John Summit presents: Experts Only Festival NYC
Randall's IslandRandall’s Island; New York, NY 10035 · Map
This night happened — Sat 20 Sep 2025
Press play
Who was billed19 artists
In the order the promoter listed them.
- John Summit
- Green Velvet
- Pete Tong
- Tini Gessler
- next: Refuge, Fri 23 OctDJ Seinfeld
- Weska
- Kamino
- Cassian
- LP Giobbi
- Kaskade
- Enamour
- Layton Giordani
- Tony y Not
- Lumia
- AYYBO
- Kasablanca
- Roddy Lima
- Totally Enormous Extinct Dinosaurs
- Eve Lauren
Set times were not published.
Most of these pairings were meeting for the first time that night.
the pairs that have met
158 of the 171 pairings on this bill were first meetings.
- LP Giobbi and Eve Lauren — 1 shared bill before that night, first on Sat 20 Sep 2025.
- Lumia and AYYBO — 1 shared bill before that night, first on Sat 20 Sep 2025.
- Weska and Enamour — 1 shared bill before that night, first on Sat 20 Sep 2025.
- Weska and Layton Giordani — 1 shared bill before that night, first on Fri 14 Jun 2024.
- Cassian and Kasablanca — 1 shared bill before that night, first on Sat 1 Jun 2024.
- Kamino and AYYBO — 1 shared bill before that night, first on Sat 16 Mar 2024.
- Enamour and Kasablanca — 1 shared bill before that night, first on Fri 27 Oct 2023.
- Green Velvet and Layton Giordani — 1 shared bill before that night, first on Fri 1 Sep 2023.
- Green Velvet and Kaskade — 1 shared bill before that night, first on Fri 1 Sep 2023.
- Kaskade and Layton Giordani — 1 shared bill before that night, first on Fri 1 Sep 2023.
- John Summit and Layton Giordani — 1 shared bill before that night, first on Fri 1 Sep 2023.
- John Summit and Green Velvet — 1 shared bill before that night, first on Fri 1 Sep 2023.
- John Summit and Kaskade — 1 shared bill before that night, first on Fri 1 Sep 2023.
Who they are
“Hailing from a city steeped in house culture, Chicago’s John Summit has quickly become the hottest name in dance music worldwide.”
their own biography
the whole biography
Hailing from a city steeped in house culture, Chicago’s John Summit has quickly become the hottest name in dance music worldwide. His feel-good floor-fillers take the pumping grooves of his hometown’s classic house music, add a healthy dose of melody, and top it all off with 2020s studio polish. Summit’s prolific output has resulted in the accumulation of 5 million monthly Spotify listeners, the top-selling artist across all genres on Beatport in 2021, and a #1 track on US Dance radio with his record ‘Human’. In 2022 he’s set to tour across the globe with key festival plays at Coachella, Lollapalooza, Tomorrowland, Bonnaroo, Parklife, and more. With the announcement of his new label/event brand ‘Off The Grid’, Summit is displaying no signs of slowing down anytime soon.Their RA profile lists Defected Records, Positiva, Dirtybird, Toolroom Records and 4 more.Recently at Brooklyn Storehouse, Brooklyn Navy Yard: Building 268, Randall's Island · often with GRiZ, DANSYN, Madi, none of them here that night
Recently at Unveiled, Brooklyn Army Terminal, Avant Gardner · often with Charles Meyer, Crossbow, none of them here that night
“Tini Gessler has established herself as a solid artist on the international tech-house circuit, with a constantly evolving career both in the DJ booth and in the studio.”
