Who was billed6 artists
In the order the promoter listed them.
- next: Signal, Sat 28 NovDevoye
- next: Kater in Berlin, Fri 30 OctKenny Larkin
- next: BASEMENT, Fri 23 OctNene H
- next: BASEMENT, Fri 6 NovMatas
- next: RSO.BERLIN in Berlin, Thu 31 DecJASSS
- Ariel Zetina
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
14 of the 15 pairings on this bill were first meetings.
- Devoye and Matas — 2 shared bills before that night, first on Thu 29 Feb 2024.
Who they are
“Rooted in Jamaican heritage, Devoye was born in the Bronx, NY.”
their own biography
the whole biography
Rooted in Jamaican heritage, Devoye was born in the Bronx, NY. Devoye is heavily grounded in forms of Hip-Hop, Electronic and various forms of House and Techno. With releases on Coloring Lessons, Haus of Altr, 3afak, and various self released works. Devoye should be on your radar if he isn't already! One of the illest DJ's in the local Brooklyn scene. Youve got to see it to believe it! “Reflecting on emotions reveal the most supreme moments in life. The strongest of each emotion is communicated back through my conscious being in various forms of music, art, and conversation.“ - DevoyeHouse on 7, Techno on 5, Footwork on 3 and Drum n Bass on 3. styles on their catalogued releasesTheir RA profile lists HAUS of ALTR, Coloring Lessons and Fortune Signal.Recently at H0L0, Earthly Delights, Jupiter Disco · often with SSG_, Miss Parker, Vivian Wang, none of them here that night
“To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction.”
their own biography
the whole biography
To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, 2012 serves as the year to re-establish his position as one of the most valuable forces in dance music today. On his popularity, Larkin states: “I’m more like the artist’s artist. I’ve had very successful electronic artists tell me constantly how much I’ve influenced them, but, to the newer generations of club-goers, my name might not be as well known. I like to say, I’m famous for not being famous!” -KL Since the beginning of his career, Larkin’s profile was never considered massive, nor did he ever serve as the “face of techno.” Yet, the respect and admiration he garners from his fans, electronic musicians, and journalists globally leave little doubt as to his relevance, and influence in a genre that sometimes can be described as lacking in feeling, warmth and musicality. It is that musicality that allowed him to give us an unforgettable collection of original material and remixes, such as the amazingly groovy Inner City “Share My Life.” Many consider this rework one of the best Inner City remixes ever done. Or the equally stunning remix done for Ben Klock’s “OK,” which was voted by website LITTLE WHITE EARBUDS as the 20th top track of 2009. The reviewer comments: ... Larkin defrosts Klockʼs “OK” with swelling warmth and a bass line that wound itself all the way to the horizon. High wire strings gave the remix a sense of drama, while faultless percussive turns saw halting snares, clipped shakers and languid hi-hats entwine themselves through the fabric of the track. Coaxing an animalistic cry from his hardware, Larkin had already succeeded in creating a stunning take on “OK” by the three minute mark, but then topped it all off with a gorgeous piano solo that continued for the remainder of the track, adding a graceful fragility to the feverish pace set by the other elements. Not just one of Larkinʼs finest moments but one of 2009ʼs as well. Stunning! -LWE But by far, one of the most memorable recent remixes, was Larkin’s version of Radioslave’s “Don’t Need A Cure For This.” Released in late 2010, Larkin effortlessly displays his penchant for melody, and his signature jazzy keyboard riffs. The keyboard line, alongside the driving rhythm, resulted in the remix becoming one of the most charted remixes of 2010-11 on popular electronic music websites Resident Advisor, and Beatport. Never to rest on his laurels, in Dec. 2011, Larkin delivered one of the first biggest remixes of 2012. Less jazzy, but no less impressive than his Radioslave remix, Larkin’s expertly crafted version of Inner City’s, “Future,” which he coincidentally co-produced, and co-wrote, quickly climbed to the number one spot on Beatport’s Top 100 Techno Chart, and reached number 16 on their Top 100 overall chart, which combines all genres. Top dj’s from around the globe are currently supportive this massive floor filler. This was one of only a few Detroit titles to ever reach number one on the techno chart, since the creation of Beatport. “Quality, not quantity...” -KL The building blocks of his signature sound are rooted in his early exposure to jazz, funk, and soul, in addition to other more electronic influences. These styles all serve as the backbone of his unique style. This was a key component in the formation of the second wave of Detroit Techno, alongside artists such as Carl Craig. Larkin’s small, but impressive catalog of work of over the years, all displays his ability to chisel out of the often cold hard machines, his own sound that is all heart and soul. Quite simply, this is electronic soul music. After listening to his debut album, released on Warp Records, Azimuth (released 1994), the press commented: “”Azimuth is one of the most imaginative and original techno albums yet.” MUSIC WEEK “A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.” STREETSOUNDS His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: “This is electronic soul music, full of human feeling and warmth" MixMag “Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno, almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music’s future.” SELECT Street Sound magazine later voted Azimuth as one of the top 50 Techno CD’s of all time. His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive: "A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation. At times very minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just the right places at just the right time.” I-D -Metaphor was Nominated for “Best Electronic Album of the Year by Keyboard Magazine. -In 1995, Larkin was voted “Best Techno Artist of the Year by local Detroit newspaper, Metro Times. Larkin returned from a break, and re-established himself with his, “Keys, Strings,Tambourines.” The album was released on the legendary Planet e, and was voted by Pop Matters magazine as the ninth best electronic albums of 2008. For their selection of top 20 albums of 2008, well respected website, Resident Advisor, listed Larkin’s album at 18. "Throughout Keys, Strings, Tambourines, Larkin peppers his elegant tech house rhythms with jazzy keyboard fills, strings, tambourines and oddball synth blurts, making for an especially tuneful listen that doesn't skimp on the ass-shaking. Fans of Larkin's classic works will not be disappointed here, nor will those discovering his music for the first time." –Resident Advisor Kenny has an undeniable passion for making music. In addition to his busy global dj schedule, Larkin is currently working on no less than 7 remixes, for a number of noteworthy artists craving the Larkin touch. In addition, he is putting the final touches on his first original release since his KST release on Planet e. Due out in the spring on Cadenza Records.. Larkin’s sound continues to stand the test of time. His unique, musical approach to dance music transcends expectations in balance with meeting his own ambitions and meanwhile pleasing “Detroit-Days” devoted followers all the world over. As his popularity grows, he will no doubt convert new fans to believers and show them that music...REAL music, and Techno can in fact coexist in the same fuzzy place in the heart. Famous for not being famous? Not for long.Their RA profile lists Peacefrog, Warp Records, Planet E, KMS and 3 more.Recently at public records, SILO · often with HOPPER, ACID BOGEN, LOURDES LOURDES, none of them here that night
“Nene H is an artist in constant motion.”
