MERGE HALLOWEEN
TBA - Brooklyn, New York City
This night happened — Fri 31 Oct 2025
Press play
Who was billed10 artists
In the order the promoter listed them.
- Rødhåd
- next: Berghain in Berlin, Sat 14 NovLOLSNAKE
- next: RSO.BERLIN in Berlin, Sat 31 OctMatrixxman
- next: Fri 30 OctNe/Re/A
- Concrete Husband
- The Carry Nation
- next: Dead Letter No. 9, Sat 24 OctMike Servito
- JADALAREIGN
- next: Xanadu, Fri 30 OctMakadsi
- next: Good Room, Thu 22 OctS'aint Panic
Set times were not published.
Most of these artists had shared a bill before that night.
the pairs that have met
18 of the 45 pairings on this bill were first meetings.
- Mike Servito and JADALAREIGN — 10 shared bills before that night, first on Fri 4 Aug 2023.
- The Carry Nation and Mike Servito — 9 shared bills before that night, first on Sat 28 Oct 2023.
- The Carry Nation and S'aint Panic — 13 shared bills before that night, first on Sat 13 Jan 2024.
- Ne/Re/A and Concrete Husband — 7 shared bills before that night, first on Thu 31 Oct 2024.
- Concrete Husband and Makadsi — 5 shared bills before that night, first on Fri 16 May 2025.
- Ne/Re/A and S'aint Panic — 5 shared bills before that night, first on Fri 4 Oct 2024.
- Mike Servito and Makadsi — 5 shared bills before that night, first on Sun 1 Sep 2024.
- Ne/Re/A and The Carry Nation — 4 shared bills before that night, first on Fri 5 Apr 2024.
- Ne/Re/A and Mike Servito — 5 shared bills before that night, first on Fri 27 Oct 2023.
- Concrete Husband and The Carry Nation — 4 shared bills before that night, first on Fri 17 May 2024.
- LOLSNAKE and Makadsi — 2 shared bills before that night, first on Fri 31 Oct 2025.
- Concrete Husband and S'aint Panic — 2 shared bills before that night, first on Fri 27 Jun 2025.
- Rødhåd and The Carry Nation — 2 shared bills before that night, first on Fri 17 May 2024.
- The Carry Nation and Makadsi — 3 shared bills before that night, first on Sat 17 Feb 2024.
- Makadsi and S'aint Panic — 2 shared bills before that night, first on Sun 30 Jun 2024.
- LOLSNAKE and Matrixxman — 1 shared bill before that night, first on Fri 31 Oct 2025.
- Rødhåd and LOLSNAKE — 1 shared bill before that night, first on Fri 31 Oct 2025.
- Ne/Re/A and Makadsi — 2 shared bills before that night, first on Fri 27 Sep 2024.
- Matrixxman and Ne/Re/A — 1 shared bill before that night, first on Fri 17 Oct 2025.
- JADALAREIGN and S'aint Panic — 2 shared bills before that night, first on Fri 3 Nov 2023.
- JADALAREIGN and Makadsi — 1 shared bill before that night, first on Fri 11 Jul 2025.
- The Carry Nation and JADALAREIGN — 1 shared bill before that night, first on Fri 13 Jun 2025.
- Concrete Husband and Mike Servito — 1 shared bill before that night, first on Fri 16 May 2025.
- LOLSNAKE and Ne/Re/A — 2 shared bills before that night, first on Sun 24 Sep 2023.
- Mike Servito and S'aint Panic — 1 shared bill before that night, first on Fri 4 Oct 2024.
- Ne/Re/A and JADALAREIGN — 1 shared bill before that night, first on Sat 10 Aug 2024.
- Rødhåd and Concrete Husband — 1 shared bill before that night, first on Fri 17 May 2024.
