A Celebration of Danny Tenaglia - 50 Years Behind the Decks

Who they are

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  Danny Tenaglia

  New York City · 24 bookings since Aug 2023

  “The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music.”

  their own biography

  the whole biography

  The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves. The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness. Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between. In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever. Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally." And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs.
  SoundCloud ↗Discography ↗
  Their RA profile lists Hooj Choons, Global Underground, React Records, Azuli and 3 more.

  Recently at public records, Under the K Bridge, Sunset Park Rooftop · often with Kilopatrah Jones, LEFTI, Hot Since 82, none of them here that night

• George Vidal

• Alain Lopez

  2 bookings since Mar 2024

  Recently at Nectar · often with Dimatteo, Kofman, Michelangelo, none of them here that night

• borali

  7 bookings since Aug 2023

  Recently at The Ornate Studio, Harriet's Rooftop, Arlo Williamsburg · often with Inpluk, Peter Napoli, Sleepy & Boo, none of them here that night

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  Manny Ward

  Pennsylvania · 14 bookings since Sep 2023 · Nervous Records rooftop house

  “Manny Ward has always been around music, as most musicians are.”

  their own biography

  the whole biography

  Manny Ward has always been around music, as most musicians are.  As luck would have it, he grew up with a Mom who’d send him out to buy records for her many house parties because he had a knack in finding great music that was not always charted.  His stepdad produced R&B and Soul for artist like Jocelyn Brown, and Evelyn Champagne’ King. His step dad brought him out to his first club experience at the Funhouse in NYC.  Then there was the fateful meeting with the Godfather of House; Frankie Knuckles in the early 90s who took Manny under his wing and launched his DJ career in NYC. Through these journeys of following music, from DJ-ing when he was in the military at base parties, to playing along side Frankie Knuckles at New York’s famous Roxy, Sound Factory Bar, Tunnel, and regular gigs at Stereo in Montreal, to eventually producing his own remixes and tracks. Some of them now cult classics. This Staten Island boy saw a dream realized.  Then this prolific talent left the industry for a few years only to be returned at the request of his friends/teachers Angel Moraes, Danny Tenaglia, and David Morales. This made him realize this was his calling.  And thank goodness he did return.   This second phase of his career has seen many more milestones as he ramped up his production skills with notable remix opportunities.  He has been able to collaborate with many talented producers and musicians, including Celeda, Lula, and DJ Gomi, with whom he reintroduced legendary Sandy B with new original music written by all three. “Resilience” was the result and has graced many DJ charts and on Hector Romero’s 2019 Weaving Genres compilation. In the Fall of 2017, he was asked by the legendary Nona Hendryx to remix a single off of her new album with Soul Clap.  He enlisted long-time friend, Curtis Atchison (Midnight Society) to help out, with whom he had recently collaborated on a floor banger “Big Mouth” on Twisted Records.    That Fall, Retrotech was born. This partnership has proven fruitful as a DJ duo as well. They were given several remix opportunities in 2018. Black Stereo Faith (Ultra Naté & Quentin Harris), Lenny Kravitz, Nenah Cherry, Stevie Nicks, and Kiwi Dreams and much more to come. Incidentally, Kravitz’ “Low” became his first #1 Dance on Billboard.  Manny has continued doing solo work putting out a single with remixes on DJ Pierre’s Afro Acid Records in 2019, which was getting recognition by DJ’s such as Danny Tenaglia before it even came out! In between, he’s also been busy DJ-ing, criss-crossing the country, and a regular participant at ADE in Amsterdam, and N Y’s legendary party Birdcage.  With everything going on, be sure to keep a watch on Manny’s next move because it will be nothing but delightful and surprising. Contact info: DJMannyward.com Facebook: https://www.facebook.com/manny.ward https://www.facebook.com/MannyWard.dj/ Instagram:@MannyWard Sent from my iPhone RETROTECH: Retrotech is Manny Ward and Curtis Atchison. The name comes from a party the duo created for which they and their guest DJ’s could play music that reflected their love of dance music, old and new. Previous to this collaboration, each had and still maintain an active DJ-ing schedule, as well as an impressive discography as producers. Friends for well over 20 years, they decided to work on a track together back in 2015 entitled “Big Mouth” released on Twisted Records to very good success. After that, they knew their collaborative efforts just meshed well and that the end-product was a sound that was uniquely theirs. Their talent was not lost when remix opportunities included Nona Hendryx, Black Stereo Faith, Lenny Kravitz, Neneh Cherry, Kiwi Dreams, Ultra Nate, Stevie Nicks to name a few were presented to them. In October 2018, Lenny Kravitz hit the top of the Dance charts for the first time with “Low”, for which they contributed a house remix in the release. This past NYC World Pride their remix of the newly visited dance music anthem classic “Free” by Ultra Nate was debuted in NYC to rave reviews.
  Their RA profile lists King Street Sounds, Nervous Records and SoundGroove Records.

  Recently at The Ornate Studio, The Chocolate Factory, The Woodshop · often with Peter Napoli, Riccardo Tavarez, Eric Umble, none of them here that night

• Rob Sperte

  2 bookings since Mar 2025

  Recently at Good Room · often with Miss Alicia, Quantic, Matthias Heilbronn, none of them here that night

• Jeffrey Cheng