Who was billed4 artists
In the order the promoter listed them.
- next: Superior Ingredients, Sat 24 OctDanny Tenaglia
- next: public records, Sun 22 NovTimmy Regisford
- next: Fri 6 NovMisbehaviour
- next: 26 Bridge, Thu 22 OctAli Coleman
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
3 of the 6 pairings on this bill were first meetings.
- Timmy Regisford and Ali Coleman — 1 shared bill before that night, first on Sat 17 May 2025.
- Timmy Regisford and Misbehaviour — 1 shared bill before that night, first on Sat 17 May 2025.
- Misbehaviour and Ali Coleman — 1 shared bill before that night, first on Sat 17 May 2025.
Who they are
“The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music.”
their own biography
the whole biography
The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves. The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness. Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between. In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever. Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally." And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs.Their RA profile lists Hooj Choons, Global Underground, React Records, Azuli and 3 more.Recently at Nowadays, Elsewhere, Park Slope Warehouse · often with Kilopatrah Jones, LEFTI, Hot Since 82, none of them here that night
“Trinidad-born, Timmy Regisford is known for his brand of soulful dance music.”
their own biography
the whole biography
Trinidad-born, Timmy Regisford is known for his brand of soulful dance music. He started in 1985 at WBLS radio station in New York City, where he worked as Assistant Music Director, later being promoted to head Music Director of the station. In 1988, he became A&R Director of Atlantic Records, signing such acts as Miki Howard and Levert. His next career step embarked on working for MCA Records as their A&R Director, where he developed artists Loose Ends and Colonel Abrams. He would soon go on to sign acts Guy and Eric B & Rakim. Regisford later became Vice President of A&R at Motown Records, signubg acts Milira, Blaze, Basic Black, Today, and Johnny Gill. Along with his A&R work for these labels he is credited in many remix projects with Patti LaBelle, Steel Pulse, New Edition, Bobby Womack, Gladys Knight & the Pips, The Boys, Diana Ross, Gerald Alston and Stevie Wonder. In 1996, Regisford became Vice President of A&R at Dreamworks Records. Timmy Regisford was also one of the founding people behind the legendary Club Shelter parties in New York City. The inception of his internationally acclaimed club parties 19 years ago helped pioneer the soulful house music sound that has shaped the face of house music all around the world. Timmy’s much sought after productions and remixes are a plenty, gracing associated Shelter record labels 157 Shelter Records, Restricted Access, Un-Restricted Access, through to international labels such as West End, King Street, Apt, Pony Canyon and more. He has also released many mix albums including ‘NYC True ‘Classics,’ and The Legacy Of Shelter among others. In recent times Timmy launched a new after hours club night in NY called Areacode where he is resident DJ.House on 76, Deep House on 52, Garage House on 9 and Afrobeat on 6. styles on their catalogued releasesReleased on Nervous Records (2), Sacred Rhythm Music (1) and Scissor and Thread (1); their RA profile also lists Ibadan Records, Objektivity, Apt. International, Seed Recordings and 3 more. labels on their catalogued releases and on their RA profileRecently at 3 Dollar Bill, 99 Scott Ave, public records · often with Soul Summit Music, Mark Francis, Lovie, none of them here that night
“Misbehaviour purchased her first record at the age of 9 and has been hooked ever since.”
their own biography
the whole biography
Misbehaviour purchased her first record at the age of 9 and has been hooked ever since. Her eclectic ear for music allows her to satisfy diverse audiences as she brings her unique sound to the dance floor. Her career in London started at Fresh N’ Funky, Subterania as well as a private party for Prince. In New York she has residencies at Mobile Mondays (NYC's premier vinyl 45 party) and The Skate Circle in Central Park. She has worked with icons Biz Markie, Danny Krivit, Just Blaze and Downbeat The Ruler. Misbehaviour has blessed the decks at Output, Brooklyn Bowl, The Boiler Room, The Roxy and Cielo. Misbehaviour makes seasonal appearances at Afro Punk Festival, New York Summer Stage and The Natural History Museum. Sought out internationally Misbehaviour has made appearances in Australia, Singapore, Canada and Antigua. Her corporate roster includes; Fiorentini & Baker, BBC America, Adidas and Diesel. While performing at Uptown Bounce at the Museum of the City Of New York, a video of Misbehaviour emerged on Facebook gaining over 24 million views and 1.2 million shares. Since then there have been numerous requests, interviews and shows. She has appeared as a guest on Hot 97, Sway in the Morning on Sirius Satellite Radio and continues to be in high demand as a DJ Performer and influencer.Recently at Libera, 99 Scott Ave · often with Raw Q, Just Blaze, Natasha Diggs, none of them here that night
“Ali Coleman is a New York City–based DJ, producer, and cultural organizer whose relationship with DJ culture began in 1979, emerging from early disco, block parties, and club spaces that centered music as a tool for release and connection.”
their own biography
the whole biography
Ali Coleman is a New York City–based DJ, producer, and cultural organizer whose relationship with DJ culture began in 1979, emerging from early disco, block parties, and club spaces that centered music as a tool for release and connection. That lineage continues to inform his intuitive, people-centered approach today. As a DJ and producer, Ali’s sound draws from deep, soulful, Afro-influenced, and globally inspired house music, blending classic foundations with forward-facing selections. His work spans clubs, festivals, cultural institutions, and public spaces, adapting seamlessly across contexts while maintaining musical integrity. Ali brings both underground credibility and seasoned professionalism to every room—whether he’s warming up a floor, taking it peak-time, or closing with intention. . In 2023, Ali marked 30 years of professionally bringing communities together through dance, culture, music and inclusion. Ali has hosted events and DJed at some of New York’s top clubs and party spaces such as House of Yes, Nowadays, Cielo, Public Records, Club Shelter, Water Taxi Beach, Santos Party House, Limelight, and many others. He has shared the bill with more than 300 DJs, including Francois K, Natasha Diggs, Rich Medina, Justin Carter, Doc Martin, and hundreds more. In 2017, Ali helped organize and bring about historic change, working with an array of the city’s creative minds to get the Cabaret Law repealed and to institute the first Mayor’s Office of Nightlife. Ali has dedicated his life to being a positive community connector with a flair for bringing people together.Recently at Fulton Park, Earthly Delights, Nowadays · often with Jeremy Giros, Bendito, Dj Stormin' Norman, none of them here that night
names these artists often play with — not that night
- Analog Soul1 with Danny Tenaglia and 1 with Timmy Regisford
- Jeremy Giros6 with Ali Coleman
- Mark Francis5 with Timmy Regisford
- Bendito4 with Ali Coleman
- DJ Cheez4 with Timmy Regisford
- Dj Stormin' Norman4 with Ali Coleman
- merlin bobb4 with Timmy Regisford
- Silent H4 with Ali Coleman
45 said they were going.
The room
Nublu 151 — 22 events and 69 distinct artists since Aug 2023.
Holds about 250.
Who put it on
Ali Coleman — 24 events and 49 artists since Oct 2023.