Who they are
“Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene.”
their own biography
the whole biography
Rødhåd has been shaping his deep and driving signature sound for almost two decades since his early days in Berlin’s off-grid party scene. Starting with his first residency at the long-defunct Zementgarten in 2006, he went on playing venues and festivals of all sizes and magnitudes. Known for relentless DJ sets that meld uncompromising techno with highly emotional atmospheres and soundscapes, he’s managed to have a major impact on the world’s most cherished floors while remaining passionately independent. Rødhåd continues to abstain from excessive hype, staying very much connected to the community that formed him. In the last years he deepened his interest in the communal aspect of electronic music even further, curating excessive multipersonal live jams at places like Berghain or Dekmantel Festival. By launching Dystopian in 2009, first as a party series and later as a label, he made a distinct mark on Berlin’s techno landscape through a raw and honest vision, that felt true amid the city’s more dark and industrial edge. With releases from the likes of Alex.Do, Recondite, Distant Echoes or Rødhåd himself, Dystopian cemented itself as one of Berlins major techno trademarks throughout the decade of its existence. In 2017 Rødhåd released his debut LP Anxious, demonstrating his versatility as producer, spanning straightforward techno to dim and dusky ambient tunes. With his latest imprint, WSNWG, he created a platform for collaborative explorations in sound and texture with long-time companions and newfound friends alike. While the label’s core output remains a steady stream of dancefloor oriented 12”s it also released full-length albums that venture deeper into experimental and exploratory territories. The concept album series Out Of Place Artefacts (with Vril) takes the listener on a journey through deep introspection and otherworldly land- and soundscapes, while always always alluding to the rich tradition of electronic music in an abstract and mediated rather than direct way. Released in 2022, the LP In Vere (with JakoJako) departs from the characteristically dark and melancholic undertone of Rødhåd’s work, delving into lush, organic textures and ethereal, arpeggiated themes, also implementing elements of electronica. The sublabel WSNWG Back To Zero is devoted to solo releases and compilations, launched in 2020 through the highly acclaimed LP Mood, comprising archive material from 2017/2018, marking Rødhåd’s first purely ambient and experimental release, free of any dancefloor ambition. Over the years, Rødhåd has proved himself as a proponent of true craftsmanship, applying the same rigour to his work in the studio as to selecting and mixing records. Remaining hands-on, and keeping a down-to-earth mentality - steering clear of spectacle - has made him a long-established staple in the electronic music community.Their RA profile lists Cocoon Recordings, CLR, Token, Wolfskuil Records and 6 more.Recently at BASEMENT, Knockdown Center · often with Berghain, Dasha Rush, Victor (DE), none of them here that night
“Leaning into the hypnotic, the tension-building, and the euphoric release—Lolsnake (she/they) does not simply play to a room, she creates it.”
their own biography
the whole biography
Leaning into the hypnotic, the tension-building, and the euphoric release—Lolsnake (she/they) does not simply play to a room, she creates it. With a fluid, genre-defiant approach, her sets move between the reduced and the raw, the dramatic and the unpredictable, stirring up heady atmospheres and hypnotic moods on the dancefloor. Driving rhythms and intricate sound design sit alongside moments of startling emotional depth — a sonic signature that is at once intense and deeply feeling, cerebral and magnetically unpredictable. A regular at Berghain, Lolsnake is also the founder of Weeeirdos, a queer platform that champions subversive joy, curiosity, and community. As a DJ and visual artist, her multifaceted background fuels a perspective that is both boundary-pushing and deeply rooted in connection — her sets a constant balance between classic dancefloor accessibility and a desire to push at the edges of genre convention. In 2025, Lolsnake took her sound global, performing at Bassiani (Tbilisi), Basement NYC, WHOLE Festival, and returned to Berghain for several celebrated sets that reflected her evolving sonic palette. Her genre-crossing energy has also been showcased in guest mixes for Mixmag, DJ Mag, The Lot Radio, and Crack Magazine. Weeeirdos, which began in 2017 as a hybrid event combining live music, performance and visual art, has since become one of Berlin's most vital queer dance platforms. In 2023, it moved from OHM to a residency at Säule (Berghain). That same year, Boiler Room invited Lolsnake to curate a Weeeirdos live stream from Berlin's dungeon-like Nåpoleon Komplex. Lolsnake has since been asked to curate key events on the Berghain Mainfloor, The Ground (Space) Miami, Radion Amsterdam, and more. Born in California to Iraqi parents and raised in Oakland, Lolsnake's musical roots trace back to classical training in clarinet, saxophone, and bass clarinet. Her teenage years were shaped by a love of Depeche Mode, Underworld, The Knife, and the Arabic tapes of Oum Kalthoum and Fairouz. A move to Manchester in 2010 to study neuroscience immersed her in the UK's DIY rave scene. Berlin followed in 2014, where she found a deep sense of belonging in the city's queer nightlife. After a decade in Berlin, Lolsnake's sets have matured into shimmering constellations of rhythm — reduced and raw one moment, warm and euphoric the next, with mischievous curveballs at just the right moment. With plans to launch the Weeeirdos label and take the project on a global tour, she remains a powerful force in contemporary club culture: driven by feeling, rooted in community, and guided by no rules but her own.Recently at BASEMENT, The Chocolate Factory, Paragon · often with Säule, Berghain, Soundstream, none of them here that night
“Matrixxman is the alter-ego of Charles McCloud Duff.”