their own biography
the whole biography
Tini Gessler has established herself as a solid artist on the international tech-house circuit, with a constantly evolving career both in the DJ booth and in the studio. Her growth is reflected in a busy schedule and high-quality music. In recent months, she has performed at renowned venues such as Tomorrowland, Space Miami, UNVRS, E1 and elRow, reaffirming her presence on the global scene. Tini currently tours regularly across all continents, adapting her sets to contexts ranging from clubs to major festivals. On the production side, Tini Gessler continues to develop her role as a producer with releases on labels such as Experts Only. Her recent work has had a notable impact: her latest track reached #1 on Beatport's Tech House chart, confirming her strong and current creative momentum. In addition, her productions have been included in some of Spotify's most relevant editorial lists, such as Mint and Tech House Operator, expanding her digital reach. Artistically, she is distinguished by a balanced approach: sets built with attention to groove and dancefloor dynamics, and a sonic identity that moves between deep tech-house and groovy techno. Tini Gessler is a versatile and consistent artist with international experience, a direct connection with her audience and a growing profile. Her profile fits in equally well with underground club line-ups and large-scale productions, gradually establishing herself as a stable name on the global electronic scene.Their RA profile lists Safe Music.Recently at Knockdown Center, Superior Ingredients, Musica Club NYC · often with Gene Farris, HVNLEE, Easttown, none of them here that night
“Armand Jakobsson is the artist known as DJ Seinfeld, Rimbaudian and Birds of Sweden.”
their own biography
the whole biography
Armand Jakobsson is the artist known as DJ Seinfeld, Rimbaudian and Birds of Sweden. Under these aliases you’ll find sweeping emotive cuts, verdant dancefloor workouts and discerning dips into jungle and breaks. Releases have come on respected labels including Meda Fury, Ectotherm, UN.T.O and Lobster Fury: the collaborative label from Lobster Theremin and Meda Fury begun for the explicit purpose of releasing his tracks. DJ Seinfeld’s beats are ultimately guided by an idea of authenticity, true to the spirit of the early house pioneers and the unabashed rawness the confines of their equipment demanded. A lot’s been made of this lo-fi fuzz, with many clamoring to declare it a scene, but he won’t be put into a box. His path is his own. A microphone picks up the tension and release of a singer: charged with emotion, the machine can’t handle it. The rough edges of his productions emit the same sensibility. Footage of his gigs or their post-show reaction exemplifies the reception he gets as a DJ. Biographies often claim a DJ regularly ‘sends crowds into rapture’ or ‘lays waste to the floor,’ but in DJ Seinfeld’s case pandemonium is the default. Mixes show his deft control of build-up and feel in the booth, while his mini series for legendary London station Rinse FM in May ‘DJ Seinfeld presents...’, was a master class in the kind of wonky left-field house he peppers his sets with. Armand began making music in Edinburgh at the suggestion of a respected friend. Time spent experimenting with music and exploring the possibilities contained within his laptop was cathartic relief from the grind of finishing his studies. Later returning to his hometown of Malmo, his interest in making music would intensify thanks to encouragement from his old school friends and a the looming spectre of a 9-5 lifestyle. A move to Barcelona and the end of a relationship resulted in extended sessions watching the classic American sitcom and the music made to reflect that appeared under the name DJ Seinfeld. Rimbaudian already had traction and DJ Seinfeld was really intended as a side-project to exorcise emotions felt at that time. At first, tracks appeared on music-sharing groups online but he didn’t claim ownership, despite the growing buzz. When his friend Courtesy’s label Ectotherm began asking who the mysterious producer was, he began to take note. Then before long, Lobster Theremin and Meda Fury followed suit. The point of no return though came one evening spent with Ableton and a few beers. The track ‘U’ was uploaded to Soundcloud, and the internet went into overdrive. Sampling Bob Geldoff’s account of his split with his wife, amid soaring chants and keys wrought in heartache, ‘U’ is almost voyeuristic in its honesty. It’s that truth, that realness, that defines what Armand’s music is about.Their RA profile lists Ninja Tune, Domino, Lobster Theremin, Meda Fury and 3 more.Recently at Brooklyn Army Terminal, Racket NY, Brooklyn Steel · often with Kiyoshi, Physical Therapy, Baltra, none of them here that night
Recently at 99 Scott Ave, Superior Ingredients, Brooklyn Mirage · often with Gizmo, Maik Gyver, Lazykid, none of them here that night
Recently at Musica Club NYC, Knockdown Center, SILO · often with OMNOM, Valencia, Caleb Dent, none of them here that night
Recently at 99 Scott Ave, Brooklyn Mirage, Knockdown Center · often with Valou, Yet More, GENESI, none of them here that night
“LP Giobbi is a DJ, producer, pianist and activist who is quickly rising to superstar status.”
