Who was billed6 artists
In the order the promoter listed them.
- next: Sat 31 OctDJ Bone
- next: Dead Letter No. 9, Sat 24 OctMike Servito
- next: Dead Letter No. 9, Fri 23 OctRose Kourts
- next: Paloma in Berlin, Sun 6 Decfka.m4a
- Jason Kendig
- next: public records, Sat 7 NovCosmo
Set times were not published.
the pairs that have met
8 of the 15 pairings on this bill were first meetings.
- Mike Servito and Rose Kourts — 3 shared bills before that night, first on Sat 8 Mar 2025.
- Jason Kendig and Cosmo — 2 shared bills before that night, first on Sun 15 Dec 2024.
- Mike Servito and Cosmo — 5 shared bills before that night, first on Sat 21 Oct 2023.
- Mike Servito and Jason Kendig — 3 shared bills before that night, first on Thu 16 Jan 2025.
- DJ Bone and Mike Servito — 2 shared bills before that night, first on Sat 11 May 2024.
- Rose Kourts and fka.m4a — 1 shared bill before that night, first on Sat 8 Mar 2025.
- Mike Servito and fka.m4a — 1 shared bill before that night, first on Sat 8 Mar 2025.
Who they are
“To some he is the champion of the underground.”
their own biography
the whole biography
To some he is the champion of the underground. Others see him for the first time and ask the person dancing like crazy next to them, "Where did THIS guy come from?" Think of Detroit Techno and DJ Bone might not be high on your list of luminaries because he is 100% independent and does things on his terms and on his terms only. He won't tap dance or bend to fit the "popular" dj mold. Those who recognize Bone know him for his uncompromising and innovative ways. It's no accident that two letters always precede Bone's name whenever he's on the bill. First and foremost, Bone is a DJ-in the truest sense. When he spins, it's as if the turntables and the mixer become a physical extension of his body. He employs every possible technique in the disc jockey arsenal masterfully: blending, scratching, backspinning, no monitors or headphones; unrivaled in his use of the fader switch and he incorporates them all into every set. From his standing room only residency performances to after-hours spots, he rocks every show as if it's his last. What the general public and far too many DJs don't realize is that Bone spins as much for his own enjoyment as he does for the audience. It's a compulsion that only those who live for what they do possess and those who don't can never understand: Bone lives to spin-it's a necessary part of his existence. His dedication to the art of dance music and DJing is so untainted and intense that the tales of his confrontational encounters with flashy booking agents and "big name" djs are already the stuff of legend. No hype or trends, just a relentless drive and passion to take the party to another level. That's why he's one of the few spin masters other DJs hate to follow. DJ Bone is one of Detroit's most coveted underground vinyl technicians. This very talented and highly sought after artist plays events and clubs worldwide, has held a residency at four of Detroit's top clubs and produces music inspired by the city in which he hales from, Detroit. His record label Subject Detroit is futuristic and unearthly while still displaying the true essence of Detroit's Techno Soul. Bone experienced the emotion, passion and energy of Detroit Techno first hand at the infamous Music Institute. What he witnessed there, along with the eclectic mix of music filling Detroit's airwaves by the legendary Electrifyin' Mojo and The Wizard, would serve to be Bone's main influences. Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week, as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended. After hearing Bone in Detroit (1996 Love Club Anniversary Party), Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe. A lack of electronic music which fit his style led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his label Subject Detroit focusing on true Sonic Soul. In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone's weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor's attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency. Bone's observation of the trend to book producers to spin, as opposed to actual DJs, prompted him to go against the grain and establish himself as a DJ first and foremost. He believes that an individual's talent should speak for itself and not be overshadowed or misconstrued by hype. DJ Bone describes himself as "an uncompromising, hype hating, 100% independent, real Detroit native come auditory striker and soul controller that cannot be bought". "If the gig is set-up with the music as the main focus (as it should be), then I have total control over the vibe. That's my duty. I'm not worried about having a Hollywood production going on or special effects with video images, smoke, etc. Just playing the best possible music as well as I can. I feel the need to constantly progress skill-wise and I feel my 3 deck sets are truly unique. Many DJs have 3 decks in front of them but how often do they actually have 3 records playing all at once (with the levels up)?” – DJ BONETheir RA profile lists Music Man Records, Subject Detroit, Sect Records, Wallshaker Music and 5 more.Recently at SILO, BASEMENT, Nowadays · often with GLOBUS, DAIYAH, FURTHER, none of them here that night
“Some DJs burst upon the scene like a supernova, fading just as quickly.”
