Mary Yuzovskaya + Samuel Fish / Ian Pooley + Rose Kourts / fleet.dreams
public records233 Butler St, Brooklyn, NY 11217 · Map
This night happened — Fri 18 Jul 2025
Press play
Who was billed5 artists
In the order the promoter listed them.
- next: Tresor / Globus in Berlin, Fri 20 NovMary Yuzovskaya
- Samuel Fish
- next: Berghain in Berlin, Sat 14 NovIan Pooley
- next: Dead Letter No. 9, Fri 23 OctRose Kourts
- next: ErF Studios, Fri 13 Novfleet.dreams
Set times were not published.
the pairs that have met
9 of the 10 pairings on this bill were first meetings.
- Rose Kourts and fleet.dreams — 2 shared bills before that night, first on Fri 12 Apr 2024.
Who they are
“Cerebral, powerful and unique best sum up Berlin-based Mary Yuzovskaya's take on techno.”
their own biography
the whole biography
Cerebral, powerful and unique best sum up Berlin-based Mary Yuzovskaya's take on techno. Despite coming up in the mid-2000s, Mary's route into techno is as rooted in the culture as it gets. While an initial stint in Berlin cemented a reputation for Mary's precise approach to her craft as a vinyl-only DJ who explores the subtleties of techno, it was a move to NYC in 2013 which took her career as an artist to the next level. Numerous residencies, not least a three-year run at the influential Unter, helped refine Yuzovskaya's unhurried, storytelling sound whilst developing a dedicated audience on the dance floor and the wider techno scene. Away from the decks and studio, her work as vinyl distribution manager at legendary Brooklyn record shop Halcyon provided the perfect stepping-off point for her vinyl-only imprint, Monday Off. A label she neatly describes as 'psychedelic techno', Monday Off has ploughed its furrow since 2017 and has introduced music from some of techno's most forward-thinking and out-of-the-ordinary artists. Back in Berlin since 2020, Mary's momentum continues with a diary that heavily features standout clubs and events like Berghain, Basement (NY), Gare (Porto), Hall (Tallinn), IFZ (Leipzig), Kablys (Vilnus), Pax Romana (Amsterdam), Rote Sonne (Munich), Smart Bar (Chicago) and Tresor (Berlin) whilst releases on such labels as Attic, Kvalia, Mnestic and Semantica, as well as her own Monday Off, help her reach an ever-growing fanbase. While trends ebb and flow in techno, Mary Yuzovskaya stands steadfast with her singular voice and vision.Their RA profile lists Semantica Records, Attic Music, Monday Off, female pressure and 2 more.Recently at BASEMENT, Knockdown Center · often with GLOBUS, TRESOR, Berghain, none of them here that night
“Mizz Softee / Outer Orbit Records”
their own biography
Recently at Signal, 99 Scott Ave, Moondog Hifi · often with Henry Chow, Chill Zone, Handmade, none of them here that night
“Low key, high quality.”
their own biography
the whole biography
Low key, high quality. They're the four words that best sum up Ian Pooley. He has been a part of the underground from almost the moment house music arrived in Europe, and has been helping to shape it ever since. His authentic take on the genre has brought in fresh influences over the years, but never at the expense of his signature sound or in favour of a cheap hit. He’s as well informed as DJs come, so to hear him play is always a thrill. Pooley cannot remember a time without music. He basically grew up being a DJ and producer. From his earliest days in Mainz, it was the sounds of Chicago and Detroit that turned his ear. Because of that he always played more housey than many of his peers and that soon stood him apart. That same heart and soul that first appealed to him has always defined his music and helped him connect with multiple generations while serving up plenty of essential releases. His Meridian and Since Then albums were high watermarks for house music full-lengths, while he is one of few artists to remix Daft Punk (1997's 'Burnin') and have the favour returned when the French icons added their own spin to Pooley’s 'Chord Memory'. There have also been remixes of the likes of Jovonn and countless 12"s on a stream of influential labels from Innervisions to Rekids, but mostly he releases on his own Pooledmusic. What unites his sounds is that they brim with subtle artistry - the mark of someone who has mastered their craft and knows exactly what is needed to make an impact. Never too much, never too little. That was certainly the case with his Silvershower alias, which first offered up stylish, deep and minimal techno on labels like Plus8 in 1996 and then his Montage label after the new millennium. As well as a famous spell of Brazilian-influenced tunes, over the years everything from jazz to soul to Krautrock has coloured his music. As a widely respected DJ, Pooley has played at a long list of major clubs and festivals from Panoramabar to Glastonbury Festival via multiple tours of North and South America, Asia, Canada, and Australia. He’s a DJ who plays with control. The grooves flow as he fuses early classics with tasteful new tunes, always with a sense of fun honed over thousands of hours. For the first time in 17 years, Pooley is also soon to take a new live show on the road. It will be another window into the ever-essential musical world of Ian Pooley.Their RA profile lists Obsessive Recordings, Large, NRK Music, V2 and 6 more.Recently at public records · often with Beste Hira, Hervé, Thabo, none of them here that night
“Originally from Charlotte and now based in Brooklyn, Rose Kourts has built a reputation for unpredictable, fearless sets that retain a deep sense of musicality and joy.”