their own biography
Their RA profile lists Ninja Tune and REALM.Recently at Superior Ingredients, Avant Gardner, Bldg 293 - BK Navy Yard · often with Amanda Usher, SebiLuca, J.Force, none of them here that night
“Returning from the yearlong It’s You, It’s Me World Tour of 2003, celebrating his monumental debut album of the same name, Kaskade comes home to his Om Records family with his newest offering to the beloved San Francisco Sessions Series, “Soundtrack to the Soul”.”
their own biography
the whole biography
Returning from the yearlong It’s You, It’s Me World Tour of 2003, celebrating his monumental debut album of the same name, Kaskade comes home to his Om Records family with his newest offering to the beloved San Francisco Sessions Series, “Soundtrack to the Soul”. A lot has been written, said, and felt about this young man and his music in the past year. The worldwide media, DJ’s, radio stations and music loving public adore him. He’s been praised as “The Best Up & Coming Artist of 2003” from URB MAGAZINE and as crafting “A captivating debut” by BILLBOARD, but still unchanged, humble, and low key in flip-flops, Kaskade, better known as Ryan Raddon, has so much more love to give. The new album gives the listener a glimpse into the deepness of Kaskade the DJ and producer; this is his story… As an 80’s teenager in the Suburbs of Chicago, Raddon was fascinated by the sound of new wave, frequenting Club Medusas where Frankie Knuckles held a Friday night residency. There, he was exposed to everything from Tears For Fears to The Cult, Ministry and The Smiths. As house music was incarnated in the basements and warehouses of Chicago, Ryan increased his awareness by attending parties and exploring these inspiring, innovative sonic genres. He listened religiously to local radio shows like The Hot Mix Five and Northwestern University’s WNUR, which featured Derrick Carter and Mark Farina. He frequented Gramaphone and built his vinyl collection, eventually taking to the decks late in the decade. Circa 1992, he transferred his life and learning to Salt Lake City and the University of Utah, an education he funded by DJing. He launched a weekly house night that endured five successful years and owned and operated (a local record shop,) Mechanized Records. Though there were others promoting house in Salt Lake, Ryan was one of the city’s pioneers, igniting the spark that set the scene ablaze in the most unexpected of towns. It was here that he began building a studio, releasing several records on the Mechanized imprint and selling a breakthrough track to his favorite label, Om Records. “DJing inspired me to make music,” he says. “It was definitely a simple evolution for me.” Having explored the Bay Area with his wife Naomi, Ryan was drawn to the strong scene that it fostered; they moved in May 2000. Within months, he landed a job as A&R assistant to Chris Smith at Om. “The label’s reach is far and wide,” he notes. “It was good energy to be around creative people who enjoy what they do.” Continuing with DJing and production, Ryan formulated his alter ego Kaskade and began honing his studio skills. After selling a track to now defunct Chicago based Afterhours, he began anonymously slipping his tracks into the stacks of Om demos. “What I Say”, the first single picked up by Om under his Kaskade moniker, was featured (as the first track) on Mark Grant’s widely acclaimed “Sound Design Volume 2” in 2001. The past two years have been a whirlwind of success; though Kaskade has appeared on many of Om’s coveted compilations, nothing prepared him for the widespread praise that came in the wake of his debut album “It’s You, It’s Me.” The former Lazy Dog duo Jay Hannan and Ben Watt sent their accolades after the then unreleased track blew the roof off their Sunday night London gathering. Marques Wyatt extended his appreciation as well, grabbing dibs on remixing duties for a future single. As of late, Kaskade has spent many nights commanding the decks on the international nightclubbing circuit. In addition, Roger Sanchez befriended Kaskade licensing two tracks for his newest mix “Release Yourself 2003”, and if one needed more proof of his talent, Jay Hannan has chosen Kaskade to debut his new label, Society Heights, with the “Soundtrack to the Soul” standout “In this Life”. Whether it’s the uplifting sounds, organic instrumentals, catchy vocals or the diversity of his sound, Kaskade’s music embodies life, love and happiness. “I’m an optimistic guy,” he says. “There’s a lot of love in house music and this is just what comes out.” He is equally as optimistic about the scene that has embraced him with such open arms. “Dance music is so fast moving and so forward thinking; it has morphed many times over. It will be interesting to see what the future holds.” -Words by Carly Miller and Gunnar HissamTheir RA profile lists Jamayka and Art & Craft Recordings.Recently at Creekside - Under The K Bridge, Brooklyn Paramount, Central Park · often with Giolì & Assia, Eli Brown, ZAINAB, none of them here that night
“Enamour has never fit neatly into one lane, and that has always been the point.”
