Who was billed10 artists
In the order the promoter listed them.
- ANTOJITO
- next: Nowadays, Sat 7 NovGabrielle Kwarteng
- ISAbella
- next: The Chocolate Factory, Sat 7 NovKim Ann Foxman
- next: Unveiled, Fri 23 OctMemphy
- next: KREUZWERK in Berlin, Fri 6 NovMiss Parker
- next: H0L0, Fri 6 Novrrao
- next: Nowadays, Fri 30 OctLYDO
- next: Good Room, Fri 23 OctSevyn Love
- Swaya
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
27 of the 45 pairings on this bill were first meetings.
- ISAbella and Miss Parker — 2 shared bills before that night, first on Sat 21 Jun 2025.
- Kim Ann Foxman and LYDO — 2 shared bills before that night, first on Sat 21 Jun 2025.
- Gabrielle Kwarteng and ISAbella — 2 shared bills before that night, first on Sat 21 Jun 2025.
- Gabrielle Kwarteng and Miss Parker — 1 shared bill before that night, first on Sat 21 Jun 2025.
- ISAbella and LYDO — 1 shared bill before that night, first on Sat 21 Jun 2025.
- Gabrielle Kwarteng and LYDO — 1 shared bill before that night, first on Sat 21 Jun 2025.
- Kim Ann Foxman and Miss Parker — 1 shared bill before that night, first on Sat 21 Jun 2025.
- ANTOJITO and LYDO — 2 shared bills before that night, first on Sat 8 Jun 2024.
- Kim Ann Foxman and Memphy — 1 shared bill before that night, first on Sat 21 Jun 2025.
- ISAbella and Kim Ann Foxman — 1 shared bill before that night, first on Sat 21 Jun 2025.
- Gabrielle Kwarteng and Kim Ann Foxman — 1 shared bill before that night, first on Sat 21 Jun 2025.
- Miss Parker and LYDO — 1 shared bill before that night, first on Sat 21 Jun 2025.
- ANTOJITO and Miss Parker — 1 shared bill before that night, first on Sat 21 Jun 2025.
- ANTOJITO and Sevyn Love — 1 shared bill before that night, first on Sat 21 Jun 2025.
- LYDO and Sevyn Love — 1 shared bill before that night, first on Sat 3 May 2025.
- Memphy and Miss Parker — 2 shared bills before that night, first on Sat 26 Aug 2023.
- Memphy and Sevyn Love — 1 shared bill before that night, first on Sat 30 Nov 2024.
- ANTOJITO and Gabrielle Kwarteng — 1 shared bill before that night, first on Sat 28 Sep 2024.
Who they are
Recently at Mansions, Signal, Bossa Nova Civic Club · often with Sterling Juan Diaz, Alfonso Javier, Sekucci, none of them here that night
“Gabrielle Kwarteng’s journey continues to be one of passion, dedication and fate.”
