Who was billed6 artists
In the order the promoter listed them.
- next: Berghain in Berlin, Sat 31 OctRoman Flügel
- next: RSO.BERLIN in Berlin, Thu 31 DecAlarico
- ÆON
- next: Berghain in Berlin, Sat 14 NovRoi Perez
- Natuta
- Markus
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
13 of the 15 pairings on this bill were first meetings.
- Roi Perez and Markus — 1 shared bill before that night, first on Sat 31 Aug 2024.
- ÆON and Roi Perez — 1 shared bill before that night, first on Fri 17 May 2024.
Who they are
“It all started with one of these Chicago Trax compilations on DM/STREETSOUNDS.”
their own biography
the whole biography
It all started with one of these Chicago Trax compilations on DM/STREETSOUNDS. As a reaction to his thirsting for more of these crazed beats from overseas and with a view to his tight budget, the greatest hits of these expensive imported 12” singles were soon released in the form of a compendium. This opened Pandora’s box, for very young Roman Flügel, too. Innocently given to him by his elder brother as a present (“He probably had no idea what he was about to unleash and just wanted to give me some new music”), the dazzle of the unrefined and feverish dance music, furnished with just a few drum machines and inexpensive synthesizers, turned the whole world upside down for the cultivated music pupil from Darmstadt. After several evenings at Sven Väth’s renowned Omen club, few kilometres further up north, and his mind was made up. Memories of the atmosphere at the legendary Warp or Underground Resistance label nights has put a smile on Flügel’s delicate face ever since – a man who would also make a fine figure as a literature lecturer, poet or thinker. “LFO’s bass, once they had set up their massive range of equipment, was unbelievable,” he says laughing. It didn’t take long before the well-trained ear tried out more than just classical melodies. Little by little, he collected a vast array of equipment, bringing forth his first sound experiments and enough courage to give a demo tape to indie fan (that’s what music magazines like Zillo used to call people like that back then) Jörn Elling Wuttke. The latter was a well-known face in Darmstadt’s music scene and often enthused about new electronic music. In him he had found the right partner and Wuttke could hardly believe his spellbound ears. DJs und Delirium record sellers Ata and Heiko MSO from Frankfurt felt the same. At first they thought someone was making fun of them. It sounded too authentic and unique. The music Flügel and Wuttke had presented to their label Ongaku and Klang Elektronik as Acid Jesus or, rather, Alter Ego, couldn’t possibly come from the little neighbouring town Darmstadt. In Frankfurt, that kind of sound made people think of Detroit. The rest is history and forged an almost holy alliance. Speaking of holy: a humid summer’s day, a crate of beer and a studio in a garage sufficed to found a new label by the name of Playhouse for Holy Garage and to create that certain “surprise” which still excites house clubs today. Comrades-in-arms such as Isolée, Don Disco alias Losoul and Ricardo Villalobos made the label the number one address. So they went on, history was written and the nineties flew by in a jiffy. His degree course in music was in the way: “It seemed obsolete somehow, just to be analyzing church sonatas all day when there were so many interesting things going on around me. When, on top of that, the only semester on modern music was cancelled that year, I decided to leave the university.” Luckily for us all, actually. The electronic intellectual’s productivity is virtually unparalleled and Roman Flügel, the producer, DJ and label co-owner of Ongaku/Klang/Playhouse has meanwhile become a gentle giant in the German electro scene. With his own personal style and the privilege of being independent from the usual constraints of the music industry. A free spirit instead of a sheep. His solo project as Soylent Green (see the latest “La Forca Del Destino” compendium) is just as much of a must as his Alter Ego project with Wuttke, rigorously affirming techno down to the very last detail. He and Wuttke also count as techno Teuton Sven Väth’s favourite producers, who booked the team to produce a series of his own music. Roman’s work as Eight Miles High and Ro 70 show his quieter side, while the remixes (e.g. for Daft Punk, The Human League, Primal Scream, Pet Shop Boys, Kylie Minogue) and tracks under his own name (just think of the Arcade rave of “Geht’s Noch”) are light dancefloor affirmations. Roman also champions the cause of this in his job as an entertainer. Tried and tested by the stadium and pop hit “Rocker”, Flügel and Wuttke can be proud of being able to set any auditorium in the world on fire with their live set. DJ Roman Flügel can say the same of himself. Be it his sets at Offenbach’s Robert-Johnson, Amnesia on Ibiza or Berlin’s Tollhaus Berghain/Panorama Bar: instead of disappearing in trivial and meaningless elevator clicks, he prefers to make his way through 20 years of “rave”. Contemporary music that includes bleeping house or quirky techno meets futuristic Italo-disco and electronica devoid of all provenance. There was a time when you’d call that kind of sound acid house, released cheaper by the dozen on compilations. It all turns full circle again. Gerd Janson 2009Their RA profile lists Skint, Cocoon Recordings, Playhouse, Klang Elektronik and 6 more.Recently at public records, Good Room · often with Gerd Janson, Berghain, André Galluzzi, none of them here that night
“Strongly shaped by the raw and forward-leaning sound of 90’s Techno, Milan based artist Alarico Zucchi started his journey into electronic music in 2015 making his way through clubs as a DJ while learning the art of music production.”