their own biography
the whole biography
Matrixxman is the alter-ego of Charles McCloud Duff. Although primarily known for production and DJ abilities within the realms of techno, his discography wields a staggering display of diversity having collaborated with names such as Depeche Mode, YG, Ty$, and Luci4. Despite having his initial breakout moment in 2013, he has consistently reinvented himself countless times over the years, staking his claim as a true innovator at the forefront of futuristic techno.Their RA profile lists The Grid.Recently at BASEMENT, Paragon · often with SUMME, ROBUS, Bailey Ibbs, none of them here that night
“Spanish DJ and producer, Ne/Re/A, a fixture of Brooklyn's teeming techno ecosystem for more than 10 years, has a distinctly energetic approach to the genre - relentless groove and unapologetically timeless.”
their own biography
the whole biography
Spanish DJ and producer, Ne/Re/A, a fixture of Brooklyn's teeming techno ecosystem for more than 10 years, has a distinctly energetic approach to the genre - relentless groove and unapologetically timeless. In 2021, Ne/Re/A was named resident DJ of the Brooklyn-based queer party, MERGE, which has served as a musical home and has allowed her to explore the depths of her sonic palette alongside a sophisticated rolodex of the genre's legends. She has played alongside DVS1, Boris, Phase Fatale, Wata Igarashi, Takaaki Itoh and Ancient Methods (to name a few). She cut her teeth as the founder and resident DJ of Distrikt1, the monthly weeknight party at Brooklyn's historic Bossa Nova Civic Club. She's played reputable parties in New York - Unter, Wrecked, Bound and many nights at the city's premiere institutions in BASEMENT, Nowadays, and Paragon. She's played at Berlin's Tresor, Pornceptual, Gegen and at the iconic queer pilgrimage, Whole Festival, BULTO and Video Club in Colombia and Brutal in Mexico City. Her collaborative project, Name Names, with DC-based DJ and producer Juana explores the darker shades of her repertoire, where driving propulsive techno are at the forefront. In 2025, her prowess grows, Ne/Re/A makes her debut in Asia at Taiwan's highly-regarded Organik Festival and Seoul's Volnost, plays notable parties in New York like Wire Festival, Berlin and South America, and continues her residency with MERGE. As a producer Ne/Re/A sharply blends industrial and EBM with melodic techno into her own concoction - a heady assemblage of punch and drive. In 2025 she just released a collaborative track with Clarisa Kimskii in Phase Fatale's BITE record label.In 2024 she released two new tracks for Maison Fauna “In the Dark” and Infra “Piercing the veil”. In 2020, she released her first EP "Your World Took Your Future" on the Industrial Techno United imprint. She's remixed tracks for Alpha Sect, Rennst and throughout the years has contributed tracks to Soil, NOTT, Pildoras Tapes, Sinister Desires and Eclectic Reactions record labels.Techno on 9, Electro on 6, EBM on 5 and Experimental on 5. styles on their catalogued releasesReleased on Bite (1), Eclectic Reactions Records (1) and InterplanetaryLtd (1); their RA profile also lists Pildoras Tapes, Sinister Desires, Lemos and Faceless. labels on their catalogued releases and on their RA profileRecently at BASEMENT, Knockdown Center · often with Juana, Auspex, Phase Fatale, none of them here that night
“Concrete Husband is a NYC-based producer, DJ, composer, and flutist whose work bridges hypnotic techno, contemporary composition, and surrealist sound design.”
