Who was billed13 artists
In the order the promoter listed them.
- next: RSO.BERLIN in Berlin, Fri 20 NovDJ TOOL
- next: The Chocolate Factory, Sat 7 NovKim Ann Foxman
- next: Signal, Sun 1 NovShaun J. Wright
- next: Xanadu, Fri 30 OctMakadsi
- next: H0L0, Sat 24 OctSterling Juan Diaz
- Josh Steers
- next: OST in Berlin, Thu 31 DecDr. Rubinstein
- TT
- Ian Crane
- next: Berlin, Fri 23 OctWhy Be
- DAY 4pm
- RUINS
- NIGHT 10:30pm
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
55 of the 78 pairings on this bill were first meetings.
- Makadsi and Sterling Juan Diaz — 8 shared bills before that night, first on Sun 30 Jun 2024.
- Sterling Juan Diaz and Josh Steers — 6 shared bills before that night, first on Thu 26 Oct 2023.
- DJ TOOL and Why Be — 4 shared bills before that night, first on Sat 2 Aug 2025.
- DJ TOOL and Kim Ann Foxman — 3 shared bills before that night, first on Sat 2 Aug 2025.
- Kim Ann Foxman and Shaun J. Wright — 2 shared bills before that night, first on Sat 2 Aug 2025.
- Shaun J. Wright and Makadsi — 3 shared bills before that night, first on Fri 16 May 2025.
- Shaun J. Wright and Dr. Rubinstein — 3 shared bills before that night, first on Sat 28 Oct 2023.
- Kim Ann Foxman and Makadsi — 3 shared bills before that night, first on Sat 26 Aug 2023.
- DJ TOOL and Ian Crane — 2 shared bills before that night, first on Sat 2 Aug 2025.
- Shaun J. Wright and TT — 2 shared bills before that night, first on Sat 28 Jun 2025.
- Shaun J. Wright and Sterling Juan Diaz — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Josh Steers and Ian Crane — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Kim Ann Foxman and Why Be — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Dr. Rubinstein and TT — 1 shared bill before that night, first on Sat 2 Aug 2025.
- DJ TOOL and Dr. Rubinstein — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Kim Ann Foxman and Ian Crane — 1 shared bill before that night, first on Sat 2 Aug 2025.
- Makadsi and Ian Crane — 1 shared bill before that night, first on Fri 11 Jul 2025.
- DJ TOOL and Shaun J. Wright — 1 shared bill before that night, first on Fri 16 May 2025.
- DJ TOOL and Makadsi — 1 shared bill before that night, first on Fri 16 May 2025.
- TT and Ian Crane — 1 shared bill before that night, first on Fri 25 Oct 2024.
- Ian Crane and Why Be — 1 shared bill before that night, first on Fri 17 May 2024.
- Sterling Juan Diaz and Ian Crane — 1 shared bill before that night, first on Fri 17 May 2024.
- Sterling Juan Diaz and Why Be — 1 shared bill before that night, first on Fri 17 May 2024.
Who they are
“Mala Junta resident Part of Fast Forward Productions”
their own biography
Their RA profile lists Falling Ethics and Fast Forward Productions.Last at Knockdown Center in May · often with Yazzus, Hyperaktivist, D.Dan, none of them here that night
“The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures.”
their own biography
the whole biography
The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come. Bio Written By Bruce TantumHouse on 64, Deep House on 31, Techno on 18 and Tech House on 21. styles on their catalogued releasesReleased on BMG (1), Dischi Autunno (1) and FREE UNIVERSE (1); their RA profile also lists Skint, Ghostly International, Relish Recordings, Needwant and 6 more. labels on their catalogued releases and on their RA profileRecently at Mansions, H0L0, Good Room · often with Cora, Cosmo, Pablo Bozzi, none of them here that night
“Born and raised in west suburban Chicagoland, Shaun J. Wright spent most of their teen years immersed in the sounds of house music.”
