Who was billed3 artists
In the order the promoter listed them.
Set times were not published.
Who they are
“"I look at my job as a modern day traveling minstrel, to bring new music to as many places as I can, and expose obscure records that, otherwise, might go hidden."”
their own biography
the whole biography
"I look at my job as a modern day traveling minstrel, to bring new music to as many places as I can, and expose obscure records that, otherwise, might go hidden." While Mark Farina may be able to sum up his job description in a sentence, there is much more to be written. Mark developed his musical tastes in Chicago - listening to house music on the radio, living in one of the country's most primordial breeding grounds for house. Around '88, while record shopping at Imports, Etc., he met Derrick Carter and a friendship began. "I just ended up there between classes, I ended up buying his picks. He steered me toward the cutting edge House producers of the time." "I started playing when I lived with my parents and didn't have any bills to pay so I could just buy records. My intentions were never to just make money, it's nice, but it's kind of turned into a job by accident - it was a hobby that turned into a job." Living together and working on tracks together along with Chris Nazuka, they utilized the tight connections between the Detroit and Chicago scenes. Fondly, Mark remembers hanging out listening to Detroit Techno classics - Model 500, Derrick May - eating bologne sandwiches on white bread and drinking Kool-Aid out of a paper cup, prepared by none other than Chef Saunderson himself. In '89, they signed on Kevin Saunderson's KMS Records under the Symbols in Instruments moniker and produced a landmark track called "Mood". "Mood" sold 35,000+ copies in the US and the UK. This record was the first ambient house track ever made and, accordingly, it has taken its position as a classic. The same year, The Face magazine published their year end Top 50 with "Mood" ranking above pop anthems by Dee-Lite and The Pet Shop Boys. "I used to do mixes with Derrick on the radio at Northwestern, we'd make it at the house and listen to it on the lake where they filmed 'Risky Business'. We would drive around and listen 89.3 WNUR; they had a policy, guest DJs didn't have to be students." Eventually, the University changed their policy and only students were allowed to DJ. When Farina first started wandering from his passion for the purist forms of House into what grew into one of his trademark styles, Mushroom Jazz, he was playing the main room in a club in Chicago and got demoted to the B-room after playing too many Martin Luther King Jr. samples. Mark experimented with a deeper style, dropping De La Soul, disco classics and other stuff that wasn't being played in the main room. However, in 1992, Mark found a welcome place for his collection of downtempo tunes accompanied by a small run of mix tapes entitled "Mushroom Jazz". Originally launched as a cassette series, the Mushroom Jazz tapes grew from the first Chicago run of 50 copies each…on to the next stage, where 500 copies of several volumes were easily distributed and sought after. As the Acid Jazz boom began, he perfected his sound and fused the newest tracks from the West Coast's jazzy, organic producers with the more urban sounds he had championed in Chicago. While the predominant musical force in SF was still dark, dubby House and Wicked-style Breaks, the city embraced the downtempo movement with a healthy bunch of live bands and DJs generating the tunes. Mark Farina, along with partner, and manager, Patty Ryan-Smith, created the now legendary weekly club in San Francisco, Mushroom Jazz, in 1992. Every Monday night the crowd slowly germinated - from 100 for the first few months to 600-700 two years later. As time passed, Farina and Patty put their energies into another project, the first Mushroom Jazz interactive CD-ROM for Om Records. After a three year run, where the club had established a fanatical, cult-like following for Farina and the Mushroom Jazz sound, the club closed its doors and transformed into a CD series and accompanying tours. Since 1989, Mark Farina has been traveling the globe performing at literally hundreds of shows a year, sometimes DJing both of his preferred styles in two different rooms at the same party. At other events, he's been known to play extended sets that lasted over eight hours. In his House sets, Mark is known for his uniquely effortless journeys on the jazzy side of Chicago House, mixed up San Fran style. This wandering record minstrel has played to incredible crowds all over the globe. Consistently drawing new fans to his style of chunky-funky rhythms and deep underground house, Mark plays upwards of 200 shows to over one million (1,000,000) club goers per year. Voted in the top 20 DJ's in the world by MUZIK and BPM Magazine, his taste making skills continue to turn the heads of seasoned veterans as well as youngsters just getting into the music. On CD, Mark has recorded both of his dominant musical personalities. His first mix, 'Mushroom Jazz' on Om Records, is defined by a hip-hop sub-groove with jazzy, dubby elements in the downtempo range. It was followed by 'Seasons', a critically acclaimed House mix. An Imperial Dub mixed CD, a guest slot in the pedigreed 'United DJs of America' series, 'Mushroom Jazz 2' (Om Records) and 'San Francisco Sessions, Vol. I' (Om Records) and Mushroom Jazz 3 (Om Records) to round out the Farina catalog. His past release "Connect" walks the line of San Francisco deeper and the bumpin' funky house sound of Chicago. Now, in November of 2002, Mark Farina releases his much beloved fourth volume of Mushroom Jazz.Their RA profile lists Om Records, Music For Freaks, Robsoul Recordings, Full Flavor Music and 3 more.Recently at H0L0, Circle Line Cruises, SILO · often with Toribio, ZAINAB, Tinzo, none of them here that night
“Nickodemus is a traveler at heart—a connecter of worlds, scenes, and people since the late-90s.”
