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← sun 1 sep — 45 listings

Revival After Dark

public records233 Butler St, Brooklyn, NY 11217 · Map

This night happened — Sun 1 Sep 2024

Revival_nyc and public records

Press play

Who was billed4 artists

In the order the promoter listed them.

Set times were not published.

Most of these artists had shared a bill before that night.
the pairs that have met

1 of the 6 pairings on this bill were first meetings.

  • Mike Servito and Justin Cudmore — 12 shared bills before that night, first on Fri 1 Dec 2023.
  • Makadsi and Mike Servito — 5 shared bills before that night, first on Sun 1 Sep 2024.
  • Makadsi and Justin Cudmore — 3 shared bills before that night, first on Sun 17 Sep 2023.
  • Makadsi and donofrio — 2 shared bills before that night, first on Sun 1 Sep 2024.
  • donofrio and Mike Servito — 2 shared bills before that night, first on Thu 21 Sep 2023.

Who they are

  • Makadsi

    Beirut, Lebanon · 60 bookings since Aug 2023

    “Makadsi continues to impress.”

    their own biography

    the whole biography
    Makadsi continues to impress. This Brooklyn-based DJ/Producer, hailing from Zahle Lebanon, owns the underground scene with his signature sound merging Arabic influences over cross-genre sets. He is a resident and co-founder of FUNCTION, a space where he has cultivated a dance floor that honors the natural, vibrant diversity of New York City. NY’s BASEMENT dubbed Makadsi as the “rave activator”. 2025 saw Makadsi deepen his footprint across Europe. He returned to Glastonbury for a second year, this time on the IICON stage, and debuted at Horst Arts & Music Festival in Belgium. Summer took him from Honey Dijon's Chinois in Ibiza to Geggen x Pornceptual for Berlin Pride, Body Movements in London, the main stage at Madrid's MADO Pride, and Adonis for London Pride. French-German network ARTE profiled him for their Tracks series, spotlighting how he threads Arabic divas through techno beats. Back stateside, he played in the iconic Texas room for the 4th Annual Wire Festival in Brooklyn, NY further cementing his role in the heart of the city's underground. 2024 was no less impressive, with Makadsi’s debuts in Ibiza at Palmarama, Glastonbury Festival's iconic NY Downlow stage, Berlin's Pornceptual, Honey Dijon’s House Nation in Brooklyn, and NITSA's 30th birthday in Barcelona. 2023 was nothing short of monumental for Makadsi, taking FUNCTION on the road alongside Beyoncé’s Renaissance World Tour. As the Creative Director and architect for the Renaissance album and Renaissance World Tour, he booked opening DJ acts featuring familiar darlings of the Queer Underground scene (Arca, Shygirl, and more). He ended the tour with his own opening set for Beyoncé's last show in Kansas City. Topping off the year, Makadsi opened for Madonna’s Celebration Tour in Brooklyn.

    Recently at 99 Scott Ave, Paragon, BASEMENT · often with Sterling Juan Diaz, Dangerous Rose, FASHION, none of them here that night

  • donofrio

    New York City · 18 bookings since Sep 2023

    Recently at H0L0, Jupiter Disco, Good Room · often with Nita Aviance, Yumi, e-Lite, none of them here that night

  • Mike Servito

    New York City · 154 bookings since Aug 2023

    “Some DJs burst upon the scene like a supernova, fading just as quickly.”

    their own biography

    the whole biography
    Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.
    Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releases
    Released on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profile

    Recently at Bossa Nova Civic Club, Paragon, public records · often with Shaun J. Wright, S4M23, JADALAREIGN, none of them here that night

  • Justin Cudmore

    New York City · 74 bookings since Aug 2023

    “Justin's coming-of-age as a fan and creator of dance music took place amidst the wide expanses of central Illinois.”

    their own biography

    the whole biography
    Justin's coming-of-age as a fan and creator of dance music took place amidst the wide expanses of central Illinois. As a kid growing up in the state’s tucked-away capital of Springfield, he played drums as a jazz percussionist in school. While most of his peers were tuned into pop music, Justin was wearing out self-made mixes and classic disco compilations, workshopping new-wave influenced beats in bands and DJing college parties. A post-graduation move to Chicago led him to work for the influential dance music blog Little White Earbuds, opening him up to fully experience the city’s thriving underground house and techno scene. A Midwest-born and raised DJ, Justin has played at queer parties such as Wrecked, The Carry Nation, Horse Meat Disco, Honcho, and Club Toilet, and has gained a following all over the world with appearances at clubs like Smartbar Chicago, Panorama Bar, Is Burning Amsterdam, Razzmatazz Barcelona, DC10 and Lux Fragil. His bold, acid-flecked distillation of house and techno has found a home on the labels that are helping to shape the current landscape of transgressive body music, including The Bunker New York, Detroit’s Interdimensional Transmissions, and Honey Soundsystem Records. Justin's sound is defined by snaking acid lines, whip smart drums and offbeat rave melodies that have resonated with DJs and dancers from Detroit to Berlin. He has been featured in mixes for series such as Beats In Space, Truants, MixMag, Phantasy and The Bunker New York’s long-running podcast.
    Techno on 23, House on 20, Tech House on 10 and Acid on 9. styles on their catalogued releases
    Released on Acid For Trans Health (1), Spotlight Records (1) and The Night Institute (1); their RA profile also lists Turbo Recordings, Hotflush Recordings, Interdimensional Transmissions, Phonica White and 6 more. labels on their catalogued releases and on their RA profile

    Recently at House of Yes, public records, BASEMENT · often with Jeffrey Sfire, Kim Anh, JADALAREIGN, none of them here that night

names these artists often play with — not that night
  • Shaun J. Wright12 with Mike Servito and 4 with Makadsi
  • JADALAREIGN11 with Mike Servito and 4 with Justin Cudmore
  • Kilopatrah Jones8 with Mike Servito and 6 with Makadsi
  • Nita Aviance10 with Mike Servito and 3 with donofrio
  • Sterling Juan Diaz9 with Makadsi and 4 with Justin Cudmore
  • Jeffrey Sfire7 with Mike Servito and 5 with Justin Cudmore
  • Lauren Flax8 with Mike Servito and 4 with Justin Cudmore
  • S4M237 with Mike Servito and 2 with Justin Cudmore

Sound

Techno and House.
styles on the acts’ catalogued releases
99 said they were going — about like a usual Sunday at public records.
how this compares
  • Median final count, Sundays at public records123
  • Middle half finished between66 and 199
  • Past Sundays at this venue counted149

The room

public records — 766 events and 1,571 distinct artists since Aug 2023.

Holds about 300.

Most-tagged here: Techno (19), House (17), Deep House (11), Experimental (5) and Tech House (4). genre tags on this room’s listings

Who put it on

Revival_nyc — 10 events and 23 artists since Sep 2023.

Artist photos: Resident Advisor, event 1992860.

Attending counts, venue and promoter records, co-billing history, release styles and release labels: adrift’s record of New York City events.

Quoted passages are the promoter’s or the artist’s own words, unedited.