their own biography
the whole biography
Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releasesReleased on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profileRecently at BASEMENT, Studio 301 NYC, public records · often with Shaun J. Wright, S4M23, JADALAREIGN, none of them here that night
“Originally from Charlotte and now based in Brooklyn, Rose Kourts has built a reputation for unpredictable, fearless sets that retain a deep sense of musicality and joy.”
their own biography
the whole biography
Originally from Charlotte and now based in Brooklyn, Rose Kourts has built a reputation for unpredictable, fearless sets that retain a deep sense of musicality and joy. Whether throwing down jagged techno, serving sensual house, rinsing jungle, or slipping into acid grooves and beyond, the New York mainstay brings a philosophy of fun, a risk-taking verve and a distinct, magnetic presence to every booth she steps into. Drawing upon a lifetime of musical exploration, scholarship, and an unwavering dedication to the dancefloor, Rose Kourts is an artist unafraid to go deep and wide. taking dancers through emotional peaks, ecstatic turns, and a healthy amount of surprise and delight. Rose Kourts is a regular at New York’s best-loved venues including BASEMENT, Nowadays, Paragon, Bossa Nova Civic Club, Public Records, and Knockdown Center; consistent tour dates across North America, western Europe, and the UK have won her a growing international following. Rose Kourts has played as direct support for artists like Mr. G and Moodymann, DJ Bone, DJ Stingray and Helena Hauff, Kevin Saunderson, Disclosure, The Egyptian Lover, RP Boo, Kenny Dope, and many more legendary and contemporary greats. Her festival bookings include WIRE Festival (2023 and 2025), Sustain-Release, Honcho Campout, Dweller Festival, Making Time, Fourth World, Keep Hush, Boiler Room (NYC and Boston), Shaker Mountain, and Slingshot Festival. She has also joined the lineups for storied collectives and events including Underground and Black, Body Language, Club Toilet, WRECKED, BOUND, Pep Rally, The Bunker, and Four Tet & Friends. Rose Kourts has also been tapped to join international tour dates for artists like Disclosure, Bicep, Interplanetary Criminal and Main Phase, Avalon Emerson’s 9000 Dreams, and X Club. Rose Kourts is a passionate curator and community leader with a longstanding commitment to creating spaces where music connects, empowers, and inspires. She is a co-founder and resident of the beloved renegade party Sweet Kicks along with Karlala and Miss Alicia. As a resident of The Lot Radio, she hosts GEMS, a monthly show with selections and affirmations inspired by the energies of different gemstones. Rose Kourts also currently serves on the Board of Directors for Beyond Booking, the nonprofit organization behind NY electronic institution The Bunker, and is an Ambassador for Rotterdam’s Kult Funktion cultural organization.Baltimore Club on 2, Bass Music on 2, Breaks on 2 and Jersey Club on 2. styles on their catalogued releasesRecently at Nowadays, Good Room, BASEMENT · often with Miss Alicia, Andi, shekdash, none of them here that night
“London born, Berlin based fka.m4a (Jay Jackson) has built a solid reputation in the underground scene with a distinctive blend of euphoric and sensual House music.”