their own biography
the whole biography
Gabrielle Kwarteng’s journey continues to be one of passion, dedication and fate. Born and raised in New York, Kwarteng has withstood shifting sands in dance music to represent a curatorial presence with a deep knowledge of music history, driven by a dedication to regenerating its culture. In an era of everything at once, Kwarteng is a DJ who weaves stories for the dancefloor that often look to the past, while always focusing on possible futures. In an era of sonic singularities, Kwarteng’s flexibility and curiosity is a virtue; her long-awaited debut at Dekmantel Festival in 2023 resulted in no less than three sets across the weekend, each possessing contrasting energies. Elsewhere London’s iconic Fabric have championed Kwarteng on multiple occasions, programming her into their prestigious 25th birthday celebrations alongside the likes of Ben UFO and Ricardo Villalobos. At Berghain, she has appeared with even greater frequency as part of some of the fabled club’s most crucial parties, including CSD, Silvester, as well as smoothly piloting seven-hour closing sets in Panorama Bar. Such reverberations have reached far beyond the club; FKA twigs extended a personal invite to soundtrack her 2024 Met Gala afterparty. Taking place at The Standard, Kwarteng played just a few blocks uptown from the Soho Grand ballroom, where she had once furtively begun her first DJ residency, less than a decade earlier. The roots of this keen musicality run deep. Born in Brooklyn to Ghanaian parents but raised in the Bronx, Kwarteng’s childhood was soundtracked by a mix of first-wave Highlife, Afrobeat and disco. Outside her own front door, in a thriving neighborhood of diverse American experiences, entire sounds and scenes expanded and exploded as pop-culture began to mutate in new ways, both online and off. Crossing to Manhattan for school, the tempo changed entirely as rock, hip hop and experimental music filled Kwarteng’s ears, accompanying her intense study. Juggling academia with the beat became part of life, and she was later presented with the Mixcloud Online Radio Award for Best Eclectic Show, broadcasting on then burgeoning online radio station, The Lot. An early and completely unexpected acknowledgement of an instinct for music that traversed genre expectations, it laid down the foundations for her later move and return to Europe, and a commitment to trusting her creative instincts. Here, Kwarteng has not only become a fixture in established, open-minded musical spaces everywhere from Berlin, London, Amsterdam and Paris, but is equally called upon to establish the energy of new ventures, such as Horst Club in Belgium. Her resplendent selections have made connections further still, on tour in Australia, South America and soon to include Asia. Listening and dancing to Kwarteng, whether in a cavernous rave hall, a sweat-soaked underground club or amid the temporary pleasures of a festival, is an experience that feels at once familiar but always energizing. Fluidly slipping through a mix of heady 80s and 90s US house, disco interpretations that traverse diaspora and eras, and the futurist pulse of physical, emotive techno, Kwarteng expertly matches the requisite energy of contemporary queer rave culture. This understanding led to an invitation to make a storied Glastonbury festival debut at the legendary Block 9, the deepest pleasure center within the nocturnal NYC Downlow, before returning in 2024 for a back-to-back set with Shanti Celeste, this time on the wider scale of the Silver Hayes stage. Wherever she performs, Kwarteng’s expertise serves to not only continue the championing of Black American genres such as house, techno and disco, but equally, to explore the continuum of global dance music as a whole. Having laid the foundations for a unique musical journey, it’s a level of respect that’s tangible on any dancefloor. In these increasingly sacred spaces, Gabrielle Kwarteng’s personal passion translates into collective ecstasy. The dig continues.Recently at BASEMENT, The Chocolate Factory, public records · often with Berghain, Massimiliano Pagliara, Boris, none of them here that night
“From intimate underground gatherings to packed main rooms, ISAbella has become a leading figure in today’s global electronic scene.”
their own biography
the whole biography
From intimate underground gatherings to packed main rooms, ISAbella has become a leading figure in today’s global electronic scene. As co-founder of the celebrated LGBTQ+ party, platform and collective MARICAS, she has crafted inclusive spaces that celebrate queer culture and foster connection both on and off the dancefloor. Her impact, however, extends far beyond the city – ISAbella is now a powerful presence on the international electronic music circuit, known for emotionally charged sets that blend house and techno into deeply transformative dancefloor journeys. Originally from Cali, Colombia, ISAbella found her creative home in Barcelona, where she co-founded MARICAS in 2018—a party that quickly evolved into a multidisciplinary platform and record label. In 2020, she released her debut EP Audio Exótica on MARICAS Records and launched the livestream series The Art of Staying at Home, which offered a lifeline of connection and joy during lockdown. As a producer, ISAbella continues to explore hypnotic and percussive sonic landscapes that reflect her Latin American roots and club sensibilities. Her music has been featured on respected imprints like Peach Discs and MARICAS Records, with tracks that balance raw emotional intensity and bold rhythmic energy—further solidifying her voice as a singular artist in the global scene. Her reach has since gone global, with standout performances at world-renowned festivals like Primavera Sound, Glastonbury, Sónar, Dekmantel, Dimensions and Lentekabinet. On the club circuit, she’s brought her distinctive sound to iconic, legendary venues including Berghain, Fabric, Nitsa and Fold. Beyond the decks, ISAbella continues to push for visibility and liberation within the scene—championing a vision of club culture that is radical, joyful and deeply human.Recently at Bossa Nova Civic Club, Nowadays, BASEMENT · often with Roza Terenzi, Jennifer Loveless, Chlär, none of them here that night
“The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures.”
