Who was billed5 artists
In the order the promoter listed them.
- next: Dead Letter No. 9, Sat 24 OctMike Servito
- next: Dead Letter No. 9, Fri 23 OctLauren Flax
- next: Signal, Thu 5 NovS4M23
- next: Good Room, Thu 22 OctElle Dee
- Kellam Matthews
Set times were not published.
Most of these artists had shared a bill before that night.
the pairs that have met
2 of the 10 pairings on this bill were first meetings.
- Mike Servito and S4M23 — 6 shared bills before that night, first on Sat 20 Dec 2025.
- Mike Servito and Lauren Flax — 7 shared bills before that night, first on Sat 23 Dec 2023.
- Lauren Flax and Elle Dee — 5 shared bills before that night, first on Sat 23 Dec 2023.
- Elle Dee and Kellam Matthews — 4 shared bills before that night, first on Sat 23 Dec 2023.
- Lauren Flax and S4M23 — 2 shared bills before that night, first on Sat 20 Dec 2025.
- Mike Servito and Elle Dee — 4 shared bills before that night, first on Sat 21 Oct 2023.
- Mike Servito and Kellam Matthews — 2 shared bills before that night, first on Sat 23 Dec 2023.
- Lauren Flax and Kellam Matthews — 2 shared bills before that night, first on Sat 23 Dec 2023.
Who they are
“Some DJs burst upon the scene like a supernova, fading just as quickly.”
their own biography
the whole biography
Some DJs burst upon the scene like a supernova, fading just as quickly. Others take years, even decades, to make their way—but those are the ones who make the most impact, thanks to a lifetime of accumulated musical wisdom. Mike Servito is a prime example of the latter. His career is one that’s defined by a slow and steady rise to upper ranks of the deejaying realm—and along the way, he’s perfected a jacking style that equal parts house, acid and techno, a sound that pays homage to the past while being very much of-the-moment. A Detroit-area native, Servito got his early education by tuning into the Electrifying Mojo and the Wizard (Jeff Mill’s radio moniker). By the early ’90s, Servito was primed to try his hand at the deejaying arts, “I was just kind of cocky about it,” he says. “I knew I could do it.” And he was right—in the DJ hotbed of Detroit, internalizing knowledge gleamed from the likes of Mike Huckaby and Claude Young, he kept working at it until he established himself as a force to be reckoned with in the Motor City circuit, eventually becoming a member in good standing with the inner circle of Ghostly International. But Servito felt the need for a change from the sometimes insular environment of Detroit. By the late ’00s, he was living in NYC with no real game plan in place. As it turned out, he didn’t really need one—he soon fell in with the city’s premier techno party, The Bunker, becoming one of its mainstay residents. Around the same time, he was beginning to make his presence known on a global scale, packing dance floors with gigs around the States and around the world. But it was a hometown festival snub in 2014 that really got things going. Servito had played Movement once before, in 2011. “And between then and 2014,” he recalls, “I had been playing so many Bunker parties, playing so many great gigs and my profile was rising—so I was sure they would book me again.” The invite never came. Instead, he booked himself at every Movement after-party he could, one of which was the annual No Way Back, a legendary throw down hosted by The Bunker New York and Detroit’s Interdimensional Transmissions label. The set, a riotously sweaty bleeps-and-beats affair, was recorded for posterity; unexpectedly but deservedly, it garnered a nod as the year’s No 1 online Mix of the Year on Resident Advisor. That was the spark that set Servito’s career aflame, the push that took him to the top. Since then, he’s cemented his status as one of the most respected spinners around, regularly manning the decks at such hallowed halls as Berlin’s Panorama Bar, London’s XOYO and Tokyo’s Contact, not to mention the world’s best festivals—including, of course Movement. And to this day, his approach to deejaying is refreshingly simple: “I really don’t think about it,” he says, “When I’m playing, I just dive in, and I’m OK.” He’s far more than okay—he’s one of the best around.Techno on 7, Acid on 5, House on 5 and Acid House on 3. styles on their catalogued releasesReleased on The Bunker New York (2) and Interdimensional Transmissions (1); their RA profile also lists Firehouse and Honey Soundsystem. labels on their catalogued releases and on their RA profileRecently at BASEMENT, H0L0, Green Room NYC · often with Shaun J. Wright, JADALAREIGN, The Carry Nation, none of them here that night
“Lauren Flax has been a lifelong musician, starting to play the drums at 8 years old before continuing on to guitar and bass in high school.”