their own biography
the whole biography
Enamour has never fit neatly into one lane, and that has always been the point. His work is defined by perspective—emotionally charged, immersive dance music that feels as transportive on headphones as it does in a club. Hard to pin down but easy to recognize, the project balances melody, psychedelia, and physicality in a way that feels both purposeful and personal. If Enamour’s most visible songs offer one way in, the wider catalog tells the fuller story: a body of work whose range, depth, and point of view extend far beyond the narrow frame of algorithmic snapshots, revealing something stranger and more expansive beneath the surface. This is music with immediate impact, but enough detail and texture to reward repeat listens. That balance between accessibility and depth is exactly what has given the project its far-reaching appeal. Frequent support from industry leaders including Solomun, Camelphat, John Summit, Damian Lazarus, Pete Tong, Hernan Cattaneo, and Lee Burridge speaks to a catalog that moves fluidly across scenes without losing its identity, while official remixes for RÜFÜS DU SOL, RY X, Cassian, Above & Beyond, and Lane 8 underscore both its reach and distinctiveness. The same is true of Enamour’s touring life, which has taken him around the world and into institutions like fabric London, Space Miami, The Brooklyn Mirage, Echostage DC, The Bow in Buenos Aires, and Stereo Montreal. Whether in the studio or behind the decks, the signature is the same: music built for the club, for headphones, and for the people who want more from both.Their RA profile lists BMG, Crosstown Rebels, Get Physical Music, Armada Music and 6 more.Recently at Unveiled, Brooklyn Mirage, SILO · often with Calypsis, Vivi Wonder, Milö, none of them here that night
“A true artist in every sense of the word, Layton Giordani stands firmly as one of the most popular tastemakers of techno’s new school, with his pioneering musical vision serving as a contemporary voice for the younger generation.”
their own biography
the whole biography
A true artist in every sense of the word, Layton Giordani stands firmly as one of the most popular tastemakers of techno’s new school, with his pioneering musical vision serving as a contemporary voice for the younger generation. Spending years acquiring knowledge from musical greats, the 28 year old possesses a wealth of experience far beyond his years and has now undeniably earned his rank in the upper echelon of techno. With a repertoire that knows no bounds, the dexterous New Yorker has explored a new dimension of scope with each passing year, nurturing a monumental discography that echoes staunch dedication to his craft. Giordani’s palpable successes can be largely credited to his extensive stock of knowledge, garnered through an insatiable work ethic and years spent earning his keep in the industry. Solely focused on his passion for music from the age of just 13, Giordani’s path forever changed at 19 years old after watching Danny Tenaglia perform live at Pacha NYC. Deeply inspired by the formative experience, Layton began to master his craft behind the decks, landing a pivotal residency at Brooklyn’s Output NY that would consequently steam-roll his career into quick maturity. Thanks to the faith they instilled in him, Layton turned heads and began making a name for himself through his deft touch and sharp ear. Seeking further guidance from another of the long-standing greats, Giordani spent countless hours under the mentorship of Adam Beyer, honing his composition talents and studying the cardinal cuts of techno’s rich history. The affiliation resulted in Giordani’s first releases under the Swedish maven’s storied imprints; an EP titled Unspoken on Truesoul followed shortly by Rivington, his input to Drumcode’s celebrated A-Sides series. News of the untapped star’s fresh sensibilities circulated and in 2017, Giordani erupted onto the scene with his aptly-named debut album contribution to Drumcode in the form of Where It Begins. The 12-track LP