their own biography
the whole biography
Concrete Husband is a NYC-based producer, DJ, composer, and flutist whose work bridges hypnotic techno, contemporary composition, and surrealist sound design. His forward-thinking dance records Piel and Pelvic Resonance, released on White Owl Records, received critical acclaim, with Document Journal describing his music as “redefining avant-garde composition.” Educated at New England Conservatory, he draws on a deep knowledge of musical history to create emotionally charged sonic narratives that blur the line between the sensual and the uncanny. His DJ sets move through hypnotic grooves and psychological tension. A fixture of the Brooklyn techno scene, he has been seen countless times at BASEMENT, Paragon, and Knockdown Center, as well as at WIRE Festival and Merge. He is a resident of the Mexico City collective Pervert. As a composer and flutist, he merges virtuosic performance with experimental approaches to sound. Integrating live flute into his work, he has developed a singular performance language that led Eartheater to invite him to open her 2024 international tour, alongside a headline debut at Silent Green. His compositions have been presented at Amant, MoMA PS1, Museum of Modern Art, MUNCH, and Palazzo Reale. He has also scored Dion Lee’s Shanghai Fashion Week presentation and contributed flute compositions to the A24 film Beau Is Afraid. Most recently, he released the experimental project "Where The Ashes Glow" on NNA Tapes.Techno on 2, Afrobeat on 1, Art Rock on 1 and Ethereal on 1. styles on their catalogued releasesReleased on White Owl Records (3) (2) and Gonzo Circus (1); their RA profile also lists NNA Tapes and White Owl Records. labels on their catalogued releases and on their RA profileRecently at Paragon, Bossa Nova Civic Club, BASEMENT · often with Juana, VILE, Juliana Huxtable, none of them here that night
“Nita is a noted member of the legendary House of Aviance.”
their own biography
the whole biography
Nita is a noted member of the legendary House of Aviance. She started DJing around the turn of the millennium and was a resident at the infamous Mr. Black and Westgay, both touchstones for queer artistry and culture in downtown nightlife of the early 2000's. Will has deep roots in NYC club culture, having worked at The Loft and collaborated closely with David Mancuso, holding residencies at many of the downtown New York clubs over the years including The Limelight, Life and Vandam. After dividing his time between NYC and Paris, working on music with fashion houses such as Issey Miyake, Vivienne Westwood and Yves Saint Laurent, Will returned to DJing dance floors when he co-created SPANK with partners Sean B & Jason Roe. What started as a basement dance party evolved into a roving art-based warehouse party along with a namesake zine. SPANK began to work closely with Horse Meat Disco and the close relationship with that crew has extended in various forms through the years into the present. Currently, Nita and Will perform globally as both individual DJs and, more often, as a duo --they are most recognized for epic extended B2B sets and their wildly successful monthly queer party (also known as The Carry Nation) at Brooklyn's Good Room. Their range is wide and exciting, and in the New York tradition they effortlessly flow through genres and time periods while keeping a modern edge. Since the inception of The Carry Nation, the duo has toured the world extensively including Glastonbury’s Block 9 and Berlin’s Berghain/Panorama Bar among many others. They also have a residency at Ladyfag's flagship monthly Battle Hymn. As producers, their credits include releases and remixes on Get Up Recordings, Classic Music Company, TRIBAL, Nervous, TRAX, Batty Bass, TWIRL, W&O Street Tracks and more. Their latest venture is Major Records, an imprint they co-founded with Justin Cudmore to showcase their Majorettes collaboration with releases that are setting dancefloors alight with a fresh but classic house vibe that stays rooted in the excitement of New York’s history and underground.House on 28, Tech House on 7, Techno on 4 and Deep House on 5. styles on their catalogued releasesReleased on Nervous Records (2) and Cómeme (1); their RA profile also lists Batty Bass Records, HNYTRX, Twirl, Good Company Records and 1 more. labels on their catalogued releases and on their RA profileRecently at Umbra, BASEMENT, Good Room · often with Nita Aviance, Will Automagic, Kim Anh, none of them here that night
“Some DJs burst upon the scene like a supernova, fading just as quickly.”
