Mizz Softee & Golden Record

Who they are

• 

  Marco Shuttle

  Central, Italy · 2 bookings since Apr 2024

  “Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart.”

  their own biography

  the whole biography

  Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart. His cinematic techno sounds are unusually organic: they build pressure in subtle ways and his meticulous grooves never fail to take listeners on a trip to somewhere new and exciting. As a result of this, he has become a firm favourite amongst the techno cognoscenti and has released on some of the most revered labels of the day, from famed New York club The Bunker’s new label to Peter van Hoesen’s untouchable Time To Express via Clone SOS and his regular home, Eerie Records. Italian born but London based, where he also gained his MA in Fashion at St Martin’s. What ties his creative work together is a focus on abstract yet organic texture and the same thing defines his tightly woven DJ sets from fabric to Berghain to Labyrinth in Japan. His eclectic cerebral sound takes cues from jazz and musique concrete as much as it does from acid house and Detroit techno. Early breakout records like his 'The Vox Attitude' have been followed up with great abstract outings on Clone and remixes for Third Side, whilst the future promises a collaboration with compatriot and fellow producer and friend Donato Dozzy as Anxur. It will land on Eerie, Marco’s own well-formed label and is sure to be another supple and succulent offering that proves Marco Shuttle to be a uniquely minded techno troubadour.
  Discography ↗
  Their RA profile lists Clone Records, Time To Express, The Monkey Bar, The Bunker New York and 5 more.

  Recently at public records · often with Erika, Ma.to, Ekkel, none of them here that night

• 

  Kerrie

  Cork, Ireland · 5 bookings since Dec 2024

  “Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops, Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets.”

  their own biography

  the whole biography

  Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops, Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie achieved a milestone at the start of 2024 when Tresor announced her as a resident DJ. Playing several shows (both live and DJ sets) at the Berlin-based space, Kerrie also represents the seminal club at showcases worldwide. Celebrated venues like Berghain, fabric, FOLD, Elsewhere NYC, and festival bookings at Freedom Medellin, Freerotation, Drift, Basilar and many more have shaped her schedule along the way. First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are renowned for their trippy motifs and high impact on the dancefloor; her set from Freerotation in 2019 was one of the festival's most talked-about debuts. Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk [DMF] in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists: James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, "Inner Space PT1", was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove." 2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP "Raw Regimen", which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie delivered her second EP in 2023 and joined the crew at label showcases around the globe. In the same year, she marked her tenth release on vinyl called "Transient Belief" which Blueprint added to their discography. In 2024, Kerrie's output continues to captivate, with Tresor releasing her EP "Machine Alliance", further solidifying her connection with the club and label and fulfilling one of her many goals (and dreams) as an artist. Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Having ended her 11-year stint at the shop in 2023 to fully commit to the studio and accommodate her increasingly busy tour schedule, Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Blueprint Records, Cultivated Electronics, Don't Be Afraid, I Love Acid and 2 more.