their own biography
the whole biography
The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce TantumHouse on 64, Deep House on 31, Techno on 18 and Tech House on 21. styles on their catalogued releasesReleased on BMG (1), Dischi Autunno (1) and FREE UNIVERSE (1); their RA profile also lists Skint, Ghostly International, Relish Recordings, Needwant and 6 more. labels on their catalogued releases and on their RA profileRecently at Good Room, Red Eye NY, BASEMENT · often with DJ TOOL, Cora, Shaun J. Wright, none of them here that night
“MEMPHY STARTED DJING AT AGE 17 WITH A SET AT THE GUCCI STORE IN SOHO.”
their own biography
the whole biography
MEMPHY STARTED DJING AT AGE 17 WITH A SET AT THE GUCCI STORE IN SOHO. FIVE YEARS LATER SHE BRINGS HER TRANCE-Y, GENRE-BENDING TECHNO SETS TO NYC CLUBS LIKE BASEMENT, BOSSA NOVA, ELSEWHERE, LE BAIN, NOWADAYS, AND PARAGON EVERY WEEK. INTERVIEW MAGAZINE CALLED MEMPHY ONE OF “THE DOLLS KEEPING NYC ALIVE.” IN A RECENT PROFILE, NEW YORK MAGAZINE PLACED MEMPHY AT THE CENTER OF A WAVE OF TRANS TECHNO DJS WHO ARE TAKING OVER NYC’S QUEER NIGHTLIFE. THIS FALL, MEMPHY MADE HER EUROPEAN DEBUT AT PARIS FASHION WEEK PLAYING PARTIES FOR YEEZY AND FWRD. OTHER BRANDS SHE HAS DJ’D EVENTS FOR INCLUDE HBO, DIESEL, PLAYBOY, AND INSTAGRAM.Recently at Earthly Delights, Bossa Nova Civic Club, SILO · often with FASHION, Dangerous Rose, camgirll8, none of them here that night
“DJ Miss Parker is a Brooklyn-based sonic architect whose encyclopedic knowledge of dance music has made them a true educator for scores of Brooklyn’s bleary-eyed dancers.”
their own biography
the whole biography
DJ Miss Parker is a Brooklyn-based sonic architect whose encyclopedic knowledge of dance music has made them a true educator for scores of Brooklyn’s bleary-eyed dancers. A true DJ’s DJ, DJ Miss Parker can be seen most weekends spinning throughout the city’s hot spots with a crate of vinyl and with one ear pointed towards today and another towards the legends of the past. DJ Miss Parker is quick to reference a bevy of sounds, styles and clubs from NYC’s many eras throughout their sets. They are known for creating rave ready and thought provoking mixes that without a doubt will leave you sweating.Recently at Gabriela, Bossa Nova Civic Club, H0L0 · often with S4M23, MORENXXX, Shyboi, none of them here that night
Recently at Under the K Bridge, 99 Scott Ave, Nowadays · often with Arushi Jain, Enayet, 1OO1O, none of them here that night
“Lydo is a Filipino-born Vietnamese-American sound artist.”