their own biography
the whole biography
Nene H is an artist in constant motion. Shaped by her Turkish-Azerbaijani heritage, a conservatory education in classical piano, and an enduring infatuation with the emotional complexity of sound, her music is an evolving force tethered to both instinct and precision. Whether in the club or on stage, Nene H’s output unravels, reforms, and leaves a mark that’s hard to name but impossible to forget. After a period of intense self-inquiry, 2025 signals a sharp pivot for Nene H. A chapter defined by a hyper-focussed refining of sound, while retaining her signature elasticity. Her newest work doesn’t simplify; it distills, honing the emotional and rhythmic tensions that have always driven her sound. On stage, that focus splinters into immersive, shape-shifting performances. From her monumental 8-hour live improvisation at STOOR to her choral collaborations for CTM with The National Choir of Georgia, and Dekmantel with the Dutch Opera, Nene H continues to push the limits of form, without losing sight of feeling. Rooted in Berlin for over a decade, she has become a vital presence in the city’s queer underground not only as an artist, but as a cultural amplifier, championing SWANA, Muslim, and femme perspectives in spaces where they’ve long been overlooked. As a producer, her catalog spans labels such as Standard Deviation, Intrepid Skin, Live from Earth, and Incienso, the latter releasing her starkly intimate debut album Ali علي. Her forthcoming second album, Second Skin, deepens her commitment to radical vulnerability: a sonic reckoning with identity, grief, and selfhood, written in the midst of six months of personal and emotional upheaval.Their RA profile lists Bedouin Records, Incienso, Intrepid Skin, Live From Earth and 3 more.Last at BASEMENT in May · often with Chippy Nonstop, VINVAR, Lacchesi, none of them here that night
Recently at Honey's, Good Room, BASEMENT · often with Roza Terenzi, Jek, Aurora Halal, none of them here that night
- Their RA profile lists Mannequin, AD 93, iDEAL Recordings and Mosaique.
Recently at H0L0, The Chocolate Factory, BASEMENT · often with MCMLXXXV, Juliana Huxtable, Batu, none of them here that night
“Though her music can be considered techno, she takes inspiration from Chicago house, Belizean genres punta and brukdown, and the queer club scene worldwide.”
their own biography
the whole biography
Though her music can be considered techno, she takes inspiration from Chicago house, Belizean genres punta and brukdown, and the queer club scene worldwide. These influences can be heard on 2020’s “MUAs at the End of the World” EP (Femme Culture); 2019’s "Organism" (Majía) and “Shell” (Head Charge); 2017’s “Cyst” (Boukan Records); and on mixes for Rinse FM, Dummy, Truants, and NTS. Her ruthless, cross genre DJs sets have been heard worldwide. She is a resident at the legendary house club Smartbar, and on Discwoman’s roster.House on 20, Techno on 18, Bass Music on 9 and Breaks on 8. styles on their catalogued releasesReleased on Clasico Records (2) (1), Delusional Records (2) (1) and Foundation FM (1); their RA profile also lists Local Action, Wet Trax, MAJÍA, Femme Culture and 5 more. labels on their catalogued releases and on their RA profileRecently at Bossa Nova Civic Club, public records, Paragon · often with Miss Twink USA, Pageant Queens, Carly Zeng, none of them here that night
names these artists often play with — not that night
- Shyboi5 with Devoye and 3 with Ariel Zetina
- DJ TOOL3 with JASSS and 2 with Nene H
- Mama Snake3 with JASSS and 2 with Matas
- ROBUS2 with JASSS and 2 with Nene H
- SUMME2 with JASSS and 2 with Nene H
- Miss Twink USA7 with Ariel Zetina
- Vivian Wang7 with Devoye
- Jek6 with Matas
1,750 said they were going — busier than a usual Saturday at Nowadays.
how this compares
- Median final count, Saturdays at Nowadays1,183
- Middle half finished between554 and 1,707
- Past Saturdays at this venue counted185
The room
Nowadays — 804 events and 1,369 distinct artists since Aug 2023.
Most-tagged here: Techno (22), Bass (21), House (15), Club (6) and Electro (6). genre tags on this room’s listings