their own biography
the whole biography
Born and raised in west suburban Chicagoland, Shaun J. Wright spent most of their teen years immersed in the sounds of house music. In the late 80’s and early 90’s, house music was a powerful force, permeating the mainstream airwaves of Chicago’s most prominent radio stations. With Wright being raised in the epicenter of house culture during this era, their love for dance music began to expand throughout their high school years as they partook in the underground dance scene now globally known as Juke. While in undergrad at Morehouse College in Atlanta, they developed their skills as a dancer in the vogue ballroom scene and professional dance companies. After acquiring an MA Fashion Curation from the London College of Fashion, Wright enjoyed an active career in fashion in New York City. That is where they met Andrew Butler, founder of Hercules and Love Affair, in 2008, and began a whirlwind collaboration with the ensemble as a vocalist. They spent nearly three years touring with the outfit, performing in major venues & festivals throughout North & South America and Europe. They’re also featured prominently on the ensemble’s lauded sophomore album, “Blue Songs’. Returning to Chicago in 2012 to forge their solo career, Wright began to collaborate with respected DJ and producer Alinka. Promptly after beginning their party Twirl in the spring of 2013, Wright & Alinka released their first EP, Twirl Vol. 1, on the celebrated Classic Music Company led by luminaries Luke Solomon and Derrick Carter. They continued to expand upon the brand in late 2014 with their Twirl Records debut release “Journey Into The Deep” EP which included remixes from Kim Ann Foxman and Stereogamous. The label’s output has received much critical acclaim and has been supported by DJ Mag, XLR8R, Mixmag, BBC Radio 1’s Heidi and Annie Mac, and a plethora of notable DJ’s. Wright continues to collaborate with other sought after producers including Chrissy, Kiki, System Of Survival, Stereogamous Bell Boys, Bobmo, and Nicholas, and has been released on Freerange, BPitch Control, Honey Soundsystem & Cocktail D’Amore, Discovery, Marble, and 4Lux, respectively. Wright steadily exhilarates dance floors internationally as a DJ weaving live vocals throughout their sets in locations as far and varied as: Sydney, Berlin (Panorama Bar), London, Auckland, Stockholm, Barcelona, NYC, Los Angeles and his hometown of Chicago (Smart Bar).House on 53, Deep House on 34, Tech House on 21 and Techno on 7. styles on their catalogued releasesReleased on .FREQLINK (1), Black Artist Database (1) and Leftroom (1); their RA profile also lists Defected Records, Classic, BPitch, Freerange Records and 6 more. labels on their catalogued releases and on their RA profileRecently at BASEMENT, Nowadays, Signal · often with Mike Servito, cotton, LYDO, none of them here that night
“Makadsi continues to impress.”
their own biography
the whole biography
Makadsi continues to impress. This Brooklyn-based DJ/Producer, hailing from Zahle Lebanon, owns the underground scene with his signature sound merging Arabic influences over cross-genre sets. He is a resident and co-founder of FUNCTION, a space where he has cultivated a dance floor that honors the natural, vibrant diversity of New York City. NY’s BASEMENT dubbed Makadsi as the “rave activator”. 2025 saw Makadsi deepen his footprint across Europe. He returned to Glastonbury for a second year, this time on the IICON stage, and debuted at Horst Arts & Music Festival in Belgium. Summer took him from Honey Dijon's Chinois in Ibiza to Geggen x Pornceptual for Berlin Pride, Body Movements in London, the main stage at Madrid's MADO Pride, and Adonis for London Pride. French-German network ARTE profiled him for their Tracks series, spotlighting how he threads Arabic divas through techno beats. Back stateside, he played in the iconic Texas room for the 4th Annual Wire Festival in Brooklyn, NY further cementing his role in the heart of the city's underground. 2024 was no less impressive, with Makadsi’s debuts in Ibiza at Palmarama, Glastonbury Festival's iconic NY Downlow stage, Berlin's Pornceptual, Honey Dijon’s House Nation in Brooklyn, and NITSA's 30th birthday in Barcelona. 2023 was nothing short of monumental for Makadsi, taking FUNCTION on the road alongside Beyoncé’s Renaissance World Tour. As the Creative Director and architect for the Renaissance album and Renaissance World Tour, he booked opening DJ acts featuring familiar darlings of the Queer Underground scene (Arca, Shygirl, and more). He ended the tour with his own opening set for Beyoncé's last show in Kansas City. Topping off the year, Makadsi opened for Madonna’s Celebration Tour in Brooklyn.Recently at BASEMENT, Knockdown Center, Signal · often with Dangerous Rose, FASHION, Markus, none of them here that night
“Sterling Juan Diaz has an instinctive feel for groove.”