their own biography
the whole biography
London born, Berlin based fka.m4a (Jay Jackson) has built a solid reputation in the underground scene with a distinctive blend of euphoric and sensual House music. The London born and Berlin-based DJ has made an impact worldwide with filmed sets amassing over half a million streams online and has played at venues and festivals like Timewarp, Lost Village, Sonar and Panorama Bar, features in Mixmag and Electronic Beats, plus Peggy Gou in his corner as a mentor, his stock is firmly on the rise. Born in London, music was always front and centre in his family home, his mother playing music to him through headphones while he was still in the womb. Citing acts whose USP was female empowerment as the first music he found for himself, the likes of Spice Girls and Lil Kim were early musical influences, eventually leading him to start DJing on the queer scene in London. “I was working on the Soho & East London circuit” he says. “I was mainly doing guestlist and hosting but eventually they asked me to DJ and I spent a few years cutting my teeth on that scene.” Learning how to work a crowd as a pop DJ, seeing Honey Dijon DJ on his first trip to Berlin in 2016 led him down the rabbit hole of electronic music and led to a shift in his focus. “I completely fell in love with the storytelling element of her set,” he says. “I spent the next year immersed in dance music culture and started playing the electronic room at queer events.” Moving to Berlin in 2019, the pandemic quickly put a stop to his burgeoning DJ career before a switch to recording streams from his apartment during covid saw his profile blow up, leading to signing with an agency and bagging his first Panorama Bar set when lockdown lifted. With an event series in the pipeline and a summer stacked with festival shows from Hï Ibiza to DGTL, fka.m4a has firmly cemented himself as one of the leading artists in the underground space.Their RA profile lists Nervous Records and Love & Other.Last at BASEMENT in Nov 2024 · often with AMORAL, Concrete Husband, ADAM MUNNINGS, none of them here that night
- House on 13, Techno on 7, Acid House on 4 and Disco on 4. styles on their catalogued releasesTheir RA profile lists MR.INTL, Ecstasy, Roam Recordings, HNYTRX and 2 more.
Recently at BASEMENT, Nowadays, public records · often with Kilopatrah Jones, Auspex, James Axon, none of them here that night
“Born in Ohio and raised by New York clubs, Cosmo is a shining modern representative of the city’s Golden Age of DJing, in skill, in spirit, and in sensibility.”
their own biography
the whole biography
Born in Ohio and raised by New York clubs, Cosmo is a shining modern representative of the city’s Golden Age of DJing, in skill, in spirit, and in sensibility. A forever student of 90s subcultures, Cosmo is now an authority in connecting those dots, decompartmentalizing genres during her sets and revitalizing the club as a much needed space for expression and joy. Cosmo may open a night with her early entry points to dance music, gospel and funk and vocal-heavy RnB, and proceed to blend break beats with new jack swing or old-school house with tribal—all delivered with remarkable clarity of voice and a sense of self that fueled her fated teenage move to New York to DJ over a decade ago. Being from the Midwest, her house music literacy circles its epicenters and favors groovy records, warm basslines, playful vocals, and elating instrumentals that stir the spirit. Her deep knowledge, cultural curiosity, and refreshing authenticity make Cosmo one of New York’s most in-demand DJs, a regular at the most iconic clubs and a Fashion Week party go-to. She is a resident at Public Records, where she can explore every inch of her collection and join forces with legends like Sandy Rivera as well as other torchbearing peers. She’s represented the city sharing the decks with her heroes like Honey Dijon and Mike Dunn, and on esteemed platforms such as Benji B’s BBC Radio 1 show and Luke Solomon’s Classic Music Company show. As a longtime resident at The Lot Radio, Cosmo gets the opportunity to share everything she cherishes and often includes parts of her CD and magazine archives. Music has soundtracked Cosmo’s every move. Her gratitude for her practice is apparent, and her effervescence behind the decks reaches the crowd no matter the size of the room—a musical hug that holds dancers through times good and bad.Recently at public records, Apollo Studio, The Chocolate Factory · often with Eli Escobar, Donis, Hidden Spheres, none of them here that night
names these artists often play with — not that night
- Kilopatrah Jones8 with Mike Servito, 5 with Cosmo, 5 with Jason Kendig and 4 with Rose Kourts
- Lauren Flax8 with Mike Servito and 3 with Rose Kourts
- Justin Cudmore13 with Mike Servito
- Shaun J. Wright12 with Mike Servito
- JADALAREIGN11 with Mike Servito
- Nita Aviance10 with Mike Servito
- The Carry Nation10 with Mike Servito
- Eli Escobar9 with Cosmo
Sound
how this compares
- Median final count, Saturdays at BASEMENT1,868
- Middle half finished between1,512 and 2,298
- Past Saturdays at this venue counted144
The room
BASEMENT — 294 events and 630 distinct artists since Aug 2023.
Holds about 500.