  often with TRESOR, GLOBUS, Mareena, none of them here that night

• 

  Word of Command

  New York City · 47 bookings since Aug 2023

  “⠀⠀⠀⠀⠀⠀⠀⢀⣴⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⣄⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⡴⠋⡏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡇⠳⣄⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⢀⡾⠁⢰⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣷⠀⠹⣆⠀⠀⠀⠀⠀ ⠀⠀⠀⢀⣾⠁⠀⢸⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⠀⠀⢹⣇⠀⠀⠀⠀ ⠀⠀⠀⣸⡇⠀⠀⠀⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡟⠀⠀⠀⣿⡄⠀⠀⠀ ⠀⠀⠀⣿⠃⠀⠀⠀⢻⡀⠀⠀⠀⢀⣠⣴⡶⠶⠿⠛⠛⠛⠛⠛⠛⠛⠻⠶⣶⣤⣄⡀⠀⠀⠀⢰⠇⠀⠀⠀⢹⡇⠀⠀⠀ ⠀⠀⠀⣿⡆⠀⠀⠀⠈⠳⣀⣠⣾⣿⡉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠻⣿⣿⣦⣀⡠⠏⠀⠀⠀⠀⣸⡇⠀⠀⠀ ⠀⠀⠀⢻⣇⠀⠀⠀⠀⠀⠀⠹⣿⠙⣷⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⠏⠀⠀⠀⠀⠀⠀⣿⠇⠀⠀⠀ ⣶⠀⠀⠘⣿⡄⠀⠀⠀⠀⠀⠀⣿⡄⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣾⣿⡟⠀⠀⠀⠀⠀⠀⣼⡟⠀⠀⢀⡆ ⣿⣧⡀⠀⠹⣿⡄⠀⠀⠀⠀⠀⣿⡇⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣀⣤⣴⣿⣿⣿⡇⠀⠀⠀⠀⠀⣴⡿⠁⠀⣠⣿⡇ ⣿⢻⣷⣄⠀⠙⣿⣆⡀⠀⠀⣰⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠛⠛⠛⠋⠁⠘⣿⣿⣧⠀⠀⠀⢀⣾⡟⠁⢀⣴⣿⢻⡇ ⢹⡇⠙⣿⣷⣄⢸⣿⣿⣿⡿⠟⠁⠀⠀⠀⠀⢀⠀⠀⠀⠀⠀⠀⠀⠀⢤⠀⠀⠀⠈⠻⠿⣷⣶⣶⣿⣿⠀⣰⣿⡿⠁⢸⠁ ⢸⣇⠀⠈⠻⣿⣾⣿⣿⡿⠀⠀⠀⠀⠀⠀⢠⠟⠀⠀⠀⠀⠀⠀⠀⠀⠈⢧⡀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣾⡿⠋⠀⠀⣾⠀ ⠀⣿⡄⠀⠀⠈⣻⣿⣿⣷⠀⠀⠀⠀⣠⠔⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠑⠤⣄⠀⠀⠀⠀⠀⢿⣿⡏⠀⠀⠀⢀⡏⠀ ⠀⠘⣷⣄⠀⠀⣿⣿⣿⣿⣆⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⡀⠀⠸⣿⡇⠀⠀⢀⡼⠁⠀ ⠀⠀⠈⠻⣷⣄⣸⣿⣿⣿⣿⣿⣷⣦⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣤⣾⠋⠉⠀⠀⠀⣿⡇⢀⡴⠋⠀⠀⠀ ⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣿⣿⣿⣿⣎⠙⠦⣀⠀⠀⣠⠀⠀⢀⣆⠀⠀⣠⠖⢉⣼⠏⠀⠀⠀⠀⠀⣿⠗⠋⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠈⣿⣿⣿⡿⠛⠛⠛⠛⠶⠶⠛⠉⠻⣿⡀⠀⢸⡿⠋⠉⠳⠶⠞⠋⠀⠀⠀⠀⠀⢰⡟⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣷⠀⠀⠀⠀⠀⠀⠀⠀⠀⢿⡇⠀⣾⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⡿⠁⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⢹⣿⡀⠀⠀⠀⠀⠀⠀⣀⡀⠘⣇⠀⣿⣿⣄⡀⠀⠀⠀⠀⠀⠀⢠⣾⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣷⣤⣀⣀⣠⡤⢾⣇⡀⠀⠀⠀⢿⣿⣿⣿⠶⣤⣀⣀⣠⣴⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢹⣿⣿⣿⣿⣿⣄⠀⠉⠛⡆⠀⠀⢸⡟⠛⠁⢀⣼⣿⣿⣿⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⣿⣷⡉⠉⠘⣧⡳⣄⣀⣙⠲⠶⠞⢁⣀⡴⣫⡾⠈⠋⣰⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣷⡄⠀⢷⠹⣶⠯⣭⣍⣉⣭⡭⢷⣼⢡⠇⠀⣰⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⡀⠈⢧⣝⣀⣀⣀⣀⣀⣀⣘⣡⠞⠀⢸⣿⣿⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⡇⠀⠀⣀⣬⣭⣭⣭⣭⣭⣄⡀⠀⠀⣾⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⣷⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⡿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠻⣦⣀⡀⠀⢀⣀⠀⠀⢀⣠⡴⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠛⠿⢿⣿⣿⣿⠿⠟⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ DJ, artist and techno impresario, Word of Command welds fevered collage and mutated beats into hallucinatory ecstasy.”