their own biography
the whole biography
Lauren Flax has been a lifelong musician, starting to play the drums at 8 years old before continuing on to guitar and bass in high school. She began her DJ career in the underground dance and rave scenes of Detroit as a resident at the Motor Lounge, playing every Tuesday night along with resident DJs Mike Servito, DJ Dilemma, Jason Kendig, and Derek Plaslaiko. Flax played the very first Detroit Electronic Music Festival in 2000 on the Motor stage. While originally starting off as a jungle DJ, Flax evolved her style into a variety techno, house, and electro music. Flax moved to Chicago in 1999, where she honed in on music production while continuing to DJ. By 2002, she relocated again to Manhattan, which shortly followed the release of her first remix, "Much Finer" for Le Tigre. In 2018, Flax was introduced to DJ Haus by fellow Detroit musician and friend Jimmy Edgar, to which he quickly signed a record, resulting in "Dance Trax Vol. 16" (2018). In 2019, Flax joined the mostly Detroit-born New York collective The Bunker New York,[1] on which she released "One Man’s House is Another Woman’s Techno EP" (2019). The EP was highly successful and sold out quickly. Flax met with Brooklyn-based record label 2MR in 2019, curious to explore beyond the realm of dance music. She remixed 'Breathe' by label-mate Pale Blue, and that ended up inspiring Flax's new style of music. After the remix was released, Flax took to writing a 6 track EP, merging genres of ambient, acid house, and much more, set to come out in Summer 2021. Flax started touring the United States and Europe as a solo artist in 2019, performing live analog sets, pushing the boundaries of what a DJ is defined as.House on 39, Techno on 22, Acid House on 13 and Electro on 17. styles on their catalogued releasesReleased on WRKTRX (3), Aliens On Wax (1) and House Of Efunk Records (1); their RA profile also lists Defected Records, !K7, Toolroom Records, Nervous Records and 6 more. labels on their catalogued releases and on their RA profileRecently at Nowadays, Paragon, Dead Letter No. 9 · often with Sevyn 0000, Austin Kunis, Costume Design, none of them here that night
“Sam discovered her love for electronic music at a young age while surfing YouTube, which has sent her into a lifelong digging rabbit hole.”
their own biography
the whole biography
Sam discovered her love for electronic music at a young age while surfing YouTube, which has sent her into a lifelong digging rabbit hole. Her sound reflects a deeply informed ear and reverence for dancing, pulling from her coming of age experience on the floors at raves and clubs. Her work as a DJ and producer leans into mutant sonic collisions, channeling the spirit of midwestern electronics through acid-infused, tracky body music.Trance on 3, Techno on 2, Hardcore on 2 and Ambient on 1. styles on their catalogued releasesReleased on RAVE4EVAR (1), Yearning (1) and low income $quad (1); their RA profile also lists Evar Records and Gyration Station. labels on their catalogued releases and on their RA profileRecently at Bossa Nova Civic Club, Paragon, BASEMENT · often with Miss Parker, MORENXXX, Erika, none of them here that night
“The New York City-based multi-disciplinary artist has been a fixture of the city's club scene for over a decade.”
their own biography
the whole biography
The New York City-based multi-disciplinary artist has been a fixture of the city's club scene for over a decade. Their sets are known for their remarkable flow and captivating energy, making them a must-see for techno enthusiasts. Elle's music selection has landed them gigs at New York's most iconic venues like Knockdown Center, Basement, Nowadays, Public Records, and more. They have also collaborated with renowned promoters around the world, including Pornceptual, Mala Junta, Wrecked, Merge, and Mamba Negra from their hometown São Paulo, Brazil. In 2020, their event series Mild Fantasy evolved into a record label and global platform in collaboration with Veneno Radio. This endeavor has amplified the voices of the queer and non-binary community within the electronic music scene.Techno on 3, Acid on 1 and Ambient on 1. styles on their catalogued releasesReleased on High Noon Music (1), Subsist (1) and VRAAA Records (1); their RA profile also lists Bound. labels on their catalogued releases and on their RA profileRecently at BASEMENT, public records, Le Bain · often with Juana, KYRUH, Auspex, none of them here that night
“Kellam Matthews runs the party/label Frendzone”
their own biography
Recently at Good Room, Bossa Nova Civic Club, Jupiter Disco · often with Mr. Murray, Sarah Wreath, Elisa Batti, none of them here that night
names these artists often play with — not that night
- The Carry Nation10 with Mike Servito and 3 with Elle Dee
- Carlos Souffront8 with Mike Servito and 2 with S4M23
- Jeffrey Sfire7 with Mike Servito and 3 with S4M23
- Magda7 with Mike Servito and 2 with S4M23
- Justin Cudmore13 with Mike Servito
- Shaun J. Wright12 with Mike Servito
- JADALAREIGN11 with Mike Servito
- Nita Aviance10 with Mike Servito
Sound
House and Techno.
styles on the acts’ catalogued releases482 said they were going — about like a usual Saturday at Good Room.
how this compares
- Median final count, Saturdays at Good Room422
- Middle half finished between274 and 566
- Past Saturdays at this venue counted156
The room
Good Room — 477 events and 1,024 distinct artists since Aug 2023.
Holds about 500.
Most-tagged here: House (6) and Techno (3). genre tags on this room’s listings
Who put it on
Frendzone — 4 events and 9 artists since Dec 2023.