served as the first seismic indication of his capabilities and subsequently received critical acclaim from artists, new fans and industry specialists alike. These nascent experiences take on greater meaning when you consider Giordani would collaborate with Tenaglia just a matter of months after the LP’s release, dropping the standout Live Again before 2017 would dawn. Today, the cut is still considered by many to be a modern-day Drumcode classic. Just one short year later and the advancement of Giordani’s career showed no signs of slowing as he teamed up for a distinguished three-way collaboration alongside Beyer and Chicago legend Green Velvet for Space Date. The single was the sound of the summer and matched the prosper of his touring schedule, which now included main stage appearances at Drumcode Festival, Melt! Festival, Warehouse Project, Motion Bristol, Resistance Ibiza, and the Gashouder for Awakenings x Adam Beyer presents Drumcode, among many more. Another stellar solo EP titled Phase II soundtracked the year and led to several more resume-building releases, such as his 2019 hit Chrome, which dominated Drumcode’s A-Sides Vol. 8 compilation, as well as another collaborative effort with Green Velvet on Fuzion; his inaugural release for Relief Records. Replete with creative aspiration and further seeking to express his unique perspective on the genre, 2020 saw the delivery of Giordani’s most complete and robust offering to date, with his sophomore album New Generation. Crafting a critically acclaimed sound through inspirations far removed from techno, the hyper- talented producer presented an opus that favoured ambiences and immersive city soundscapes. Giordani distilled the future into album form with these 11 tracks, citing a refined sound palette built on artistic vibrancy. The LP marked a decisive pivot in Drumcode’s production output, advocating Layton’s nouveau strain of modernised techno in its most tailored form. Diving headfirst into his career with unmatched tenacity, Layton Giordani has achieved more in a matter of years than most artists will in a lifetime and yet he’s still barely skimmed the surface of the possibilities that lie ahead. His unapologetic approach to composition and thirst for knowledge has ensured his seminal status as one of techno’s elite, as he continues to entrench himself as the industry’s new school luminary.Their RA profile lists Intec Digital, Renaissance, Drumcode, Relief Records and 2 more.Recently at Avant Gardner, Superior Ingredients, Randall's Island · often with SCRIPT, Adam Sellouk, CatLadyHi, none of them here that night
“Sprinkling her sets with everything from cheesy pop bangers to darkwave synth and acid house, Tony y Not’s razor-sharp yet free-spirited DJing empowers crowds to let loose and not take themselves too seriously.”
their own biography
the whole biography
Sprinkling her sets with everything from cheesy pop bangers to darkwave synth and acid house, Tony y Not’s razor-sharp yet free-spirited DJing empowers crowds to let loose and not take themselves too seriously. Combining discerning taste with a fun stage presence, the Zurich-born, New York based artist has graced the decks at world-leading clubs and events such as fabric, Watergate, teksupport, Stranger Than, Zamna, Public Records and Brooklyn Mirage, at festivals including Piknic Electronik Montreal, Fusion, Elements and Love Machine, and has released on some of the finest labels in electronic music (Kompakt, Nervous Records, Live At Robert Johnson, fabric records, Me Me Me and Ombra International). Her DJing style is open-minded and open-hearted, perhaps cycling through brooding cosmic disco, candied tech-trance, murky acid techno and ravey piano house, or blending bright techy acid with groovy vocal-led cuts and heart-opening indie. Drawing from the 1980s to the present day, she fluidly shifts between light and dark moods and delights in a sense of playfulness not always embraced by more serious-minded peers. The tracks she makes are similarly colourful and complex, often featuring