  their own biography

  the whole biography

  ⠀⠀⠀⠀⠀⠀⠀⢀⣴⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⣄⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⡴⠋⡏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡇⠳⣄⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⢀⡾⠁⢰⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣷⠀⠹⣆⠀⠀⠀⠀⠀ ⠀⠀⠀⢀⣾⠁⠀⢸⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⠀⠀⢹⣇⠀⠀⠀⠀ ⠀⠀⠀⣸⡇⠀⠀⠀⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡟⠀⠀⠀⣿⡄⠀⠀⠀ ⠀⠀⠀⣿⠃⠀⠀⠀⢻⡀⠀⠀⠀⢀⣠⣴⡶⠶⠿⠛⠛⠛⠛⠛⠛⠛⠻⠶⣶⣤⣄⡀⠀⠀⠀⢰⠇⠀⠀⠀⢹⡇⠀⠀⠀ ⠀⠀⠀⣿⡆⠀⠀⠀⠈⠳⣀⣠⣾⣿⡉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠻⣿⣿⣦⣀⡠⠏⠀⠀⠀⠀⣸⡇⠀⠀⠀ ⠀⠀⠀⢻⣇⠀⠀⠀⠀⠀⠀⠹⣿⠙⣷⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⠏⠀⠀⠀⠀⠀⠀⣿⠇⠀⠀⠀ ⣶⠀⠀⠘⣿⡄⠀⠀⠀⠀⠀⠀⣿⡄⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣾⣿⡟⠀⠀⠀⠀⠀⠀⣼⡟⠀⠀⢀⡆ ⣿⣧⡀⠀⠹⣿⡄⠀⠀⠀⠀⠀⣿⡇⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣀⣤⣴⣿⣿⣿⡇⠀⠀⠀⠀⠀⣴⡿⠁⠀⣠⣿⡇ ⣿⢻⣷⣄⠀⠙⣿⣆⡀⠀⠀⣰⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠛⠛⠛⠋⠁⠘⣿⣿⣧⠀⠀⠀⢀⣾⡟⠁⢀⣴⣿⢻⡇ ⢹⡇⠙⣿⣷⣄⢸⣿⣿⣿⡿⠟⠁⠀⠀⠀⠀⢀⠀⠀⠀⠀⠀⠀⠀⠀⢤⠀⠀⠀⠈⠻⠿⣷⣶⣶⣿⣿⠀⣰⣿⡿⠁⢸⠁ ⢸⣇⠀⠈⠻⣿⣾⣿⣿⡿⠀⠀⠀⠀⠀⠀⢠⠟⠀⠀⠀⠀⠀⠀⠀⠀⠈⢧⡀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣾⡿⠋⠀⠀⣾⠀ ⠀⣿⡄⠀⠀⠈⣻⣿⣿⣷⠀⠀⠀⠀⣠⠔⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠑⠤⣄⠀⠀⠀⠀⠀⢿⣿⡏⠀⠀⠀⢀⡏⠀ ⠀⠘⣷⣄⠀⠀⣿⣿⣿⣿⣆⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⡀⠀⠸⣿⡇⠀⠀⢀⡼⠁⠀ ⠀⠀⠈⠻⣷⣄⣸⣿⣿⣿⣿⣿⣷⣦⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣤⣾⠋⠉⠀⠀⠀⣿⡇⢀⡴⠋⠀⠀⠀ ⠀⠀⠀⠀⠀⠙⢿⣿⣿⣿⣿⣿⣿⣿⣎⠙⠦⣀⠀⠀⣠⠀⠀⢀⣆⠀⠀⣠⠖⢉⣼⠏⠀⠀⠀⠀⠀⣿⠗⠋⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠈⣿⣿⣿⡿⠛⠛⠛⠛⠶⠶⠛⠉⠻⣿⡀⠀⢸⡿⠋⠉⠳⠶⠞⠋⠀⠀⠀⠀⠀⢰⡟⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠘⣿⣿⣷⠀⠀⠀⠀⠀⠀⠀⠀⠀⢿⡇⠀⣾⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⡿⠁⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⢹⣿⡀⠀⠀⠀⠀⠀⠀⣀⡀⠘⣇⠀⣿⣿⣄⡀⠀⠀⠀⠀⠀⠀⢠⣾⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣿⣷⣤⣀⣀⣠⡤⢾⣇⡀⠀⠀⠀⢿⣿⣿⣿⠶⣤⣀⣀⣠⣴⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢹⣿⣿⣿⣿⣿⣄⠀⠉⠛⡆⠀⠀⢸⡟⠛⠁⢀⣼⣿⣿⣿⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠸⣿⣷⡉⠉⠘⣧⡳⣄⣀⣙⠲⠶⠞⢁⣀⡴⣫⡾⠈⠋⣰⣿⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣷⡄⠀⢷⠹⣶⠯⣭⣍⣉⣭⡭⢷⣼⢡⠇⠀⣰⣿⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⡀⠈⢧⣝⣀⣀⣀⣀⣀⣀⣘⣡⠞⠀⢸⣿⣿⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⡇⠀⠀⣀⣬⣭⣭⣭⣭⣭⣄⡀⠀⠀⣾⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⣷⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⡿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠻⣦⣀⡀⠀⢀⣀⠀⠀⢀⣠⡴⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠛⠿⢿⣿⣿⣿⠿⠟⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ DJ, artist and techno impresario, Word of Command welds fevered collage and mutated beats into hallucinatory ecstasy. Influenced by his Cuban-American upbringing and early love of radio, he breeds chaos and catharsis in every set. He is the founder of FIST (Fun is Still Transgressive), a queer party that pays tribute to radical fun, while engaging the visibility of communities of otherness through techno in NYC. Founded in 2016, FIST now holds a residency at NY's BASEMENT and has travelled internationally.
  SoundCloud ↗
  Contemporary R&B on 1, Darkwave on 1, Eurodance on 1 and Hip Hop on 1. styles on their catalogued releases

  Their RA profile lists FIST.

