Revival in The Nursery

Who they are

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  Moon Boots

  New York City · 12 bookings since Nov 2023

  “Pete Dougherty (aka Moon Boots) was born in Brooklyn and spent his adolescence in the suburbs.”

  their own biography

  the whole biography

  Pete Dougherty (aka Moon Boots) was born in Brooklyn and spent his adolescence in the suburbs. Early formative musical memories include hearing MFSB’s “Love Is The Message” at block parties. Cut to high school years jamming along to Daft Punk in the barn with a blacklight on. After studying classical and jazz composition in college, Pete moved to Chicago, the birthplace of house music. He spent years honing his skills as a remixer and DJ and in late 2011, Moon Boots was born. The alias began taking shape with a series of releases for French Express. The label provided Pete with a platform, and he quickly leveled up his craft while touring around the world and eventually moving back to Brooklyn. The first Moon Boots album, First Landing, arrived in 2017 on Anjunadeep, followed two years later by Bimini Road, and then in 2023 by Ride Away. As with his DJ sets, each album blends elements of house, disco, and R&B with a crate’s worth of musical influences. The three records were widely embraced, amassing over 100 million streams. Moon Boots has played everywhere from dimly lit clubs and warehouse parties to massive festivals. Regardless of the DJ booth's location, his objective remains the same: to keep people dancing, with a smile on their faces.
  SoundCloud ↗Bandcamp ↗
  Their RA profile lists Cr2 Records, Anjunadeep, Fool's Gold, Nervous Records and 4 more.

  Recently at Elsewhere, public records · often with Pinto, James Juke, Tambor y Caña, none of them here that night

• Mike Servito

  New York City · 154 bookings since Aug 2023

  “Some DJs burst upon the scene like a supernova, fading just as quickly.”

  their own biography

  the whole biography

  Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releases

  Released on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profile

  Recently at BASEMENT, Gabriela, Paragon · often with Shaun J. Wright, S4M23, JADALAREIGN, none of them here that night

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  Kim Anh

  New York City · 96 bookings since Aug 2023

  “American DJ and producer Kim Anh has been a staple of the queer dance music underground for two decades.”

  their own biography

  the whole biography

  American DJ and producer Kim Anh has been a staple of the queer dance music underground for two decades. She has gone on to make an indelible impact on the nightlife scenes she's been a part of in Los Angeles and New York, where she currently splits her time between NYC and the Hudson Valley. The founder of groundbreaking queer parties like Booby Trap! and Tendencies, Kim Anh helped underline the queer and POC history of dance music, bringing it back to its roots. Her production and songwriting blends classic house and electronic with a contemporary sensibility, with catchy hooks and edgy, sensual lyrics, described by DJ Mag as "lucid and absorbing, and conveying an assertion and power." She’s been a top 10 Beatport artist with features in Mix Mag (UK & Asia), DJ Mag, Resident Advisor and LA Weekly to name a few. More recently, Kim Anh started her own Can U Not Talk Records label, and has also been featured on labels like Live At Robert Johnson, Afro Acid and Nervous Records. She's collaborated with artists from across the electronic music spectrum such as Roy Davis. Jr, Massimiliano Pagliara, Peaches and Cerrone.
  SoundCloud ↗Bandcamp ↗
  House on 8, Deep House on 5, Nu-Disco on 5 and Acid on 3. styles on their catalogued releases

  Released on Can U Not Talk Records (1), Delusions Of Grandeur (1) and Nervous Records (1); their RA profile also lists International DeeJay Gigolo Records, EMI Records, Afro Acid Digital, Live At Robert Johnson and 2 more. labels on their catalogued releases and on their RA profile

  Recently at Gabriela, public records, MoMA PS1 · often with The Carry Nation, Michael Magnan, Tedd Patterson, none of them here that night

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  Byron The Aquarius

  Alabama · 10 bookings since Aug 2023

  “When Byron The Aquarius talks about live frequencies, his enthusiasm is infectious.”

  their own biography

  the whole biography

  When Byron The Aquarius talks about live frequencies, his enthusiasm is infectious. A keys player by trade, Byron’s love for melody and harmony has consistently drawn the attention of electronic music’s leading labels and producers. In 2015, Byron released a ten track solo album on BBE entitled “Planets of Love.” When he wasn’t working on his own music, he was playing keys in the studio with Kai Alce. These creations got into the hands of Theo Parrish, who loved the sound of his sublime jazz-infected house and picked two tracks to release on his legendary Sound Signature label in 2016. The resulting “Highlife EP” has been hailed as “stunning”, “intoxicating” and “essential.” In the years since, Byron has released a consistently high level of music on Wild Oats, Eglo records & more. In the past 3 years Byron has released three LPs, starting with his debut album “Astral Traveling” released on Mutual Intentions. The following year Byron released “Ambrosia LP” on Jeff Mills’ label Axis Records, & most recently, Byron released “The New Beginning LP” on the UK label Shall Not Fade. He has toured the planet playing festivals such as Dimensions, Dekmantel, Suncebeat, Lente Kabinet, All Points East and many more as well as a plethora of the worlds best clubs. 2022 will see the beginning of Byron’s own label TALKNOI$E Records kick-off with a five-track EP coming out in June and will be available as a limited vinyl-run along with digital release on all platforms.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Sound Signature, Wild Oats, Heist Recordings, In-Beat-Ween Music and 6 more.

  Last at public records in May · often with Soul Summit Music, JADALAREIGN, Omer Mil, none of them here that night

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  Justin Cudmore

  New York City · 74 bookings since Aug 2023

  “Justin's coming-of-age as a fan and creator of dance music took place amidst the wide expanses of central Illinois.”

  their own biography

  the whole biography

  Justin's coming-of-age as a fan and creator of dance music took place amidst the wide expanses of central Illinois. As a kid growing up in the state’s tucked-away capital of Springfield, he played drums as a jazz percussionist in school. While most of his peers were tuned into pop music, Justin was wearing out self-made mixes and classic disco compilations, workshopping new-wave influenced beats in bands and DJing college parties. A post-graduation move to Chicago led him to work for the influential dance music blog Little White Earbuds, opening him up to fully experience the city’s thriving underground house and techno scene. A Midwest-born and raised DJ, Justin has played at queer parties such as Wrecked, The Carry Nation, Horse Meat Disco, Honcho, and Club Toilet, and has gained a following all over the world with appearances at clubs like Smartbar Chicago, Panorama Bar, Is Burning Amsterdam, Razzmatazz Barcelona, DC10 and Lux Fragil. His bold, acid-flecked distillation of house and techno has found a home on the labels that are helping to shape the current landscape of transgressive body music, including The Bunker New York, Detroit’s Interdimensional Transmissions, and Honey Soundsystem Records. Justin's sound is defined by snaking acid lines, whip smart drums and offbeat rave melodies that have resonated with DJs and dancers from Detroit to Berlin. He has been featured in mixes for series such as Beats In Space, Truants, MixMag, Phantasy and The Bunker New York’s long-running podcast.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Techno on 23, House on 20, Tech House on 10 and Acid on 9. styles on their catalogued releases

  Released on Acid For Trans Health (1), Spotlight Records (1) and The Night Institute (1); their RA profile also lists Turbo Recordings, Hotflush Recordings, Interdimensional Transmissions, Phonica White and 6 more. labels on their catalogued releases and on their RA profile

  Recently at BASEMENT, public records, 99 Scott Ave · often with Jeffrey Sfire, JADALAREIGN, Sterling Juan Diaz, none of them here that night

• Steven Klavier