their own biography
the whole biography
Sterling Juan Diaz has an instinctive feel for groove. Born in New York City & raised between there & the Dominican Republic, he was captivated by the percussive rhythms of hip-hop & latin music from a young age, fostering a diverse musical passion. Once he taught himself to DJ, his eclectic taste & skill quickly gained attention in New York City's queer nightlife, becoming a staple at parties like Nowadays Nonstop, Papi Juice, & BASEMENT’s resident party FIST. Diaz's insatiable appetite for music, discerning taste, & impressive mixing skills have solidified his reputation for delivering electrifying, sets consistently. His innovative, captivating style has earned him spots at festivals such as Honcho Campout, DWELLER, & Wire Festival, & has taken him to parties across the nation, including Atlanta’s Back Room & Washington D.C.’s Flower Factory. Internationally, Diaz has performed at The MECA Art Fair in the Dominican Republic, as well as at Buttons & Sysiphos in Berlin, Germany. In July 2023, Diaz was chosen as an opening DJ for Beyoncé’s New York City show during her record-breaking Renaissance World Tour, joining a distinguished roster of DJs celebrating the album’s tribute to Black queer & trans history. From his curatorial work as a resident DJ of Playground Radio & their annual Block Party to his recurring club night SIMPULSO at Bossa Nova Civic Club, Diaz has established himself as an unmissable voice in Brooklyn's new generation of young selectors. His sets range from chest-rumbling bass wubs to euphoric house keys, showcasing the rich heritage of the underground while exploring the depths of sound through the rhythmic threads of his Dominican roots. Sterling Juan Diaz has not only crafted a unique musical identity but also stands as a beacon of collaboration & community building.Recently at Bossa Nova Civic Club, Nowadays, BASEMENT · often with ALEXIS DE LA ROSA, Sekucci, Ron Like Hell, none of them here that night
“JOSH STEERS IS AN AMERICAN DJ/PRODUCER BASED IN MEXICO CITY.”
their own biography
the whole biography
JOSH STEERS IS AN AMERICAN DJ/PRODUCER BASED IN MEXICO CITY. FORMATIVE YEARS IMMERSED IN THE NEW YORK CITY UNDERGROUND HOUSE & TECHNO SCENE SHAPED HIS DIVERSE SOUND. DRIVEN BY RHYTHMS, STEERS BLENDS MULTIPLE GENRES CREATING A HIGH ENERGY SOUNDSCAPEHouse on 2, Deconstructed Club on 1, Experimental on 1 and Future Bass on 1. styles on their catalogued releasesReleased on Naafi (1) and Nervous Records (1). labels on their catalogued releasesRecently at Gabriela, Hush, H0L0 · often with Nita Aviance, Michael Magnan, SKIN, none of them here that night
“Acid Doctor from Berlin”
their own biography
Their RA profile lists Uppers and Downers.Recently at BASEMENT, The Chocolate Factory, Paragon · often with VINVAR, Juliana Huxtable, Supergloss, none of them here that night
“TT’s storytelling origins began as a fashion stylist, and in recent years, those narratives have grown to include sonic transmissions as a DJ.”
