Who was billed4 artists
In the order the promoter listed them.
- next: Tresor / Globus in Berlin, Sat 21 NovThe Hacker
- E-Saggila
- next: Nowadays, Sat 24 OctBEARCAT
- next: KREUZWERK in Berlin, Fri 6 NovChristian Tokyo
Set times were not published.
the pairs that have met
3 of the 6 pairings on this bill were first meetings.
- BEARCAT and Christian Tokyo — 1 shared bill before that night, first on Fri 27 Oct 2023.
- E-Saggila and BEARCAT — 2 shared bills before that night, first on Fri 4 Aug 2023.
- The Hacker and Christian Tokyo — 1 shared bill before that night, first on Fri 27 Oct 2023.
Who they are
“Michel Amato's contribution to electronic music can barely be overstated.”
their own biography
the whole biography
Michel Amato's contribution to electronic music can barely be overstated. As The Hacker, and under different aliases, he has inspired generations of dance music fans and artists. He continues to perform at the very top of his game, constantly evolving and challenging himself with boundary-pushing projects. Coming from the French city of Grenoble, Amato spent his younger years absorbing futuristic Techno sounds from Detroit, bands like Depeche Mode, New Order, Kraftwerk and Front 242, as well as Italo Disco and Acid House. Given the breadth of his influences, it’s no surprise Amato's own discography defies simple definition, covering a wide range of styles in the years since his first release in 1996. Traversing zeitgeists, Amato had a Techno phase, dipped into EBM, sci-fi tinged Electro and New Wave, but is perhaps most famous as a founding father of Electroclash. Peaking at the turn of the millennium, Electroclash fused technoid rhythms with humorous punk and synth-pop sensibilities. Amato met a kindred spirit in Miss Kittin and together they became of one the most iconic duos in electronic music. Her vocals proved the perfect match for his productions, lending them a certain accessibility and new found audience. Kittin's deadpan delivery brought flair to Electroclash hits such as ‘Champagne’ (1998) and ‘Frank Sinatra’ (2000); DJ Hell released the tracks, as well as numerous other Hacker & Kittin productions, on his seminal International Deejay Gigolo imprint. Managing to incorporate elements of popular music without ever sacrificing their authenticity, Amato and Miss Kittin sold hundreds of thousands of records and gained worldwide recognition. In 2004, Amato released his most well-recieved album to date, ‘Rêves Mécaniques’. Largely a solo record, it was a return to the more eerie and edgy, instrumental sound he had pursued in his early years. The album showed that, in the right hands, even this ice-cold, ravy, Acid sound was fit for the charts. The years since wtinessed Amato put out a wide array of his own club mutations, whilst working on remixes, a DVD containing interviews and live footage, mix CDs and his label GoodLife. Today, he is as in-demand as ever. A highly-acclaimed LP, ‘Le Théâtre Des Opérations’, on Dark Entries in 2017 recalled the tough sound of his early works but with more modern production and fresh ideas. The currently thriving, young Electro and EBM underground consider Amato as a master of his craft and many of his older tracks are becoming classics. He has drawn the attention from tastemakers like Helena Hauff, Erol Alkan and Veronica Vasicka for contributions to their labels, released a new collaboration with Miss Kittin and been commissioned to remix both Dave Gahan of Depeche Mode and DJ Hell. In the live and DJ environment, Amato is as revered as he is on record. His set up has taken many forms over the years, largely centred around classic hardware such as the Korg MS 20, the Roland TR 808 and SH 101. His new live project (called ‘Amato’) is a 100% analog, return to his roots that has been presented at venues and festivals such as Dekmantel, Berghain, Nuits Sonores and Off Sonar. It’s a testament to the consistently high quality of Amato’s work and his visionary nature that he remains such a well-respected pillar of electronic music, with his timeless musical innovations continuing to rock dance floors worldwide.Their RA profile lists International DeeJay Gigolo Records, Turbo Recordings, Mental Groove, Different and 6 more.often with 20h OHM, EXTRA, 23h Tresor, none of them here that night
Last at Paragon in Aug · often with FKA, Leech (Peak Oil), Scion, none of them here that night
- Ambient on 3, Techno on 3, House on 2 and Doom Metal on 2. styles on their catalogued releases
Recently at Paragon, Market Hotel, SILO · often with planetperris, Byrell The Great, Sevyn 0000, none of them here that night
“From Paris and Berlin to Lisbon, Marrakech and Indonesia - Christian has paved his way around the world into the ranks of selectors ushering in the electronic renaissance you see here before you.”
their own biography
the whole biography
From Paris and Berlin to Lisbon, Marrakech and Indonesia - Christian has paved his way around the world into the ranks of selectors ushering in the electronic renaissance you see here before you. With backgrounds in fashion, fine & culinary arts - Tokyo’s idea of a dance floor could be compared to a painting or a well plated dish. His sound is comprised of deep emotion & strategic choices ranging from velvety House to magnetic Techno, warped Breaks and all in between the spectrum of dance music. Christian Tokyo has graced all but a few clubs here in New York - from Bronx house parties to the edge of Ridgewood. Now retiring a 3 year long run of weekly parties at NYC’s cherished bar - Home Sweet Home; Tokyo moves on to focus his time and energy on playing in more countries, building a namesake party in NYC and releasing forthcoming independent projects of his own. Having already been featured on video & radio platforms (NTS, Rinse, Lot Radio etc.) and already performing alongside newer artists and classic NYC legends like the Bronx’s world renowned duo the Martinez Brothers and James Blake (to name a few) Tokyo continues to step forward as a premier selector in a new wave of DJs firmly taking up sonic arms to represent their hometowns. Being raised out of a musical household with mentors from iconic underground New York City parties and establishments from young (The Loft & Limelight) solidified Christian's interest and dedication to his role in continuing the history of dance music. Expanding community around dance music and holding space for new and older members is Tokyo’s ultimate goal and if you’ve been fortunate enough to make his acquaintance at least just once - one would fully understand. Head to his bandcamp and soundcloud and experience the sound at the links above!Recently at Mi Sabor Cafe, Bossa Nova Civic Club, Paragon · often with Vibeiana, America Rose, Lord Fascinator, none of them here that night
names these artists often play with — not that night
- Shyboi6 with BEARCAT and 3 with Christian Tokyo
- planetperris7 with BEARCAT
- Byrell The Great6 with BEARCAT
- Sevyn 00005 with BEARCAT
- Meg103 with BEARCAT
- Sight -Beyond- Sound3 with Christian Tokyo
- Sterling Juan Diaz3 with BEARCAT
- America Rose2 with Christian Tokyo
how this compares
- Median final count, Fridays at Paragon464
- Middle half finished between381 and 585
- Past Fridays at this venue counted140
The room
Paragon — 356 events and 947 distinct artists since Aug 2023.