their own biography
the whole biography
Strongly shaped by the raw and forward-leaning sound of 90’s Techno, Milan based artist Alarico Zucchi started his journey into electronic music in 2015 making his way through clubs as a DJ while learning the art of music production. The inauguration of ‘Alarico’ occurred in 2019 after previously exploring several sub-genres of Techno. The alias was formed as a statement to showcase a style that was personal to him. Personal in a way that he became captivated within the patterns and structures of his own sound. Known for fast paced rhythms and kinky grooves he has released music consistently since his debut in 2020 on Joton’s imprint ‘Newrhytmic Records’. Shortly after he launched the vinyl imprint “Katana Records” which showcases the more nose-bleed and mental side of his idea of Techno. Also 2021 so far has been a prolific key year for Alarico. While the world fell seemingly more and more asleep, he continued honing his craft: His debut on Amsterdam based label ‘OOM Records’ was followed by an invitation to a highly acclaimed artists label, which is soon to be disclosed. The same goes for an upcoming remix. Alarico continues to position himself as a unique music lover, continuing to explore the depths and possibilities of sound. He stands for continuously pushing boundaries and stirring this attitude with his background of Hip Hop and Japanese culture.Their RA profile lists NEWRHYTHMIC, Emerald, SYXT, ANAØH and 6 more.often with ROBUS, SUMME, Freddy K, none of them here that night
“Pulling from her influences as a classical musician, the subtle layering of psychedelic techno and pounding grooves gives way to ÆON's signature sound.”
their own biography
the whole biography
Pulling from her influences as a classical musician, the subtle layering of psychedelic techno and pounding grooves gives way to ÆON's signature sound. With regular appearances at clubs like Paragon, Basement and Bossa Nova Civic Club, she's quickly become one to watch on the local scene.Recently at Paragon, Bossa Nova Civic Club, H0L0 · often with Clarisa Kimskii, LYDO, Marco Neves, none of them here that night
“With an unmistakably frisky approach to the craft, Roi Perez’s extensive DJ-sets anchor dance floors and locks the room into a shared frequency, creating an atmosphere of togetherness, where loose sweaty bodies tune in and resolve into a single collective experience.”
their own biography
the whole biography
With an unmistakably frisky approach to the craft, Roi Perez’s extensive DJ-sets anchor dance floors and locks the room into a shared frequency, creating an atmosphere of togetherness, where loose sweaty bodies tune in and resolve into a single collective experience. Focusing all of his artistic energy solely on DJing, the Berlin-based DJ crafts long, percussive narratives that swing between sweat and sweetness. With an ever expanding record collection, his sets span groove-led house, tribal-leaning techno, and the teasing, flirtatious heartbeat of a good ballroom. His Panorama Bar residency, lasting over a decade, has shaped his sound signature. In Berghain’s most playful room, Perez has refined a way of mixing that feels expansive without losing intimacy. The same spirit follows him to Dekmantel, Glastonbury Festival and other stages worldwide, and he is equally at home in the steamy basements we all love so much. In short: Roi Perez is a key figure wherever long sets, instinct and mischief shape the night. Perez’s own party LAUNDRETTE traces dance music back to its queer roots through time-stretching sets and a deep attunement to the room’s collective resonance. The project also directs funds to marginalised communities and humanitarian initiatives.Recently at Knockdown Center, BASEMENT · often with Berghain, Phase Fatale, David Elimelech, none of them here that night
“Natuta brought a whole new type of energy into the Georgian club scene that took all hip dance floors by storm.”