their own biography
the whole biography
Lydo is a Filipino-born Vietnamese-American sound artist. As a resident DJ of BASEMENT NY, their distinctive sets explode the parameters of techno, deftly cutting across genres while retaining a highly personal emotional resonance. Whenever Lydo plays, it’s best to leave your expectations at the door and simply prepare for an unexpected array of sonic thrills, ranging from visceral and grooving to mind-bendingly experimental. A trans artist themselves, Lydo launched X-TRA.SERVICES to serve and create space for queer, trans, and nonbinary people of color. This ethos of care and insurgent collectivity runs through their broader practice. They have performed at Berlin Atonal, Draaimolen Festival, Bourse de Commerce, and Bassiani, as well as subterranean parties and festivals across North America, Europe, and Asia. Beyond the club, Lydo works with sound through installation, composition, and curation. Their abstract, experimental work spans museum and institutional contexts, including MoMA PS1, SculptureCenter, and Kunsthalle Basel, among others. In 2025, they launched care., an itinerant series for live and experimental sound that continues to explore new sonic forms in unexpected contexts.Their RA profile lists X-TRA.SERVICES.Recently at Knockdown Center, Nowadays, BASEMENT · often with The Carry Nation, Juana, Shaun J. Wright, none of them here that night
“NY born DJ bringing love, light and color to the dancefloor.”
their own biography
Recently at Xanadu, Good Room, Nowadays · often with DJ DEADNAME, Giovannii, Will Jack, none of them here that night
“Massachusetts born and Brooklyn based artist, producer and audio engineer Sophie Sawaya MacArthur, better known as Swaya, has spent a lifetime exploring the possibilities of storytelling and meaning making through sound.”
their own biography
the whole biography
Massachusetts born and Brooklyn based artist, producer and audio engineer Sophie Sawaya MacArthur, better known as Swaya, has spent a lifetime exploring the possibilities of storytelling and meaning making through sound. Raised by Brazilian and American parents, she spent her childhood studying violin before becoming disillusioned by the lack of creativity classical studies offered. She found her musical home on the internet becoming obsessed with hardcore punk, hip hop and experimental electronic music. A graduate of Communications Studies at Concordia University, she spent 5 years in Montreal where she was an active member of the music scene, performing her music at MUTEK, Pop Montreal, Slut Island, Never Apart, Datcha and more. Since she began posting her music online in 2016, Swaya has released 5 EPs and countless tracks, edits and mixes, consistently pushing and reinventing herself with each release. Beyond her personal artistic work Swaya is also an established producer and audio engineer, currently working with Brooklyn producer Tony Seltzer at his studio Seltzer Sounds. She has worked with the likes of Zelooperz, Babyxsosa, Key!, Hawa, Marti, Mercury, Michael Christmas, Magella and more.Their RA profile lists Purple Tape Pedigree, Tobago Tracks, s.M.i.L.e. and Ultra Rare.Recently at Honey's, Sugar Hill Disco, Mood Ring · often with Battygyal, Lil Zé, Jetty, none of them here that night
names these artists often play with — not that night
- Juliana Huxtable4 with LYDO, 4 with Miss Parker, 3 with Gabrielle Kwarteng and 2 with ISAbella
- The Carry Nation6 with LYDO, 4 with Sevyn Love and 2 with ISAbella
- ALEXIS DE LA ROSA4 with Sevyn Love, 3 with ANTOJITO and 2 with Kim Ann Foxman
- DJPT8 with Sevyn Love and 2 with ANTOJITO
- Bapari5 with Memphy and 3 with Miss Parker
- Sevyn 00005 with Memphy and 3 with Sevyn Love
- Makadsi4 with Kim Ann Foxman and 3 with Memphy
- Shaun J. Wright4 with LYDO and 3 with Kim Ann Foxman
751 said they were going — much busier than a usual Saturday at H0L0.
how this compares
- Median final count, Saturdays at H0L0360
- Middle half finished between177 and 521
- Past Saturdays at this venue counted145
The room
H0L0 — 451 events and 1,725 distinct artists since Aug 2023.
Most-tagged here: Techno (13) and House (12). genre tags on this room’s listings
Who put it on
Georgina Asuncion Guasch — 1 event and 10 artists since Jun 2025.
ReSolute — 184 events and 730 artists since Aug 2023.