Kenny Larkin + Shawn Dub / Shy One + DJ Tara / Lollise

Who they are

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  Kenny Larkin

  Detroit · 5 bookings since Jan 2024

  “To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction.”

  their own biography

  the whole biography

  To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, 2012 serves as the year to re-establish his position as one of the most valuable forces in dance music today. On his popularity, Larkin states: “I’m more like the artist’s artist. I’ve had very successful electronic artists tell me constantly how much I’ve influenced them, but, to the newer generations of club-goers, my name might not be as well known. I like to say, I’m famous for not being famous!” -KL Since the beginning of his career, Larkin’s profile was never considered massive, nor did he ever serve as the “face of techno.” Yet, the respect and admiration he garners from his fans, electronic musicians, and journalists globally leave little doubt as to his relevance, and influence in a genre that sometimes can be described as lacking in feeling, warmth and musicality. It is that musicality that allowed him to give us an unforgettable collection of original material and remixes, such as the amazingly groovy Inner City “Share My Life.” Many consider this rework one of the best Inner City remixes ever done. Or the equally stunning remix done for Ben Klock’s “OK,” which was voted by website LITTLE WHITE EARBUDS as the 20th top track of 2009. The reviewer comments: ... Larkin defrosts Klockʼs “OK” with swelling warmth and a bass line that wound itself all the way to the horizon. High wire strings gave the remix a sense of drama, while faultless percussive turns saw halting snares, clipped shakers and languid hi-hats entwine themselves through the fabric of the track. Coaxing an animalistic cry from his hardware, Larkin had already succeeded in creating a stunning take on “OK” by the three minute mark, but then topped it all off with a gorgeous piano solo that continued for the remainder of the track, adding a graceful fragility to the feverish pace set by the other elements. Not just one of Larkinʼs finest moments but one of 2009ʼs as well. Stunning! -LWE But by far, one of the most memorable recent remixes, was Larkin’s version of Radioslave’s “Don’t Need A Cure For This.” Released in late 2010, Larkin effortlessly displays his penchant for melody, and his signature jazzy keyboard riffs. The keyboard line, alongside the driving rhythm, resulted in the remix becoming one of the most charted remixes of 2010-11 on popular electronic music websites Resident Advisor, and Beatport. Never to rest on his laurels, in Dec. 2011, Larkin delivered one of the first biggest remixes of 2012. Less jazzy, but no less impressive than his Radioslave remix, Larkin’s expertly crafted version of Inner City’s, “Future,” which he coincidentally co-produced, and co-wrote, quickly climbed to the number one spot on Beatport’s Top 100 Techno Chart, and reached number 16 on their Top 100 overall chart, which combines all genres. Top dj’s from around the globe are currently supportive this massive floor filler. This was one of only a few Detroit titles to ever reach number one on the techno chart, since the creation of Beatport. “Quality, not quantity...” -KL The building blocks of his signature sound are rooted in his early exposure to jazz, funk, and soul, in addition to other more electronic influences. These styles all serve as the backbone of his unique style. This was a key component in the formation of the second wave of Detroit Techno, alongside artists such as Carl Craig. Larkin’s small, but impressive catalog of work of over the years, all displays his ability to chisel out of the often cold hard machines, his own sound that is all heart and soul. Quite simply, this is electronic soul music. After listening to his debut album, released on Warp Records, Azimuth (released 1994), the press commented: “”Azimuth is one of the most imaginative and original techno albums yet.” MUSIC WEEK “A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.” STREETSOUNDS His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: “This is electronic soul music, full of human feeling and warmth" MixMag “Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno, almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music’s future.” SELECT Street Sound magazine later voted Azimuth as one of the top 50 Techno CD’s of all time. His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: "A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation. At times very minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just the right places at just the right time.” I-D -Metaphor was Nominated for “Best Electronic Album of the Year by Keyboard Magazine. -In 1995, Larkin was voted “Best Techno Artist of the Year by local Detroit newspaper, Metro Times. Larkin returned from a break, and re-established himself with his, “Keys, Strings,Tambourines.” The album was released on the legendary Planet e, and was voted by Pop Matters magazine as the ninth best electronic albums of 2008. For their selection of top 20 albums of 2008, well respected website, Resident Advisor, listed Larkin’s album at 18. "Throughout Keys, Strings, Tambourines, Larkin peppers his elegant tech house rhythms with jazzy keyboard fills, strings, tambourines and oddball synth blurts, making for an especially tuneful listen that doesn't skimp on the ass-shaking. Fans of Larkin's classic works will not be disappointed here, nor will those discovering his music for the first time." –Resident Advisor Kenny has an undeniable passion for making music. In addition to his busy global dj schedule, Larkin is currently working on no less than 7 remixes, for a number of noteworthy artists craving the Larkin touch. In addition, he is putting the final touches on his first original release since his KST release on Planet e. Due out in the spring on Cadenza Records.. Larkin’s sound continues to stand the test of time. His unique, musical approach to dance music transcends expectations in balance with meeting his own ambitions and meanwhile pleasing “Detroit-Days” devoted followers all the world over. As his popularity grows, he will no doubt convert new fans to believers and show them that music...REAL music, and Techno can in fact coexist in the same fuzzy place in the heart. Famous for not being famous? Not for long.
  SoundCloud ↗Discography ↗
  Their RA profile lists Peacefrog, Warp Records, Planet E, KMS and 3 more.