their own biography
the whole biography
Nickodemus is a traveler at heart—a connecter of worlds, scenes, and people since the late-90s. Over his extensive career as a touring DJ and producer, including four albums and canonical tunes like “My Swing es Tropical” and “Cleopatra in New York”, he’s helped pave the way for an inimitable mix of global fusion and the heavy beats we yearn for in the club. His music has long thrived on the close relationships and mutual respect of friends he’s built across the continents, felt through the worldly potions he cooks up in the studio, and spanning electronic sounds rooted in Latin, African, and Eastern instrumentation. His latest album, A Long Engagement, serves as a culmination of the inspirations he’s absorbed and remains rooted in his life as native New Yorker and the city’s nostalgic energy. Nickodemus’ sound is often focused on the connective tissue of his many live collaborations and the electronic solitude of his studio (or record-filled bubble, as he calls it). Through his much-loved label Wonderwheel Recordings, he’s not only regularly releasing some of the most soul-shaking, eclectic sounds in the biz, but focusing deeply on artist development and creating long-lasting moments that live on far longer than their track length. The music you hear in his releases are filled with expression, reflection, and care; they’re both open-minded and deeply focused, a rarity at time in today’s overcrowded music industry. As a remixer, he’s also lent his “Remix Machine” to a wide range of artists including pioneers like Bob Marley and Nina Simone, as well as other like minded genre-welders like Thievery Corporation, Quantic, Natasha Atlas and Mr. Scruff. Throughout his career he’s also carved an important niche in the live music scene with his beloved Turntables on the Hudson parties, that have popped up everywhere from New York to Cairo. Currently on tour around the World with his album "A Long Engagement" which is another portrait into the importance of shared ideas and the dialogue artists can share when they look past language or place of birth. It’s another bass-heavy global party and we’re all invited.Their RA profile lists Ninja Tune, United Recordings, Yoruba Records, Tru Thoughts and 1 more.Recently at About Last Night, Dada, Xanadu · often with Willy Soul, 2melo, ORIJINS, none of them here that night
“BKNY's ‘Space is the Place’ curator, Donny became a national staple throughout the 90’s & early 2000’s, and has been playing parties up and down the east coast & throughout the states for decades.”
their own biography
the whole biography
BKNY's ‘Space is the Place’ curator, Donny became a national staple throughout the 90’s & early 2000’s, and has been playing parties up and down the east coast & throughout the states for decades. Donny has been affiliated with B’more’s first techno/electronic record label, Defective Records (www.defectiverecords.com) since ’94, along with being co-founder/resident DJ of DeepSugar Parties (www.sugarparty.org) with Ultra Nate' at the legendary Club Paradox (www.thedox.com) in Baltimore, MD. Donny has always had his ear to the underground and has been influential in keeping the underground vibes alive in Brooklyn. His musical range runs very deep and is a sure crowd pleaser.Recently at Earthly Delights, Bossa Nova Civic Club, Good Bar · often with Analog Soul, OEA Collective, DJ Spinna, none of them here that night
names these artists often play with — not that night
- Omer Mil3 with Nickodemus and 2 with Donny Burlin
- 2melo4 with Nickodemus
- Willy Soul4 with Nickodemus
- ORIJINS3 with Nickodemus
- Analog Soul2 with Donny Burlin
- Catori2 with Nickodemus
- David Hohme2 with Nickodemus
- DJ Koco aka Shimokita2 with Donny Burlin
how this compares
- Median final count, Saturdays at Signal346
- Middle half finished between252 and 512
- Past Saturdays at this venue counted78
The room
Signal — 350 events and 914 distinct artists since Feb 2025.
Who put it on
Golden Record NYC — 267 events and 633 artists since Aug 2023.