their own biography
the whole biography
Natuta brought a whole new type of energy into the Georgian club scene that took all hip dance floors by storm. Her eclectic mixes reverberate with everything from acid, Chicago house, Techno, 90s rave, plus something completely unexpected…’Last at BASEMENT in Jun · often with MVHY, LYDO, Juliana Huxtable, none of them here that night
“2025 Artist Bio Markus is a DJ and producer based in Brooklyn, New York.”
their own biography
the whole biography
2025 Artist Bio Markus is a DJ and producer based in Brooklyn, New York. Markus is known for his versatility, playing a variety of genres including EBM, House, Italo, 80s Darkwave, Breaks, and more. However, he is most renowned for his unique blend of old school electro and new school brolectro, with a distinctive touch of lesbian techno. Born to Palestinian immigrant parents in Las Vegas, he grew up in the suburbs during the 90s, where he developed a deep appreciation for 90s R&B music. In middle school, he discovered trance via Napster and limewire, igniting his passion for electronic music. Markus's move to San Francisco marked a significant turning point in his musical journey. Immersing himself in the city's vibrant underground dance scene, he learned from the renowned Honey Soundsystem, a queer collective, and the iconic Club Lonely. He also became obsessed with the local garage rock scene and perhaps his most significant musical inspiration, Beach House. In 2010, Markus co-founded the indie chillwave band Seatraffic with his friend Brandon Harrison. As the band's synth player and vocalist, Markus contributed to their unique sound, leading to several successful releases over five years. During this period, Markus found his true self on the dance floor, forming his first queer friendships and feeling a profound sense of belonging. This community became his family and played a crucial role in shaping his identity. Inspired by artists like early Grimes and Purity Ring, Markus began producing his own crossover tracks. However, his career as an architectural professional meant that music took a secondary role for a time. Just before the COVID-19 pandemic, Markus received his first pair of turntables from his then-boyfriend, now best-friend, Dylan. This gift ignited his passion for DJing, and during lockdown, he honed his skills as a bedroom DJ, playing at the lockdown afters with friends. Markus's most influential mentor, Robert Yang (Bezier), introduced him to Ouissam, of Savage Club Hanoi and the founder of Equation Festival in Vietnam. Ouissam challenged Markus to perform at the Rave Cave during Equation Festival 2023. Markus prepared a new live set and made his comeback after a five-year hiatus, performing original productions like "Want It Back" and "With Your Girlfriends," two tracks deeply rooted in the original sounds of Detroit Electro of the 90s, with a San Francisco and Dutch sprinkling of EBM on top. On the same trip, Markus celebrated his birthday at Savage Hanoi, where he was asked to replace Sedaf Adassi, who had to cancel due to COVID-19. This unexpected opportunity led to Markus's first DJ gig at one of Asia's most prestigious clubs. Back in Brooklyn, Markus continued to build his reputation, performing at venues like Bossa Nova Civic Club and participating in fundraisers for Palestine. Later he eventually secured regular gigs at Basement, where he plays in both the Main Room and the multi-genre-focused Studio. In 2024, Markus embarked on his first DJ tour in Asia, performing at renowned clubs such as .Tag, Pawnshop, Heim, and returning to Savage in Hanoi. This year, he will debut at Nowadays for their 24-hour party, nonstop, alongside Lena Wilkens and Vladimir Ivkovic. Markus is also set to perform at this year's Wire Festival at the Knockdown Center in May and make his European debut at Herrensauna's CSD Party in July.Recently at Dada, Bossa Nova Civic Club, Mansions · often with Makadsi, FASHION, Kilopatrah Jones, none of them here that night
names these artists often play with — not that night
- Berghain5 with Roi Perez and 3 with Roman Flügel
- LYDO3 with ÆON and 3 with Natuta
- The Carry Nation3 with ÆON and 3 with Markus
- Makadsi7 with Markus
- David Elimelech5 with Roi Perez
- Juana5 with Roi Perez
- Phase Fatale5 with Roi Perez
- Boris4 with Roi Perez
1,846 said they were going — about like a usual Saturday at BASEMENT.
how this compares
- Median final count, Saturdays at BASEMENT1,868
- Middle half finished between1,512 and 2,298
- Past Saturdays at this venue counted144
The room
BASEMENT — 294 events and 630 distinct artists since Aug 2023.
Holds about 500.