  Recently at SILO · often with HOPPER, ACID BOGEN, LOURDES LOURDES, none of them here that night

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  Shawn Dub

  New York City · 81 bookings since Sep 2023

  “Shawn Dub is a seasoned DJ and collector with deep crates.”

  their own biography

  the whole biography

  Shawn Dub is a seasoned DJ and collector with deep crates. Hailing from Long Beach, California, He moved to NYC a few years ago after a stint in the Bay Area where he was a vital member of the underground scene. Today he resides in Brooklyn, and actively spins around the city as part of I Love Vinyl, a crew which also includes other notorious diggers like Amir Abdullah , DJ Scribe,OP! & Jon Oliver.
  SoundCloud ↗
  Deep House on 1, Disco on 1, House on 1 and Boom Bap on 1. styles on their catalogued releases

  Released on Avatar (1), Cedar Room Party Music (1) and The Mixtape Club (1). labels on their catalogued releases

  Recently at Moondog Hifi, Libera, Agency of Record · often with Kels, JADALAREIGN, Ali Berger, none of them here that night

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  Shy One

  London, United Kingdom · 8 bookings since Jun 2024

  “DJ / Producer from London.”

  their own biography

  the whole biography

  DJ / Producer from London. NTS - Soup To Nuts show Balamii Radio
  SoundCloud ↗Bandcamp ↗Discography ↗
  Their RA profile lists Big Dada, Eglo Records, Numbers, DVA Music and 5 more.

  Recently at Earthly Delights, Nowadays, public records · often with Lovie, Honey Bun, VARSHA, none of them here that night

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  DJ Tara

  New York City · 33 bookings since Aug 2023

  “Tara loves nightlife, having started out as an event producer and promoter.”

  their own biography

  the whole biography

  Tara loves nightlife, having started out as an event producer and promoter. As a member of Rare Form, she helped originate Donuts are Forever, an annual fundraiser/tribute to J. Dilla, as well as Makossa Brooklyn Cookout, now 10 years strong as a beloved Brooklyn summer hang. Having performed at diverse and unconventional venues around New York City and abroad, Tara is always eager to find new and exciting crowds to spin for. Early on in her career, Tara realized being a DJ is more than just playing a mix of records; it is a matter of building trust between herself and the crowd and sharing the knowledge and love the she has for the music and the feelings it projects onto the listeners. The crowd trusts Tara to become part of another great night in their lives, and she returns that favor by giving them a taste of the familiar as well as something new that may be something they have never realized was needed in their musical memory.
  SoundCloud ↗

  Recently at Nowadays, Superior Ingredients, Black Flamingo · often with Niyah West, FLORA, Kilopatrah Jones, none of them here that night

• Lollise

  5 bookings since Mar 2025

  Last at Xanadu in Mar · often with aka-Sol, Color Theory, DJ SYNCLAIRE, none of them here that night