Who was billed8 artists
In the order the promoter listed them.
- next: Berghain in Berlin, Sat 31 OctAurora Halal
- next: Good Room, Fri 23 OctDJ Shannon
- Goldie
- Special Request
- next: Nowadays, Sat 28 Novlivwutang
- Succubass
- next: Sat 24 OctYumi
- Tabu
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
23 of the 28 pairings on this bill were first meetings.
- Aurora Halal and livwutang — 1 shared bill before that night, first on Sat 8 Jun 2024.
- Aurora Halal and Succubass — 1 shared bill before that night, first on Sat 28 Oct 2023.
- livwutang and Yumi — 1 shared bill before that night, first on Thu 14 Sep 2023.
- livwutang and Succubass — 1 shared bill before that night, first on Thu 14 Sep 2023.
- Succubass and Yumi — 1 shared bill before that night, first on Thu 14 Sep 2023.
Who they are
“Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable.”
their own biography
the whole biography
Shadowy and psychedelic, her hardware live & DJ sets have a hazy sensuality and metallic dance floor intensity that's at turns playful, dark, euphoric and emotionally vulnerable. In all her projects, she treats dance music as an arena for transformation and since 2010, her events have been rooted in an underground, DIY approach that pushes forward-thinking sounds, production, and ideas. She’s spent the last 10 years touring like-minded clubs, raves, and festivals worldwide and gained a reputation for powerful, unique performances that work both the body and mind. She’s 4 years into a residency at NYC’s Nowadays, is a regular at Berghain and previously De School.Techno on 28, House on 14, Electro on 11 and Experimental on 9. styles on their catalogued releasesReleased on BAKK (2), Dekmantel (1) and Mister Saturday Night Records (1); their RA profile also lists Mutual Dreaming Recordings. labels on their catalogued releases and on their RA profileRecently at Nowadays, Mansions, Bossa Nova Civic Club · often with Berghain, deep creep, Gerd Janson, none of them here that night
“Shannon Dawson is a dance floor professional.”
their own biography
the whole biography
Shannon Dawson is a dance floor professional. From the club to the recording booth and beyond, the kinetic DJ exhibits a deep understanding of what moves people at any place or time. Born, raised, and currently based in New York, Shannon has brought her unlimited exuberance and expert DJ skills to Chongqing, China, where she lived for five years and lit up the decks at local clubs and parties across the country. There she co-founded and owned CREAM, Chongqing’s first hip-hop–focused club, and rounded out her nightlife experience operating and booking for the subcultural spot. Shannon’s sound: Big and bold. She commands the decks with impressive technical skill—she’s noted for her layering and phrasing, dizzying handwork, and big-time blends. Consistently unearthing fresh, fun, fiery tracks and off-kilter beats, she delivers hard-hitting club, breakbeat, classic and ghetto house, techno, global bass, and hip-hop. She’s slayed the CDJs in revered New York venues including Nowadays, Elsewhere, House of Yes, and Good Room. Outside of the club, Shannon graces the airwaves of the Lot Radio and Radio Bonita with her energetic mixes and sunny personality. She is also the host of the podcast Club Management, which explores music’s ability to bridge communities around the world through thoughtful interviews with such guests as TRAXMAN, UNIIQU3, Bohan Phoenix, Ikonika, and Dance Mania founder Ray Barney.Recently at Mood Ring, Jupiter Disco, Good Room · often with Niyah West, HONEY B, Will Jack, none of them here that night
“<u>Goldie - Autobiography</u> Some people might call what I do drum 'n' bass.”
their own biography
the whole biography
<u>Goldie - Autobiography</u> Some people might call what I do drum 'n' bass. But I'm not going to narrow it down to what the music industry thinks is commercially viable. I'm not really into narrow thinking. Making this music is like poker. You begin with five cards. You don't play poker with two cards. That's just the rule of the game. Once you learn how to play you can bend the rules. I've been in this game for as long as I can remember, seeking out bits of punk rock, pop and reggae when I was still a kid in Walsall. When slap bass days arrived in the mid eighties I started to get into Loose Ends, Change and Maze travelling for funk all-dayers. I even gave Rastafarianism a shot earning myself the nickname Goldielocks, but then the hip-hop scene blew up and you can't spin on your head if you've got locks. So I said see you later to that! Hip hop allowed me to express myself artistically for the first time. Doing graffiti art made me learn how to make something out of nothing, and it got me involved in the music scene. I spent time in New York exhibiting my work and appeared in Africa Bambatta's feature film 'Bombing' as one of Britain's top graffers. That rocked. In '86 I moved out to Miami and started a business selling engraved gold teeth. By 1990 I was on the move again, to London, where something very special was about to kick off... The club was Rage at Heaven. Everyone was just going for it. The adrenaline was pumping around the place. I heard DJs playing a weird hybrid sound, there was still the late rave stuff but here was a new sound, a mad fusion of the old and new. I'd always been the sort of kid who wanted to belong and felt like I'd found a home. In '92 I produced my first track as Ajax Project while I was doing some design and A&R work for 4Heros's Reinforced label. My next tunes Killermuffin and Menance were put