a mid-tempo BPM, long builds and a celestial quality. They’re perfect at 2am in sweaty, laser-strewn nightclubs but work equally well at forest raves or under the open skies, dancing in the dust. As she continues to release on ever-impressive labels, Tony y Not has been collecting the gigs to match and has found herself supporting some of her biggest heroes. Tiga, Solomun, Michael Bibi, Jennifer Cardini, DJ Tennis, Dixon, LP Giobbi, Chaos in the CBD, Ben UFO and DJ Seinfeld are just some of the artists she’s shared bills with, testament to the respect she’s won from fans and peers alike and her ability to rock any party she’s booked at. Beyond the music, Tony y Not is determined to be a force for good in the scene. Supporting other women and female-identifying talent in the industry is a cause she’s passionate about, as is the emotional and psychological well-being of artists. In 2022, she launched the Safe Spaces Series on Spotify, interviewing fellow DJs and producers about mental health in the music industry. As her DJing and productions continue to communicate what words cannot, moving bodies and capturing hearts around the globe, Tony y Not is staying true to her mission: to spread joy and uplift others, both on and off the dance floor.Their RA profile lists Crosstown Rebels, Kompakt, Nervous Records, Live At Robert Johnson and 5 more.Recently at Elsewhere, Gabriela, House of Yes · often with Jimi Jules, Acid Alien, none of them here that night
“Lumia is a New York-based DJ, producer, and artist known for her hypnotic blend of bass-heavy house and whispered, left of center vocals.”
their own biography
the whole biography
Lumia is a New York-based DJ, producer, and artist known for her hypnotic blend of bass-heavy house and whispered, left of center vocals. She’s opened for artists like Bedouin, Chloé Caillet, Chase West, Tinashe, Patrick Mason, and Devault, and was dubbed “New York’s Coolest DJ” by The Cut. Her independently released debut EP Kite marks a major milestone—earning editorial support from Spotify, Apple Music, and Amazon, spotlighting on Insomniac Radio’s Artist Discovery series, and landing a support slot for Bedouin at Teksupport. Lumia’s music and presence continue to resonate across culture: she’s been featured in Office Magazine, interviewed by LP Giobbi for Femme House Radio on SiriusXM BPM, supported on air by Triple J, and has delivered sets for The Lot Radio, Ones to Watch, and Pinterest. Beyond the booth, Lumia is embedded in fashion and nightlife culture, having performed for global brands including Giorgio Armani, Marni, SSENSE, GANNI, and Gentle Monster. She represents a new wave of electronic artists, merging genre-defying sound with a sharp, multidisciplinary creative vision.Recently at Elsewhere, Arlo Williamsburg, Silencio · often with gia huy, Van Der Laan, Adrian Escobar, none of them here that night
Recently at 99 Scott Ave, Brooklyn Mirage, The Chocolate Factory · often with Paax, Gabatron, Jared Rado, none of them here that night
Recently at Brooklyn Steel, Brooklyn Mirage · often with Support, Franz Matthews, none of them here that night
often with Gordo, Harvy Valencia, none of them here that night
Recently at Kings Hall - Avant Gardner, Knockdown Center, Elsewhere
Recently at SILO, Knockdown Center · often with Amanda Usher, SebiLuca, J.Force, none of them here that night
names these artists often play with — not that night
- Adam Sellouk1 with Layton Giordani and 1 with Lumia
- After Ours1 with Eve Lauren and 1 with LP Giobbi
- Amanda Usher1 with Eve Lauren and 1 with LP Giobbi
- Chris Lake1 with AYYBO and 1 with Lumia
- Emily Bass1 with Eve Lauren and 1 with LP Giobbi
- gabby cocco1 with DJ Seinfeld and 1 with Kaskade
- GABSS1 with AYYBO and 1 with John Summit
- J.Force1 with Eve Lauren and 1 with LP Giobbi
130 said they were going.
The room
Randall's Island — 5 events and 159 distinct artists since Sep 2023.
Holds about 10,000.
Who put it on
EMW Presents — 31 events and 111 artists since Nov 2023.
Relentless Beats — 3 events and 47 artists since Sep 2024.