in thrall to the magic of randomness, and insistent that club music must be driven by bravery and radicalism. He brings deep accumulated life experience of business, of technology and of the arts to bear on everything he does, and that depth shows. But then from the very start, Patrice has continually built his own identity. He was born in East Germany in the Communist era, his mother a teacher, his biological father a Congolese chemistry student she had a fleeting relationship with in Belarus. It wasn't always easy growing up mixed race in an extremely white and socially conservative, fearful, society, but he remembers his childhood fondly. His adoptive father was a music journalist and got records from friends in the West, giving Patrice a unique grounding and early love of particularly alternative and electronic sounds: Depeche Mode, Yello, The Cure, Skinny Puppy. When he was 14 the Iron Curtain came down. It was a mixed blessing: increased freedom, of course, and more access to culture were exciting. But racism increased as the insular East Germans turned against perceived outsiders, and the whole country seemed to struggle with its identity and ambitions. Patrice, though, was self-motivated early. At 16 he got a scholarship to spend a year on an exchange programme in Utah, which he credits with making a man of him, and breaking him out of any parochial mentality. At 17 he started DJing, first gabba and hardcore, then quickly picking up the full spectrum of club sounds, but particularly real-deal European and Detroit techno. He got good at mixing reasonably quickly, but he didn't take it very seriously for quite some time. For all that he tried to shake off his East German identity, he admits that he was swept up in the newfound enthusiasm for capitalism that swept the country, and his primary concern was to understand the ways of business and earn good money. It was for this reason he moved to Amsterdam, but, fired from his assigned traineeship there, he refused to admit defeat and – using his skills in English and technology – found a job on a computer help desk, and began to work his way up through the tech industry. As a freelancer, he fairly rapidly created a good life for himself, with flexible working hours and plenty of time for enjoying clubbing, but also his desire to know more about the world, about art, about himself. Music was always there, though, nagging at him to get more involved. Though he originally enjoyed Amsterdam's nightlife purely as a punter, it wasn't long before he had built up a small home studio and was making his own tracks. And his occasional bar DJ gigs started to build him a reputation – though it wasn't until well into the 2000s that he had any sense that this might be something that could be more than a hobby. A couple of releases on Frankfurt's Trapez imprint piqued interest. It it wasn't really until his deliriously tense and strange 2008 release “Roar” on Get Physical – which became an Ibiza and worldwide club staple supported by everyone from Pete Tong to Danny Tenaglia – that he got enough profile to play internationally. And it really took his Trouw residency at the start ot the 2010s to mark him out as a serious player. But that involvement – with a club he describes as somewhere that “embraced everybody... quintessential Amsterdam, just a place that made people very happy” – was the best schooling he could possibly have had. It was here he could flex his musical muscles, going as dark as he liked and perfecting the difficult art of the extended set, often playing for seven hours plus. Even with this base, and his position in the international hierarchy firmly established, though, he steadfastly refused to rest on his laurels. Quite the opposite, in fact. When Trouw closed he reassessed his life, his sound and his approach to everything: making business plans, cutting out intoxicants, going through an intense process of trying to shed his ego and need for approval, and as an end result laser-focusing his creative process on creating club bangers, tracks that would bring maximum pleasure and success. Which takes us to today. Even with his Global Underground mix boosting Patrice's profile further, and his own tracks regularly showcased by the biggest names in the scene, he still sees himself as a work in progress. He may be decades deep in music, but in many senses his career has only just begun, and ever the autodidact, he is determined to expand the possibilities of DJing and production both as art and as technology. During his post-Trouw reassessments, he came to the realisation that his role was to serve the audience, not to glorify himself, and now every fibre of his being is focused on how best to bring people together and bring both straightforward joy and also the thrill of radical sonic art into their lives. Delighting in the glorious mixture of chaos and control a thronging dancefloor embodies, he has all kinds of plans for the future, but also a willingness to let the magic of chance and randomness be a part of his progress. This musical and cultural polymath definitely has more than a few surprises up his sleeve
  SoundCloud ↗Discography ↗
  Their RA profile lists Global Underground, Get Physical Music, !K7, Trapez and 6 more.

