Who was billed2 artists
In the order the promoter listed them.
Set times were not published.
None of these artists had shared a bill before that night.
Who they are
“As a lifelong musician, Estro has always explored the visceral aspects of sound.”
their own biography
the whole biography
As a lifelong musician, Estro has always explored the visceral aspects of sound. From a young age, her interest in sonics manifested in a boundless desire for experimentation. With a background in jazz music as a trumpet player since childhood, Estro’s experiences with improvisation and performance on the stage found their way to the DJ booth. Her fervent, intense passion for expression and movement finds its way into textural, spine-tingling production and jacking, sweaty, sexy sessions on the dancefloor. Outspoken, driving, and deep, Estro's performances and sets often feel like a manifesto of sorts, rolling and driving tension to its limit and pushing the envelope for New York's musical landscape. Estro's musical explorations have led her to digging through the deep, rich history of techno & house, blending timeless, smashing deep cuts with some of the genre's newest, most novel offerings. Her philosophy of maintaining digging culture leads to an eclectic, potent, and deeply rooted sound, prepared to be pushed into a futuristic and forward-thinking direction. Serene, jazzy, atmospheric selections of deep house, minimal, and dub techno are intertwined with driving, thumping peak-hours techno & trance. Estro uses her ever-expanding knowledge of her selections to captivate the dancefloor and continue to expand the capabilities of sound. As the founder of Orchidance, her new event series and personal project, Estro seeks to take her explorations of dance music and its surrounding culture into a more intentional and inclusive space. She hopes to continue creating a space for serenity and self-discovery, with an eclectic and personal curation of artists and collaborators from her ever-expanding rolodex of talent local and abroad. In the coming years, Estro hopes to continue to expand the capabilities for Orchidance to be a place of rejuvenation, enrichment, and exploration for New York's music community.Recently at H0L0, House of Yes, Rash · often with senoritajuicy, Leafy Greens, Amy L'Nitrate, none of them here that night
“After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar.”
their own biography
the whole biography
After getting her start performing at underground poetry events in her hometown, she eventually moved on to playing live beat sets during open mic nights at one of KC's most pivotal queer nightlife institutions of the 21st century, the Uptown Arts Bar. Occasionally she'd wander upstairs to Niche, a 100-cap club with a legendary sound system known as the Meta HiFi. There she got her first taste of the sounds of the UK bass continuum and the LA beat scene, with its prominent figureheads like Flying Lotus, Ras G and Shlohmo. Ever the nomad, she would spend her mid-twenties traveling, flitting between cities like New York and LA and the mountainous terrain of the Colorado Rockies. At 26 years old, she left behind a stable career in psychotherapy to pursue her creative dreams. This would lead her back to Niche where a ravenous desire to evolve as an artist connected her with Peter Anthony, aka Coughman, who ran the independent KC collective and label, Intelligent Sound. Soon Anthony encouraged Zo and her friends Mazzy Mann and Lorelei Kretsinger to build a platform of their own. In October 2017, the three of them founded the UN/TUCK queer/trans collective and record label. Over the next two years, they tirelessly built UN/TUCK into an internationally recognized platform, releasing their own music and organizing shows and parties curated specifically for trans and queer people in Kansas City. Under the name BTRFLY, Zo produced her own LA-inspired beats and rapped over them in her sets. As she delved further into the realms of Chicago house, early 2000s UK dubstep, and the hybrid sounds of Hessle Audio, Hyperdub and Idle Hands, she discovered a profound love for DJing and a different kind of production. Now based in Brooklyn, she has made definitive creative statements in 2022, releasing her debut EP, Screw Cheek, on acclaimed UK club label, Scuffed Recordings, and a follow-up EP, Freak Shift, on Martyn's hallowed 3024 imprint, as well as a slew of national bookings at Bunker NY, Texture Detroit, Sole Rehab, clubs like Nowadays, Good Room and Kremwerk, festivals like Slingshot and Honcho Campout and many more on the horizon. It's clear that Zo has solidified her place as an emerging artist firmly in her own lane, with tracks that span the continuum of UK bass and North American techno and house, and mixes that seamlessly capture and defy her genres of interest, blending deep dark percussive bass and broken beat with blistering techno, psychedelic house, east coast club and more.Techno on 24, Bass Music on 22, Breaks on 17 and House on 17. styles on their catalogued releasesReleased on Clasico Records (2) (1), Delusional Records (2) (1) and Grid (6) (1); their RA profile also lists Pineapple Records, 3024, Fever AM, Scuffed Recordings and 1 more. labels on their catalogued releases and on their RA profileRecently at Earthly Delights, H0L0, Bossa Nova Civic Club · often with Mui Mui, Sheepshead, Saia, none of them here that night
names these artists often play with — not that night
- Mike Servito5 with Sister Zo
- Junkfile4 with estro
- Mui Mui4 with Sister Zo
- A lana3 with estro
- DJ DEADNAME3 with Sister Zo
- senoritajuicy3 with estro
- Sheepshead3 with Sister Zo
- 98dots2 with estro
Sound
Techno and Bass Music.
styles on the acts’ catalogued releasesThe room
Mansions — 545 events and 503 distinct artists since Aug 2023.
Holds about 160.
Most-tagged here: House (12) and Techno (12). genre tags on this room’s listings