adriftnycbeta

← sat 2 mar — 54 listings

Gene Farris / Mike Dunn / KISIN

SILO90 Scott Ave, East Williamsburg, Brooklyn · Map

This night happened — Sat 2 Mar 2024

SILO

Press play

Who was billed3 artists

In the order the promoter listed them.

Set times were not published.

Most of these pairings were meeting for the first time that night.
the pairs that have met

2 of the 3 pairings on this bill were first meetings.

  • Gene Farris and Kisin — 1 shared bill before that night, first on Sat 2 Mar 2024.

Who they are

  • Gene Farris

    Chicago · 6 bookings since Jan 2024

    “Gene Farris lives and breathes house music.”

    their own biography

    the whole biography
    Gene Farris lives and breathes house music. A bonafide Chicago legend, he’s been pushing musical boundaries for close to three decades, from spinning at underground warehouse parties in the early 90s to working with the current crop of world-leading labels and artists. Relief, Dirtybird, ViVa Music, Defected: all have released and championed Gene Farris records over the past few years, alongside his own Farris Wheel imprint: a fitting testament to the quality and relevance of the music he creates. Gene started his career spinning vinyl – a mix of acid house and disco – at the and was one of The Power House’s first resident DJs, as well as holding down an eight year residency at Chicago’s infamous Boom Boom Room. A move to Europe followed, with Gene holding down a four-year residency at Jimmy Woo in Amsterdam, after which he hit the studio with a profound sense of innovation and a desire to make music that moved both him and others. As a self-taught engineer and producer, his work with Cajual, Relief Records, Defected Records, Soma Recordings and his own breakout label Farris Wheel Recordings, propelled his influence into ever expanding realms. His catalogue is vast, varied and consistently inspired, with notable releases including ‘Play’ on Snatch!, ‘LOL’ on Relief and 2015’s ‘Move Your Body’, which was one of the biggest club records of the year. Similarly impressive was Gene’s ‘Welcome To Chicago EP’, which after its release on Defected Records back in 2003, quickly became a cult classic. 2018 sees Farris Wheel locked back into a regular groove of releases after a few years’ absence, with Paul Johnson, Roy Davis Jr, Sydney Blue all set to release over the coming months. And with the continuing success of his Gene Farris & Friends events - Chicago’s favourite monthly house party, with recent guests including Black Coffee, Jamie Jones, Patrick Topping and Walker & Royce – Gene is undeniably a major player on today’s electronic music scene. More recently, Farris has become a go-to collaborator for many AAA producers, Green Velvet, Jamie Jones, Sonny Fodera, Harry Romero and more have all shared studio time with him, with the results rarely being anything short of extraordinary and further established Farris as a rare and highly sought-after talent. In 2016, Farris took his penchant for collaboration to new creative heights with the release of In The Screen: a studio album that included co-productions with a staggering roster of talent, including Loco Dice, Jesse Rose, Mihalis Safras, Dajae and many more released to critical acclaim with widespread DJ and radio play. As someone who has never paid mind to the restrictions of genre – probably due to his eclectic DJ beginnings, - Farris moves effortlessly between all shades of house and techno, making him at once accessible and unpredictable: a rarity in the often rigorously shoe-boxed world of electronic music. Long may he continue to surprise and delight us all.
    Their RA profile lists Defected Records, Soma Records, Cajual Records, Get Physical Music and 6 more.

    Last at Musica Club NYC in Jan · often with Tini Gessler, Frankie Storm, RSquared, none of them here that night

  • Mike Dunn

    Chicago · 9 bookings since Dec 2023

    “Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years.”

    their own biography

    the whole biography
    Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks. “I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live. A lot of my early tracks came from me doing them at the party when the party was going on. I’d save it in memory and bring it home and polish it up. But I listen to it now and it’s like, damn… didn’t use enough cleaner!” Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, sometimes under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1. He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few. More recently, tracks like Phreaky MF’ and ‘God Made Me Phunky’, rereleased on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels, demonstrated on tracks such as ‘It’s the Music’ produced by Murphy Jaxx and ‘Touch the Sky’ produced by Alden Tyrell and released on Clone’s Jack for Daze imprint. His first album in 27 years, ‘My House, From All Angles’ was released in 2019 on Classic that was well received by press and DJs alike. This year also sees the launch of Mike’s label Blackball Muzik as an outlet for Mike’s music productions as well as releases on Defected and Gliterbox to name a few. Mike continues to DJ throughout the world playing at clubs such as Panorama Bar, Concrete, Fabric and Sub Club, and festivals such as Glastonbury, Electric Forrest demonstrating why the Chicago OG is still very much in demand
    Their RA profile lists Defected Records, Classic Music Company and Glitterbox.

    often with Cosmo, Dam Swindle, Cosmo, none of them here that night

  • Kisin

    4 bookings since Nov 2023

    Last at Elsewhere in Nov 2023 · often with Edd, hanzondeck, Malcolm Zeller, none of them here that night

names these artists often play with — not that night
  • Cosmo2 with Mike Dunn and 1 with Mike Dunn
  • Edd1 with Gene Farris and 1 with Kisin
  • hanzondeck1 with Gene Farris and 1 with Kisin
  • Tini Gessler2 with Gene Farris
  • Arianna Danae1 with Kisin
  • Ash Lauryn1 with Mike Dunn
  • Classmatic1 with Kisin
  • Dam Swindle1 with Mike Dunn
50 said they were going — about like a usual Saturday at SILO.
how this compares
  • Median final count, Saturdays at SILO50
  • Middle half finished between28 and 85
  • Past Saturdays at this venue counted163

The room

SILO — 692 events and 1,264 distinct artists since Aug 2023.

Most-tagged here: Techno (48), House (41), Tech House (13), Deep House (7) and Dubstep (6). genre tags on this room’s listings

Artist photos: Resident Advisor, event 1856509.

Attending counts, venue records and co-billing history: adrift’s record of New York City events.

Quoted passages are the promoter’s or the artist’s own words, unedited.