  often with Eber, EXTRAEXTRA, feat. Nonono, none of them here that night

• Ray Zuniga

  7 bookings since Aug 2023

  Recently at Brooklyn Mirage, Outer Heaven · often with Lil'T, Leo Del Toro, Dario Dee, none of them here that night

• 

  Nikita

  New York City · 10 bookings since Aug 2023

  “NIKITA Brooklyn, NY listed bookings | LIVING | The Endup | Cityfox Brooklyn | BEAUTIFUL | non-fat ARTIST BIO written by Jack O'Shaughnessy On the same day Dolly Parton, Janis Joplin, Edgar Allan Poe, his mother and grandmother were born, so too did San Francisco DJ, NIKITA, begin his enchanted existence.”

  their own biography

  the whole biography

  NIKITA Brooklyn, NY listed bookings | LIVING | The Endup | Cityfox Brooklyn | BEAUTIFUL | non-fat ARTIST BIO written by Jack O'Shaughnessy On the same day Dolly Parton, Janis Joplin, Edgar Allan Poe, his mother and grandmother were born, so too did San Francisco DJ, NIKITA, begin his enchanted existence. As a young boy in Denver, Colorado, NIKITA's childhood was similar to that of other extraordinary creative youth; days filled with church and show choir, playing the piano, and dancing to his mother's R&B albums. From an early age, NIKITA always knew he wanted to be an entertainer. Then, in 1993, a chance encounter with house music at an underground warehouse party would prove to be a pivotal moment in his life, ultimately guiding NIKITA towards the charmed life he lives today. It wasn't until the turn of the millennium though that NIKITA would leave his home in Colorado to search the clubs and warehouses of San Francisco for his destiny. At the very least, he would get a degree in Music Business from San Francisco State University. But with a resounding perseverance and an inimitable personality, NIKITA quickly earned his place among the upper echelon of DJs in San Francisco's world-renowned club scene. In 2005, NIKITA was chosen to host his own radio show, The Massive Mix, on Northern California's only electronic dance music radio station, Energy 92.7 FM. Indeed, it was NIKITA's penchant for blending raw grooves with sophisticated sounds that garnered him a residency at San Francisco's legendary nightclub, The EndUp. Today NIKITA credits SF as the city that made him the adult and artist that he is today... NIKITA is a DJ's DJ, a rare soul who truly understands his role in the DJ booth. Performing anywhere from two to eighteen hour sets, NIKITA weaves music into fantastic journeys of rhythm and sound. NIKITA's ability to contrast the harder elements of techno with the soulful sensuality of deep house has garnered him accolades from some of the world's best DJs and allowed him the rare opportunity to tag team alongside the likes of Cassy, Danny Howells, Lee Burridge, and Derek Plaslaiko. Indeed, NIKITA has played with a Who's Who of international talent, including Craig Richards, M.A.N.D.Y., Joel Mull, Adam Beyer, Steve Bug, Damian Lazurus, Honey Dijon, and many, many more. With additional inspiration coming from friends such as David Harness and Danny Tenaglia, it comes as no wonder why NIKITA's story is one of a dream come true. Today, NIKITA and music partner, RAY ZUNIGA (Co-founder and label owner of Touch of Class Records), produce an international music experience called LIVING.us. Their events started as an underground in Brooklyn, and they’ve taken the brand to San Francisco, Los Angeles, Austin, and Europe for Amsterdam Dance Event for the past two years. In 2018, WeArePulse declared LIVING as one of the Top10 events at ADE. For a recent promo mix please visit www.soundcloud.com/DJNIKITA OR www.listedbookings.com
  SoundCloud ↗
  Their RA profile lists Better on Foot.

  Recently at Brooklyn Mirage, Le Bain · often with Amar Alemão, Black Peppa, Angel Calysta Sun, none of them here that night