  Recently at BASEMENT, The Parkside Lounge, Paragon · often with DJ Clone, TT, Sevyn 0000, none of them here that night

• 

  Samuel Fish

  New York City · 41 bookings since Aug 2023

  “Mizz Softee / Outer Orbit Records”

  their own biography

  SoundCloud ↗Bandcamp ↗

  Recently at H0L0, Mansions, public records · often with Henry Chow, Chill Zone, Handmade, none of them here that night

• Mike Servito

  New York City · 154 bookings since Aug 2023

  “Some DJs burst upon the scene like a supernova, fading just as quickly.”

  their own biography

  the whole biography

  Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.
  SoundCloud ↗Bandcamp ↗Discography ↗
  Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releases

  Released on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profile

  Recently at Apollo Studio, Bossa Nova Civic Club, The Chocolate Factory · often with Shaun J. Wright, S4M23, JADALAREIGN, none of them here that night

• 

  Kim Anh

  New York City · 96 bookings since Aug 2023

  “American DJ and producer Kim Anh has been a staple of the queer dance music underground for two decades.”

  their own biography

  the whole biography

  American DJ and producer Kim Anh has been a staple of the queer dance music underground for two decades. She has gone on to make an indelible impact on the nightlife scenes she's been a part of in Los Angeles and New York, where she currently splits her time between NYC and the Hudson Valley. The founder of groundbreaking queer parties like Booby Trap! and Tendencies, Kim Anh helped underline the queer and POC history of dance music, bringing it back to its roots. Her production and songwriting blends classic house and electronic with a contemporary sensibility, with catchy hooks and edgy, sensual lyrics, described by DJ Mag as "lucid and absorbing, and conveying an assertion and power." She’s been a top 10 Beatport artist with features in Mix Mag (UK & Asia), DJ Mag, Resident Advisor and LA Weekly to name a few. More recently, Kim Anh started her own Can U Not Talk Records label, and has also been featured on labels like Live At Robert Johnson, Afro Acid and Nervous Records. She's collaborated with artists from across the electronic music spectrum such as Roy Davis. Jr, Massimiliano Pagliara, Peaches and Cerrone.
  SoundCloud ↗Bandcamp ↗
  House on 8, Deep House on 5, Nu-Disco on 5 and Acid on 3. styles on their catalogued releases

  Released on Can U Not Talk Records (1), Delusions Of Grandeur (1) and Nervous Records (1); their RA profile also lists International DeeJay Gigolo Records, EMI Records, Afro Acid Digital, Live At Robert Johnson and 2 more. labels on their catalogued releases and on their RA profile

  Recently at Earthly Delights, Gabriela, Bossa Nova Civic Club · often with The Carry Nation, Michael Magnan, Justin Cudmore, none of them here that night

• 

  SPRKLBB

  New York City · 32 bookings since Aug 2023

  “SPRKLBB is an all-vinyl DJ and photographer based in New York City.”

  their own biography

  the whole biography

  SPRKLBB is an all-vinyl DJ and photographer based in New York City. A mentee of NYC house duo The Carry Nation, his sets showcase an eclectic, improvisational sound rooted heavily in the mix. Pulling from a deep library of styles, his Brooklyn club nights draw top names in underground dance music for unique B2B sets. These intimate jam sessions have led to global nods, with appearances at hi-fi clubs and festivals internationally. Known for a raw energy and unconventional physicality, his refined approach to vinyl adds a fun, fresh voice to the format. He holds residencies at The Lot Radio and Soho Radio, and is the curator of Club Moment NYC.
  SoundCloud ↗
  Their RA profile lists Acid Camp.

  Recently at Mansions, BASEMENT · often with BEIGE, tINI, Angel D'lite, none of them here that night

• 

  Donny Burlin

  New York City · 11 bookings since Aug 2023

  “BKNY's ‘Space is the Place’ curator, Donny became a national staple throughout the 90’s & early 2000’s, and has been playing parties up and down the east coast & throughout the states for decades.”

  their own biography

  the whole biography

  BKNY's ‘Space is the Place’ curator, Donny became a national staple throughout the 90’s & early 2000’s, and has been playing parties up and down the east coast & throughout the states for decades. Donny has been affiliated with B’more’s first techno/electronic record label, Defective Records (www.defectiverecords.com) since ’94, along with being co-founder/resident DJ of DeepSugar Parties (www.sugarparty.org) with Ultra Nate' at the legendary Club Paradox (www.thedox.com) in Baltimore, MD. Donny has always had his ear to the underground and has been influential in keeping the underground vibes alive in Brooklyn. His musical range runs very deep and is a sure crowd pleaser.
  SoundCloud ↗Discography ↗

  Recently at Bossa Nova Civic Club, Good Bar, public records · often with Analog Soul, OEA Collective, DJ Spinna, none of them here that night