out under my early moniker Rufige Kru1 on the Metalheadz label. But at first I was just this deranged kid at Rage with gold teeth shining, this nutter talking a million miles an hour. I remember clutching the cage, watching Fabio or Grooverider take the record I'd made out of the box and put it on the deck and thinking "Fuck, fuck"! By late '92 a darker sound was taking over. By '93, recording as Metalheadz, I had released my darkcore anthem Terminator, lifting the buzz saw synth riff from Joey Beltram's Mentasm alongside the mutating breakbeats that began to characterise darkcore. It was just like rebelling with the music. The darkness was Britain's new urban blues. Dark to me was just a representation of the way people were feeling at the time, there was a recession and the country was in decline. But forward ever backward never, I was in the studio again creating something fresh. My '93 release Angel was one of the first tracks to push what the industry referred to as drum 'n' bass in a more musical direction, with Urban Cookie Collective's Diane Charlemagne providing jazzy vocals. Rage shut down this year with AWOL quickly stepping in to fill the void that it left behind. Meanwhile I was working on my debut album Timeless. For me Timeless was the ultimate statement of drum 'n' bass's technical sophistication and manipulation. Back then I was the first of the drum 'n' bass crew to sign to a major label; London records. To me this made no odds, I didn't care if music was underground or overground; I knew where it came from! Timeless shot straight into the album charts at number seven, which was a first for a drum 'n' bass record. But I don't even know if I'd call it a drum 'n' bass record. I'd prefer to call it inner city ghetto music, because I'm not going to come up with stuff just to match people's perceptions of drum 'n' bass. Inner City Life, one of the albums vocal tracks, became a signature tune at LTJ Bukem's club Speed in 1994. But my style was now far removed from the bark of the Jungle music that I was putting out in my Rage days. By '95 the Metalheadz label was well up and running. Then came the Metalheadz Sunday Sessions at the Blue Note. The atmosphere was just unreal and drum 'n' bass was the music of the moment. In '96 and '97 I collected awards for Timeless, my DJing, the Metalheadz label and my compilation album Platinum Breakz. It was fair to say I'd arrived, but I was by no means burnt out and I was looking for new ways to challenge myself as an artist. In my second album Saturnz Returns the tones and tempos were more varied, the experiments bolder and the tracks definitely more personal. No one could sing about my own misfortunes more than myself. I just wanted to be sincere in my work. Sometimes I think back to when I was a kid staring out of the window going "fucking hell I'm really depressed, I really want to make it". To go from that to now is to go from real extremes and it's quite unbelievable to me. In '99 I played a bad guy in James Bond film 'The World is Not Enough' and also in Guy Ritchie's 'Snatch'. In 2001 I had a part in Eastenders as a Gangster called Angel. It's surreal. But now my focus is getting back on the music while keeping the acting thing going strong. After a two year break the Metalheadz Sunday Sessions has a new home at The Limelight, Shaftsbury Avenue. I'm currently in the studio with Jamie Matrix and J Majik recording my third album Sonic Terrorism. Meanwhile I've got a release out under my old moniker Rufige Kru called Stormtrooper VIP / The Beach on Metalheadz. The stuff I'm putting out as Rufige Kru is more dancefloor than my new album which is more like my older experimental stuff. The new Metalheadz album Platinum Breakz 3 has also just been released. So, Metalheadz has been away for a while, but it isn't dead. We don't need to put out releases every five seconds to prove ourselves. The label is still one of the most respected on the scene. After a decade of doing music it's still all good for me.Their RA profile lists TrustTheDJ, Moonshine, INCredible, Metalheadz and 3 more.often with Adred, Diverge, Anónima, none of them here that night
Recently at public records · often with Taylor Shockley, 98dots, DJ SWISHA, none of them here that night
“Liv is a NYC-based DJ.”
their own biography
House on 2 and Techno on 2. styles on their catalogued releasesReleased on Cav Empt (1) and Dekmantel (1). labels on their catalogued releasesRecently at Paragon, Nowadays, Bossa Nova Civic Club · often with CCL, DJ Fart in the Club, Mia Koden, none of them here that night
Recently at BASEMENT, Nowadays, Camp Kennybrook · often with DJ DEADNAME, CCL, Doctor Jeep, none of them here that night
Recently at Nowadays, H0L0, public records · often with Hank Jackson, 320, DJ Healthy, none of them here that night
names these artists often play with — not that night
- DJ DEADNAME5 with Succubass and 3 with DJ Shannon
- CCL3 with Succubass and 2 with livwutang
- Matas3 with Aurora Halal and 2 with Succubass
- Eva Loveless2 with Succubass and 2 with Yumi
- KIA2 with livwutang and 2 with Yumi
- Niyah West13 with DJ Shannon
- HONEY B10 with DJ Shannon
- Berghain5 with Aurora Halal
1,415 said they were going — about like a usual Saturday at Nowadays.
how this compares
- Median final count, Saturdays at Nowadays1,183
- Middle half finished between554 and 1,707
- Past Saturdays at this venue counted185
The room
Nowadays — 804 events and 1,369 distinct artists since Aug 2023.
Most-tagged here: Techno (22), Bass (21), House (15), Club (6) and Electro (6). genre tags on this room’s listings