Who was billed3 artists
In the order the promoter listed them.
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
2 of the 3 pairings on this bill were first meetings.
- Rissa Garcia and Ruez — 3 shared bills before that night, first on Sun 11 Feb 2024.
Who they are
“Hailing from the music-fuelled streets of Brooklyn in earlier years, Sandy’s formative beginnings were consumed with a passion for the sounds assaulting his ears on a daily basis.”
their own biography
the whole biography
Hailing from the music-fuelled streets of Brooklyn in earlier years, Sandy’s formative beginnings were consumed with a passion for the sounds assaulting his ears on a daily basis. Spanish funk, hip-hop beats, early electro and the burgeoning explosion of house captivated his attention and led him away from the sidewalk towards the dark and smoky halls of some of the world’s greatest clubs. For most, it was Sandy’s modern day 2000 classic Finally as one half of Kings of Tomorrow that bought him to their attention. Featuring the vocals of Julie McKnight, the dialogue between a dead woman and God transformed through Sandy’s production into one of the most revered house tracks of all time. Licensed to a staggering 164 compilations (and counting…) it remains to this day at the top of many people’s ‘all time favourite’ lists. It was seven years prior to Finally that a chance meeting with the legendary Burt Bacharrach led to Sandy’s foray into full time production. With funding from the man behind countless hit records of his own and an obvious eye for talent, Sandy set up Blackwiz Records and released tracks such as D’Menace, Fade II Black, Open Your Mind, My Love Is Real, Young Hearts and countless others in a prolific spurt of creativity. Come Into My Room, released on Sandy’s other imprint DEEPVISION spawned a new strand of electro disco-house sound, soon found to be infiltrating the works of everyone from EBTG (Tracey In My Room) to commercial big-hitters like Kylie Minogue. Sandy’s solo work is equally as ferocious. Expansions, Class Is In Session, Changes, I Can’t Stop, Just Won’t Do, Lollipop, Freak, Deeper and more recently Persuasion, Escape and Dirty Sax have lit up airwaves and dance floors the world over. With three long-players under his belt – The Calling (1997), It’s In The Lifestyle (2000) and Trouble (2005) – his body of work shows the depth and scope of his ability to work across numerous genres, pulling in house, soul, R&B and chill-out. Since the release of Trouble, Sandy has turned his hand to various compilations – including Ministry of Sound Sessions and Kings Of Tomorrow Defected ITH – and has a magnitude of production credits on tracks and mixes for the likes of Craig David, Moby, Fedde le Grand and Everything But The Girl. Away from the plug-ins, knobs and other countless buttons that proliferate his mixing desk, it’s on the dance floor where Sandy reigns supreme. Playing to both the underground and the overground, demand for his timeless abilities has never been higher. His blend of uplifting house, chilled tech-beats, funked-up rhythms and the ability to drop down into the depths of grinding progressive house make him one of the most versatile and natural artists in the world. With the second decade of the 21st century upon us, the name Sandy Rivera means more than just a collection of records – more than just ‘house’. It means a legendary sound split across different genres, breaking boundaries and making people listen. It’s the anticipation for what’s next, the wait for whatever tracks are just around the corner. He is without doubt the King of Tomorrow and the master of yesterday – he is Sandy Rivera.Their RA profile lists Defected Records, Data Records, MN2S, Strictly Rhythm and 6 more.often with AG, ODY ROC, Aladdin, none of them here that night
“Rissa Garcia is a celebrated New York house DJ, producer, and NightChild Records label boss, widely regarded as a driving force within NYC's underground dance music scene.”
their own biography
the whole biography
Rissa Garcia is a celebrated New York house DJ, producer, and NightChild Records label boss, widely regarded as a driving force within NYC's underground dance music scene. Influenced by her Staten Island upbringing and the legendary atmosphere of clubs like Vinyl, where Danny Tenaglia's sets captivated her, Rissa’s career has been shaped by a deep connection to House Music. That moment of discovery remains her "Paradise Garage" spark, fueling her passion for crafting immersive experiences on dance floors across the city and beyond. Over nearly two decades, Rissa has earned her place among the greats, sharing decks with icons such as Danny Tenaglia, Tony Humphries, Danny Krivit, Kenny Dope, and TODD TERRY, among others. Praised for her ability to seamlessly blend house, funk, soul, classics, and beyond, her sets reflect a nuanced mastery designed to move bodies and unite spirits. As the founder of "Dancing Room Only," Rissa champions authentic club culture, crafting spaces where the music takes center stage and the crowd reconnects. Her ethos is simple yet powerful: put the phones down, feel the beat, and dance together. Her work with NightChild Records, relaunched in 2018, showcases her commitment to advancing house music’s artistry. With a catalog approaching 100 releases—including collaborations with legends like Todd Terry—her label has become a hub for soulful, high-quality productions. Her releases also appear on distinguished labels like Plastik People Recordings and Rhythm & Culture. Rissa’s talent has drawn accolades from peers and legends alike— King Britt called her "unreal," Tony Humphries hailed her as "an immense talent," and Danny Tenaglia praised her selections and mixing as "wonderful." A DJ, producer, event curator, and label head, Rissa Garcia is not just a standout artist; she’s an untapped gem whose dedication to NYC’s house music heritage continues to resonate globally.Deep House on 10, House on 9, Tech House on 3 and Nu-Disco on 1. styles on their catalogued releasesReleased on NightChild Records (2), Bambossa Records (1) and LW Recordings (1); their RA profile also lists King Street Sounds, Seta Label, Fresh Meat Records, InHouse Records and 4 more. labels on their catalogued releases and on their RA profileRecently at H0L0, Good Room, House of Yes · often with James Anthony, Orson, NIGELTHREETIMES, none of them here that night
Last at Good Room in Feb · often with USERONLY, Sean Cormac, Manny Ward, none of them here that night
names these artists often play with — not that night
- James Anthony2 with Rissa Garcia
- Laila Amira2 with Rissa Garcia
- NIGELTHREETIMES2 with Rissa Garcia
- Orson2 with Rissa Garcia
- 76 hours1 with Sandy Rivera
- Achilles Moss1 with Sandy Rivera
- ACID BOGEN1 with Sandy Rivera
- AG1 with Sandy Rivera
73 said they were going — much quieter than a usual Sunday at Good Room.
how this compares
- Median final count, Sundays at Good Room176
- Middle half finished between99 and 345
- Past Sundays at this venue counted56
The room
Good Room — 477 events and 1,024 distinct artists since Aug 2023.
Holds about 500.
Most-tagged here: House (6) and Techno (3). genre tags on this room’s listings
Who put it on
Dancing Room Only NYC — 1 event and 3 artists since Apr 2024.