their own biography
the whole biography
TT’s storytelling origins began as a fashion stylist, and in recent years, those narratives have grown to include sonic transmissions as a DJ. The Virginia native is based in New York and draws inspiration from their communities both here and across the globe. Infusing the classic shapeshifting sounds of the Midwest with the paradigm shifting sounds of Berlin, Copenhagen, Malmö, and beyond. Their sets will take you on a hard-hitting celestial journey through euphoric melodies, spastic synths, and cunty chants. Uniting rhythmic frequencies of opposing forces, TT's singular style is much like that of a "Meditating Gunrunner."Recently at Nowadays, BASEMENT, H0L0 · often with Word of Command, RYKER, Mother Daughter Dance, none of them here that night
“Ian Crane is a Brooklyn-based DJ, originally hailing from the mountains of Northern California.”
their own biography
the whole biography
Ian Crane is a Brooklyn-based DJ, originally hailing from the mountains of Northern California. Inspired by the transformative power of the rave, Ian’s timeless selections on the dance floor tend towards the dramatic, uplifting, and sincere.Recently at BASEMENT, Honey's, Earthly Delights · often with Meilgaarden, Mixed Greens, Byron Yeates, none of them here that night
“After intentionally spending years on the fringes of experimental dance music, 2015 saw Lee embracing the conventional release format for the very first time, accordingly establishing himself as a formidable emergent voice in dance music’s larger conversation.”
their own biography
the whole biography
After intentionally spending years on the fringes of experimental dance music, 2015 saw Lee embracing the conventional release format for the very first time, accordingly establishing himself as a formidable emergent voice in dance music’s larger conversation. The resulting Snipestreet EP on Rabit’s Halcyon Veil label notably found the artist exercising a newfound mastery over original productions, in lieu of his usual, unruly approach to bootlegs and edits. Upon release it garnered widespread critical acclaim, with tracks and videos from it being premiered on DIS Magazine, a full-length interview appearing on The FADER, and Heroin Hat making it to FACT Magazine’s best club tracks of the year list. Since his debut, he's also collaborated with the likes of Rabit, Chino Amobi and Lexxi as well as released music on his own label Yegorka. Lee’s sound both on record and behind the CD-Rs defies easy compartmentalization: if anything, it is defined by its visceral uncategorizability. He’s as likely to draw on ballroom and rap as instrumental grime, but it’s Lee’s radically singular approach to putting it all together that makes him so exciting. Even if the ingredients are familiar, the end product never is: his hectic, cathartic, and uncompromising style of club music ultimately stands completely in its own lane.Recently at Knockdown Center · often with D.Dan, Hyperaktivist, Yazzus, none of them here that night
often with Massimiliano Pagliara, Ron Like Hell, Elle Dee, none of them here that night
names these artists often play with — not that night
- Mike Servito12 with Shaun J. Wright, 6 with Makadsi, 4 with Josh Steers, 2 with Ian Crane and 2 with Kim Ann Foxman
- Ron Like Hell6 with Sterling Juan Diaz, 4 with Kim Ann Foxman, 4 with Shaun J. Wright and 1 with RUINS
- ALEXIS DE LA ROSA11 with Sterling Juan Diaz, 3 with Josh Steers and 2 with Kim Ann Foxman
- Kilopatrah Jones6 with Makadsi, 6 with Sterling Juan Diaz and 3 with DJ TOOL
- D.Dan7 with DJ TOOL, 5 with Why Be and 1 with RUINS
- Juliana Huxtable6 with Sterling Juan Diaz, 4 with Dr. Rubinstein and 3 with Shaun J. Wright
- Yazzus8 with DJ TOOL and 3 with Why Be
- Hyperaktivist6 with DJ TOOL and 4 with Why Be
4,583 said they were going — much busier than a usual Saturday at BASEMENT.
how this compares
- Median final count, Saturdays at BASEMENT1,868
- Middle half finished between1,512 and 2,298
- Past Saturdays at this venue counted144
The room
BASEMENT — 294 events and 630 distinct artists since Aug 2023.
Holds about 500.