their own biography
the whole biography
Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releasesReleased on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profileRecently at Paragon, Dead Letter No. 9, BASEMENT · often with Shaun J. Wright, S4M23, Justin Cudmore, none of them here that night
- Techno on 4, Jungle on 3, House on 3 and Drum n Bass on 2. styles on their catalogued releasesReleased on HAUS of ALTR (3) and Sorry Records (1). labels on their catalogued releases
Recently at The Lot Radio, Nowadays, public records · often with Ash Lauryn, Donis, Omer Mil, none of them here that night
“Makadsi continues to impress.”
their own biography
the whole biography
Makadsi continues to impress. This Brooklyn-based DJ/Producer, hailing from Zahle Lebanon, owns the underground scene with his signature sound merging Arabic influences over cross-genre sets. He is a resident and co-founder of FUNCTION, a space where he has cultivated a dance floor that honors the natural, vibrant diversity of New York City. NY’s BASEMENT dubbed Makadsi as the “rave activator”. 2025 saw Makadsi deepen his footprint across Europe. He returned to Glastonbury for a second year, this time on the IICON stage, and debuted at Horst Arts & Music Festival in Belgium. Summer took him from Honey Dijon's Chinois in Ibiza to Geggen x Pornceptual for Berlin Pride, Body Movements in London, the main stage at Madrid's MADO Pride, and Adonis for London Pride. French-German network ARTE profiled him for their Tracks series, spotlighting how he threads Arabic divas through techno beats. Back stateside, he played in the iconic Texas room for the 4th Annual Wire Festival in Brooklyn, NY further cementing his role in the heart of the city's underground. 2024 was no less impressive, with Makadsi’s debuts in Ibiza at Palmarama, Glastonbury Festival's iconic NY Downlow stage, Berlin's Pornceptual, Honey Dijon’s House Nation in Brooklyn, and NITSA's 30th birthday in Barcelona. 2023 was nothing short of monumental for Makadsi, taking FUNCTION on the road alongside Beyoncé’s Renaissance World Tour. As the Creative Director and architect for the Renaissance album and Renaissance World Tour, he booked opening DJ acts featuring familiar darlings of the Queer Underground scene (Arca, Shygirl, and more). He ended the tour with his own opening set for Beyoncé's last show in Kansas City. Topping off the year, Makadsi opened for Madonna’s Celebration Tour in Brooklyn.Recently at Paragon, Signal, H0L0 · often with Sterling Juan Diaz, Dangerous Rose, FASHION, none of them here that night
- House on 1. styles on their catalogued releasesTheir RA profile lists Nervous Records.
Recently at Good Room, Bossa Nova Civic Club, Love's Club · often with Alissa Brianna, Will Automagic, Nita Aviance, none of them here that night
names these artists often play with — not that night
- Nita Aviance35 with The Carry Nation, 14 with S'aint Panic and 10 with Mike Servito
- Juana14 with Ne/Re/A, 9 with Concrete Husband and 4 with S'aint Panic
- Kilopatrah Jones8 with Mike Servito, 6 with Makadsi and 5 with Concrete Husband
- Ron Like Hell8 with Ne/Re/A, 5 with Concrete Husband and 3 with S'aint Panic
- Will Automagic35 with The Carry Nation and 15 with S'aint Panic
- Alissa Brianna18 with S'aint Panic and 16 with The Carry Nation
- Clarisa Kimskii20 with Ne/Re/A and 5 with S'aint Panic
- Justin Cudmore13 with Mike Servito and 4 with JADALAREIGN
Sound
House and Techno.
styles on the acts’ catalogued releases1,963 said they were going.
The room
TBA - Brooklyn — 106 events and 400 distinct artists since Aug 2023.
Most-tagged here: Techno (6). genre tags on this room’s listings
Who put it on
MERGE — 39 events and 136 artists since Aug 2023.