their own biography
the whole biography
Originally from Charlotte and now based in Brooklyn, Rose Kourts has built a reputation for unpredictable, fearless sets that retain a deep sense of musicality and joy. Whether throwing down jagged techno, serving sensual house, rinsing jungle, or slipping into acid grooves and beyond, the New York mainstay brings a philosophy of fun, a risk-taking verve and a distinct, magnetic presence to every booth she steps into. Drawing upon a lifetime of musical exploration, scholarship, and an unwavering dedication to the dancefloor, Rose Kourts is an artist unafraid to go deep and wide. taking dancers through emotional peaks, ecstatic turns, and a healthy amount of surprise and delight. Rose Kourts is a regular at New York’s best-loved venues including BASEMENT, Nowadays, Paragon, Bossa Nova Civic Club, Public Records, and Knockdown Center; consistent tour dates across North America, western Europe, and the UK have won her a growing international following. Rose Kourts has played as direct support for artists like Mr. G and Moodymann, DJ Bone, DJ Stingray and Helena Hauff, Kevin Saunderson, Disclosure, The Egyptian Lover, RP Boo, Kenny Dope, and many more legendary and contemporary greats. Her festival bookings include WIRE Festival (2023 and 2025), Sustain-Release, Honcho Campout, Dweller Festival, Making Time, Fourth World, Keep Hush, Boiler Room (NYC and Boston), Shaker Mountain, and Slingshot Festival. She has also joined the lineups for storied collectives and events including Underground and Black, Body Language, Club Toilet, WRECKED, BOUND, Pep Rally, The Bunker, and Four Tet & Friends. Rose Kourts has also been tapped to join international tour dates for artists like Disclosure, Bicep, Interplanetary Criminal and Main Phase, Avalon Emerson’s 9000 Dreams, and X Club. Rose Kourts is a passionate curator and community leader with a longstanding commitment to creating spaces where music connects, empowers, and inspires. She is a co-founder and resident of the beloved renegade party Sweet Kicks along with Karlala and Miss Alicia. As a resident of The Lot Radio, she hosts GEMS, a monthly show with selections and affirmations inspired by the energies of different gemstones. Rose Kourts also currently serves on the Board of Directors for Beyond Booking, the nonprofit organization behind NY electronic institution The Bunker, and is an Ambassador for Rotterdam’s Kult Funktion cultural organization.Baltimore Club on 2, Bass Music on 2, Breaks on 2 and Jersey Club on 2. styles on their catalogued releasesRecently at H0L0, Xanadu, Earthly Delights · often with Miss Alicia, Andi, shekdash, none of them here that night
“Drawing from deep musical roots in Texas, Detroit, and Brooklyn, his sound fuses leftfield rhythms, the immersive echoes of dub, and deep hypnotic techno into something entirely his own.”
their own biography
the whole biography
Drawing from deep musical roots in Texas, Detroit, and Brooklyn, his sound fuses leftfield rhythms, the immersive echoes of dub, and deep hypnotic techno into something entirely his own. With releases on UTTU / Hot Haus, PPU, All City Records, and his own vinyl imprint Vinezza, fleet.dreams stands out as a singular voice in American electronic music—pushing boundaries with subtlety, precision, and a constant sense of forward motion.House on 5, Deep House on 4, Tribal on 2 and Dub Techno on 1. styles on their catalogued releasesReleased on Vinezza (2), Hot Haus Recs (1) and Leopard Cage (1); their RA profile also lists All City, PPU and audio moss. labels on their catalogued releases and on their RA profileRecently at Bossa Nova Civic Club, Mansions, Honey's · often with DJ Primo, KYRUH, CAMILLA, none of them here that night
names these artists often play with — not that night
- EscaFlowne7 with fleet.dreams and 4 with Rose Kourts
- Alinka2 with Mary Yuzovskaya and 1 with Ian Pooley
- Henry Chow8 with Samuel Fish
- Miss Alicia8 with Rose Kourts
- Chill Zone5 with Samuel Fish
- Honey Bun5 with Rose Kourts
- adobeprincess4 with fleet.dreams
- Andi4 with Rose Kourts
how this compares
- Median final count, Fridays at public records173
- Middle half finished between97 and 260
- Past Fridays at this venue counted180
The room
public records — 766 events and 1,571 distinct artists since Aug 2023.
Holds about 300.




